Collage - Are the techniques of an art production

used in the visual arts, where the artwork is made

from on assemblage of different forms, thus
creating a new whole.
Collage may sometimes include magazines and
newspaper clippings, ribbons, paints, bits of
colored or handmade papers, portions of other
artwork or texts, photographs, and other found
objects, glued to a piece of paper or canvas.

Decollage - Is the opposite of collage; instead of an

image is being built up all or parts of existing
images, it is created by cutting, treating away or
otherwise removing pieces of an original image.
The French word “Decollage” in English means
“Take-Off” or “To become Unglued” or “To
become unstuck”.  Example of decollage include
cut-up technique. Similar technique is the
lacerated poster, a poster in which one has been
place over another or others, and the top poster or
posters have been ripped, revealing to a greater or
lesser degree the poster or posters underneath.
Land Art - Earth works or earth arts is an art
movement in which landscape and the work of art
are inextricably linked. It is also an art form that is
created in nature, using natural materials such as
soil, rock (bed rock, boulders, stones), organic
media (logs, branches, leaves), and water which
introduced materials such as concrete, metal,
asphalt, or mineral pigments. Sculpture is not
placed in the landscape rather; the landscape is
the means of their creation. Often earth moving
equipment is involved. The works frequently exist
in the open located well away from civilization,
left to change and erode under natural conditions.

Graffiti - Are writing or drawings that have been

scribed, scratched, or painted illicitly on a wall or
other surface, often in a public space. Graffiti
range from simple written words to elaborate wall
paintings.
Graffiti may express underlying social and political
messages, and a whole genre of artistic expression
is based spray paint graffiti styles. An example of
this is the Singapore art Bridge just beside the
Oxford Hotel where the writer stayed in their visit
to Singapore. It is said to be painted by a Batanes-
born artist.

Mixed Media - It refers to the artwork in the making

of which more than one medium has been
employed. It refers to a work of visual art that
combines various traditionally distinct visual art
media. For example, work on canvas that combines
paint, ink, and collage.
When creating a painted or photograph work using
mixed media, it is important to choose the layers
carefully and allow enough dying time between the
layers to ensure the final work will have structural
integrity, if many different layers are imposed.
Many effects can be achieved by using mixed
media. Found objects can be used in conjunction
with the traditional artist to attain a wide range of
self-expression.
Is an artistic work or practice that uses digital
technology as an essential part of the creative or
presentation process. Digital art is placed under
the larger umbrella term new media art.
Digital Art - After some resistance, the impact of
digital technology has transformed activities such
as paintings, drawing, sculpture, and music/sound
art, while new form such as net art. Digital
installation art, and virtual reality have become
recognized artistic practices. More generally the
term digital artist is used to describe an artist who
makes use of digital technologies in the production
of art.
Digital Art is a term applied to contemporary art
that uses the method of mass production or digital
media.
The techniques of digital art are used extensively
by the mainstream media in advertisement and by
film-makers to produce visual effects. Both digital
and traditional artist use many sources of
electronic information and programs to create their
work.
Print – Making - Is the process of making artworks
by painting, normally in the paper. Prints are
created by transforming ink from a matrix or
through a prepared screen to a sheet of paper or
other material. Common types of matrices include
metal plates, usually copper or zinc, or polymer
plates for engraving o etching; stone aluminum or
polymer for lithography; blocks of wood crafts and
wood engraving; and linoleum for linocuts. Screens
made of silk or synthetic fabrics are used for the
screen-printing process.

