You Lie
And then I’m gonna cry
1 You Lie
2 Hip To My Heart
3 If I Die Young
4 All Your Life
5 Miss You Being Gone
6 Double Heart
7 Postcard From Paris
8 Walk Me Down The Middle
9 Independence
10 Quittin’ You
11 Lasso
mile long bridge
(Brian Henningsen, Clara Henningsen,
Aaron Henningsen)
It ain’t complicated
Well I’ve grown to hate it
I never liked the taste of crow
But baby I ate it
They tried to warn me
They said that you were ornery
So don’t bring me those big brown eyes
and tell me that you’re sorry
You might as well throw gasoline on a fire
The way you lie
You lie like a priceless Persian rug on
a rich man’s floor
Yeah you lie like a coon dog basking
in the sunshine on my porch
Well you lie like a penny in a parking
lot at the grocery store
It just comes way too natural to you
The way you lie
That ain’t my perfume, I bet she had a curfew
You told me you were out with the boys and
baby I believed you
So why you lookin’ so nervous
You know you kind of deserve this
I ought to kill you right now
And do the whole wide world a service
Well my daddy’s gonna straighten you out
Like a piece of wire, like a piece of wire
The way you lie
You lie like the man with the slicked back
hair who sold me that Ford
Yeah you lie like a pine tree in the back yard
after last month’s storm
Well you lie like a penny in a parking lot at
the grocery store
It just comes way too natural to you
The way you lie
Well I tell you what I’m gonna do
I’m gonna drive to the big old muddy river
I’m gonna park my car in the middle of the
Michael Rhodes – Bass
Stuart Duncan – Fiddle
Well maybe just a little Tim Lauer – Piano, B3 Organ
Then I’m gonna slip off the ring Chad Cromwell – Drums
that you put on my finger Wes Hightower – Additional Vocals
And give it a big old fling and watch it sink
Down, down, down
And there it’s gonna lie until the Lord
comes back around Hip To My Heart
Because you lie like a priceless (Kimberly Perry, Reid Perry, Neil Perry,
Persian rug on a rich man’s floor Brett Beavers)
Yeah you lie like a coon dog basking
in the sunshine on my porch I like your lips like I like my Coca Cola yeah
Well you lie like a penny in a parking Oh how it pops and fizzes
lot at the grocery store You like my shirt like I like it when
It just comes so dang natural to you you hold my hand
The way you lie The way it fits
It’s got me feeling lucky
The way you lie
Well it’s what you do, it’s who you are Lookie who is stunnin’ who
You got that something
Boy I wanna be where you are
© 2010 EMI Blackwood Music, Inc./How And I’m gunnin’ for ya
Bout That Skyline Music/Cactus Moser Music (BMI) Can’t even fall for some other man,
(All rights for How Bout That Skyline Music and Cactus cause Brotherman
Moser Music are controlled and administered by EMI You know how to get hip to my heart
Blackwood Music Inc.). All Rights Reserved.
Used By Permission. All the girls in town look you up and
look you down I know
So come on and pick your kitten
Produced by Paul Worley Purr baby purr, go ahead and say the word,
Recorded and Mixed by Clarke Schleicher at let’s go
Warner Studios (Nashville, TN); Assisted by I think I’m the one you’re diggin’
Andrew Bazinet Got me feeling lucky
Additional Engineering by Erik Hellerman at Warner
Studios (Nashville, TN) Lookie who is stunnin’ who
Additional Engineering by John Napier at Eye Spy You got that something
Sound Studio (Nashville, TN) Boy I wanna be where you are
Mastered by Hank Williams at MasterMix (Nashville, And I’m gunnin’ for ya
TN) Can’t even fall for some other man,
Production Assistant: Jeremy Witt cause Brotherman
Production Coordinator: Paige Conners You know how to get hip to my heart
Copy Coordinator: Whitney Sutton
Tell me now, who, who
Tell me now, who, you
Biff Watson, Bryan Sutton – Acoustic Guitar
Pat Buchanan – Electric Guitar You play it cool
Dan Dugmore – Steel Guitar You play it so cool
What am I supposed to do
When you play it so cool
And I got the hots for you
Lookie who is stunnin’ who
You got that something
Boy I wanna be where you are
And I’m gunnin’ for ya
Can’t even fall for some other man,
cause Brotherman
You know how to get hip to my heart
I said, you know how to get hip to my heart
I said, you know how to get hip to my heart
© 2009 Pearlfeather Publishing/Famdamily Music/
When I Go To The Moon (BMI) (Administered by Rio
Bravo Music, Inc.), FSMGI (IMRO), Chestnut Barn
Music (BMI) (Administered by Chrysalis One Songs
(BMI)). All Rights Reserved. Used By Permission.
