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Piano

Concerto No. 1 in B-flat Minor


   
As arranged by Christopher Falzone

Tchaikovsky

                   
        
Andante non troppo e molto maetoso

               
tenuto   


           
     
  
          
    
                                

         
 
  


     

   
 

       
        
  

 
         

  
  

            
 

   

         


 


 

              
9

  
         
    
                               
loco.

 
         
     




    

       

            
           

             
             

    
 

   

           
  
15

       


   


             
           
      
    
 
        
 


   
  





  

     
               
           

         
  
      
       

               


       


21

      














                 


dim.

                        


                
 
     












                     
                     
              

         
 
       
                          
       
27

  
       
               
   

          
                         
poco accel.

                          
   
        
                 

arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk)

 
         
                 
     
                  
        

         
33

   
             
            
      
      
  

                        


                 
 
 
    
 Solo      
          


                               
  
       
38

           


poco riten.   

    
              

                     

 
         
       
 
   


 
         
      

  
     
    

 
      
42



       
      


             
        
          
   
  

    
tenuto

   
   



43



 


 

     
 

                     
           
 







   


     

      
          
          

          
 
    
                 
45

  
  
             

      

 
    
 
 
   

2 arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk)

    
      
     
tenuto



47


 
 
   
            
     









Cadenza

   
 

             

       

       
  
     
       
        



  
48

 


   
  

 
 cresc.

   
       

    
        
           
    


 
 




        
   
  
 

     


 
 

   
       

              
      
       
         
  
 
 
      
     
  

  
               

        
       
         
        
   


    
      
 

     
               
a tempo poco stringendo

            
49



 

       
         
  
                           
                
        
 


 


 
        
                   
    

    
        
                
 
53

      
  
                        
              
dim.

         

            
       
   

arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk) 3

 
                       

      
                
A


58


           
              
            
poco riten.

  

  

     
tenuto


    


con Ped.

         
      
 

      
      
 
62

           
                
                          
      
          
   
                
  
  


      
       
        
     

  

     
65

       
                   
              
      
      
          
        
  
   


             
     
       

    
       
 
68

          
              
                
                          
   
                        
  
 
 


     
     

  
        
   
71

           


                       
           
 
         
   
 
 


       
   

             
             

       



73


      


    
            
                              
               

        
        
    
             
4 arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk)

       
     
B

 
               
       

             

76

    
         
                                
           
       

      


  
    
         

  
 
                       
         

      

   


                   
79

   

      

        

      
           
      
    


   


 
        
      
  

     
   
   
    
      

            
   
     
    
83


   
 
                
        
  

     
    



   
                         

                                  

              

          
91


                    
                            
 

       


 
  
                                 
morendo

                  
rallent.

             
98 meno mosso

  
                    
  
          
          
 pizz.

      
           









  
pizz.

   
ossia


         
   
  3  3                           
 
Allegro con spirito

                                 
108

     
   
                                      
               
 leggero

arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk) 5

                         
             
                                    
  

112

       
    
                    

        


 
             
                                       
 
  
            
116

 
        
               
 

     
       
  


    

        
      

                                            


 

            
    
   
120


  

   

         
              
          
  

  
    


       
               
   
                                      

124

     
          
                  

    
 


  
                                  
                  
              
127

  poco cresc.   
           
                 
 


  

   
       
          
130
C

      
      
      
            

   
          
 


 
   
    
                   
 
133

  legg. 
   
      
               
                  
      

6 arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk)

       

              
 

   
   
 
         
136

    
      
         

  


         
           
             
138

  

                         
       
       
    


       

 

 
          
  
 
   
  
140

      
 

               
        
     
       

   


   
 

         

        
              
          

142


     
               
    
       
            




         
     

  
                        
      
D

  
145


 
        
                 

       
            


 3   
    
         
 

                 
  
   
  
    
148

     

3 3 3

      
3

   

cresc.

 
    



        
          

        


     
arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk) 7
  


      
     
     
         


           
       
151

             
                       
 
        
              
    



  
            
          
       

   
        
    
 
     
     
      
154

   
           
                

      


    
      

  

               


 
                        
  

                                 


            
156

       
  
                   
  

 
 
             
 
   


       
   

                 
                     
non legato

       
        
158 poco a poco cresc.