PAINTING
            Early Filipinos painting can be in red chip (clay
mixed with water) designs embellished on the ritual
pottery of the Philippines such as the Manunggul
Jar which is an example of burial jar. 
             Philippine pottery has been a long tradition,
and evidence of this pottery-making has been found
in Sanga-Sanga, Sulu and Laurente Cave in Cagayan.
▪      Pottery began the making of earthenware
articles for domestic use as a cooking vessel and storage
container.
▪      The early pots were made by hand-molding or the
use of paddle and vessel in building the walls of pots.
▪      Incised design also appeared in the pots in Masbate.
▪      Among the finest of early Philippine pottery
designs are footed dishes that were decorated
with geometric cut-outs, molding, cording, or finger
impression, most of them were made in Batangas.
▪      At this time, ship ( a mixture of clay and
water) rather than glazes is still used by Filipino Potters
to seal pottery, and the pottery is open-fried ( fried in a
bonfire rather than an oven)
 
BURNAY  UNGLAZED CLAY POTTERY OF
VIGAN
▪      The pottery traditions of Burnay is among the pottery
traditions that have been maintained
▪      Further evidence of painting is manifested in
the tattoo tradition of early Filipinos who were now
referred to as Pintados or the “Painted
People” of Visayas.
PINTADOS
▪      Various designs referring flora and facing
with heavenly bodies decorate their bodies with various
colored pigmentation.
 ▪      Some of the most elaborate painting done by early
Filipinos that survive to the present are manifested among
the arts and architecture.
NAGA DRAGONS
 
   
 ▪      Among are the early modernist painters such
as Damian Domingo, Juan Luna, Felix Hidalgo.
▪      Elito Circa is known as “ Amang Pintor” who
gained recognition by using his hair to make his paint
brushes and reigns his painting with his blood on the
right side corner.
INDIGENOUS ART
▪      The Itneg people are known for their intricate
woven fabrics.
▪      The “Binakol”, which features designs that
incorporate optical illusions woven fabrics
of “Gadang”, people usually bright red tones.  Their
weaving can also be identified by beaded ornamentation.
 
 ▪      A folk artist of Pantabangan was a pioneer for
using indigenous materials and natural raw
materials including human blood. Many Filipino
painters were influenced by this and started using these
materials such as an extract from onion, tomato, tuba,
coffee, molasses and other materials available
anywhere.
▪      The lumad people of Mindanao such as B’Lan,
Mandaga, Mansaka, and T’Boli are skilled in the art of
dying abaca fiber. The fiber is dyed by a method
called “Ikat”. Ikat fibers are woven into cloth with
geometric patterns depicting human, animal and plant
leaves.

 
SARIMANOK
▪      Is the most well-known design which represents a
fowl with wings, feathered tail  and a head decorated with
ornaments of scroll and painted motif of leaves, spirals
and feather-like forms.
HAGABI
▪      A wooden chair of Ifugao which symbolizes
his status as a citizen in the community.
▪      It depicts wealth and power of the owner who is
called Kadanagyan or a person who belongs to
the highest status in the society.
▪      At present, Hagabi may have different shapes which
is called Ngiwi, it’s like a head of an animal with an
elongated nose and two big ears.
  
 
ISLAMIC ARTS
▪      This kind of art has two main artsitic style.
▪      One is carved- line. Woodcarving and metal working
called Okir, similar to the Middle Eastern Islamic Art. 
This style is associated with men.
▪      The other style is geometric tapestries and is
associated with women.
▪      The Tausug and Sama-Bajau exhibit their
own Okir on elaborate markings with a boat like
imaging.
▪      An Okir design, the scroll is the dominant
feature in the men’s work which composed of various
spiral forms.
▪      In contrats, the zigzag and angular forms are the
dominating motifs in women’s geometric art, Okir – a –
Bay (ladies design)
▪      The most popular Malong style is the land cap which
is either dominantly red, yellow, green, blue or violet.
▪      Red is the favorite color along with yellow. These
colors stand for royalty or aristocracy.
   
 ▪      The Bagobo are proud people with proto Malayan
features.
▪      They are noted for their skills in producing brass
articles through the ancient lost- wax process.
 

 ▪      These people weave abaca cloths of earth

tones and make baskets that are trimmed with beads,
fibers and horse’s hair; weapons made by Muslim
Filipinos such as Kampilan  are skillfully carved.
 
