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Research Paper
Matthew H. Lumpkin
mattlumpkin@gmail.com
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1. Introduction
Rituals are expressive of and embedded within religious, cultural, narrative frameworks
that people collectively co-create and enact. When people encounter a new, different framework
they may reject either the old or the new or, more commonly, integrate the new framework with
the old. This integration often happens at points of perceived overlapping meaning between the
two frameworks, or "cultural cognates" which provide a point of entry from the old to the new.
Ritual, created out of the everyday materials of life, is a venue for the negotiation of this
integration of frameworks. Ritual finds its meaning within a narrative framework but also serves
to re-narrate that framework, creating it anew. Integrative ritual joins one story to another. Ritu-
is a helpful interpretive model for understanding how ritual can function in such a dynamic, gen-
erative way.
Christian communities often demonstrate ritual behavior that integrates elements of a pri-
or religio-cultural framework with some flavor of Christian narrative framework. The meaning
of this ritual action can only be understood within the new, integrated framework involving as-
pects of both. One among many examples of this is the phenomena of Deliverance Ministry
Prayer Camps in Ghanaian Pentecostalism which integrate elements of Ghanaian traditional reli-
I would like to suggest that this inclination toward integration of new narratives with old
is both deeply human, and central to how deep religious conversion occurs. Further I would like
to suggest that Christians should welcome and value this kind of integrative negotiation in ritual
rather than fear and eschew it as "syncretism." While the encounter between religio-cultural
frameworks presents a real danger for the prior narrative to over-power and distort the Christian
story, it presents an equally real opportunity for fresh perspectives derived from the prior frame-
work to augment and expand the global Christian community's perception. To put it another
way: where there is danger of syncretism there is opportunity for symphony: many voices united
with one another, creating a richer, multilayered narrative melody. I am afraid that the Church
frequently mistakes for syncretism the process by which this symphony, so essential to true con-
version, occurs and impeded the deep integration of the old story with the new.
have argued elsewhere, I will argue this smaller, more defensible thesis: Ron Grimes' description
and appreciating the emergence of Christian ritual phenomena that integrate elements of prior re-
ligio-cultural narratives within a Christian narrative framework around "cultural cognates" as ex-
emplified by Ghanaian Pentecostal Deliverance Ministry Camps. I will begin by describing the
aspects of Grimes' framework that shed light on this integrative process within ritual before
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moving on to offer an example of this dynamic in the Ghanaian context, before making some
Ron Grimes is not content merely to describe ritual. He wants to play with it. Like the
musician who has delved into classical theory and the great composers only to find truly satisfy-
ing expression in jazz, Grimes follows Mary Douglas and Victor Turner down from theoretical
description into deeper understanding through the practice of ritual.1 His work with students in
ritual studies "labs" and with the Actor's Lab of Toronto seeks to understand ritual from the in-
side out by creating imagined, improvised, fictive ritual spaces, objects and rites that nonetheless
"work" in that they are powerfully formative and transformative for the participants.2 These
imagined rituals are often playful and improvisational while integrative of personal and cultural
history.3
1.
"Ritual studies scholars are in the position of someone who teaches musical theory in a culture where music
is seldom heard. We have little choice but to recognize that cognitive learning be accompanied by affective learning
and values criticism... Studying ritual will be fruitful if we recognize that we can only articulate its meaning after we
have been grasped by its sense." Ronald Grimes, Beginnings In Ritual Studies (Washington, D.C.: University Press
of America 1982), 18.
2.
Ibid., 13-18
3.
Ronald Grimes “Emerging Ritual” In Proceedings of the North American Academy of Liturgy. Annual
Meeting (St. Louis, MO. Jan. 2 – 5, 1990), 21.