    
                     
  

                   
          
      


   
       
  

              
             
161

   
  
          
               


                  
            
                       
164

   
               
         

    
   

8 arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk)

             leggiero sempre
       
                         
           
167

   
            
  


           
 





      
 leggiero

     
        

                  
             
     
170

 
      
   
 

       
           









              
        


                         
      
173

   
 
                

 

    
  




       


             
 
                 
   
176



      

     
           
              
   
         


   

     
                               
180


 


   

   

                        


  
          

                


  
 
          
           
       

E Poco meno mosso.

   
(Solo)

      
184

     
                                         
 

  
 dolce e

          

      




         
arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk) 9

                           
      
                 
                    
193


 
         
            
 
     
 
  
  
    
                  
  
molto espress.






marcato
               

           a tempo tranquillo          


        
         
 = 60

   
         
202


              
poco riten.  una corda

        
 
 
        
  


sopra
        

             = 50
      
               
 
   
            
209


     
     
     
 
       
  
 
  

              

 
      



             

     
 = 76

       
(Solo)

        
F Tempo I.

                   


216

  

    

    
 
          
 legato


       

  


  
         

  
       
   
          
                  
220

  
                 

  
     

 
   
      
 
         

10 arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk)

         
            

              
        
223

    

      
          
 
         
  



           


        
 = 80

     
                 
226

 
   
       
   
              
   



      

       
     
             
                
                         
229


 
   
                 
           



    
         



marcato


  
   
          

          
        
        
       
232

 
  
     
     
     
       


  
 
   

       
            
                   

   
234

 
 

      
cresc.

   
        
 
     

arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk) 11


    
                   
                   
       
237


      
             
  

  


        

     
             
240  = 84


 
   
        
  
   
   
  
                
   
 
    
 sempre cresc.




 
                       
 

     
                                 
  
242

      
  



     
 

                  
                  
    
G

                 


244

      
     
               
più  cresc.

                      
  

 





 



 3


3

    
3

   
        

                
             
        

 
 

 


247

 3   3      
         
                    

          
 


                
  
            
  

 
                            

                  
   
250

    
      staccato
 
           
                     

                                 
    
 
  
12 arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk)


             
                                        

    
                         
253

         
               
     
                                
             
 


  
                        
     

                          
                       
  molto express.

  
256

      
   
          
             
      
                    
        
        


                
             

                 
ossia

    



        

     
                         

         
3


260
ad libitum







 
       
    
3 dim.

          
       
3





 





            a tempo
        

            
 = 69

        
265

   

      
     
12 11 rit. 12


   
        

        
H

       
267

 

             3     
una corda

       3        
3 3


  
3

    
3

        
3 3

  
           

arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk) 13

            


    
 
        
270


                    
         
                    
  


      
           

       
           


273

  
                     
 
 una corda

 
                  
  


        
         


  
ossia

    


        
   

        
    
   
276

      
         
 


    
   

       
           
   
    
279

    
         
 
           
 


  
     

 
  
slightly after the arpeggio

      
     
  
282


 
  

               


            
 
     

14 arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk)

      

       

           


       
285

   
        
              
arpeggio

       
            
  

 


  

 
 
   

    
            
288

 


 
         
                 
  



         
      


        
    


           


I

 
(tutti)

     
291

  
         
 
      

        
      
  
 
   
    


     

         
       ossia included at the end  
       
                               
       



 


      
       
297

  
       cresc. poco a poco
 
       
 
        
  
               
    
     


       
         
          

                      

                            
302

       
             
    
               

            

arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk) 15

                   
                                                      

                    
 
306

 
       
       

     
     


                                        
         

                                      
          
            
310

                   poco accel.
                     
 

 

   
  


 


                                  
          

 
                             
314

                  
                  
  
            
               



 


                                     
           

          
           
K

       
318

        
tenuto
sempre cresc.

