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HISTORY OF DANCE
Pre-Historic Era
- gesture of communication to ask for power and wealth
- to please Gods
Pre-Christian Era
- medium of religious expression
Ancient Greeks
- aid of military education among boys in Sparta and Athens
- a form of entertainment and display
-
Plato, Aristotle and Socrates
- ‘’Dance is an art of integration of body and soul’’
- Dance and music has two kinds; first for noble (fine and honourable); second for ignoble (imitating what is
mean and ugly)
Ancient Rome
- gave more attention to their power and wealth rather than entertainment
- brutal and sensationalized as their entertainers were slaves and captives from many nationalities
- dance as an integral part of corruption
Fall of Rome
- dance was back to its original purpose
- religious purposes, church services
Renaissance Period
- dance, and art in general, was accepted and acknowledged
ELEMENTS OF DANCE
Space
- area that performers occupy
- place where they move
- SPATIAL ELEMENTS; direction, size, level, focus
Timing
- Synchronization of music and movements
Dance Energy/Quality
- effort or force or emphasis in a movement
- DANCE ENERGIES/QUALITIES; 1. SUSTAINED- smooth, continuous with flow and control; 2. PERCUSSIVE-
explosive or sharp in contrast with sustained movements; 3. VIBRATORY- consist of trembling or shaking—
faster version of percussive movements that produces a jittery effect; 4. SWINGING- trace a curved line or
an arc in space; 5. SUSPENDED- perched in space or hanging on air and; 6. COLLAPSING-breaking down after
releasing tension
Bodily Shape
- how the entire body is molded in space or the configuration of body parts
Group Shape
- a group of dancers performs movements in different group
shapes
DANCE COMPOSITION
Section of Dance
1. Beginning ‒ may come in a form of shape, a pose, or an entrance;
2. Middle ‒ consists of a development or the exploration of the main idea; and
3. End/Conclusion ‒ should be clear and may be in a form of a shape, a pose, or an exit.
Form
- sequence of dance/choreography
- formation
- arrangement of movements in a choreography
Phrases
- “the smallest unit of form in the whole dance”.
- single phrase consists of eight counts
Motif
- theme/style/intention
- main idea of the choreography/message of the story they want to portray
CHARACTERISTICS OF A GOOD DANCE
Unity
- synchronization of the phrases or the dance steps and performers to the music
- fairness of the level of the movements and expressions
Transition
- changes of scene through movements
- shows how to change/transfer clearly from movement or position to another
Repetition
- emphasizes movements and phrases that are important to the dance and gives a feeling of closure to a work
Climax
- peak of the dance is reach
a. a. AB (two-part) Form - binary form with two contrasting sections consisting of a beginning section (A)
followed by a second section (B)
b. ABA (three-part) Form - composed of an introductory theme (A), a contrasting theme (B), and a restatement
of the original theme (A)
c. Rondo Form (ABACA) - the unifying theme (A) returns after each contrasting theme and appears after every
contrasting section
d. Theme and Variations Form - series of movements to which variations are added throughout the
development of the entire choreography
2. Contrapuntal Form - several themes are woven together in choreography to form a complex structure
a. Ground Bass
b. Round or Canon
c. Fugue or Accumulation
d. Suite
3. Episodic Form - tell a story through connected and progressive sections called episodes
a. Natural Structures
b. Collage
c. Tableau
d. Chance