Produced by Nathan Chapman
Recorded by Chuck Ainlay at Sound Stage Studios
(Nashville, TN); Assisted by Joe Martino
Additional Recording by Nathan Chapman at
Pain in the Art Studio (Nashville, TN)
Mixed by Justin Niebank at BlackBird Studios
(Nashville, TN); Assisted by Drew Bollman
Mastered by Hank Williams at MasterMix (Nashville,
TN)
Production Assistant: Emily Mueller
Copy Coordinator: Whitney Sutton
Kimberly Perry – Acoustic Guitar
Nathan Chapman – Acoustic Guitar, Electric Guitar,
Banjo, Piccolo, Percussion
Neil Perry – Mandolin
Reid Perry – Bass
Rob Hajacos – Fiddle
Shannon Forrest – Drums
If I Die Young
(Kimberly Perry)
If I die young bury me in satin
Lay me down on a bed of roses
Sink me in the river at dawn
Send me away with the words of a love song
Uh oh, Uh oh
Lord make me a rainbow I’ll shine down on
my mother
She’ll know I’m safe with you when she
stands under my colors
Oh and life ain’t always what you think it
ought to be
No, ain’t even gray but she buries her baby
The sharp knife of a short life
Well I’ve had just enough time
If I die young bury me in satin
Lay me down on a bed of roses
Sink me in the river at dawn
Send me away with the words of a love song
The sharp knife of a short life
Well I’ve had just enough time
And I’ll be wearing white when
I come into your kingdom
I’m as green as the ring on my little
cold finger
I’ve never known the lovin’ of a man
But it sure felt nice when he was
holdin’ my hand
There’s a boy here in town who says
he’ll love me forever
Who would have thought forever could
be severed by
The sharp knife of a short life
Well I’ve had just enough time
So put on your best boys
and I’ll wear my pearls
What I never did is done
A penny for my thoughts
Oh no, I’ll sell ‘em for a dollar
They’re worth so much more after I’m a goner
And maybe then you’ll hear the words
I’ve been singing
Funny when you’re dead how people start
a-listenin’
If I die young bury me in satin
Lay me down on a bed of roses
Sink me in the river at dawn
Send me away with the words of a love song
Uh oh
The ballad of the dove
Uh oh
Go with peace and love
Gather up your tears, keep ‘em in your pocket
Save them for a time when you’re really
gonna need ‘em
Oh the sharp knife of a short life
Well I’ve had just enough time
So put on your best boys and I’ll wear my
pearls
© 2010 Pearlfeather Publishing (BMI) (Administered
by Rio Bravo Music, Inc.). All Rights Reserved. Used
By Permission.
