ADAGIO

AND ALLEGRO
TUBA
Georg Philipp Telemann (1681-1767)
Arranged by Norman F. Friedman

             

Adagio

      
 = 65

                       
 

4


                      
  
6

                             
 
9

cresc.  


         
                    
12


                               

15
           
             
18 Allegro  = 112

      


          
20


                     

21

      


          
           
30

                              
  
34


                    
 

     

38

                                         

45


         
              
48

                 
 
51


                 
 cresc. 

     
cresc.

    
55


                     
  
      
59

2
      
                           
Allegro


63  = 100


                       
     
67

                      

 
79

                            
                
84

   
                                             
88


                         

        
92

                                   
      
99

 


                
         
105