Paul Chambers

Настоящее имя Paul Laurence Dunbar Chambers.

Родился 22 апреля 1935г., в Pitsburgh, PA.
Умер 4 января 1969г., в New York.
Один из «топ» басистов (1955 – 1965), использующих смычок в со-
ло, как и Slam Stewart, который пел одновременно с игрой.
Chambers вырос в Детройте, где играл с местными джазменами. Пос-
ле гастролей с Paul Quinichete quintet, он едет в Нью Йорк. Играет с
J.J.Johnson –Kai Winding quintet и George Wallington.
В свои лучшие годы (1955 – 1963), будучи членом M.Davis quintet,
записывает фактически все «классические» альбомы Дэвиса.
После, ”Mr.P.C.” работает с Wynton Kelly trio (1963 – 66) и является
«свободным художником».
За короткий период, как аккомпаниатор и прекрасный солист, делает
много записей, включая таких музыкантов как Sonny Rollins, Coltrane,
C.Adderley, Donald Byrd, Bud Powell, Freddie Hubbard, а также записы-
вает несколько сольных альбомов.
q=161 Confessin P.Chambers
"Bass on Top" 1957
Swing Theme

                          
3 A1 Bbmaj 3
F7 Bbmaj F7 Bbmaj A7

 
    F7      Dm7 
    
Ab7 G7 Cm7 G7

     
   
 
 
3
Cm7 F7
    Cm7  Dbdim      
A2 Bbmaj Bbmaj
                    

    3  3  Bbmaj

F7

       
Dm7-5 G7 Cm7 Eb7

         

           
Bbmaj Fm7 Bb7 Ebmaj

         
  
B
   

C7 3

   3        
Gm7 Cm7

        
        

  
F7 Bbmaj F7 Bbmaj F7 Bbmaj A7

   
    
A3

   

 
Ab7 G7 Cm7 F7 Bbmaj

        

 
break

  
Cm7 F7 1chorus Bbmaj F7 Bbmaj A7

                             
A1 Bbmaj F7


Ab7 G7 Cm7 F7 Dm7 G7
    
                     

 
Cm7 F7 Bbmaj Cm7 Dbdim Bbmaj

                   
A2

  
                
Dm7-5 G7 Cm7 F7 Bbmaj Eb7

       

Bbmaj
         
Bb7 B Fm7
        
Ebmaj

    
3

      C7   
               
Gm7 Cm7

  

  
F7
   3               
F7 Bbmaj Bbmaj F7 Bbmaj A7
     
A3

   
 3

                    
Ab7 G7 Cm7 F7 Bb Eb7

   

 Bbmaj
2chorus Bbmaj
       3   
A7
 
F7

       
A1 Bbmaj
 
Cm7 F7 F7

   

     
Ab7 G7 Cm7 F7 Dm7 G7

         3    


   
Cm7 F7 Bbmaj Cm7 Dbdim Bbmaj Dm7-5 G7

         
A2
  
 




Cm7 F7 Bb Eb7 Bbmaj

                             
3 3
3 3
Fm7 Bb7 Ebmaj

                          
B 3

3
Gm7 C7
     

           
3

3
  
Cm7 F7

     
          

    
Bbmaj F7 Bbmaj F7 Bbmaj A7 Ab7 G7

         

A3

  
Cm7 F7 Bbmaj Cm7 F7

                       
 Straight no Chaser solo by Paul Chambers

Swing q=160

   
F7 Bb7 F7
1
             
      

Bb7 F7 D7

                             
  

              
G.7 C7 F7 C7

      
      

  
F7 F7

               
2
      
  

Bb7 F7 D7

                 
      
  

     
G.7 C7 F7 C7

                 


 


     
F7 Bb7 F7
     
        
3
    
    

          D7
             
Bb7 F7

     

G.7
      C7       F7 C7

           
      

        
F7 Bb7 F7
             
4
        
 
                 
Bb7 F7 D7
    
       


          C7 
G.7 F7 C7

    
    

  
F7 Bb7 F7
5
      

          
3

                  
Bb7 F7 D7

      
  
G.7 C7 F7 C7

           


            
F7 Bb7 F7

6
     
    

    
Bb7
   
F7
       D7
       
    
 
 
G.7
 
C7
    
F7 C7

      
   

               
F7 Bb7 F7

       
7
        

Bb7 F7 D7

        

   
    


   

           
         
G.7 C7 F7 C7

           
  
Scott La Faro

Родился 5 апреля 1936г., Newark, NJ.

Умер 6 июня 1961г., Geneva, NY.
На протяжении своей короткой жизни, LaFaro очень быстро стал
одним из самых передовых басистов, наряду с Ch.Mingus и Ch.Haden.
До поступления в колледж, играл на кларнете и теноре.Он был
участником Buddy Morrow’s band (1955 – 56), гастролировал с Chet
Baker (1956 -59), несколько лет работал с Ira Sullivan, Barney Kessel,
Cal Tjader, Benny Goodman.
В 1959 году, присоединяется к Bill Evans trio. Одновременно записы-
вается с Ornette Coleman (free jazz) и подрабатывает со Stan Getz.
Наиболее яркие записи с Bill Evans, особенно в Village Yanguard
1961г. На 25-ом году жизни Scott LaFaro трагически погиб в автомо-
бильной катострофе.
q=162 My Romance solo by Scott Lafaro
B.Evans "Waltz For Debby"
Swing
1ch. Cmaj Fmaj

          
Em7 Am7 Dm7 G7 Cmaj E7+5 Am7 E7

         

  

Am7 A7+5 Dm7 G7 Cmaj C7 Fmaj Bb7
    
                  
Cmaj C7
 Fmaj
   Bb7
Cmaj
      
           
 
F#m7-5

B7
     
Am7
 
Em7

D7 Dm7 G7
          
3 3
          

Cmaj
     Em7
Fmaj Am7 Dm G7 Cmaj E7+5
       
      
       

Am7 E7
    A7+5
Am7 Dm7
 
G7
 
       
  
3

       

3 3
3
Gm7 C7 Fmaj A7/E Dm7 Dm7/C Bm7-5 E7

                           
3 3


Am7 D7 Cmaj/G Am7
3
        
       
Dm7 G7 Cmaj Am7 Dm7 G7
                    
 
Cmaj Fmaj Em7 Am7 Dm7 G7 Cmaj E7+5

2ch
             

      
 Dm7
3
   
Am7 E7 Am7 A7+5
   
G7
 
Cmaj
  
C7

  3            
  
3 3 3 3 3
       Fmaj
   
   
Fmaj Bb7 Cmaj C7 Bb7

          
   
3 3 3 3 3 3

     
3

3

    
Cmaj F#m7-5 B7

   

  3    3  
Em7 3 Am7 D7 Dm7 G7
        
3

   
  
Cmaj
  
Fmaj Am7 Dm7Em7 G7 Cmaj E7+5

 
                        
3

 3
Am7 E7 Am7 A7+5 Dm7 G7 Gm7 C7
      
         
        
Fmaj

A7
   Dm7
   3
Bm7-5 E7 Am7 D7

            
   
3
     

        
Cmaj Am7 Dm7 G7 Cmaj Am7 Dm7 G7

       

 
Cmaj
 Fmaj
 Em7
 Am7
                       Dm7 G7

3ch.