Produced by Paul Worley
Recorded by Clarke Schleicher at Warner Studios
(Nashville, TN); Assisted by Andrew Bazinet
Additional Engineering by Erik Hellerman at Warner
Studios (Nashville, TN)
Mixed by Justin Niebank at BlackBird Studios
(Nashville, TN)
Mastered by Hank Williams at MasterMix (Nashville,
TN)
Production Assistant: Jeremy Witt
Production Coordinator: Paige Conners
Copy Coordinator: Whitney Sutton
Biff Watson – Acoustic Guitar
Dan Dugmore – Steel Guitar
Michael Rhodes – Bass
Bryan Sutton – Banjo
Pat Buchanan – Papoose
Stuart Duncan – Fiddle
Tim Lauer – B3 Organ, Accordion
Chad Cromwell – Drums
Wes Hightower – Additional Vocals
All Your Life
(Brian Henningsen, Clara Henningsen)
Would you walk to the edge of the ocean
Just to fill my jar with sand
Just in case I get the notion
To let it run through my hand
Let it run through my hand
Well I don’t want the whole world
The sun, the moon, and all their light
I just want to be the only girl
You love all your life
You love all your life
Would you catch a couple thousand fireflies
Put ‘em in a lamp to light my world, yeah
All dressed up in a tux and bow tie
Hand delivered to a lonely girl
To a lonely, lonely girl
I don’t want the whole world
The sun, the moon, and all their light
I just want to be the only girl
You love all your life
You love all your life
Lately I’ve been writing desperate love songs
I mostly sing them to the wall
You could be the centerpiece of my
obsession
If you would notice me at all
I don’t want the whole world
The sun, the moon, and all their light
I just want to be the only girl
You love all your life
You love all your life
You love all your life, life, yeah
© 2010 EMI Blackwood Music, Inc./How Bout
That Skyline Music/Cactus Moser Music (BMI) (All
rights for How Bout That Skyline Music and Cactus
Moser Music are controlled and administered by EMI
Blackwood Music Inc.).  All Rights Reserved.  Used By
Permission.
Produced by Nathan Chapman
Recorded by Chuck Ainlay at Sound Stage Studios
turning on the charm
Yeah well cupid ain’t a boozer
(Nashville, TN); Assisted by Brandon Schexnayder in a tavern throwing darts
Additional Recording by Nathan Chapman, Do you think I walk around with a
Brandon Schexnayder, Mark Petaccia at Sound bullseye on my heart
Stage Studios, Pain In The Art Studio, Blackbird
Studios (Nashville, TN) Well I’ll admit that I was wrong
Mixed by Justin Niebank at BlackBird Studios
(Nashville, TN); Assisted by Drew Bollman You said I’d miss you
Mastered by Hank Williams at MasterMix (Nashville, Oh yes I do
TN) Sugar I miss you
Production Assistant: Emily Mueller Being gone
Copy Coordinator: Whitney Sutton
I miss you like...
Bryan Sutton – Acoustic Guitar, Banjo Drama queens and cat fights and
Ilya Toshinsky – Electric Guitar braces on prom night
Mike Johnson – Steel Guitar I miss you like...
Neil Perry – Mandolin Boy bands and cheap cologne,
Reid Perry – Bass our song and chaperones
Eric Darken – Percussion And all the other things that I’ve outgrown
Shannon Forrest – Drums
Well you know you’ve got the mojo,
Miss You but it ain’t working me no more
And I swear I won’t be checking
Being Gone you out when you walk out my door
I’ll admit that I was wrong
(Kimberly Perry, Reid Perry, Neil Perry,
Brian Henningsen, Clara Henningsen, You said I’d miss you
Aaron Henningsen) And boy you got issues
Honey I miss you
Wish I would have noticed sooner Being gone
all that crazy in your eyes
Do you practice in the mirror on Being gone
that temptin’ crooked smile Being gone
Like the serpent in the garden, Thank God you’re gone
you came crawlin’ back to me
Twice I ate that poison apple,
it made me sick of being Eve © 2010 Pearlfeather Publishing/Famdamily Music/
When I Go To The Moon (BMI) (Administered by Rio
Well I’ll admit that I was wrong Bravo Music, Inc.), EMI Blackwood Music, Inc./How
Bout That Skyline Music/Cactus Moser Music (BMI)
You said I’d miss you (All rights for How Bout That Skyline Music and Cactus
Oh yes I do Moser Music are controlled and administered by EMI
Honey I miss you Blackwood Music Inc.). All Rights Reserved. Used By
Being gone Permission.
