Вы находитесь на странице: 1из 15

Adhémar, Jean. 1939. Influences Antiques dans l’art du Moyen Age Français; Mâle, Emile. 1978.

le, Emile. 1978. Religious art in France, the twelfth century: a study of the origins of
Recherches sur les Sources et les Thèmes d’Inspiration. London. medieval iconography. Bollingen series; 90:1. Studies in religious iconography.
Princeton, N.J.
Benton, Janetta Rebold. 1992. The Medieval Menagerie: Animals in the Art of the Middle
Ages. New York. Meyer, P. 1895. "La Descente de Saint Paul en Enfer: Poème Français Composé an
Angleterre." Romania : 357-75.
Biedermann, Hans. 1994. Dictionary of Symbolism: cultural icons and the meanings
behind them. Translated by James Hulbert. New York. Mezoughi, Noureddine. 1978. "Le tympan de Moissac." Cahiers de Saint-Michel de
Cuxa IX: 171-200.
Brøndsted, J. 1942. "A Frog as a Viking Age Burial Gift." Acta Archaeologica XII, Fasc.
1-3. Mirra, Antonio. 1932. "La visione di Alberico." Frammenti onciali cassinesi delle
Enarr.in Psalmos, etc., ed. Mauro Inguanez, Vol. 11, Miscellanea Cassinese,
Cohen, Kathleen. 1973. Metamorphosis of a death symbol: the transi tomb in the late [33]-103. Text, 83-103. Montecassino.
Middle Ages and the Renaissance. California studies in the history of art; 15.
Berkeley. Robbins, Mary E. 1996. "The Truculent Toad in the Middle Ages." Animals in the Middle
Ages: a book of essays, ed. Nona C. Flores, 25-47. New York.
Dixon, Susan Raglan. 1987. "The power of the gate: the sculptured portal of St. Pierre,
Moissac." PhD diss, Cornell University. Röhrich, L. 1987. Wage es, den Frosch zu küssen. Das Grimmsche Märchen Nummer
Eins in seiner Wandlung. Eugen Diedrichs Verlag.
Ekenvall, A. 1974. "Groddjuren som fruktbarhetssymboler." Kvinnomystik och
kvinnopolitik 6. Rupin, Ernest. 1897. L'abbaye et les cloîtres de Moissac. Paris.

Focillon, Henri. 1947. La vie des formes. Paris. Schapiro, M. 1939. Art Bulletin XXI.

Gaillard, Georges. 1972. "El Claustro y el Portico de Moissac." Études d'art Roman, Vol. Schapiro, Meyer. 1977. "The Romanesque sculpture of Moissac I & II." Romanesque art,
VIII, tome 3, 417-431. Paris. His Selected papers; 1, 131-264. New York.

Katzenellenbogen, Adolf. 1939. Allegories of the Virtues and Vices in Medieval Art. Scheifele, Eleanor Lorraine. 1985. "Path to Salvation: the iconography of the south porch
Translated by Alan J.P. Crick. London. of Saint Pierre-de-Moissac." PhD diss, Washington University.

Kosmer, Ellen. 1975. "The "noyous humoure of lecherie"." Art Bulletin LVII No. 1: 1-8. Smartt, Daniel. 1994. "Cruising Twelfth-Century Pilgrims." Journal of Homosexuality
27, No. 1-2: 35-55.
Kriss-Rettenbeck, Lenz. 1972. Ex voto. Zeichen, Bild und Abbild im christlichen
Votivbrauchtum. Zurich, Freiburg i. Br. Toynbee, J. M. C. 1973. Animals in Roman life and art. Aspects of Greek and Roman
life. London.
Leclercq-Kadaner, Jacqueline. 1975. "De la Terre-Mère à la Luxure; À propos de 'la
migration des symboles'." Cahiers de civilisation médiévale XVIII No. 1: 37-43.

Lövkrona, Inger. 1989. "The Pregnant Frog and the Farmer's Wife: Childbirth in the
Middle Ages as Shown by a Legend." Arv: Nordic Yearbook of Folklore 45: 73-
124.

Lyman, Thomas W. 1979. "Motif et narratif: vers une typologie des thèmes profanes dans
la sculpture monumentale sur les romermas." Cahiers de Saint-Michel de Cuxa X:
59-78.

Вам также может понравиться