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Though Grimes' thought is rich and ranges from serious reflections on the practice of an-
thropological fieldwork to ritual criticism and efficacy, I would like to focus on his description of
"emergent ritual" or "ritualizing." In defining his terms he rests on "ritual" as the general, for-
mally defined concept of which "rites" are particular instances. Ritual does not exist except in
particular rites.4 Grimes' typically poetic and occasionally obfuscatory style hints all around the
concept with examples but what he seems to mean by "ritualizing" and "ritualization" is some-
Grimes is interested in moving below the surface of culturally and institutionally codified
ritual structure to examine the "fetal" stage of ritual as it first emerges.6 This early form of ritual
may resonate, thrive and grow in from the margins towards the center into an established ritual
structure embedded in institution intent on its preservation.7 Or it may wither and die, never ris-
ing to the conscious awareness of the participants. Grimes goes on to describe this early stage of
4.
Ibid., 16.
5.
Ibid., 17.
6.
Grimes discusses both conscious and unconscious variants of ritualizing, but in most cases seems to refer to
both within the larger category of ritualizing. Grimes, Beginnings in Ritual, 51.
7.
Grimes "Emergent Ritual," 23.
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ty."8 Within this description of ritualizing as a living, moving target I would like to draw atten-
tion to two key features of Grimes' kind of ritualizing: its integrative and borrowing character.
Ritualizing is adept at borrowing parts of religio-cultural frameworks and integrating them into
new ones.
Grimes' ritualizing is integrative in two ways. First, ritualizing integrates parts to wholes.
This happens when, a young Jewish couple improvises a birth ritual to properly attend to the
weight and significance of the birth of their first child, breaking into song with a traditional Jew-
ish hymn and pronouncing a "shekianu" blessing over the cut cord.9 This is not a Jewish ritual in
the sense of a commonly practiced form, handed down. Yet it serves to draw this part of their
lives --this potent experience-- into the whole of their tradition by borrowing elements from that
whole and re-purposing them in ways arguably faithful or unfaithful to that tradition.
Second, ritualizing integrates wholes with other wholes into different, larger wholes.
Grimes' playfulness is not limited to ritual labs. In the opening paragraphs of his address to the
North American Academy of Liturgy, he playfully goads his audience into a series of examples
of "emergent ritual" full of improvisation necessitated by the need to find ritual expression for
two wholes --two religio-cultural narratives-- that have found a need to come together in ritual
expression:
8.
Ibid.
9.
Ronald L. Grimes, Deeply into the Bone: Re-Inventing Rites of Passage (Berkeley: University of California
Press, 2000) 72.
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"What is 'emerging ritual?' I should ask you. You assigned me the topic. Since you
handed me neither definitions nor illustrations, I assumed I was free to make up my own. So let
me begin by enumerating a few examples so the phrase seems less vague.
Emerging ritual is what transpires when an intertribal group of Native Canadians and Na-
tive Americans has to invent a rite to rebury ancestral bones repatriated from the 18,000 Native
skeletons held by the Smithsonian institution...
Emerging ritual is what occurs when Jews join Christians or Lutherans join Orthodox in
makeshift, one-time, inevitably awkward celebration or prayer...
Emerging ritual is what is bound to happen when Buddhists, Cree, Christians and 'Others'
beat the dharma drum, burn sweet grass, and chant lines from St. Francis in honor of the Dalai
Lama's reception of the Nobel Peace Prize...or Rites of Passage, Inc., (of California, of course)
10
takes teenagers on vision quests."
This kind of consciously invented, nascent, tentative, clumsy yet necessary ritual pro-
vides space for geographically, socially, religio-culturally distinct groups now thrown together in
the pressure cooker of globalization to integrate the distinct wholes of their respective traditions
into a new, larger whole. And Grimes would be the first to admit that these attempts at integra-
In order to be integrative, ritualizing must have material to integrate. The symbols for rit-
ualizing, Grimes argues, are those that come from everyday life or from "the refuse of the cul-
ture."12 Rites are not created, but incubated in a "nest" of old parts "from dismembered older
rites." Grimes actually links ritualizing to literature (another cultural venue in search of resonant
symbols) in its propensity for re-imagining older, symbols as the new narrative emerges from the
10.
Grimes, "Emergent Ritual," 15, 16.
11.
"Effective rites depend on inheriting, discovering or inventing value-laden images that are driven deeply,
by repeated practice and performance, into the marrow. The images proffered by ineffective rites remain skin-
deep." Ibid., 5.
12.
Ibid., 24.