I saw that floozy you been wooing
on your ex-best buddy’s arm
And I knew you’d soon be slinkin’ back
Produced by Paul Worley
Recorded and Mixed by Clarke Schleicher at
Warner Studios (Nashville, TN); Assisted by
Andrew Bazinet
Additional Engineering by Erik Hellerman at
Warner Studios (Nashville, TN)
Additional Engineering by John Napier at
Eye Spy Sound Studio (Nashville, TN)
Mastered by Hank WIlliams at MasterMix,
(Nashville, TN)
Production Assistant: Jeremy Witt
Production Coordinator: Paige Conners
Copy Coordinator: Whitney Sutton
Biff Watson, Bryan Sutton – Acoustic Guitar
Pat Buchanan, Paul Worley – Electric Guitar
Dan Dugmore – Steel Guitar
Michael Rhodes – Bass
Tim Lauer – Piano, B3 Organ
Chad Cromwell – Drums
Double
(
Heart
Kimberly Perry, Reid Perry, Neil Perry,
Brett Beavers)
He was sweet as cotton candy
at a county fair
He’s a cold drink of water with
butterscotch hair
He swore that he loved me
well I guess he probably did
Cause when he rolled up his sleeve one day
I saw my name next to his
A new tattoo stinging like a hornet
Two little hearts like a big red warning
I wasn’t looking for a permanent thing
First comes the ink then comes the ring
Bye bye baby
I bet we could’ve made a bunch of
sweet memories
You should’ve slowed down mister
Moving like a twister’s just a little fast for me
So now its zero to 60 and if you ever miss me
I’m right there on your arm
Don’t you cry I’ll leave you something behind
Skid marks and a double heart
Well he’s a tough bronc buster,
I’ll bet he sleeps in his boots
Well he tried to throw a rope around me
right out of the shoots, yeah
He swore that he loved me
well I reckon he probably did
Cause when he rolled up his sleeve one day
I thought here we go again
A new tattoo burning like a brand
Two little hearts on my rodeo man
I wasn’t looking for a permanent thing
First comes the ink then comes the ring
Bye bye baby
I bet we could’ve made a bunch of sweet
memories
You should’ve slowed down mister
Moving like a twister’s just a little fast for me
So now its zero to 60 and if you ever miss me
I’m right there on your arm
Don’t you cry I’ll leave you something behind
Skid marks and a double heart
Woo hoo Woo hoo
I’m a free bird
Woo hoo Woo hoo
I’m a free bird
A new tattoo whistlin’ Dixie
Two little hearts ain’t a-gonna get me
I’m not looking for a permanent thing
So don’t shoot the ink ‘til I take the ring
Bye bye baby
I bet we could’ve made a bunch
of sweet memories
You should’ve slowed down mister
Moving like a twister’s just a little fast for me
So now its zero to 60 and if you ever miss me
I’m right there on your arm
Don’t you cry I’ll leave you something behind
Skid marks and a…skid marks and a…
Skid marks and a double heart
Well I’m a free bird
© 2010 Pearlfeather Publishing/Famdamily Music/
When I Go To The Moon (BMI) (Administered by
Rio Bravo Music, Inc.), FSMGI (IMRO) (All rights
administered by State One Music America (BMI)).
All Rights Reserved. Used By Permission.
Produced by Paul Worley
Recorded and Mixed by Clarke Schleicher at
Warner Studios (Nashville, TN); Assisted by
Andrew Bazinet
Additional Engineering by Erik Hellerman at
Warner Studios (Nashville, TN)
Additional Engineering by John Napier at
Eye Spy Sound Studio (Nashville, TN)
Mastered by Hank Williams at MasterMix (Nashville,
TN)
Production Assistant: Jeremy Witt
Production Coordinator: Paige Conners
Copy Coordinator: Whitney Sutton
Biff Watson, Bryan Sutton – Acoustic Guitar
Pat Buchanan – Electric Guitar
Dan Dugmore – Steel Guitar
Michael Rhodes – Bass
Stuart Duncan – Fiddle
Tim Lauer – B3 Organ, Accordion
Chad Cromwell – Drums
Postcard From Paris
(Kimberly Perry, Reid Perry, Neil Perry,
Kara DioGuardi, Jeff Cohen)
I remember when my heart caught the fever