  

3
      
3 3 3 3 3 3 3

3
Cmaj
 
E7
 3  
 
Am7
  
E7
    
Am7 3 A7
  
              
3 3 3 3 3 3 3 3 3

                
3

Cmaj C7 Fmaj Bb7
Dm7

   
G7
  
     
3 3 3 3 3 3 3 3

     
 
Cmaj
   
C7 Fmaj Bb7 C7

             
3 3 3 3 3 3 3
 F#m7-5 B7
       
Em7

    
   
 
3 3 3 3 3

Am7 D7 Dm7 G7

           
        
 
3 3 3 3 3

 
Cmaj Fmaj Em7 Am7 Dm7 G7

     

  
3 3 3 3 3 3 3 3

Cmaj E7 Am7 E7 Am7 A7 Dm7 G7

           
         
3 3 3 3 3 3 3

Dm7
 3   
Gm7 C7 Fmaj A7 E7 Bm7-5
  
                
3

Am7 D7 Cmaj Am7


3
    
3

   
     

Dm7 G7 Cmaj Am7 Dm7 G7

                    
 Autumn Leaves line and solo by
Scott La Faro from
B.Evans "Portait in Jazz"

  Am7-5   
Swing

    
Ebmaj

Cm7 F7 Bbmaj

       
A
    
  

 
D7 Gm7
      Cm7   F7     Bbmaj  
         

Ebmaj
      D7    
Am7-5 Gm7
   
             

     D7
B F7
    
A7 Gm7 Cm7

         
     

      
Bbmaj Am7-5 D7 Gm7

               
 

A7 A
          
D7 Gm Cm7

         
solo
       


F7
   
Bbmaj

Ebmaj
 
Am7-5

                         
 
           
D7 Gm7 Cm7
   
                   

          
F7 Bbmaj Ebmaj Am7-5

                   
 
3
D7 Gm7
    Am7-5

        
B

             

        F7 
 
D7 Gm7 Cm7

           
       

    
Bbmaj
         
Am7-5 D7 Gm7

           
3 3

A7 D7 Gm7

            
   
  
      
3
3

           
A Cm7 F7 Bbmaj

      
     
      



Ebmaj
     
Am7-5

D7 Gm7

     
           
 


                   
Cm7 F7 Bbmaj Ebmaj

   
 
 
        
Am7-5 D7 Gm7
          
  
     
     
3 3
  
Gm7
 
Am7-5 D7
B
       
       
Cm7        
F7 
Bbmaj
         
     
    
           
Am7-5 D7 Gm7 3

          
 
   
        D7            
A7 Gm7

       
Bbmaj    
3
A
      
Cm7 F7
    Ebmaj

   


                 

Am7-5 D7 Gm7

            

                 
    Ebmaj

Cm7 F7 Bbmaj
   
         
3
Am7-5

            
D7 Gm7

       
 
 
3 3
      D7 Gm7
        
Am7-5
         
B


          
Cm7 F7 Bbmaj

                
     

         D7   
Gm7

Am7-5
              
   

A7 D7 Gm7

                          
     
Ron Carter

Родился 4 мая1937г., Femdale, MI.

Не только один из лучших аккомпаниаторов, но и басист с неповто-
римым звуком и оригинальной техникой.
В10 лет начал играть на виолончели. После переезда родителей в
Детройт, из-за расовых стереотипов, перешёл на бас. Здесь он учится
и играет в Eastman School’s оркестре до1959г.
Переезжает в N.Y. и играет с Chico Hamilton’s quintet, поступает в
Manhattan School of Music. Закончив школу в1961г., остаётся в N.Y.,
играет с Eric Dolphy и Don Elias, делает первые записи. Гастролирует
и записывается с Bobby Timmons’ trio, Th.Monk, C.Adderley, Art
Farmer.(1963) и становится членом знаменитого Miles Davis band.
Работает с ним до1968г., и, по разным источникам, делает от 500 до
1000 записей, вошедших в историю джаза.
q = 183 United Blues solo by Ror Carter
"Third Plane"
Swing
   
theme
       
           
  

                          
3 3

       3 
      
3

        

                               
1 chorus

              
              
 3

              
         

        
                 
2 chorus
 
3 3

                           
 
3
3

 
  
                      

 You and the night and the music solo by R.Carter from
"The bass and I"
q = 260
Swing

      Cm7  F7  Bbm7

    
A1

Fm7 Gm7-5 C7
  
    
   
Fmaj

           
Ab7

           
Gm7-5 C7 Db7 C7
0


   F7       Bbm7
     
3

   
A2 Fm7 Gm7-5 C7 Cm7
          
  3

                  
    Fmaj
Gm7-5 C7
      
    
3 gliss.

               
B Db7 C7
  
 

                         
Db7 C7

 

  F7    Bbm7
Cm7       
gliss.

    
A3 Fm7 Gm7-5 C7
     

3

      
Gm7-5 C7 Fm7 Dm7-5 Gm7-5 C7 Fm7

   
   

             

3 3

   
Fm7 Gm7-5 C7 Cm7 F7 Bbm7
                
A1
     
  

                  
Gm7-5 C7 Fmaj Ab7 Db7 C7

 gliss.       

A2 Fm7 Gm7-5 C7 Cm7 F7 Bbm7

                   
4 0

 
4 0 0 0
                            
Gm7-5 C7 Fmaj

   
3
3

         
   
Db7 C7 Db7

  
B
  
  
               
C7

     

3 3


Fm7
      
Gm7-5 C7 Cm7 F7 Bbm7
     
  
A3
    



Gm7-5 C7 Fm7 Dm7-5 Gm7-5 C7 Fm7

                        

3
Niels Henning Orsted Pedersen

Niels – Henning Orsted Pedersen родился 27 мая 1946г.,Osted, Denmark.

