Александр

Невский

     
кантата

  
 
1. Русь под игом монгольским С. Прокофьев

  
violini I
Molto andante 1

 
 

                        
con sord.


                 


       
    



senza sord.

                                                   



senza sord. senza sord.

    





                                           
 

                                     

2

                                    
6


 6 6


6
                                      


                            
6

           

3

   
6 6  sub

  
4 poco rit.

             
2. Песня об Александре Невском


   
6

 
5 Lento 

              

     


rit.  


          

 
7


 

 
 
             
 poco cresc.

 


       
 

    
poco cresc.

                
Piu mosso


                 
pizz.
8

       
   
2
              
                
           
a tempo
rit.


9 10

            

11    cresc. 
      rit. 


 


  


 


           
    
arco

             
     
 

          
   
 
Lento, come prima rit. 12
a tempo

        
    





             
 



13




           
 





ritenuto    
    
  

     
  


   
non div.


tenuto    
  


 
    


   
    
non div.

 

3
 
 
3. Крестоносцы во Пскове.

        div.       
14

  
Largo
15 Andante 16

 
         

 espress.

            
        
                  
        
17

 
unis.

  
ben tenuto 3

                 
   
  
  
 
Largo, come prima

 


  
  
     
 
 
 
         
          
con sord.


18 espress. e doloroso


    

    
  
                   
         

      
   
 
 
       
 
 
  
 dolce

 
  

     

 
  

19

  
 
  
              

     
  

      
     
  

4
         
 
           


  
  
20


  
          
   dolce 

 
        
   

          
   dolce 

       
  
21 Andante

      

    
      

  dolce

          

 

         
dolce

      
    

senza sord. unis.

      


   


   
22



  
         
        
   
3 3
3 3


  
        


      
  
5


5
        
                
                 
        
div.

   
        
 espress.

        
     
Largo
23

    
 
unis.

6 6


 

   
 
ritenuto



 pizz.  
  
4. Вставайте, люди русские

             
  
24 Allegro risoluto

  

 


     
 

      
 
  
   
               
  
25

  
  
  


   
      
                
  

6
 
     
  
 
  
       
 
26

   

   


 
             
poco rit. 27 a tempo


arco

   
 
    


        


             



 
           
espress. 

  

28

            
      


              
 


espress.

 
29 pizz.

 

           


  



30

    
        
                
   
31 pizz.

    
      

       


 

7
     
     
5. Ледовое побоище


Adagio
32

                        

6


                 

6



    

  
                              
     
6 6 

 
6

                   
   




                       

6


                 
  
6




                     

6

              
6

  
                   

6

8
          
     
 
  
6


6

     
       
    
33

     
 
         
 

     

         
 
 

    
        
         

   
         
 


   
           
    


   
   
  
   
 





9
    
  
    
          
           

        

 

               
     

              
 

  


   
            

  
 

 poco accel. 
 

 

34 35 Allegro moderato
Moderato


      
            
              
   
 


       
36

 
sul pontic.

   
     
  
            

     
 energico

 
       

   

  


        
 


  
     


  
 



   
  
        

  
  
     
    
  


10
      
      
   
37


unis. 6

  
         
  
 

          
     

6

   
   pizz.           pizz.
3 3


         
 

 
arco

     
arco


 
38 

3 3

                  
  

             


              
 
39 
   
       


          
     
          40
 
 
 
 
 
 
         
         
                     
  
espress.
 


div.

41  unis.

       
       
 
6


6

6

11
 
      
            

6


6


                  
          
  
6
 sul pontic.



 
       
  

           
             
  
 
 sul pontic.


       

 accel. 
unis.                     


 



42

         
    
3 3 3

   


  
43 Allegro

           
3 3 3 3

       



  
3 3 3 3 3 3

                        
      
pizz.

  
                       
3 3 3 3

      


  
44
arco pizz.