You were standing all alone in the
Summer heat
I was with my boyfriend, my new boyfriend
He was as sweet as he could be
One look at you and I was through
My heart switched up on me
Like a postcard from Paris
When I’ve seen the real thing
It’s like finding out your diamond is
from her old promise ring
A call back from your fortune teller,
She read your cards upside down
The meanest thing you ever did is
come around
And now I’m ruined, yeah
I’m ruined
In the evening you can catch
me daydreaming
Did that moment send you
reeling just like me
I should have gone over, right over
I should have never let you leave
But it’s the never knowing that keeps
this going and drives me crazy
Like a postcard from Paris
When I’ve seen the real thing
It’s like finding out your diamond is
from her old promise ring
A call back from your fortune teller,
She read your cards upside down
The meanest thing you ever did is
come around
Just when I thought things were alright
My eyes played tricks on my mind
Will I ever be satisfied cause all I ever
seem to find, is a
Postcard from Paris
When I need the real thing
It’s like finding out your diamond is
from an old promise ring
A call back from your fortune teller,
She read your cards upside down
The meanest thing you ever did
The cruelest thing you ever did
The meanest thing you ever did
Is come around
I am ruined, yeah
I’m ruined
Now I am ruined, yeah
I’m ruined
© 2009 Pearlfeather Publishing/Famdamily Music/
When I Go To The Moon (BMI) (Administered by Rio
Bravo Music, Inc.), As You Wish Music (BMI), Art
In The Fodder (BMI), Sunshine Terrace (BMI), Bug
Music (BMI) (Administered by Bug obo Arthouse
Entertainment, LLC.). All Rights Reserved. Used By
Permission.
Produced by Nathan Chapman
Recorded by Chuck Ainlay at Sound Stage Studios
(Nashville, TN); Assisted by Brandon Schexnayder
Additional Recording by Nathan Chapman,
Brandon Schexnayder, Mark Petaccia at Sound
Stage Studios, Pain In The Art Studio, Blackbird
Studios (Nashville, TN)
Mixed by Justin Niebank at BlackBird Studios
(Nashville, TN); Assisted by Drew Bollman
Mastered by Hank Williams at MasterMix (Nashville,
TN)
Production Assistant: Emily Mueller
Copy Coordinator: Whitney Sutton
Bryan Sutton – Acoustic Guitar
Ilya Toshinsky – Electric Guitar
Mike Johnson – Steel Guitar
Neil Perry – Mandolin
Reid Perry – Bass
Stuart Duncan – Fiddle
Eric Darken – Percussion
Shannon Forrest – Drums
Walk Me Down
The Middle
(Kimberly Perry, Reid Perry, Neil Perry)
I was meant to be by your side
And I have waited here a long time
For you to turn around and notice me
But now you’re here holding hands with me
Walk me down the middle of the county fair
Walk me down the middle like you don’t care
Walk me by the ferris wheel
And make sure that she sees
Let the whole world know you belong to me
I have heard about your bitter end
About how she stole your heart and
put it back again
Well I may not be the prettiest girl around
But I sure am a sight for sore, sore eyes
Walk me down the middle of Main Street
Walk me down where the whole town will be
I don’t need no parade
But make sure that she sees
Let the whole world know you belong to me
I’d walk through fire for you
Walk through barbed wire for you
I’d walk for miles, it’s true
Just to be with you
If you walk me down the middle of my
momma’s church
Walk me down that aisle in your finest shirt
Let the whole world know you will
Walk me down the middle of the county fair
Oh walk me down the middle like you don’t
care
Walk me by the ferris wheel
And make sure they all see
Let the whole world know you belong to me
You belong to me
© 2009 Pearlfeather Publishing/Famdamily Music/
When I Go To The Moon (BMI) (Administered by Rio
Bravo Music, Inc.). All Rights Reserved. Used By
Permission.