      
            
           
       
              


                    
         

                   
 
            
        

     
323


    
  

                             
 
       
              
 
 


            
         
    
                               
             

  
3 3 3 3 3

     
3 3

     
 
329

       
                
       
non staccato

    


             

16 arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk)

  3    3      3    3      3    3      3    3      3    3  
                              
  
335

    
          
     


 


         
                                
     

                                         
            
340

 
           
               
  





        
                       
   

           
                         
(Solo)


               
345


        
                             
                                        

   
 


           
                  
           

 
                      
    

      

350

 
    
      
                                   

   
                  
    


             

  
                            
                             
3

    
354 3

    
3

    3   dolce
       3      
                     
                      
            

3




  
3

     
3

   3 
             

                           

3

 
3

       
3

   
360
3 3

 3
3      3   
       
             


  
    
3 3 3 3

          

arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk) 17

          3
      3  
         
3

              
3

  
366 3


3 
     3   3 
         3                     
       

    
3

  
3


  

           3   3 
       

      3         
  
     
                     
3 3
3

 
372
3

    3          
  
3 
 3  3    3   cresc. 
                     
     
3

         

 


  3  
3

 3  
        

   3   3      3 
                              3  
           
3

        
378

      
 3    
                          
            

   
cresc.


3 3

 
      


      
         

   3                         
ten. 3

   
3

                 
(*) 3

             
3 tenuto 3 3

  
3

  
383


 
  
              
              
 
  


           








             

   L    
 
                 
3

               
3
 
    
3

      

3

    
3 3

         

387 3 3




                       

       
 

                 
3

          


              

  
3      
sinistra poco a poco cresc.

    3    
                  

  

               


3


3


3


391


        3             
                             

 
 
       
3

 3
  3

 3                

18 arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk)

to be played as

    
a continuous


          
  3       
        
arpeggio

                     
             
395
3 3

 
             
                                       
      


  


   
                

               

                

               
 
   
      
399

          
                       
                      
            
       



       
               

    
  
       
                

    
        

    

        
403

    
  
                
           
  
                                  
                


               

                                  
            
      
  
                               

       
407


         
  

  
      
       

 
            


          

           
                                

 
M

 
411

 
                          
   
       
    
                
                  
    


             
()    


      
             
416


              
      
3 3 3 3

             
 leggiero

          

arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk) 19

                
        
          
419

 

            
   

         


       
                
 

   
              
422


 
                 
 

             

    


  

                              
 

     

 
425


    
              
    
              

   


              
                  
             
428 leggiero sempre

           
           
  
 cresc.

     
       
   
 


 
           
       


quasi arpeggio

                    
430

   
                        
   
 quasi arpeggio

               
                 
     
     


      
Ossia

            
                      
          
432

         
         

                
      
      
    
  
 
quasi arpeggio
20 arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk)

  
         
    
                   
   
434

                              
 cresc.

     
quasi arpeggio

            
                   
                   


Ossia

              


                         
  
  

      
436

    
              
 

                  
 
     
  


   

 
                                  
    
   
439


     
           

 
          
                  
        
  


             
                            
442
non leg.

          
   
 
  
             
 


   
                    
        

               
445

   
     
         
   
       


      

                                  


                  
448

  
            
                
   
   

arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk) 21

                       
      
leggiero sempre

                   
N


451

     


 

          

    

    









                 
        

  
              
     
           
454

   
                 
          








                       
          

          
      
        
457

    
                   

       
    










               
       

              
                   
  
460

  
 
       
              
     





      

     
 

        
 
      
  
   
    
463

  
      
   
     
             

               
  



 

    
                

        
          
467


 
   
    
 


                     
 
22 arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk)

  
               
   
O

   
  
Poco piu lento.

       
471


  
     
                 

         


express.
 
        
   



                             

             

  ( )                                   
475

             



      
    
    ( )     
        
  


 


            

        
                       
   
      marc.
                       
481

      
         
       
 
               
      
                  
 



          

    
                        
                   

487


  
      


      
3

    
      
    
3

  
 3 3





            
     

    




   

   
      

   
 
    
(Solo)

       
492

  
    
 
                
   
 legato

      

arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk) 23

     
  
                 

            
      
495

 
        

    
  


        
            
 

    
                      
                
           

     
498

   

           
    
   
   
    


    
        
       
      

                 
      
 
501

    
                  
  

   


  


      
            
            

      
      
       
504

   
        
        

      
     


   
        
      
           

             
507


    
  
   
cresc.