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old with a family resemblance.13 For Grimes this dynamic is still operative when we are con-
This ad-hoc, Mr. Potato-head style of ritualizing may seem abhorrent to those who come
from traditions that value stability and see the lack of change as fundamental to the definition of
ritual. Grimes himself has turned a critical eye to New Age "pseudo-shamanism" perpetuating
cultural imperialism by appropriating indigenous rites, cafeteria-style, amputated from the au-
thentic contexts that gave them meaning. But make no mistake, Grimes' argument is that all ritu-
al was born from ritualizing, so that even ancient rites began life as nascent, tentative, emergent
ritual, borrowing from what came before and integrating it with the present into a new whole.
His argument is based on ethnographic fieldwork showing that rites do change and are being cre-
ated.15 Even if your liturgy hasn't changed in 2000 years, Grimes argues, it was born in a cycle of
If ritualization integrates a new whole out of what it borrows from each prior "whole"
then how are the parts chosen? Especially at the encounter between two or more traditions that
see themselves as internally consistent and coherent, which symbols tend to connect? Grimes
13.
Ibid., 26.
14.
Ibid.
15.
Grimes, Beginnings in Ritual Studies, 51.
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talks about symbols that enable "efficacious" ritual but doesn't offer much in the way of explana-
tion for why certain symbols are chosen over others. It seems to be a trial and error process.
I would like to suggest that, in the encounter between two religio-cultural narratives, the
symbols around which rituals tend to form are those which seem to correspond in meaning be-
tween the two. Just as a when a language learner encounters a new word that sounds like one
from their native tongue, a cognate, they almost can't help but bring along the meaning that word
holds in their own language to the new word. People tend to understand new things they en-
But in language learning and in ritual integration, cognates can be deceptive. Some ESL
teachers refer to them as "false friends." Though two words may sound alike and even derive
from the same root and share some overlap in their range of meaning, there is just as often a sig-
nificant difference that is overlooked by the bewildered learner, happy to have found something
integrate their present experience of a new narrative in light of their past will likely be drawn to
these cultural cognates offering a point of entry from the old to the new.16
16.
Though I am channeling a bit of Grimes' waggish tendencies in my linguistic wordplay, the connection
between language and ritual as means of cultural transmission is one widely explored by many anthropologists. "It
will help us to understand religious behaviour if we can treat ritual forms, like speech forms, as transmitters of
culture, which are generated in social relations and which, by their selections and emphases, exercise a constraining
effect on social behaviour." Douglas, Natural Symbols: Explorations in Cosmology, 2nd edition (New York:
Pantheon Books, 1982) 21.
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My first engagement with Ghanaian Pentecostalism came from three weeks I spent wor-
shipping at Pentecost International Worship Center (PIWC) in Hawthorne, California near Los
Angeles International Airport. PIWC is a member of the Ghanaian based, transnationally active
Pentecostal denomination known as the Church of Pentecost (COP). Though PIWC is made up
largely of Ghanaian immigrants, they conduct services in English, welcome all comers and were
with the Pastor of PIWC serving all the congregations within a large district. As a result, ser-
vices are led and sermons preached by a number of deacons and volunteers.
For two consecutive Sundays the sermon was brought a Ghanaian pastor, an ordained
minister and Pastor but not with the Church of Pentecost. His sermons were a two-part series fo-
cused on the narrative of Balaam who is employed to curse Israel but is unable to resist God's
power, and pronounces blessing over them instead. This text served as an avenue to address
God's desire to over-power all manner of frustrations on the "success" of the lives of the congre-
gation. The preacher discussed God's power over those who, like Balaam, would use witchcraft
to curse us and false prophets offering miraculous help, for a price. He also shared several sto-
ries from his former pastorate in Italy where he as actively involved exorcisms and other forms
from American Pentecostal power-ministry with conceptions of witchcraft and ancestral curses
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from African traditional religion. As it turns out, the two narratives have a lot in common, that
This preacher's emphasis on magic and the unseen, I was told by one parishioner, are nor-
mal for him, though not necessarily for the other preachers at PIWC. Yet the ethnographic litera-
ture and indeed the theological discourse emanating from the Ghanaian Universities, Seminaries
and COP leadership, suggest the set of rituals and concerns that has come to be known as "Deliv-
erance Ministry" have been and continue to be a significant strand woven into the fabric of
Ghanaian pentecostalism.