Produced and Arranged by Matt Serletic 
Recorded by Mark Dobson, Doug Trantow, Tomaz
Stular at Emblem Music (Calabasas, CA), Omni
Sound, I.T. Sound, Loveshack Studios (Nashville, TN)
Pro Tools Editing: Mark Dobson, Doug Trantow
Assistant Engineers: Alex Arias, Mike Leisz, Rory
Rositas, John Mathius
Strings Recorded at Soundgrounded
(Ljubljana, Slovenia)
Mixed by Steve Marcantonio at Blackbird Studios
(Nashville, TN); Assisted by Steve Blackmon
Mastered by Hank Williams at MasterMix (Nashville,
TN)
Copy Coordinator: Whitney Sutton
Ilya Toshinsky – Acoustic Guitar, High-Strung
Guitar, Mandolin
Tim Pierce – Electric Guitar
Paul Franklin – Pedal Steel
Chris Chaney – Bass
Stuart Duncan – Fiddle
Matt Serletic – Cimbalom, Piano, B-3, Accordion,
Programming
Dorian Crozier – Drums
Strings performed by Rokulus Strings, Rok Golob
– Conductor/Orchestrator
Violin – Mojca Arnold, Ziga Cerar, Marija
Naversnik, Nastja Znideric, Marijana Gregoric,
Andreja Zupanc, Ajda Kralj
Viola – Tamara Tasev, Marjeta Skrjanc
Cello – Pavel Rakar, Ursula Ivanus
Contrabass – Tomaz Stular
this zip code Neil Perry – Mandolin
It might be for me but until I go Reid Perry – Bass
How am I ever supposed to know Stuart Duncan – Fiddle
Eric Darken – Percussion
I gotta get gone gone gone Shannon Forrest – Drums
Shooting like a gun a gun a gun
Skipping like a stone stone stone
As far as I can run to where freedom is free Quittin’ You
There’s a road like a long gray ribbon far as
I can see (Kimberly Perry, Reid Perry, Neil Perry)
I’m busting out of Independence I don’t know what I was thinkin’
Independence busting out of me You were no good but you could do some
I’m busting out of Independence fancy talkin’
Independence busting out of me
I’m not your Trixie Delight
I gotta get gone gone gone Or a gumball machine
Shooting like a gun a gun a gun You can keep your quarter man

Independence Skipping like a stone stone stone

As far as I can run to where freedom is free
‘Cause you won’t get nothing sweet out of me

I’m quittin’ quittin’ quittin’

(Kimberly Perry, Reid Perry, Neil Perry,
Brian Henningsen, Clara Henningsen,
Aaron Henningsen)
Patient anticipation
Up till now I’ve been hurry up and waiting
At a bus stop in Independence licking an
ice-cream cone
I’ve been kicking I’ve been scheming
This is as close as I’ve ever been to leaving
Five blocks away, a stone’s throw from home
But I’m as good as gone
I gotta get gone gone gone
Shooting like a gun a gun a gun
Skipping like a stone stone stone
Far as I can run to where freedom is free
There’s a road like a long gray ribbon far as
I can see
And it’s pulling independence out of me
Emancipation or paper chasing
Leaving with question marks and
Momma’s blessing
I put her picture in my pocket
along with her rosary
Some say I’m crazy, a little loco
And most of my friends will live and die in
There’s a road like a long gray ribbon far as
I can see
There’s a road like a long gray ribbon far as
I can see
And it’s pulling independence out of me
Independence
© 2010 Pearlfeather Publishing/Famdamily Music/
When I Go To The Moon (BMI) (Administered by Rio
Bravo Music, Inc.), EMI Blackwood Music, Inc./How
Bout That Skyline Music/Cactus Moser Music (BMI)
(All rights for How Bout That Skyline Music and Cactus
Moser Music are controlled and administered by EMI
Blackwood Music Inc.). All Rights Reserved. Used By
Permission.
