On location…
*Confirm the blockings/props/delivery/action and technicality with the crew and
continuity- light up the location-set the props and lights
*Set the tripod- stand in the ‘y’- fix the base plate- load the camera with the lens facing
up- set the bubble- set the handle- check menu settings- white balance- deep focus- set
the frame (size/ angle-etc. re-check the audio levels and lights- dry take- final take
Features of light…
While working with light, you will probably be surprised how many of its
features are already familiar from everyday experience. Let us now consciously
try and appreciate some of these features. Features Like:
Direction
Quality / Intensity
Evenness
Contrast
Colour
Source
High key
High key images have a predominance of white and tend to look bright & airy. High key
lighting is often (but not always) soft, and detail is generally low. In nature high key
lighting is found in fog & snow, where even shadows are light due to the amount of
reflected light bouncing around
Low key
Low key images have by their very nature very little light in them. Contrast is usually
high and the lighting hard. Low key lighting can create a very moody atmosphere and is
often used to this effect. The most obvious setting for low key lighting is night time, but
it can also be found in other situations such as storms and in interiors.
The Fill Light also shines on the subject, but from a side
angle relative to the key and is often placed at a lower
position than the key (about at the level of the subject's face).
It balances the key by illuminating shaded surfaces. It is
usually softer and less bright to a flood. Not using a fill at all
can result in stark contrasts (due to shadows) across the
subject's surface,