Умер 19 апреля 2005г.,Copenhagen.
Виртуоз, играющий в основном в стиле би-боп.
N.H.O.P.был востребован ещё будучи подростком. Он был одним из
лучших европейских басистов в 60-е годы.
Сначала занимался на ф-но, в14 лет играл с датской группой.
В17 лет, отказывается от предложения Count Basie стать членом его
оркестра и является постоянным басистом Club Mantmartre и Danish
Radio Orchestra.
Он играет практически со всеми американскими джазменами, проез-
жающими через Скандинавию в 60-х годах:
Sonny Rollins, Bill Evans, Roland Kirk, Dexter Gordon, Bud Powel, Ben
Webster.
В70-х играет в дуэте с Kenny Draw и с середины 70-х, его начинает
приглашать O.Peterson в своё знаменитое трио.
Написал много различной музыки, в том числе и для радио.
q=190 Mack the knife N.Pederson
B.Webster"Stormy Weather"1965
Swing
    
1chorus Bb

Eb Dm7 G7 Cm7 Cm7
       

   
Cm7
 
F7
    
Bb
         
Am7-5
 
D7
  
 
3

            
Gm7 Cm7

       


   
Cm7
    
F7
       



Dm7
  G7   Cm7
     
F7
    3
  
3

   
 
2chorus Bb

                
Eb Dm7 Cm7 G7
   
3


Cm7 F7 Bbmaj

Am7-5 D7

       

    
3

    
Gm7 Cm7
   
                  

3 3
3

  
Cm7
 
F7
   
Dm7
     
G7
    F7 
Cm7

   
q=160
Swing
How deep is the ohcean solo by N.Pedersen

            
Cm7 Am7b5 D7 Gm7

A1 D7b5 G7 Cm7
         


            
Am9D7 Gm7 C7
Bb7 Fm7
Ebmaj

     
           


      Abmaj      3    
          
 

  
Bb7
                            
B7 Dm7b5 G7


3
3

Cm7 
A2 Cm7
   
D7mb5
 G7
            
Am7b5

D7
       
  

    
Am7
  D7
  
Gm7
           
C7 Fm7
      
Bb7

Gm7

   

3

      
Bbm7
  
Gm7b5  
C7
 Fm7 Db7
              
 


Ebmaj
 C7   F7     Fm7  Bb7
  Ebmaj Dm7b5 G7

            
 q=124 In your own sweet way N.Pedersen
Swing with C.Baker trio

       
Am7-5 D7 Gm7 C7 Cm7 F7

A1

      
3
   
3 3

     

     Ebmaj  Abm7   Db7     Gbmaj
Bbmaj
            
     


         F7   
Cm7 Bbmaj

             
 

  
Am7-5 D7

Gm7
      C7 Cm7
 
F7

           
A2
   
3 3 3 3 3

     
Bbmaj Ebmaj Abm7
      Db7
     
        
3 3 3 3
3

    3             
Gbmaj Cm7 F7 Bbmaj
3
         

B
Em7-5
Dmaj
     Em7
A7 A7 Dmaj

               3   
     
3
Dm7 G7 Cmaj Ebm7 Ab7 Dm7 G7

            3    
3
           
3 3 3 3
  
Am7-5 D7 Gm7 C7 Cm7 F7 Bbmaj Ebmaj
A3
 
3
  
         
     
            
3


3
Abm7 Db7 Gbmaj

      
3
    
3
          
Cm7 F7 Bbmaj

   
              
3 3 3

 
3
      e.g.
q=130 Someday my Prince will come solo by Niels Pedersen
with C.Baker trio
A

   
Fmaj A7+5 Bbmaj D7-9 Gm7

          
3
   
3

  
D7 Gm7 3 C7+9 Am7 Abdim 3
3

                           

3 3 3

 
Gm7 3 C7 Am7

           
         
3


D7 Gm7 C7

             
3 3
      
3 3 3
B Fmaj A7+5 Bbmaj D7-9 Gm7

            
3
 
     
  3   
Cm7
D7 Gm7 C7+9

                
3
 
3 3

    3
3
F7+9

3
    Bbmaj
     
Bm7-5
  
E7
 
Am7

      
3
     

3 3 3

    
C7
    
D7
 
Gm7
 
        
 
3 3 3 3
A Fmaj A7+5 Bbmaj D7-9 Gm7

                   
3

     
  
D7 Gm7 C7+9

           
                  

    
Am7 Abdim Gm7

            
 
 C7
         
Am7

          
Gm7 
D7
         
C7 3

        
    

3 3 3 3

     
         
A7+5 Bbmaj

B
 
Fmaj D7-9
      
3 3
3

3

    

Gm7 Gm7
                   
D7 C7 Cm7
 3
 
3 3 3

F7+9 Bbmaj Bm7-5 E7

               
  

3
Am7 D7 3 Gm7 C7
 
      
3
   
     
Eddie Gomez

Родился 4 октября 1944 г. в San Juan, Puerto Rico.

Настоящее имя Edgar Gomez.
Вырос в Нью Йорке. C 1959 по1961 работал с Newport Festival
Youth Band. Затем учится в Juilliard школе. Играет с Rufus Jones
Sextet, Marian McPortland (1864), Paul Bley (1964-65), Giuseppe
Logan, Gerry Mulligan и др.
На протяжении10 лет (с1966 по1977) играет в составе Bill Evans
trio. После этого является членом многочисленных проектов,
включая Charles Mingus (1978), Steps Ahead (1979-84), Benny
Wallas, Joanne Brackeen, Jack Dejohnette, Chick Corea, Manhattan
Jazz Quintet, Hank Jones, Jim Hall, Eliane Elias, Warren Bernhardt
Записал более десяти сольных альбомов.
q=127 Satin doll solo by E.Gomez
with Hank Jones
Swing
A1 Dm7 G7 Em7 A7
       
            
3

3 3

      

Am7 D7 Abm7 Db7 C7 B7 Bb7 A7

                   
3 3
   
 

A2 Dm7 G7 Em7 A7

                     
3

   

Am7 D7 Abm7 Db7 Cmaj

                     


B Gm7 C7-9 Fmaj

    
      
 


     
Am7 D7 Dm7 G7 Em7-5 A7
       
      

A3

Dm7 G7 Em7 A7
 
        
          


Am7 D7 Abm7 Db7 C7 B7 Bb7 A7

             
        

q=138 Alice in Wonderland solo by E.Gomez
live in Moscow
A1

      
Dm7 G7 Cmaj Fmaj Bm7-5 E7

  

        
 
Am7 Eb7 Dm7 G7 Em7

                             

Am7 Dm7 G7 Em A7
  
Dm7
   
G7

             
3

       3

            Fmaj
Cmaj
  
  
Bm7-5
          
A2 Dm7 G7

    
3 3 3 3


3 3


E7
    

 
Am7
Eb7 Dm7 G7
   
                   
3 3


3

       
Em7 Am7 Dm7

               

      
 
G7 Cmaj Am7

     
  
 

D7 G7 Em7 Am7 Dm7
     
       
B

        
3


G7 Cmaj Fmaj
 F#m7-5

 
            