Produced by Nathan Chapman
Recorded by Chuck Ainlay at Soundstage Studios
(Nashville, TN); Assisted by Brandon Schexnayder
Mixed by Justin Niebank at BlackBird Studios
(Nashville, TN); Assisted by Drew Bollman
Mastered by Hank Williams at MasterMix (Nashville,
TN)
Production Assistant: Emily Mueller
Copy Coordinator: Whitney Sutton
Bryan Sutton – Acoustic Guitar
Ilya Toshinsky – Electric Guitar
Mike Johnson – Steel Guitar
I’m quittin’ you
Like a girl wants her chocolate, yeah
I know that I’ll miss you
But I’m quittin’ quittin’ quittin’
I’m not kiddin’ I’m kickin’ you
‘Cause you’re my bad habit and
I’m quittin’ you
I don’t know what the heck you were thinkin’
It’s gonna gonna take a better man,
I’m bettin’, to win my hand
I’m not gonna play your game
I don’t like the high stakes
I’d rather sit alone at home
Playin’ one more round of Old Maid
I’m quittin’ quittin’ quittin’
I’m quittin’ you
Like a gambler leaving Vegas, boy
I know that I’ll miss you
But I’m quittin’ quittin’ quittin’
I’m not kiddin’ I’m kickin’ you
‘Cause you’re my bad habit and I’m quittin’
Cold turkey
Giving you the cold shoulder
Off like a band-aid
One quick sting
Then it’s over
I’m quittin’ quittin’ quittin’
I’m not kiddin’ I’m kickin’ you
‘Cause you’re my bad habit
And the good Lord won’t have it
You’re my bad habit and I’m quittin’ you
© 2009 Pearlfeather Publishing/Famdamily Music/
When I Go To The Moon (BMI) (Administered by Rio
Bravo Music, Inc.). All Rights Reserved. Used By
Permission.
Produced by Nathan Chapman
Recorded by Chuck Ainlay at Sound Stage Studios
(Nashville, TN); Assisted by Brandon Schexnayder
Additional Recording by Nathan Chapman, Mark
Petaccia at Pain In The Art Studio (Nashville, TN)
Mixed by Justin Niebank at BlackBird Studios
(Nashville, TN); Assisted by Drew Bollman
Mastered by Hank Williams at MasterMix (Nashville,
TN)
Production Assistant: Emily Mueller
Copy Coordinator: Whitney Sutton
Bryan Sutton – Acoustic Guitar
Ilya Toshinsky – 12-String Acoustic Guitar
Mike Johnson – Steel Guitar
Neil Perry – Mandolin
Reid Perry – Bass
Eric Darken – Percussion
Shannon Forrest – Drums
Lasso
(Kimberly Perry, Reid Perry, Neil Perry, Brian
Henningsen, Clara Henningsen, Aaron
Henningsen)  Bout That Skyline Music/Cactus Moser Music (BMI)
When I first laid eyes on you
Well the night just felt so odd
You looked at me and the stars lined up
So I thought I’d heard from God
And I gave it my best shot
Loving you was like throwing a lasso
around a tornado
I tried to hold on to Studios (Nashville, TN)
Took a ride on a tilt-a-whirl that sits Additional Engineering by John Napier at Eye Spy
on top of the world Sound Studio (Nashville, TN)
Man I thought I could show you Mastered by Hank Williams at MasterMix (Nashville,
I’ve always been afraid of flying TN)
But you can’t blame a girl for trying Production Assistant: Jeremy Witt
Production Coordinator: Paige Conners
Felt like a pearl when I was holding Copy Coordinator: Whitney Sutton
your hand
So precious I forgot Biff Watson, Bryan Sutton – Acoustic Guitar
You could have any girl but I only Pat Buchanan, Paul Worley – Electric Guitar
wanted one man Dan Dugmore – Steel Guitar
And you were everything I’m not Michael Rhodes – Bass
Still I gave it my best shot Stuart Duncan – Fiddle
Tim Lauer – Piano, B3 Organ
Loving you was like throwing a Chad Cromwell – Drums
lasso around a tornado
I tried to hold on to
Took a turn on a high trapeze
swinging over the deep
I thought I could show you
I’ve always been afraid of flying
But you can’t blame a girl for trying
Like a vine bends a tree to the ground
I won’t hold you down
I tried to climb just as high
But I found all the clouds touch the ground
In this small town
Took a ride on a high trapeze swinging
over the deep
I thought I could show you
That I’ve always been afraid of flying
But you can’t blame a girl for trying
No you can’t blame a girl
© 2010 Pearlfeather Publishing/Famdamily Music/
When I Go To The Moon (BMI) (Administered by Rio
Bravo Music, Inc.), EMI Blackwood Music, Inc./How
(All rights for How Bout That Skyline Music and Cactus
Album Art Creative Team:
Moser Music are controlled and administered by EMI Photography: Justin Nolan Key,
Blackwood Music Inc.). All Rights Reserved. Used By Joseph Anthony Baker (cover image)
Permission. Album Graphic Design: Glenn Sweitzer / FRESH
DESIGN.COM
Produced by Paul Worley Wardrobe: Sandi Spika Borchetta, amber lehman,
Recorded and Mixed by Clarke Schleicher at Marie Perry
Warner Studios (Nashville, TN); Assisted by Make-up: Lorrie Turk Hair: Neil Robison
Andrew Bazinet Photo Shoot Coordinator: Madalyn Hankins
Additional Engineering by Erik Hellerman at Warner A&R: ALLISON JONES
TheBandPerry.com
Facebook.com/TheBandPerry
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Thank You
To Steve and Marie Perry for having us and
after having us, for making us. We’re a labor
of love. The three of us hope to be at least
half the humans that you both are.