In his study of "Ghana's New Christianity," the Brit, Paul Gifford, prefers the term
"charismatic" over pentecostal as a means of drawing a distinction between the "new" Churches
he is attempting to describe and the older, traditional pentecostal denominations some of which
have been active in Ghana for up to 70 years.17 These newer churches have quickly outgrown
older, more established Pentecostal expressions in Ghana. Though Gifford's project is much
broader, he provides some relevant observation and description of the the phenomena of deliver-
ance ministry in Ghana at the time of his study.18 Students of African Pentecostalism should be
aware that Gifford's study has met with critique, particularly from leaders within West African
17.
Paul Gifford, Ghana's New Christianity: Pentecostalism in a Globalizing African Economy (Bloomington,
Ind: Indiana University Press, 2004) vii.
18.
Gifford is quick to note, however that the charismatic scene is changing so rapidly, even this work built
from observations made between 2000 and 2002 and published in 2004, are but a snapshot of a period characterized
by dynamic, inventive, creative and variable change. Ibid., xi.
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Pentecostalism. His choice of congregations and figures to sample seems to prefer the sensatio-
nal over the representative. I hope to balance my reliance on Gifford for some of the background
and basic ethnographic information regarding deliverance ministry by giving space to some
Before describing the Deliverance ministry phenomena of the 1980's and 1990's, Gifford
is concerned to describe what he terms the "pre-Christian religious orientation and ritual process
narrative, he writes:
"...beings and objects [are] charged with varying degrees and qualities of supernatural power...
The physical realm and the realm of the spirit are not separate from each other but are bound up in
one totality... causality is to be discerned primarily in the spiritual realm, although natural causali-
20
ty is not entirely disregarded."
The many layers of gods, ancestors, witches and magical objects that populate this frame-
work have direct bearing on the success or failure plans of all kinds including business and acad-
emic ventures. The stronger the spiritual power associated with the figure or object, the greater
influence they wield over those weaker than they. Humans rank at the bottom meaning that indi-
viduals, institutions, families, clans or even states can be under spiritual influence.21
19.
Ibid., 83.
20.
Ibid. It is important to note that the features Giffords describes here have been argued elsewhere by Harold
Turner and Andrew Walls to be aspects of a broader phenomena Turner calls "primal religion" that can be observed
not just in Ghana or Africa, but in primal, tribal contexts world-wide. Andrew Walls, “Africa and Christian
Identity” in Mission Focus: Current Issues, ed. Wilbert R. Shenk (Scottdate, PA: Herald Press, 1980), 212-13;
Harold W. Turner, “The Primal Religions of the World and their Study,” in Victor Hayes, ed. Australian Esays in
World Religions, (Bedford Park: Australian Association for World Religions, 1977), 27-37 cited in Kwame Bediako,
Jesus and the Gospel in Africa: History and Experience (Maryknoll, NY: Orbis Books, 2004), 87-88.
21.
Gifford, Ghana's New Christianity, 84.
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Deliverance Ministry offers a solution for those Christians who, having come to
Christ, nevertheless find themselves "blocked" from success and progress. The diagnosis
offered is that some spiritual demonic power, perhaps through no fault of their own, has
taken hold of the life of the believer. This may stem from a curse on one's ancestors or
ethnic group. To bind and exorcise such a demon "requires skill, and a special institution
--the prayer camp or payer centre-- evolved to cater for this activity."22
People came to these free camps for health problems, but more commonly for a
lawsuits, education, accommodation, bad dreams, demons and witchcraft." It is not in-
significant that diagnosis often involved a questionnaire focused on what degree of en-
gagement the persons had had with traditional religious rites, incisions and names re-
ceived, talismans worn, vows made by them, on their behalf or by their ancestors as well
Perhaps most importantly, the camps themselves resembled in form and function,
the traditional shrines whose power they served to undo. Gifford comments that the
mainline churches in Ghana had alway resisted what they saw as an inordinate concern
22.
Ibid., 86.