3
   


B7 Em7 A7 Dm7 A7
3
 3 3 3
                  
3
     
3

     

3


                      3
 
Dm7 A7 Dm7 Ab7 G7
 
3

  
3 3 3 3 3 3 3
A3 Dm7 G7 Cmaj Fmaj Bm7-5

  
                        
3 3

E7 Am7 Eb7 Dm7 G7

   3  3  3
     
3
         
  
 3  3 
Em7 Am7 Dm7
3 3 3 3  3 3 3 
                           

 
G7 Cmaj Am7
3
3  3 
         
     
 I'm Getting Sentimental solo by Eddie Gomez
q = 176 Bill Evans "A Simple
Swing Over You Dm7-5 Matter Of Conviction" 67

          3   3
A7
Em7-5
  
G7

Bbmaj

       
A1 3

     
  
3 3
Cm7-5 F7 Dm7 G7 Cm7 F7
                        
       
       3     
Em7-5 A7 3 Dm7-5

Bbmaj G7

3
A2
   3
   
      
3


     
F7

Cm7

          
 
3
  Em7-5   
   
A7
Bbmaj

3

  
   

B

Dm7 Bb7-5 A7
     
3 3 3

                      
 
 3       Dm7 G7   Cm7
   
      
A7 F7

          
3 3

A3
         
Em7-5
  
A7
 
Dm7-5
       
 
Bbmaj
         

3 3 3

      Cm7     F7  
 
G7
            

    
  
Dm7 G7

Cm7
           
3
  
3

F7 Dm7
  G7   Cm7 F7
    
         
  
 q = 146
We will meet again solo by Eddie Gomez
"Gomez"
(by Bill Evans)
1 Cm7 Fm7 /Eb
     
   
3
    
   3
Dm7-5 G7 Cm7 /Bb
   
         
3

           
Abmaj G7 Cm7
              
       

Am7-5 D7-9 G13 G7
           
3

          
  
2
   
Cm Fm7 /Eb
          

       
Dm7-5 G7 Cm7 /Bb
 
         
3

         

     
Abmaj G7 Cm7

                  
Am7-5 D7-9 G7

3

              

      
3 Cm7 Fm7 /Eb
      
3

      
      
Dm7-5 G7 Cm7 /Bb
             
        
Abmaj G7 Cm7
  
                
Am7-5 D7-9 G7
   
       
3

       
q=207
Stella solo by E.Gomez
live in Moscow 94

   F7     
Swing

    
       
A Em7b5 A7 Cm7
       

   Ebmaj   
          
Ab7
Fm7 Bb7  
   



Bbmaj Em7b5 A7 Dm7 Bbm7 Eb7
                       
 
 

 
Fmaj Em7b5
 A7b9   D7b5

                       
   

B
G7+           

         
3


Cm7
          
  
    

                        
Ebm7 Bbmaj

     

Em7b5 A7 Dm7b5 G7
            
             
    

        
Cm7b5 F7 Bbmaj

    
  

 exsample bridge

G7+       

       
Cm7
  
      


             
Ebm7(Ab7)
    

Bbmaj
         
         
 Take the "A" trane
solo by E.Gomez from
Swing q=170 Hank Jones "The Great Jazz Trio"
µ

      
break

         
   

  
         
A1 Ab,7 Bb7

        

3

Bb.7
 
Eb7

C.7
 
F7
E7     Eb7
   
        
         
 

   
Ab,7

               
A2 Bb7
3
     
3 3 3

 
    
3

Bb.7 Eb7 Ab,7 Ab7

          
              

  
Db7
B
   

                         

Bb7 Bb.7 Eb7

  
       
                   

A3 Ab,7 Bb7
  
                    

Bb.7 Eb7 Ab,7 Eb7

    
                    
Transcribed by Dmitry Lee
q = 187 Tenderly solo by Eddie Gomez
"Next Future"
Swing
Ebmaj Ab7
    Ebm7
  Ab7
  
A1
       
          

   
Fm7
 Db7 
   
Ebmaj

         
Ab7 Db7 C7

     
 

Fm7
       
Bb7 Fm7
    G7   
Dm7-5
  
3

  
    
3

                     
  
Cm7 F7 F#m7 B7 Fm7 Bb7

     

      
       
Ebmaj Ab7 Ebm7 Ab7

A2

         
3


 Fm7 Db7 Ebmaj Ab7 Db7 C7

                     
       

Fm7  3     
Dm7-5 G7 Cm7 Am7-5 D7
   
          


        
Gm7 C7 Fm7 Bb7 F#m7 B7 Fm7 Bb7
        
         



Ebmaj Ab7 Ebm7 Ab7
 
A1

              
           


Fm7
    Db7 
   Ab7    Db7    C7
Ebmaj

        
   

          
Fm7 Bb7 Fm7 Dm7-5 G7

        
        
    
                
Cm7 F7 B7F#m7 Fm7 Bb7

     
   

                 
Ebmaj Ab7 Ebm7 Ab7
A2

      

     Db7

Fm7 Ebmaj Ab7 Db7 C7
  
         
           
3

 

              
Fm7 Dm7-5 G7 Cm7 Am7-5 D7

   
       
     

 
Gm7 C7 Fm7 Bb7 F#m7 B7 Fm7 Bb7

               

 
 You must believe in spring
solo by E.Gomez from
Ballad q=144
B.Evans "You must believe in spring" 78

A1 C#.7(b5) F#7 B.7

          


 
        
   

E.7 A7 D,7

    
        

     
     

 
G#.7(b5) C#7 F#.7(b5) B7

             
  
         

E.7 A7 D,7 G#alt

 
                            

3 3
A2 C#.7(b5) F#7 B.7

                    
3 3

     

    
E.7 A7 D,7

           
3

      
3

       
3 3

G#.7(b5) C#7 G.7(b5) C7

      
3
          
            

F.7 Bb7 Eb,7 A7alt

    
      
              
 
 A3

        
D.7(b5) G7 C.7 3

               
3 3

 
F.7

3 3

              
3

     
Bb7 Eb,7

    
3

         

     
A.7(b5) D7 G.7(b5) C7
 
                      


F.7 Bb7 Eb,7 Ab7

  
                 
   

D.7(b5) G7 C.7
   
             

      
(end solo)

Transcribed by Dmitry Lee

John Patitucci

Родился 22 декабря 1959 г. в Бруклине, Нью Йорк.