       


   

 


    
           

        
  
                
510

    
        
        
     
           

24 arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk)

              
      
            
        
P

    
513


       
    
      
 
           

  
 


        
      
       

   
           
     
516

       

                  
  
  


     

        


                                
               
519

   
  
   
   
       
  


       

     
     3      3  3 
             3     
        
               
522
3 3

      
 
             
3

 
3

              
           
 cresc.

 




  
       

    3          
    3           
       
        
       
3 

 
525

      
  3            
  
                                   
     




       


             
       
      

 
             
      

            

  

528

    
                      
             
               
           
    
  
arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk) 25


                  Cadenza a tempo rubato
   

        
      
    
       
       
531




                 
   
 
  

  
 
                     

         
















       


         

     
  
  

539

    
                       
    
     

    
legato

       


 

          
             
    
544

  
  
                                
               


 
  

     
         
  
               
550


                 cresc.  

                
             


  
             
      

  
          
  
556

            
                
   
          
     


        


              
         

   
                           
562

                        
        
 leggiero

     

26 arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk)

         
         
                

            
566

              
           


       
                      

       

   

                        


569

        
          
 

  
          


   
 
  
        
  
     
   

 
                  
                 

572

 
      
  
          

     


     
           

 
 
             
               
575


    
                   
   


      

  

577

   
          
                     


  
  
  
  
 
        
 

 
   
a tempo

                      
Meno mosso.


accel.

    
ten. 3 ten.


579



 



 

  3                     
                            
 a tempo

      




   
arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk) 27

 
 
  
      
            
  
  
    
         

                             
        
accel. a tempo accel.

    
582

 



                  
                  

                                
poco cresc.

       
      
 


   



              

  
 

                       
           
 
a tempo

       
accel.

  
   
585


   


 
                   
     
                     

 

               
     





 

       
                  

                   
 
588

 
         
           
 
         

          
 


      

  
        

                 
   
590


      
             

      
 


   
   

 
                  
               

  
592


                      
               
                             
                
  


          
 

  
  
    
         
        
    
        
                     
               
595

      
          
                           
      
         
cresc. cresc.

          
             

       

28 arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk)

  
  
   

    riten.         
       
              


               


 
598

           
     

       
   







          
 

                  
     


   


    



 
     
   
ad libitum.
  
 
  


       


  
 
riten. e pesante 

       
        
 



 



 
  
Quasi adagio.

        
       
       
      
 
  

  

        
      

 
           


     

     
    
          
  
           
           
       

 
      


 

     
   

      

Molto moderato.
  
riten.

        
poco accel.
                   
     
  
  
 
3 3

  
 
    
 


  

                          
   
Tempo I.
   

    
          

  
                         

    
 

arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk) 29

   

     
    
     
legg.

   
     
    
605

 
    lusingando 
            
                        
        


3 3

         
  
          

     
  
  
                       
  
609

  
        legato
       
      

  

  
        
   


   
   

          
          
 
         
                    
 
612

  

                     
                 
   


      
        

                 
 
             
       
     
615

 
   cresc.
    
         
                          
         
       


   
    
          

 

                                   
  
      

  
     
619

 
 

                         
          
    


      
    

              
                         
       
622

   
  cresc.
   
                                   
 
   
                 

          
30 arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk)

                 
                 
    
Q

 
626

 
3

          3
 

           
                                     
slightly earlier than first beat

      
  


3

   
              
             

   
    
 3
3

                  
                 
631
3 3 3

         
3 3


3 3
                
   
         
3



3 3

      
   

     
  
                      
    
              


     
635

  
     
                      
 
   


        
      

             
                      
 

     
  
638


        
                         
                
    
  


  
                    
      

  
                          

  
 

                
 
642

 
     
   
  
             

        
       
 
 
  
 



      
       

       
                 

     
       
             
 
         
646

   
  
     

   
     
        
        
      
          

      
       
    
arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk) 31

               
                                
         
651


 
           
                           
 


 
  
   
     
      

          
         


       
       
          
dolcissimo

    
Andantino semplice.