23.
Ibid.
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with demons and witchcraft, "only now, with the acceptability conferred on this world-
view by the charismatic explosion, could Christians flock to camps openly rather than go-
that integrates by means of borrowing, Deliverance Ministry and the associated camps
seem to exemplify this process. The cultural cognates and symbols borrowed from the
prior Ghanaian religio-cultural narrative and that of American Pentecostalism are many
but certainly include: 1.) concepts of the unseen spirit world populated by good and evil
spirits which can influence human lives powerfully; 2.) The figure of the religious spe-
cialist with skills to diagnose and treat spiritual "blockages" to success; 3.) The emergent
institution of the Deliverance Camp taking the form and function formerly occupied by
traditional shrines.
Yet none of these entry points from the traditional narrative is brought whole into
the new, larger narrative of Pentecostal Deliverance Ministry. They are each re-narrated
new whole: Ghanaian Pentecostalism. Satan becomes a prominent figure in the spirit
world, with no analogue in Ghanaian narrative.25 The deliverance minister's power to di-
agnose and exorcise the demonic comes not from his own spiritual power or that of his
24.
Ibid., 87.
25.
Ibid., 85.
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affiliated spirits, but from the power of the highest God, after the pattern of Jesus in the
Gospel narratives. The shrine form remains but re-narrated, de-stigmatized, legitimated,
precisely by its integration within a new religio-cultural narrative, literally taking names
like "Bethel," and "Canaan," directly from the Biblical narrative. This phenomena res-
onated where the long-standing mainline churches had not. I would like to suggest that
this resonation is a direct result of successful ritual integration of the two narratives into a
new, larger whole. I am not merely describing a recasting of the Christian story that
meets felt or existential needs, though it does that. I am suggesting that this kind of ritu-
alization is the external manifestation of the deep and robust integration of the old narra-
I suggested earlier Ghanaian academics and Church leaders from mainline and charismat-
ic perspectives have been deeply engaged in theological conversation surrounding the relative
merits of Deliverance Ministry. Their insights as cultural insiders with personal and social ac-
cess to all the religio-cultural narratives involved are particularly relevant to questions narrative
integration. My space will only allow the most minimal sampling from this vibrant, ongoing
discussion.
Writing as the Chairman of the Church of Pentecost, Opoky Onyinah is cautious in his
Ghana.26 He balances his appreciation with a call for a biblical, theological analysis of the spirit
world as a corrective to the danger he sees in how the camps affirm the traditional conceptualiza-
tion brought in from the cultural cognate belonging to the Ghanaian traditional religious narra-
tive. "This theological analysis," he writes, "needs to be the concern of African Pentecostal The-
ologians."27 This illustrates the way in which the negotiation between narratives is an ongoing
conversation, as well as the need for the work to be led by cultural insiders, who by virtue of
having had access to both narratives, are uniquely situated to appreciate and critique. Set in the
context of a Church that conceives of itself as a global body the tension and balance between in-
Kwabena Asamoah-Gyadu, though not a Pentecostal himself, is surprisingly less guarded. His
essay assessing Deliverance Ministry emphasizes how the Ghanaian Pentecostal perspective
emphasizes a holistic conception of salvation involving liberation from all forces that seek that
enslave humanity.28 He goes on to recognize the need to preserve positive aspects of African tra-
ditional religion and culture but casts a critical eye towards institutions involving shrine enslave-
ment which he argues should be removed because of their debasement of human dignity. In this
26.
Ibid., 86
27.
Opoky Onyinah, "Deliverance as a way of Confronting Witchcraft in Modern Africa: Ghana as a Case
History," Cyberjournal for Pentecostal-Charismatic Research, http://www.pctii.org/cyberj/cyberj10/onyinah.html
(accessed April, 17, 2011).
28.
J. Kwabena. Asamoah-Gyadu, "Of 'Sour Grapes' and 'Children's Teeth': Inherited Guilt, Human Rights and
Processes of Restoration in Ghanaian Pentecostalism," Exchange 33, no. 4 (2004): 352.