Один из лучших басистов 90-х, играющий одинаково хорошо как
на контрабасе, так и на бас гитаре. Начал играть в 11 лет. В 1978
переезжает на юг, близ Лос-Анжелеса. Играет с Gap Mangione (79),
одновременно учится в колледже.
На протяжении 1982 – 85 работает в Лос-Анжелесе с Tom
Scott, Robben Ford, Stan Getz, Larry Carlton, Dave Grusin, Ernie
Watts, Freddie Hubbard и др. Помимо этого работает студийным
музыкантом.
С 1985 до начала 90 – х, играет с C.Corea в составе Elektric и
Akoustic band. Постоянно записывает сольные проекты.
q=120 Blues in the face solo by J.Patitucci
with D.Kikoski
Swing
F7
 
Bb7
     
3

                
1ch.
  
  
          
     
F7

            

  3

                   
Bb7
  
  
Am7-5 D7

F7

               
     
 
Gm7 C7

                         
    
F7

D7

     
     
3

        
  

Gm7 C7

       

2ch.
     Bb7
 
F7

                

 
F7
       
                 
    

F7 Bb7
        
                  
    
                 
 
F7
          
Am7b5
   
 
Gm7

          
D7

    
   
C7
             
 
F7 Bb7 Bdim Am D7 Gm C7
     
     
 q = 280
Giant Steps solo by John Patitucci
"Now"
Swing
         
Bmaj D7 Gmaj Bb7 Ebmaj Am7 D7

                 
1 chorus
 
 

           
Gmaj Bb7 Ebmaj F#7 Bmaj Fm7 Bb7

       
         
  
Ebmaj Am7

D7
  
C#m7
 
Gmaj F#7
 
                      

  
Bmaj
Fm7
       Ebmaj
Bb7
C#m7 F#7

       
    

     D7   Gmaj
Bmaj
     
Bb7 Ebmaj Am7 D7
 
         
2 chorus
  
  
      
Gmaj Bb7 Ebmaj F#7 Bmaj Fm7 Bb7

                   

Ebmaj Am7 D7 Gmaj C#m7 F#7

       

      
   
 

Bmaj Fm7 Bb7 Ebmaj C#m7 F#7

                  3   
    
Bmaj
  Ebmaj      
          
D7 Gmal Bb7 Am7 D7

      
3 chorus



      
Gmaj Bb7 Ebmaj F#7 Bmaj Fm7 Bb7

           
      

Ebmaj Am7 D7 Gmaj C#m7 F#7

3

                      
  
       
Bmaj Fm7 Bb7 Ebmaj C#m7 F#7

                

  3
Bmaj
 
D7
Bb7 Ebmaj
     Am7
Gmaj

D7

                       
4 chorus

 
Gmaj Bb7 Ebmaj F#7 Bmaj Fm7 Bb7

                     
   
  
Ebmaj Am7 D7 Gmaj C#m7 F#7

                   
    
Bmaj Fm7 Bb7 Ebmaj C#m7 F37
        
      
       


Bmaj

D7 Gmaj
   Bb7

Ebmaj

Am7 D7

              
5 chorus
  
    
Gmaj Bb7 Ebmaj F#7 Bmaj Fm7 Bb7
 
                        
      
        
Am7 D7 C#m7 F#7
       
Ebmaj Gmaj 3
  
3
 
3
 

  Fm7

Bmaj Bb7 Ebmaj C#m7 F#7

                 
             
Bmaj
6 chorus D7 Gmaj Bb7 Ebmaj Am7 D7


              
   
  
Gmaj Bb7 Ebmaj F#7 Bmaj Fm7 Bb7

                   

     
    
 Ebmaj Am7 D7
  Gmaj C#m7 F#7

                
    
 

    
Bmaj Fm7 Bb7 Ebmaj C#m7 F#7

          
        
3
q = 185 Dear Old Stockholm solo by John Patitucci
from Roy Haynes Trio
Swing
Cm7

Fm7
  Bb7 Ebmaj
A1
        
     
    
 
Fm7 Cm7 Dm7-5 G7

  
                          
3 3 3 3


       
A2 Cm7 Fm7 Bb7 Ebmaj

     
    
                     
3


Fm7 Cm7

                   


Dm7-5        G7

         
  
B Ebmaj
   
       
3
       

 Dm7-5 G7

         
     
  
 
A3 Cm7 Fm7 Ebmaj Bb7

 
3 3 3 3
  
                             
Fm7 Cm7 Dm7-5 G7
            
3

3

     
         
A1 Cm7 Fm7 Bb7 Ebmaj

     3   3  3
3
   3
               
Fm7 Cm7 Dm7-5 G7

                      
  

 
A2 Cm7 Fm7 Bb7 Ebmaj


                             

Fm7 Cm7

        
            
Dm7-5 G7

 
                 
 

 3  3
Ebmaj

                       
B Dm7-5 G7


    
     Bb7
   
Fm7
Cm7 Ebmaj

A3
       3          
  

Fm7 Cm7 Dm7-5 G7

              
    
 solo by J.Patitucci from
Just Friends E.Daniels "Tobird with love"87
q = 203
Fast swing

 
Bbm7
    Eb7
Bbmaj
     
   
A1
    

  
Fmaj
   Abm7 Db7 Gm7
                

C7 Em7-5 A7 Dm7 G7

                              

   
Gm7 C7 Cm7 F7

     
3
       
      3
3

A2 Bbmaj Eb7
 
Bbm7

               
      
  

 
Fmaj Abm7 3

                        
  
  


Db7 Gm7 C7 Em7-5 A7

   
             
         
Dm7 G7
  
C7

  
3

                

Fmaj Cm7 F7

  
           

A1 Bbmaj Eb7

             
     
  
    
Fmaj Abm7 Db7
         
                 


                            
Gm7 C7 Em7-5 A7 Dm7


   
      
G7 Gm7 C7 Falt
    
                 

              
Bbmaj Bbm7 Eb7

      
A2
 
  

  
Fmaj Abm7 Db7
      
    
                


    
Gm7 C7 Em7-5 A7 Dm7

                     

 
Gm7
     C7   Fmaj

Cm7 F7
     
      

Dave Holland

Родился в Волверхамптоне, Англия,1октября 1946 г. С13-ти лет

играет на бас гитаре в небольших клубах. Перебравшись в Лондон,
учится у первого басиста Лондонского Филармонического Оркестра
James Merritt. С его помощью, в1964 г., получает полную стипендию
в GuildHall School. К1966 г.,Holland играет с наиболее известными
музыкантами Лондона, включая J.McLaughlin. Немного позже – с Joe
Henderson. После предложения M.Davis, переезжает в Нью Йорк и
пару лет гастролирует с ним. Затем играет в группах C.Corea, Stan
Getz, T.Monk.В начале 90-х становится членом H.Hancock трио и
получает Grammy за запись альбома “So Near, So Far”. В 1994 г.
организовывает собственный квартет и одновременно учавствует в
проектах H.Hancock “The New Standard” и M.Brecker“Tales from the
Hudson”, получивших также Grammy.
В1997 г. Holland создаёт квинтет, альбомы которого становятся
номинантами Grammy в 98, 99 и в 2001 году.
q=215
Swing
Speak Low solo by Dave Holland
Hank Jones "Lazy Afternoon"