 
 
                                               
 

   



 
    
                             
     
                        
12



      
                
 espress.

      
            


                 

            
              
                            
a tempo

       
19

     
  split chord into twos
     
  

             
    
     
riten.

                     
           
   





     

                        


 
               
               
       
    
24

     
          

 dolce

        

       
      

32 arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk)

 
                             
  
                       
27

       

      

  
         


             
        

                                        


R

 
29

  
      
dolce

     


      

  
                                
                                         
              
31


  
         

       


  
 
                   
        

 
               
             
34

   


       
     
           
*

            


       


             


   
  
   

          
                                    









             

36

                 
   
                      

            
 


     
        
 

 

         
 

 

    
   
39


  
  

                                          

      




   
                  

arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk) 33


                       
                                      
S sempre staccato

       
42


  
         
                  
espress.

 
     


         


                                           
  

   
                                 
 

 
45



  
   
poco cresc.

    
     



   
 
    
 


  
     3   3   3   3         3  3   
         

 
 
         
                    
 
      
48

      
  
       
       
 
 dolce

      
    






non apregg.

    
           


                                  
  
                      
51

    
              
cresc.

               
            
     




               

         
      
                
               
     
55

    
  
 

   
               
(cresc.) 

        
   




        

34 arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk)

      
     
                
  
  
         
 
Prestissimo

 
58


  
      
                      

 leggerissimo

  
   
ritenuto

           
 




 

            
     
     
              

    
           
62

  

   
           

     
     
                       
     

     
    
  


 

   
       
                

                          
        
66

  
 
          
                 
           
 

       
          

    


  
        
 
   


                         
  
                  
      
         
70

 

        



   
                               

  


     

            
   
                    
     
74

 
  

    
                       
     
 
     
  
  

arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk) 35

               
    
        
T

        
78

   
  

         


dolce

     
legato

          


           
 


                           


     

        
            
      
82

         
       
  

                                           


  


         
      
     
     

                               


             
     

    
 
    

85

      
     
simile.  

                                           


      


           
     

     

          
          
         
       
88

 


         


      
           
          


rhythm not strict here


  

  




       

36 arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk)


      
 
                                    
           
91

        

            
  
               
   
               
       
rhythm not strict here

 


 



 

 
      
        

         
                   
                         
       


95

         
                    
         


   
     
      








         

       
 
              
               
  
            
99

  
 
                           
           
 leggero

        
     


  
             
              

             

     

102

 
 
 
          
             

              
      
   
  


   d note m.d.
 
    
    
           
                        
               


  
        
105




 

                       
   
*

    
     
   
 




    

arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk) 37

  d note m.d.

   
      
                      

  
                         
  
109

   

                       
              
  


           


        
                 
     
U

          
  
114

    

    
  
  
 

      
   

                    

 
  
     
      
    


   
                 
                             

      

118

 
 
  
              

    

                            
            


 
       
 

           
                                   

    
 
 
        
122

 


    
 

                 
                          
     


    
 
     

        
     
        

              
                   
        
126

    



 

             
  

    
                 
     
 
    

38 arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk)

    
    
            
130


          
           
   
 


  
          
     

        
  
134


 
   
  
      


 
13

 


  
     
        
 


136

       
5 5

    
5

 
  
5 5 5


       
      
  
137

   


5

  
5 5 5

      
5

 
     
 
            


 
riten. molto

  
138


4
 
5 pesante

   
5

     
5 

    
5

    
5





             

   

               
Quasi andante. riten.

            
 
legato


140

  
 
 

               


    
 
 




  3   3   3  
  
      
    
  
 
 

    
  
      

145


     

arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk) 39

  
     
 
    
Tempo I.

                 
             
                      
      
146


 dolce
 

   
               
             
  
   
       





   
       
             

             
 
     
           
                 
                
152

  


              en dehors


    
3 3 3 

     
             
   
 


 
 

 
*

   







non arpegg.
             

 
 
          
         
 

   
     
              
   
             
157

  
      
                   
 
           
          
             
  











         
             

                 
  

         
  
            
  



 
161



 

 




 
      

 


 




 *



             

         
      
        
                 
        
 












 non arpegg.