 
KUT-KUT ART
▪      This is a technique
combining Oriental and European art process
▪      The techniques were practiced by the indigenous
people of Samar.
▪      Kut –kut is an exotic Philippine art form based on
early century techniques Sgraffito.
▪      The merging of this ancient styles produces a unique
artwork characterized by delicate swirling interweaved
lines, multi-layered texture and an illusion of three-
dimensional space.

 PERFORMING ARTS
MUSIC
▪      The early music of the Philippines featured
a mixture of indigenous Islamic and a variety of Asian
sounds.
▪      Spanish settlers and Filipinos played a variety of
musical instruments, including flutes, guitar, ukulele,
violin, trumps, and drums.
▪      They performed songs and dances to celebrate festive
occasions. By the 21st century, many of the folk songs and
dances have remained intact all through out the
Philippines.
▪      Modern day Philippines featured several styles. Most
genres are contemporary such as Filipino rock, Filipino
hip-hop, and another musical style. Some are traditional
such as Filipino folk music.
DANCES
▪      Philippine folk dances include the “Tinikling” and
“Cariñosa”.
ARCHITECTURE
▪      The Spaniard introduced stones as housing ang
building materials. Spanish architecture can be found
in Intramuros Manila, Vigan, Lipa Batangas, Ilo-ilo,
Jaro, Zamboanga City, Bacolod and other parts of the
Philippines.
▪      The nipa hut (Bahay-kubo) was the most common
form of housing among the native Filipinos.
▪      Most primitive houses are built on stilts due to
frequent flooding during rainy season. On longer stilts on
coastal areas particularly if the structure is built over
water.
▪      The architecture of other indigenous people may be
characterized by an angular wooden roof, bamboo is
placed leafy thatching and ornate word carvings.
▪      Contemporary architecture has a distinctively
western style although Pre-Hispanic housing is still
common in rural areas. American style suburban gated
communities are popular in the cities. Islamic and other
Asian architecture are depicted on buildings such as
mosque and temples.
Creativity and Resourcefulness are inherent among the
Filipinos of the past and the present. The qualities and
evident in the artwork Filipinos produce from the
painting to fabrics. What had been discussed in this
lesson are the traditional techniques applied by our
artists or even the ordinary people with an inclination in
the art, in coming up with their particular artwork like
the art of dying abaca. Fiber by the Lumad of Mindanao,
the Pintados who painted their bodies with various
colored pigmentation and the Itneg people for their
intricate woven fabrics.

CONCEPT IN INTEGRATED ARTS PRODUCTION

SUBJECTS
            Refers to any person, objects, scene or
event described or represented in a work of art.
Some arts have subjects; others do not. The arts
that have subject are called “Representational” or
“Objective Arts.” Those that do not have are called
“Non-Representational” or “Non-Objective Arts.”
            Painting, sculpture, graphic arts, literature
and the theater arts are classified as
representational. Music, architecture, and many of
the functional arts are non-representational.
            The non-objective arts do not present
descriptions, stories, or references to identifiable
objects or symbols. Rather, they appeal directly to
the senses primarily because of the satisfying
organization of their sensor and expressive
elements. Most musical pieces are mot imitations
of natural sounds, but we enjoy listening to them
because the sounds have been pleasingly arranged
and because they evoke a certain emotional
response in it.
            Most contemporary painters have turned
away from representational to non-objective
painting. They have shifted their attention to the
work of art as an object in itself, as an exciting
combination of shapes and colors that fulfills and
aesthetic need without having to represent images
or tell a story.
Kinds of Subjects
1.Landscape, seascapes, and cityscapes
2.Still Life
3.Animals
 4.Portraits
5.Everyday Life
6.History and Legend
7.Figures
8.History and Mythology
9.Dreams and Fantasies
MEDIUM
            Refers to the material or means which the
artist uses to objectify his feeling or thoughts;
Pigments in painting; stone in architecture; sounds
in music; words in literature; and body movements
in dance.
            When an artist proceeds to give shape to
his vision, his first thoughts are on what medium to
employ. The are no fixed rules governing the
choice of materials and processes to use.
            An artist choice is usually influenced by
practical conditions as the availability of material,
the use to which the art object will be put, the
idea that he wants to communicate, and nature
and especially the characteristics of the medium
itself. The artist normally selects the material that
he can handle and that would best suit his purpose
as well as adequately bring out the qualities that
he wants to show.
 FORM
            Refers to the physical qualities or
characteristics of the image. It’s about the use of
color, lines, space, and other elements. These
elements are arranged to observe unity, harmony,
rhythm, and other principles of design in the
production of a particular artwork.