      
Gm7

C7 Gm7

C7
    
A1
        
  
Gm7 C7 Am7b5 D7b9
  
                             


        Bbm7
Bbm7 Eb7 Eb7
             
   
A7
  
Gm7 D7 C7
  
Fmaj
   
Am7b5 D7
            
       

A2 Gm7
      
C7 Gm7
      
C7

             

 
                         
Gm7 C7 Am7 D7b9

  

     
Bbm7 Eb7
       
Bbm7
     
Eb7

       

Am7 D7
  
F
Gm7
      
C7  
                

  Fm7
     
          
B Db9

  
     
Ebmaj
               
                
3

3 3 3

                          
Db7 C7 A3 Gm7 C7
  

3
    
Gm7
    
C7 Gm7
    
C7
  
              
 

   
Am7

D7
         
Bbm7
 
Eb7
      
      

     
Am7
  
D7 Gm7
        
   
C7 Fmaj Am7b5 D7
           
    
q = 200 Recordame solo by Dave Holland
(by Joe Henderson) J.Henderson trio
Latin
       
Am9

   
1

    
          

  Cm7

     
         
Cm9 F7
     
      
     

Bbmaj Bbm7 Eb7 Abmaj Abm7 Db7

                         
 
 
Gbmaj Gm7 C7 Fmaj E7
           
             
 
Am9
        
   
2
    
          
  


Cm9 Cm7 F7
      
           

     
Bbmaj Bbm7 Eb7 Abmaj Abm7 Db7


                  
    
Gbmaj Gm7 C7 Fmaj E7
  
                     
    
 
Am9
        
3

     
        
Cm9
 
      
Cm7

F7

                       

          
Bbmaj Bbm7 Eb7 Abmaj Abm7 Db7

              
  
 

 Gbmaj Gm7 C7 Fmaj E7
  
                           

Am9
4

                         
3 3 3 3

  
       
Cm9 Cm7 F7
    
              
3 3


    3  
Bbmaj Bbm7 Eb7 Abmaj Abm7 Db7
   
 3      
3

        


     
Gbmaj Gm7 C7 Fmaj E7

     
                 
3
 solo by D.Holland
q=162 Question and Answer Pat Metheny "Question
and Answer" 89
   D7     3  
 
Dm7+5 Dm6 Am7 Gm7

A Dm7

        

     Bbmaj
Am7 Csus Dm7 Dm7+5
      
             

Dm6 G7 Bm7-5
             

Bb7+11 Dm7

        
A+5-9
     
3

    
Dm7 Dm7+5 Dm6 Am7 D7

   3   3   3      3   3   3  3
       
A
  

Gm7 Am7 Bbmaj Csus Dm7

       
4
    
3
      
  
Dm7+5 Dm6 G7 Bm7-5

 4  
4

        
4

   
Bb7 A7 Dm7

        
 
3
     
 

  
Em-5/D

/D D7-9 Em-5 D7-9

    
B        
    

Gm7 C7 Fmaj A7
   
Ab7 Dbmaj E7 Amaj
   
  
            
 
A Dm7

Dm+5 Dm6 Am7 D7 Gm7
   
Am7
                     
Bbmaj
 
C7
  
3
 
Dm7

Dm+5 Dm6
         
   

G7 Bm-5 Bbmaj
   
A-9
 
Dm9
                
  
q = 185 Yesterdays solo by Dave Holland
Hank Jones "Oracle" 1989
Swing
Cm7

Dm7-5 G7
  Cm7 Dm7-5 G7
    
                             
A1

      Cm7/Bb
Cm7
      Am7-5 D7

        

     

 
G7 C7

               
  
3
F7 Bb7
 
               
Eb7 Ab7 Dm7-5 G7

                        3   

Cm7 Dm7-5 G7

                               
A2 3 3 3 3 3 3 3

 
Cm7 Dm7-5 G7 Cm7

                                   
3 3 3 3 3 3

   3          
Cm7/Bb Am7-5 D7

         
   
3


       C7      F7 
         
G7

       

    
Bb7 Eb7

              


Ab7 Dm7-5 G7

                      
  
       Dm7-5
Cm7
    G7  Cm7
   
Dm7-5 G7
A1
             

   
Cm7 Cm7/Bb Am7-5 D7

                          


  
G7 C7 F7 Bb7

                         

3

          
      3     
Eb7 Ab7 Dm7-5 G7


3
     


Cm7
  Dm7-5
  
G7
  Cm7

                

A2 3 3

 
3 3 3 3 3 3 3 3

Dm7-5
  G7   Cm7
      
Cm7/Bb
Am7-5

              

  
3 3

D7

      G7           C7
          
  

F7 Bb7 Eb7

                         

Ab7 Dm7-5 G7

                    
 

Transcribe by Dmitry Lee

 But Not For Me solo by Dave Holland
with Gary Bartz
Swing Ebmaj
        
Gb7 Bmaj D7 Gmaj Bb7 Ebmaj Bb7

                

A
  
 
Ebmaj Gb7 Bmaj D7 Gmaj Bbmaj Ebmaj Eb7

                         
3

      
Abmaj Abm7
       Gm7
Db7       
C7
  
    
B

       
 
3


F7
       
Fm7
       
Bb7

         
3     
 
Ebmaj Gb7 Bmaj D7 Gmaj Bb7 Ebmaj

                        
A


3
Ebmaj Gb7 Bmaj D7

         
        

                    
Gmaj Bb7 Ebmaj

       
 
Abmaj Abm7 Db7 Gm7 C7

                  
C
 
        
3
  

Fm7 Bb7 Ebmaj Bb7
3
                 

A
Ebmaj
  Gb7  Bmaj
     
D7 Gmaj Bb7
     
Ebmaj Bb7

      
      

   Gb7 
Ebmaj
  
Bmaj D7
                  
   

 Gmaj Bbmaj
 
Ebmaj
    Eb7

    
    
3


                                  
B
Abmaj Abm7 Db7 Gm7

 

3 3 3 3 3 3 3 3 3 3

C7 F7

         
3
    3

  3

   
    

Fm7
                      
Bb7

     


A Ebmaj Gb7 Bmaj D7 Gmaj Bb7

 
              3    3     3   
3

Ebmaj Bb7 Ebmaj Gb7

    
   
3 3

       

Bmaj D7 Gmaj Bbmaj Ebmaj Eb7

   3   3   3   3 
3

      

C Abmaj Abm7

Db7 Gm7
       C7

               
 
3

Fm7
 3  Bb7 Ebmaj Bb7

                  
   