To the village raising this artist: David
‘Consigliere’ Crow, Bob Doyle, Kates Snyder,
Josh Pegram, our friends at Major Bob Music,
Kerry O’Neil and all of the mathematicians
and magicians at O’Neil Hagaman, Jody
Williams, Clay Bradley, and our friends at
BMI, Scott Borchetta and Jimmy ‘Jimbo’
Harnen (We’d follow you both anywhere.),
The Republic-ans: Monte and Avery Lipman,
Allison Jones (the First), Bobby Young, Stacy
‘Lady In Black’ Blythe, Shari ‘Toots’ Roth,
Weslea ‘Mr.B’ Bartholomew, ‘Auntie Lo’
Lois Lewis, Kathleen Drosey, Megan Whalen,
Kelly Rich, Lindsey Jackson, Whitney Sutton,
Justin McIntosh (We miss you.), Ashley
Heron, Judy McDonough, Andrew Kautz,
Sandi Spika-Borchetta, Justin Key, Madalyn
Hankins, Shea Fowler, Harry Lyons, Ashley
Crawford, Ashley Jeanette, David Beller, our
Big Machine/Valory Music cousins, all at
Universal Republic New York and Universal
Music Distribution, Rob Beckham and our
entire WME Entertainment family.
To Country Radio for your warm welcome.
To GAC and CMT for your rich support and
for helping the folks put a face with a song.
To Steve Buchanan, Pete Fisher, and all of
the kindred spirits at the Opry for giving us
the opportunity to cut our teeth on such a
historic stage.
To Paul Worley, Nathan Chapman, and Matt
Serletic for helping us find the heartbeat
and the backbeat for our songs.
To The Henningsens and Brett Beavers for
being our most beloved creative cohorts and
partners in lyrical crime.
To all of our family and friends who’ve played
beside us on a stage, cheered us on while
we were on it, who drove for miles, and
listened for hours.
To each one of you who set up our gear and
bought our t-shirts, who encouraged and
loved us, who believed through the humble
beginnings, and saw something that was not
as though it already was.
To the Collective Blood, Sweat, and Tears:
This belongs to you.
To you, the listener, for lending us your
ears and hard earned dollars.
These are our stories - they’re your stories.
Use this collection of songs as needed: As
a needle and thread to sew up the broken
parts of your day. As fireworks to liven up
your night. Play them loud and long.
Lastly...
Thank you to our Jesus - who imagined this
whole thing in the first place. We love you
even more today than the day we started:
October 26, 1998. Perhaps that was the
point all along. We long to make you proud.
Big Love/Bright Light,
TBP
1 You Lie * 2 Hip To My Heart 3 If I Die Young * 4 All Your Life
5 Miss You Being Gone * 6 Double Heart * 7 Postcard From Paris

8 Walk Me Down The Middle ** 9 Independence

10 Quittin’ You 11 Lasso *

Produced by Nathan Chapman *Produced by Paul Worley **Produced by MATT SERLETIC

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p & © 2010 Universal Republic Records, a Division of UMG Recordings, Inc.1755 Broadway, New York, NY 10019. Distributed by Universal Music Distribution. All rights reserved. FBI Anti-Piracy Warning: Unauthorized copying is punishable under federal law.