CREATION OF THE FINAL PRODUCT

THE ELEMENTS OF VISUAL ARTS
LINE
            Line- Line is defined as a point moving in
space where its length is greater than its width.
Lines can be two or three dimensional, implied or
abstract. Different types of lines include
continuous, broken, jagged, vertical, horizontal, or
diagonal. Lines are the foundation of drawing.

Line - Mr. Badger's art class. (n.d.). Google

Sites. https://sites.google.com/site/mrbadgersartclas
s/kindergarten-home/welcome-to-art/line
 COLOR
Color- There are three different components to
color, there is hue which is the name we give the
color (red, yellow, blue, etc.), intensity, which
refers to the vividness of the color (intensity can
also be referred to as saturation or purity), and
value meaning how dark or light a color is. Color
can be used symbolically or to produce a pattern or
to show contrast in a piece.
RGB LED color mixing - Springtree LED. (2020,
October 31). Springtree
Media. https://www.springtree.net/audio-visual-
blog/rgb-led-color-mixing/
VALUE
Value- Value is the lightness or darkness in color.
The lightest value is white and the darkest value is
black. The difference between values is contrast.
You can study the use of value in monochromatic or
black and white pieces of art.
Friday art feature | Value in art, elements of art, art
basics. (n.d.).
Pinterest. https://www.pinterest.ph/pin/72198338398
2626056/
SHAPE
Shape- Shape is the result of closed lines, they are
two dimensional and flat. Shapes can be geometric,
such as squares or triangles or they can be organic
and not have defined parameters and are more
curved and abstract. Shapes in art can be used to
control how the viewer perceives a piece.
The ABCs ofart- Printable art materials on the
element of shape. | Art worksheets, elements of
art, art curriculum. (2011, March 23).
Pinterest. https://www.pinterest.ph/pin/21321798
206487387/
FORM
Form- When shape acquires depth and becomes
three dimensional, it takes on form. Three-
dimensional art has an actual form (like in
architecture) while two-dimensional pieces can
have the illusion of form when the artist uses
perspective or shading. Some common forms are
cones, pyramids, spheres, and cubes.

(NEW) exploring architecture through paper

sculpture - The art of ed | Art education
elementary, art education projects, art lessons
elementary. (2016, December 6).
Pinterest. https://www.pinterest.ph/pin/15818900
5648073092/
SPACE
Space- Space is any area an artist creates for a
specific purpose. Space can be positive or negative.
Positive space is an area occupied by an object or
form. Negative space is the area that runs
between, through, and around or within objects.
This includes background, foreground, and middle
ground. Space that can be manipulated in art based
on how an artist uses lines, shape, form, and color.

Design elements part two | Elements of art space,

art handouts, elements of art. (n.d.).
Pinterest. https://www.pinterest.ph/pin/53248035
5918362063/
TEXTURE
Texture- Texture is how an object looks or feels.
Sometimes texture can actually be felt, such as in
sculpture or the texture of work can be implied
such as if you were to sketch a sheep’s wool. Some
words to describe texture include soft, hard, rough,
brittle, fluffy, or smooth.