Transcribed by Dmitry Lee
 Interface solo by D.Holland from
H.Jones "Oracle"89

Swing q= 200

              
     
1 D.7
     

   

          
 
3 3 3

    3  
G.7
           
         


D.7
      
          
  
   
 

               
Ab7 Bb7 C7 D7 E7 A7
             
3

      
D.7 G7 C.7 F7 Bb7 A7
 
             
       

         
 
D.7
               
  
2
   
 
3 3 3 3

        
           3    3 
    
3
 
 
3

G.7    
     
                   

D.7
     
     
  
       
Ab7(b5) Bb7(b5) C7(b5) D7(b5) E7 A7
                 
3
    
    

D.7

G7    C.7   F7   E7    A7

     
 

     



3
  
D.7
                        
  


                                   

           
3 3 3 3 3 3 3 3 3 3 3 3 3

                  

     
G.7

     


D.7  
                   
     

 Bb7(b5)  C7(b5)  D7(b5)

  E7         A7

Ab7(b5)

          

 
D.7
G7
 
C.7
         
F7 E7 A7

          
 
Transcribe by Dmitry Lee
 Beautiful Love solo by D.Holland from
H.Jones "Oracle"89

Swing q=160
1st Chorus

 C7     F.7 
       3    
A1 Bb.7

         
 
3

Bb.7   
        Eb7     Ab,7 G.7(b5) C7
      


Db7 
F.7
     
Bb.7 C7
       
         
 
 

        C7   
F.7 G7 Db7
            
    
3

            
Bb.7 C7 F.7
A2
  
      

3

Bb.7
    
                 
Eb7 Ab,7 G.7 C7
     

3


F.7

Bb.7
               
Db7

C7
        
  

F.7 G.7(b5) C7
 
F.7
  
                       

 
2nd Chorus
 
Bb.7 C7 F.7
                  
              
A1
   
  
3 3 3 3 3
3

            
Bb.7 Eb7 Ab,7 G.7(b5) C7

  
            
    

F.7
           Db7     
   Bb.7 C7

       
  


F.7 G7 Db7 C7
      
                    


     
Bb.7 C7 F.7

                 
A2
     
   

Bb.7
     
Eb7
 
Ab,7 G.7 C7

   3        
  

3


F.7
 Bb.7
          
Db7 C7
               


F.7
     
G.7(b5) C7
     
F.7
 
         

Marc Johnson

Родился 21 октября 1953г., Omaha, NE.

Многосторонний музыкант, играющий в различных стилях. Во время
учёбы в North Texas State University играет в группе с Lyle Mays.
Затем, в1977г., играет с Woody Herman’s Orchestra, Bill Evans (1978 –
1980), Stan Getz (1981 – 1982), John Abercrombie (1983), Bass Desires
project (1985).
Последняя группа, куда входили J.Scofield и B.Frisell, записала два
альбома на ECM.
В1989г. Johnson делает серию дуэтов с различными звёздами для
cтудии EmArex.
С 1993г., он возглавляет группу Rignt Bain Patrol. Это трио с
гитаристом Ben Monder и перкуссионистом Arto Tuncboyaci. Они
записывают “Sound of Summer Runnig”(1997), ”It Trees Could Fly”
(1999).
M.Johnson также записывает альбомы с различными музыкантами:
Patricia Barber “Nigth Club” (2000),
Miriam Alter “Alter Ego” (2000),
Sezen Aksu “Deliveren” (2001),
J.Abercombie “Cat’n’Mouse” (2002).
q = 150 Alone Together solo by Marc Johnson
from "Vintage Getz"
Swing live in California '83
Cm7
 Dm7-5
 
G7
   
Cm7 Dm7-5
   
G7

   
A1
   
 
Cm7 
      Gm7-5
3 3 3

       
C7 Fm7
   
              


  
Am7 D7 Fm7 Bb7 Ebmaj Dm7-5 G7
   
                         
3 3 3 3


Cmaj A2 Cm7

3 3

                     
3 3 3

  
  
3 3
Dm7-5 G7 Cm7 Dm7-5 G7 Cm7
   
3
  
3
   
3
          
3
     
3 3 3


Gm7-5
 
C7
    
Fm7
Am7 D7
   
            
3
   

 
Fm7 Bb7 Ebmaj Dm7-5 G7
 
               
    
Cmaj B Gm7

3 3 3
               
3

   
3 3 3 3 3

       
          
C7 Fm7 3

3

                    
3 3 3 3

 
3


Fm7 Bb7 Ebmaj
        
3
                  

A3 Cm7

Dm7-5 G7 Dm7-5 G7 Cm7

    3

3
    3 3
                
Dm7-5 G7 Cm7
     
           
Ab7 G7 Cm7 Dm7-5 G7

                   
 q = 205 Sippin' at Bells solo by Marc Johnson
from "Vintage Getz"
Swing ( by C.Parker) live in California '83
Theme                    
        

          
3

                


                            
3

  1chorus
   
F Bb7
             
1. 2. 3
           

               
F7 Bb7 3 Bdim

      
3
 
  
F7 D7 Gm7 C7

                    
   
F D7 Gm7 C7 2 chorus F Bb7

                     

  F7   Bdim
 
Bb7
  
               

F7 D7 Gm7
    
C7

                   
   
3 chorus
F D7 Gm7 C7 F Bb7
   
                   
 
 
                
F7 Bb7 Bdim
 
 
 F7
 
D7
  Gm7
       C7   
           
    

F D7 Gm7 C7
        
4 chorus F Bb7

             

  
F7 Bb7 Bdim
        
             
3
   
F7 D7 Gm7
           
    

   C7  
     
C7 F D7 Gm7

       
 
Brian Bromberg

Родился 5 декабря 1960г., Tuscon, Arizona.