    
3 3 3 3 3 3

 


             
  
arco
7


12
   

  
                
Poco meno mosso

               
45

        
            


              


            

   46 
 
         
                   
 

   

arco 6

  
      
  47         

6


           


           
pizz. Andante
48

 

                       
ben tenuto

    
 





49

                
          
3


 

 
        
       
                   
ben tenuto 3



Allegro


50

      3           3 3 
3 3

       
      


 
 
3

       
 
3 3

                 


   
3
3

3 3

13
          

                      
    
L'istesso tempo


51

                      52
         
con brio

  


  
 
                                  


simile

   
                      
 

simile

   
           
                        
         
53


 sub.   
       
   


    
          
    
      
  
      
  
            
 54


unis.

                    
              
   cresc.      
pizz.


  
      
 

   
 

                  arco
cresc.


             
55

     

           


              
 biusco
14
             

           
    
    
56

   
 
  
            
    


 
     

 

 
   
     

             
                    
  
unis.


            
   
        
         


    
 57

 
                


  
       


                 
             


  
     
 arco
             
    
      
58


                    

con brio

   



 cresc.

                    
    



cresc.

15
 
                       
59

                  
            

                        
  
biusco

                
        
con brio

      


      
60

61                    
                
          

                     
                     
      


 
   
 
   
    
 
          


 
        
          


unis.            
 
 
  
     
      
   
62

 
                  
           
 


   
      

                   
               
    

16
         
 arco
     
           
      
63

    
                  
con brio
 cresc. 

     
        div.    unis.
              
        
 
  
        


                   
64

 biusco
     
    
            
        
           
              
    



   65
  
     
                     
  
      
     
 

 
                    
  3    

 
 

    
               
      
rit.

17
     
     
   
66

     
 
Adagio

   
        
            
 

    
       
        
7

 
7

      

     
           
     
7 7

      

     
      
       
               
67
poco rit.

              
                     
7 7 


68


                              


      
 

       
poco rit. con sord. 



     
a tempo

          
poco rit.
69 a tempo

 
18
      70     
    
    
ritenuto


    
         


 
 
ritenuto


 


   
     

Allegretto, quasi doppio movimento
71

                 
dolcissimo

    


    

 
 
  
             
  

   


 
 

           
       

 
 
   
          
        

19
    

 
 
72

   
            
    


 
  


 
         
      





    
  


            
 
     

   


 
 

        

         


20
 6. Мертвое поле.

   

            
73

  
  
Adagio

 
con sord.

 
   
                
     
 

con sord.

   
  


       
  
rit.

       
        
 rit.

        
        
  
74 Meno mosso unis.

   
senza sord. div.






        
  

unis.
rit.

 
  

       
          

75 Pochissimo piu animato


    

                
  
rit.

    
21
     

       
  
76 a tempo

  

         

   
 
 
   
   

       
  

     
   

    
       
poco rit.

            
     
    poco rit.


   

     
   
 
77 Meno mosso (come prima) unis.
senza sord.



        con sord.



         
           
unis. 78
div.

    cresc.

     
 

    


          
   
rit.

  

22
 7. Въезд Александра во Псков.

            
  
 
   
Moderato 80
79 senza sord. 


        
Maestoso Maestoso


 

           
          
81 Allegro, ma non troppon


                     
  


  





    
                  
  
                       
82

         
      
       

  
 

                  

arco          
          
83 sub.

     

 
                        
espress.

   
 

    
Meno mosso
pizz. 84 unis.

  
     
         
 

   
pizz.


23
     
                
85 86 Maracas pizz.




      
          
          
87 arco
con sord. 88

 
           
  

  
arco

         
con sord.

 
  
               
 

 


  

    
89

 
          
       
 
 
 
espress.





espress.

   90      


          
 
  
        
   
    
Piu largamente

  
unis.

        
                     
   ben tenuto

              
        

                      
    
91 poco allarg. 




 

24