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  • Mihail, HUMANITY, Project

    Загружено:

    MIHAIL simeonov
    153 просмотров6 страниц
    The document describes an art installation consisting of 1000 inflated life-size figures floating beneath the ceiling of a public hall, transforming the space into a sanctuary representing humanity past, present, and future in a compressed sense of time where all people are equivalent. The proposed installation was rejected by the New York Port Authority and Tate Modern museum in London.

    Исходное описание:

    project in progress (2004 - )

    Оригинальное название

    Mihail, HUMANITY, project

    Авторское право

    © Attribution Non-Commercial (BY-NC)

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    PDF, TXT или читайте онлайн в Scribd

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    The document describes an art installation consisting of 1000 inflated life-size figures floating beneath the ceiling of a public hall, transforming the space into a sanctuary representing humanity past, present, and future in a compressed sense of time where all people are equivalent. The proposed installation was rejected by the New York Port Authority and Tate Modern museum in London.

    Авторское право:

    Attribution Non-Commercial (BY-NC)
    Скачайте в формате PDF, TXT или читайте онлайн в Scribd
    Отметить как неприемлемый контент
    153 просмотров6 страниц

    Mihail, HUMANITY, Project

    Загружено:

    MIHAIL simeonov
    The document describes an art installation consisting of 1000 inflated life-size figures floating beneath the ceiling of a public hall, transforming the space into a sanctuary representing humanity past, present, and future in a compressed sense of time where all people are equivalent. The proposed installation was rejected by the New York Port Authority and Tate Modern museum in London.

    Авторское право:

    Attribution Non-Commercial (BY-NC)
    Скачайте в формате PDF, TXT или читайте онлайн в Scribd
    Отметить как неприемлемый контент
    из 6

    HUMANITY

    About 1000 inflated life size


    figures float beneath the vaulted
    sealing of a magnificent public
    hall.

    Metamorphosing the space into a


    giant sanctuary of Humanity past,
    present and future, sublimated
    image of time compressed and
    the equivalence of all people.
    8 x 8 ft
    8 x 8 ft

    Protests in Libya, Feb. 2011


    The project was proposed for
    installation to - and rejected
    by, the New York Port
    Authority and Tate Modern
    museum in London

    The Wedding Dance (c.1566), oil on oak panel

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