Вырос в музыкалбной семье, где отец и брат играли на барабанах.
Bromberg также стал изучать барабаны (c13 лет), затем – виолончель,
поступив в University of Arizona. Играя в школьном оркестре, пере-
шёл на контрабас (15 лет). В 18 лет, был рекомендован для прослу-
шивания в Stan Getz band.
Является прекрасным сайдменом многих бэндов, включая таких со-
листов как Horace Silver, Monty Alexander, Dizzy Gillespie, Freddie
Hubard, Richie Cole, Le Ritenour, Dave Grusin, David Benoit.
Является автором и продюсером многих сольных проектов, в том
числе:
“You know that feeling”,
“It’s about time”,
“Wood”,
“Brombo! JB Project”,
“Portrait of Jaco”.
q=122 If I Should Lose You solo by Brian Bromberg
"It`s About Time"
Swing
A1 Gm7 Am7b5 D7 Gm7 Fm7 Bb7

                    
  
Ebmaj Ebmaj
Fm7 Bb7

3

                   
3

   
 
Cm7 F7

   
              
3

     
Bbmaj Am7b5 D7
          
    
3

       
Gm7 C7
 
             
 
  
Cm7 F7 Am7b5 D7

            
  
      
A2 Gm7 Am7b5 D7 Gm7 Fm7 Bb7
   
3
       
3
              
 
Ebmaj Fm7 Bb7 Ebmaj

          
3
               


Cm7

F7
 
Bbmaj


                
     
G7
 
Cm7

   
         
 

Am7b5 D7

    
F7 Bbmaj
  
        
 I Love You solo by Brian Bromberg

 C7
q = 162 "Wood"
Swing Gm7
   
Fmaj

           
A1
    
Gm7 C7
    
          


3
Fmaj
  
             
3

      
3 3 3
3
Gm7-5 C7    
Fmaj
  Bm7-5 E7
   
      
A2
    

 
Amaj Bm7-5 E7 Amaj D7
     
                  

Gm7        
C7
 
B
      

E7+5 Fmaj
3
        
         
Am7-5 D7

 
                          


G7
   
Db7
   
C7

    
 
     

     
Fmaj   
3 3


Gm7-5
 
C7
 
                   
A3

 
D7            
                
G7


3

 
3
                  Gb7  
C7 
       
     
 
    
3
3 3 3 3
 3            

Gm7 C7 Fmaj
   
                 
A1

Gm7
     C7
     
  
   

     
Fmaj

   
  
3
         
3 3 3 3
3 3
Gm7-5 C7
A2
      
           
Fmaj 3
     
     
  
3 3

3 3
    
3

Bm7-5
 
Bm7-5 E7 Amaj E7
 
           
  
           
3 3

3
 
Amaj
      
D7

  

 
Gm7 C7

                               
B

 
   
3 3 3 3 3 3 3 3 3 3 3 3 3
Fmaj
       Am7-5 3 
         
  
3 3
  
3
      
D7
 
C7G7 3
      
            
3

3

3 3 3


Gm7-5
     
C7
      
Fmaj
    
     
A3 3
 
3

3
3
D7 Gm7 C7 Gb7

    
            3
 

Transcibe by Dmitry Lee

 One for the Woofer Billy Taylor
solo by B.Bromberg
"It's about time"
q = 232
Fast swing
    
   
intro
               
  
 
 
                           
3

                           
 Bb  G7
Teme Cm7 F7
  
Bb
 
G7 Cm7 F7

 3

                           

Bb7 1. Eb7 E0 Bb Cm7 F7
Db7



E0 
 Dm7     
2. Eb7
        
Bb
         
 A7

   

    
                          
Eb7 Dm7 Em7-5 A7 Dm7

A1
  
                       
Eb7 Dm7 G7 Cm7 F7

  

               
             


          A2                
  

 
                   
      

            
B 3

  
                
 
3 3
      
 
                     
 

                
A3
       
   
           

                   
 

 
A1
               
       

       
                      

 3

 A2
        
                          
 
 3 3 3 3 3
    
3 3 3 3

                      


         
3
    
               
B

    3    
      
   
           

      
                        
A3
 

           
             

       
      
  
q = 124 Straight no chaser solo by B. Bromberg
"Wood"
Swing

F7 Bb7 F7
 
           
1ch. 3
    

            
Bb7 Bdim F7

         

                
Gm9 C7 F7 D7 Gm7 C7
3
 
              
2ch. F7 Bb7
      F7
       
               

              
                 
Bb7 Bdim

3 3 3

     
F7      D7  Gm7

       
     
3 6
       
3
    

                F7      
   
C7

D7 Gm7 C7

          
  

   
F7 Bb7 F7
          
3ch.

 
         
      

              Bb7
     
Bdim
   3  
    3    3           
3




F7 D7 Gm7
              
             
    
        
   
C7 F7 D7 Gm7 C7

    3     
         
Christian McBride

Родился 31 мая 1972г. в Philadelphia.

Становится одним из лучших басистов 90-х годов. Разнообразие его
музыкальных интересов простираются от C.Corea до Pat Metheny, от
Kathleen Battle до D’Angelo, от Diana Krall до Bruce Homsby, от
Quincy Jones до Sting.
В1989г. поступил в Juilliard School. Играет с Bobby Watson’s band, на-
чинает работать в клубах Нью Йорка с такими музыкантами, как
John Hicks, Kenny Barron, Gary Bartz. Через год бросает школу и, что-
бы набраться опыта, едет в тур с Roy Hargrove’s band. С августа 1990
и до1993г. работает с Freddie Hubbard’s band. В промежутках играет
с Benny Green trio.
В1991г.Ray Brown приглашает его в проект “Super Bass”, вместе с
J.Clayton. Записывает сольные альбомы: Sci-Fi (2000), Vertical
Vision (2003).
q=137 Bye,bye blackbird solo by Christian McBride


"Super Bass"
Swing
            A Bbmaj  
               

                 
Cm7 F7 Bbmaj
   G7
Bbmaj Eb7 Dm7b5

       

3 3


                   
Cm7 G7 Cm7 Cm+7

          
3 3 3 3 3 3 3 3

     F7         Cm7 
      
Cm7
    
 
3 3 3 3 3 3 3 3

  
F7
 
Bbmaj
    
    
        


Bb7
 A7    Ab7      
 
B
         
3 3 3

   
G7

               
Cm7

         



                 

6

 F#7        F7         Bbmaj 

    
      
3 3

 
                           
Dm7b5 G7 Cm7

3 3 3 3

  
3

    
F7    Bbmaj
   
Cm7 F7
     
   3
       
Bbmaj Cm7
        
F7
 
                        
A2

3 3 3 3 3 3 3 3 3 3 3 3

       

Bbmaj Bbmaj Eb7 Dm7b5 G7 Cm7
       
      
3

  
G7
   
Cm7 Cm7
 
Cm+7
   
      
3

F7

Cm7
       
     
3

F7
 
          
Bbmaj

       
3
Bb7 A7
     
Ab7
            
    
B2
              

3 3 3 3 3 3 3 3
3 3 3
G7 Cm7
  
F#7

                        

              
Bbmaj

F7
 
  
      

Dm7b5 G7 Cm7
     
            

       
F7 Bbmaj

       
     
 Woody'n You solo by Ch.McBride from
E.Elias "Everything I Love"
q = 280
Fast bop

Gm7-5
       
C7
   
Fm7-5 Bb7
 
      
A1

 

          
Ebm7-5 Ab7 Dbmaj
          
 
A2 Gm7-5    C7    Fm7-5   Bb7  
       

Ebm7-5     Ab7    Dbmaj
    
     
   
Db7             Gbmaj
B
            
   
          
           