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Пранама-мантры:
Я выражаю свое почтение царице Вриндаваны, Радхарани, чья кожа цветом подобна
расплавленному золоту. Ты, о дочь царя Вришабхану, очень дорога Господу Кришне.
Брахма-самхита, 5.1
«Брахма-самхитa» (5.56)
чинтамани-пракара-садмасу калпа-врикша
лакшавритешу сурабхир абхипалайантам
лакшми-сахасра-шата-самбхрама-севйаманам
говиндам ади-пурушам там ахам бхаджами
Вриндавана-махимамрита
Всегда играющий на флейте, Тот, Чьи глаза — словно лепестки расцветшего лотоса, А
голова украшена пером павлина, Чей прекрасный облик имеет оттенок синей тучи,
Обладатель несравненной красоты, пленяющей миллионы богов любви — Ему —
Предвечному Господу, Говинде, я поклоняюсь.
«Кришна-карнамрита» (92)
„Трансцендентное тело Господа моего, Кришны, сладостно, но лицо Его еще слаще. А
самое сладкое — это Его нежная улыбка, благоухающая, словно мед“.
Видагдха-мадхава (1.15)
«Я не знаю, сколько нектара заключено в этих двух слогах: “Криш-на”. Когда я воспеваю Святое
Имя Кришны, кажется, что Оно танцует на языке. Тогда мне хочется иметь бесконечное множество
ртов. Когда это Имя касается слуха, хочется иметь миллионы ушей. Когда же Святое Имя танцует в
сердце, Оно побеждает разум, парализует его, и все чувства замирают».
«Шримад-Бхагаватам», 10.23.22
«У него темный цвет тела и одежды золотого цвета. Украшенный гирляндой из лесных цветов,
павлиньим пером в волосах, драгоценными камнями и лилиями за ушами, Он выглядел, словно
танцор на сцене. Одну руку Он положил на плечо друга, а другой крутил лотос. Волосы Его
ниспадали на щеки, а на лотосоподобном лице сияла улыбка».
сарва̄дбхута-чаматка̄ра-лӣла̄-каллола-ва̄ридхих̣
атулйа-мадхура-према-ман̣д̣ита-прийа-ман̣д̣алах̣
три-джаган-ма̄наса̄карш̣и-муралӣ-кала-кӯджитах̣
асама̄нордхва-рӯпа-ш́рӣ-висма̄пита-чара̄чарах̣
Vrindavan
Pranama-manra’s:
O my dear Krsna, You are the friend of the distressed and the
source of creation. You are the master of the gopis and the
lover of Radharani. I offer my respectful obeisances unto You.
Kṛṣṇa who is known as Govinda is the Supreme Godhead. He has an eternal blissful spiritual body. He
is the origin of all. He has no other origin and He is the prime cause of all causes.
cintāmaṇi-prakara-sadmasu kalpa-vṛkṣa-
lakṣāvṛteṣu surabhīr abhipālayantam
lakṣmī-sahasra-śata-sambhrama-sevyamānaṁ
govindam ādi-puruṣaṁ tam ahaṁ bhajāmi
I worship Govinda, the primeval Lord, the first progenitor who is tending the cows, yielding all desire,
in abodes built with spiritual gems, surrounded by millions of purpose trees, always served with great
reverence and affection by hundreds of thousands of lakṣmīs or gopīs.
I constantly offer my obeisances unto Their Lordships, who are renowned as the beautiful
personalities of Vrindavana.
I offer my obeisances unto Their Lordships, who are bewildered by ecstatic love for each other.
I offer my obeisances unto Their Lordships, who are famous as the life and soul of the residents
of Vrindavana.
I offer my obeisances unto the divine couple, who always enjoy Their conjugal pastimes in
Vrindavana.
I always offer my obeisances to Their Lordships, who are oceans of mercy and whose
storehouse of eternal pastimes is Vrindavana. I offer my respectful obeisamces unto their
Lordships, who constantly enjoy various pastimes in conjugal mellows in Vrindavana. I offer my
respectful obeisances unto Their Lordships, who wander fully satisfied in Vrindavana, and I offer
obeisances unto Their Lordships, who are found in the land of Vrindavana.
I worship Govinda, the primeval Lord, who is adept in playing on His flute, with blooming eyes like
lotus petals with head decked with peacock's feather, with the figure of beauty tinged with the hue of
blue clouds, and His unique loveliness charming millions of Cupids.
Kṛṣṇa-karṇāmṛta (92)
”O my Lord, the transcendental body of Kṛṣṇa is very sweet, and His face is even sweeter
than His body. But His soft smile, which has the fragrance of honey, is sweeter still.”
Vidagdha-mādhava (1.15)
“ I do not know how much nectar the two syllables “Kṛṣ-ṇa” have produced. When the holy name of
Kṛṣṇa is chanted, it appears to dance within the mouth. We then desire many, many mouths. When
that name enters the holes of the ears, we desire many millions of ears. And when the holy name
dances in the courtyard of the heart, it conquers the activities of the mind, and therefore all the
senses become inert.”
ŚB 10.23.22
His complexion was dark blue and His garment golden. Wearing a peacock feather, colored
minerals, sprigs of flower buds, and a garland of forest flowers and leaves, He was dressed
just like a dramatic dancer. He rested one hand upon the shoulder of a friend and with the
other twirled a lotus. Lilies graced His ears, His hair hung down over His cheeks, and His
lotuslike face was smiling.
CC Madhya 23.82-83
sarvādbhuta-camatkāra-
līlā-kallola-vāridhiḥ
atulya-madhura-prema-
maṇḍita-priya-maṇḍalaḥ
tri-jagan-mānasākarṣi-
muralī-kala-kūjitaḥ
asamānordhva-rūpa-śrī-
vismāpita-carācaraḥ
“ Apart from these sixty transcendental qualities, Kṛṣṇa has an additional four transcendental
qualities, which are not manifested even in the personality of Nārāyaṇa. These are: (1) Kṛṣṇa is like an
ocean filled with waves of pastimes that evoke wonder within everyone in the three worlds. (2) In His
activities of conjugal love, He is always surrounded by His dear devotees who possess unequaled love
for Him. (3) He attracts the minds of all three worlds with the melodious vibration of His flute. (4) His
personal beauty and opulence are beyond compare. No one is equal to Him, and no one is greater
than Him. Thus the Personality of Godhead astonishes all living entities, both moving and nonmoving,
within the three worlds. He is so beautiful that He is called Kṛṣṇa.”