     
           

 
 

      
non arpegg.

                 


      
   
     
m.s.

  




        



165


   




   


   


     
        
               

      

  






    










     

40 arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk)

  
        
                               
       
    
Allegro con fuoco.

              
 
          
 
 
       
    
                            
     
                  
         




         

                             


           
         
 
                       

   
7

   
                     
                        
   
                               

  


      

    
        
     
               
              
 
14

   
             
  
  sopra
                   
  sopra
                      
             
  



       
         

                        
       
  
          
 

 
        
19

    
 
    
                            
                
                         

               

  


       
  
          

        

        


 
V
  

           
25 

     
                  
        
      

                   
  
Alternatively, play a b-flat octave


       
  
  


             
 
   

  
    

 
    
     
  

30

    
                 
                             
              

        
 
  
  

arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk) 41

                
   
   
  

                      
33

  
           
  
                 
  
       

   

               

      
 


     
   
                        
      
                           

      
    

                               
37

                                            

                     
                    


        
   
            
W

    
                                   
poco meno mosso

       
             
44

            
                   
    
 ten.

        

   



    

          
                   

 
          
48
a tempo

 
  
   
 

 
 
    
             


    

               
     

            
51

           
            

          



 

            
          
 
    

     
54 poco meno

espressivo

            
    

 legato


            
   

42 arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk)


     
   
                     
                     
57

    
           
                      
             
       

     

      
  


              


                   
Tempo I.

            
         
X

     
64

    
     
  
                    
 legato

      


         

  
          
           
                       

69

   
   
        
         
   
   
  

  


     
         

      

        
                         
        
73

       
              
cresc. 

    
    

       
   


         
        
          

       
      
 
            
77

     
     
   
dim.

       
                           
             

arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk) 43

         
                    
        
81


  
   


cresc.

             
  


                  
               
       
Y

        
84


        
          
 

    
          
            
  


 
           

           
                   
 

     
            
     
87

          
             
                
                  

        


  
          
     

 
                
these two bars are based on the Van Cliburn

          
     
recording instead

     
   
91

    
     
       
 
               
     
  
     

   
  

  
 


 
      
      
 
         


                         
 

                 

95

        
           
       

               
                             
       

            


    
                     
     


          
   
Sostenuto molto

  
       
Z

   
    
99

 
     
           
 
      
                        
          
   
 
 



  

44 arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk)

   
                
                   
   

102


     
leggiero

    


            
  
 
  



      
     
 




     

           
 
                           
   
    

104


      
  

           
  

  
  
  
 
        
         



    

     
    
                 
       
    
106

      
               
    
                
 

       


      
   

                 

  
               
   
 

108

     
            
            
 cresc.

                  
           

     
  


      
 
      

           
          

    
                               
      
     
111


    
               

                   
   
 
         
      

arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk) 45

 
AA                                
      
Tempo I.

    
                         
 
   
  
   
114

                                            

                                          


         
 Poco riten.  
          

                             
    
           
121

 
 
         
             
  
 ten.

          


 


  
      

                     a tempo               
     
                      
124

 
  

   
  
          
        
           


 



                
   

       
 

          
127

        


               

          


   
   

            
             

 
130

             
               
 
     
poco

 
dim. a


  
   
         
              
BB

 
       
     
     
poco meno

      
    
133


          
               
poco

        

        
espressivo

  
         

46 arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk)

          
    
Tempo I.

 
         7              
      
137

  
      
         
               
  


 leg.

 
             
                               
 
    

     
   
141

       
   
cresc. 

           
  
 
    
  

  
   
 


             
                  
       
        

     

145

 
                                         
dim.

       


     
               

    
      
                           
149

     
       
 

      
      


CC
               
     
       

       
       
152


    
 
   
   
     
  
  
cresc.

