04-02-2011 Hindu Temples

Hindu temples

A general understanding of some facts about Hindu temples will help you to understand the following
photos and remarks. This is pretty much a resumé of the opening chapters of George Michell's book The
Hindu Temple, An introduction to its meaning and forms (see bibliography).

A Hindu temple is at once a collective work of art, the temporary dwelling of a god, a symbol of the
cosmos and a path leading the worshipper into contact with the god, from the temporal to the eternal.

Hindu temples were built by groups of workmen arranged into guilds, working under the direction of
Brahmins (the highest Hindu caste) who ensured that the principles stated in the holy works, the Shastras
and Agamas, were adhered to. Large temples were erected by means of donations from royalty or from
associations, of merchants, e.g. Only in rare cases, such as at Gangaikondacholapuram, were pictorial
references to the donors included.

The saint Chandesa is shown

receiving a floral victory garland
from the god Shiva, accompanied
by his seated wife Parvati.
This figure may represent
Rajendra, the Chola king who
built the
Brihadeshvara Temple at
Gangaikondacholapuram
in the early seventh century.

According to Hindu mythology, the gods particularly like mountains and caves as dwelling places and
Hindu temples represent both. The soaring central tower (shikara) represents the mountain where the god
lives. The small, dark and mostly undecorated inner sanctum (garbhagriha) represents his cave home.
Priests, of the Brahmin class, guarantee "the evocation, reception and entertainment of the god as a royal
guest". (Michell) We witnessed several examples of this -- in Chidambaram, Tanjore and Madurai.

sjoneall.net/…/hindu_temples.html 1/5
04-02-2011 Hindu Temples

The shikara of the

Brihadishwara Temple
at Tanjore
(with the moon)

To please the god, a large number of people was often required. The Brihadeshvara Temple in Tanjore
has historical inscriptions along its outer walls. One gives a list of people supported by the temple "The
list includes dancing-girls, dancing masters, singers, pipers, drummers, lute-players, conch-blowers,
superintendents of temple women and female musicians, accountants, sacred parasol bearers, lamp-
lighters, sprinklers of water, potters, washermen, bearers, astrologers, tailors, jewel-stitchers, brazier-
lighters, carpenters, and superintendents of goldsmiths, totalling more than six hundred persons."
(Michell) So temples and their personnel often constituted small cities. At some sites, such as Khajuraho
(Madhya Pradesh), one sees sculptures of these people on the bases upon which the temples are built.

Inscriptions on the exterior walls of the

Brihadishwara Temple in Tanjore
recount the history of the building
and later life of the temple

sjoneall.net/…/hindu_temples.html 2/5
04-02-2011 Hindu Temples

Dancers and musicians on the frieze of the Lakshmana Temple

at Khajuraho (from our 2006 trip)

The temple's ground plan is based on a mandala, a "sacred geometric diagram of the essential structure
of the universe." (Michell) It usually faces the east, the direction of the rising sun. The shikhara, the
tower built exactly over the inner sanctum, may represent either Mount Meru, the center of the universe in
some Hindu myths, or a "means of access to the higher and more sacred spheres..." (Michell) In the
south of India, the shikhara is often referred to as the vimana, though this term is also used to designate
the entire structure in which the main shrine is located.

The plan of the

Srirangam Temple
in Trichy
plainly shows the concentric
courtyards symbolic
of the universal mandala

The goal of the temple is to bring about contact between man and god through the worshipper's
approach towards the inner sanctum. As he moves from a world of illusion (maya) towards knowledge
and truth, he is symbolically searching for moksha, release from the cycle of rebirth central to Hindu
belief. The temple is viewed as a tirtha (a ford, or place of transit) from this unreal world to the real, ideal
one. Doing so, the worshipper passes from the sunlit exterior, through gates guarded by sturdy
dvarapolas, or door guardians (statues or reliefs). He often then passes through a mandapa, or pillared
sjoneall.net/…/hindu_temples.html 3/5
04-02-2011 Hindu Temples
hall, and perhaps through concentric walls into the darker interior until he finally arrives at the
simple garbhagriha. He makes several clockwise circumambulations (pradakshina) of the inner
sanctum, which in many cases is done in the architectural ambulatory surrounding the garbhagriha, much
as in European cathedrals. Reaching the next-to-last, small chamber, the worshipper passes his offering
to a priest who alone is allowed into the inner sanctum. The worshipper is content with a view (darshan)
of the rite and receives a mark on the forehead as sign of the worship (puja) he has accomplished, as we
did at Tiruvannamalai and Chidambaram. You won't see any photos of this, though, as it is forbidden to
take photographs inside the temple proper, i.e., within the inner sections.

Closed doors to the Shiva shrine in

the Meenakshi Temple in Madurai
(Note the blurred
silver guardian statues)

There are significant differences between Hindu temples in the north of India and those in the south. The
most visible difference is seen from the exterior -- the form of the tower. In the north, the tower is called a
shikhara and has a circular cross-section and a gently curving profile. It is ornamented with horseshoe-
shaped arches (gavakshas) and capped with ribbed-disk-like elements (amalakas).

The Vishvanath Temple at Khajuraho

and its shikhara

In the south, the tower is called a gopuram and is rectangular in cross-section with a pyramidal profile. It
is divided into stories, each of which has something resembling a roof.
sjoneall.net/…/hindu_temples.html 4/5
04-02-2011 Hindu Temples

The gopuram of the

Sabhanyaka Nararaja Temple
in Chidambaram

For an excellent discussion, see The Hindu Temple, by Anthony Batchelor.

Bibliography:

Craven, Roy C., Indian Art, a Concise History. London: Thames and Hudson, 1976.
Michell, George, The Hindu Temple, An introduction to its meaning and forms. Chicago and
London: The University of Chicago Press, 1977.
Michell, George, Hindu Art and Architecture. London: Thames and Hudson, 2000.
Ramasamy, N. S., Temples of South India. Chennai: Techno Book House, 1984.

Back to home page/accueil or to India 2008 Tamil Nadu tour

sjoneall.net/…/hindu_temples.html 5/5