Lumpkin 16
context, Deliverance Ministry becomes all the more "poignant" for Ghanaian Christians (read
"resonant" or "efficacious") as the very cultural structures (read "cultural cognates") that had
served to enslave and curse are re-narrated and re-purposed to liberate and bless. To turn one of
Grimes' phrases, out of the dismembered body of an older ritual structure a new rite is born.
what I would describe as the new, deeply integrated religio-cultural narrative of Ghanaian Pente-
4. Conclusions
It is easy enough to observe that human rituals are often a space for asserting and enact-
ing a particular way of seeing the world. Further, when two (or more) of these narratives come
into contact, we can observe that ritual often serves as space for negotiating between narratives.
Grimes' description of ritualizing clarifies the mechanisms by which this aspect of human reli-
giosity actually accomplishes this negotiation: borrowing parts of the two narratives, re-arrang-
ing them within their narrative contexts until a sufficiently resonant or efficacious ritual and nar-
rative framework are born. What implications does this understanding hold for those concerned
29.
Gyadu, "Of 'Sour Grapes' and 'Children's Teeth,'" 351.
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First, it calls for established faith traditions concerned with keeping rituals pure from out-
side cultural influence to re-evaluate their stance. The Christian Church in particular has tended
to label these to these early, fetal ritualizing movements toward deep integration with the pejora-
tive "syncretism." From there it is an easy move to dismiss them as corruptions of pure Christian
expression or to actively persecute them. Yet this integrative, borrowing ritualization is crucial
for "incubating" not just new rites but the deeply integrated, efficacious and satisfying Christian
Just Onyinah and Gyadu's essays suggests, this does not entail uncritical embrace of ei-
ther the old narrative or the new one. Instead it entails allowing space (ritual and temporal) for
the process of negotiation and integration to take place. How can this happen if the process is
aborted at the first sign of any elements that seem "other" to those with the power to label or per-
secute? Sadly the principle of cultural cognates cuts both ways. Historically the Church has
tended to accept aspects of the old narrative that it perceived as comprehensible and rejected
those that it couldn't make sense of from within its own integrated, culturally particular appropri-
ation of the Christian narrative. This is a particularly egregious sin for a tradition founded on the
concept of incarnation --that God chose reveal Godself, embedded in a body, in a religion, and in
a culture.
Second, if the western Church could a deeper awareness of the character of the ritualiza-
tion that gave rise to our own cherished rites of baptism and communion, we might be more open
to their continued remix with other religio-cultural narratives as we have begun to see happening
spontaneously by so-called "insider movements" among Muslims, and Hindus. If we can begin
Lumpkin 18
to see ritualizing as the external phenomena of the intimately complex individual and social
process of integrating competing narratives, into a wholeness of new identity that seamlessly
connects a people's past to their present then we might begin to pay attention to, incubate and
nurture this kind of ritualization as a necessary step to true individual and corporate conversion.
Yet the illusion of control dies hard. The French Ministry of Culture, in trying keep their
language pure by setting up artificial structures against word-borrowing has discovered it is im-
possible to both use a language and keep it "pure." As time moves forward it will change out
from under you. To get at the same meaning accomplished by King James' English one has to
choose different words today. Likewise ritual, as another means of human expression and reli-
gio-cultural transmission, must continue to change and be re-imagined in order to transmit the
same message, most especially when we hope for it to move across cultures. Rituals and the nar-
ratives they enact survive by being successively re-arranged, re-narrated and re-imagined by
each set hands through which they pass. So too, does the Christian Gospel of the Kingdom of
God.
Lumpkin 19
Works Cited:
Douglas, Mary. Natural Symbols: Explorations in Cosmology; 2nd edition. New York: Pantheon
Books, 1982.
Grimes, Ronald L. Beginnings in Ritual Studies. Washington, D.C.: University Press of Ameri-
ca, 1982
______________. Deeply into the Bone: Re-Inventing Rites of Passage. Berkeley: University of
California Press, 2000.
Asamoah-Gyadu, J. Kwabena. 2004. "Of 'Sour Grapes' and 'Children's Teeth': Inherited Guilt,
Human Rights and Processes of Restoration in Ghanaian Pentecostalism". Exchange. 33,
no. 4: 334-353.