  


     
            
                        
                  
     
      
    
155

           
                        
  

                     
            
     
  

arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk) 47

             

Falzone only did one beat for the tril in m. 161

           
       
     

159

 

      



   
                  
       

     

    

     
   
      


                 
        
      

               

     
     

          
164

  
 
                           
              
                       


  

           


        
      
                

   
                     
DD

    

           


169 

 
                          
                        
                              

    
   
          


       
     
   
    

         
  

       
175

    
                  
                              


                   
 
     


              
 
    

  
   
     
      
  
178

     
        
              
        

     
       
     
              

 


     
  
   
                   
 

     
                    
    
Molto più mosso.

  
181

  legato

    
     
                    
       


      


 


  



  
          
48 arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk)

          
                        


   
185

 
    
   
           
   
 




      
 

                   


                    

188

     
               
                              
     





the last note ofarpeggio at the left hand
  
the last note ofarpeggio at the left hand

    
 
to be played at the same time as the first to be played at the same time as the first

            
quaver at the right hand quaver at the right hand

    
                     
  
191


               
          
      
   


                 
       

      
            
      

194


    
 legato

              
            



 





       
                
         

          



197

 
 
     
   
     
      
  





      
   
 

            


                    

200

                 
               
                       




   
the last note ofarpeggio at the left hand the last note ofarpeggio at the left hand
to be played at the same time as the first to be played at the same time as the first
quaver at the right hand quaver at the right hand

arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk) 49

    
                                     
       
203


          
  
    
cresc. - - poco - - a - - poco


         
                


      
    

       
                           
 
206

    
         
    
 
 
        


   
                
          

              
         

  
209


          

  
          
   
  


         

 
       
   
 
                   
     
Tempo I. ma tranquillo.
   
  
212

        
                
                   
 

      

   
    



  

               
    
 
             
 
                     


            
216

    
  
              
                   
     
        

 

 
       

                        
   
       

 
ossia


   

50 arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk)


     

   

                     
 
  

      
220


          
         
  
 
   
           
cresc. poco a

          
         
             
   
          
            
       

  
ossia


     
   

                         
               

  

223

       
      
         

poco

           
    


              
     
     

               

  
226

     
                         
          
            
   


           
     

               

          
       
   
229

                     
                    
 


          
     

 
               
       
 
232

                 
 
   
  

         
                       
 
     

arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk) 51


  
   
            
For these three bars choose whether to play the

                    
top or the bottom note at the right hand (not both)

            
        
235

          
                
   
    


          
     

 
  
    
                           
  
      
238

    
       
                    

                      
      
       



        
                    
              

              
       
                               
242 Poco più mosso.

       
     
                              
              
                                          
       


  
        
                      
          

         
               
  
     
3

      
246 3
3

 

               

              
     

         
        

              
        

   
       


3
3 3
       

              
Molto meno mosso.

      
                   

                


                   
250

     
 -nuto molto 
                    

 
martellato e rite -

       
 tenuto sempre

                           
                    
  
    
non arpegg.
         

52 arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk)

                             
Cliburn and Kondrashin

             

        
speeds up from here

                
onwards

     
   
255

 
  
molto rit.
                      
loco a tempo (stringendo)

          
                 
             










  






 


         
                  
      
                   

                


  
 
261

 
           
            
    
             
           


 
            
                          

     
most pianists speed
Allegro vivo.

    
  
           
up from here except

   
                         
  
Gilels who remains

  
in tempo

       
267

        
 
         
      
stringendo

  

     
    
  


 
cresc.

  
  

    
     
     

                 

                 
           
          
   
272

 
       
            
  

    

         

     
      


    
           
                 
cresc.

 

                 


       

        
                            
276

  
              
 
                      

           
        


   
             

arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk) 53

     
       
  
   
                
          

              
281

   
               
                   
            

          


       
  

  
    
    

         
          

           


            

286

   
            
            
                
        
 
 


              
              
        

                    

    
290

      
                          
             
          

  
  


     
  
           
        
              
   

        
     
295

 
     
                
             
       
    
     


   
 
    

      
      
  
299

 
  
        
   

    
   
  
  

54 arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk)

Appendix


     
Ossia for m. 299 (4th beat onwards) -300 (3rd beat) in 1st movement
    
   
  

  


  
rit.
   
a tempo

   



arpeggios separated between two clefs are to be played as one, unless stated otherwise (through an asterisk) 55