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Studies.
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JacquesLacan
Of Childrenin SwaddlingClothes
o citiesof thesea, I beholdin you yourcitizens,womenas well as mentightly
boundwithstoutbondsaroundtheirarmsand legs by folkwho will have no
understanding of our speech; and you will only be able to give ventto your
griefsand senseof loss of libertyby makingtearfulcomplaints, and sighs,and
lamentations one to another;for those who bind you will not have under-
standingof yourspeechnor willyou understand them.
_ Leonardo da Vinci
If the natureof this contribution has been set by the themeof this
volumeof La Psychanalyse,I yetowe to what will be foundin it to
insertit at a pointsomewherebetweenthe writtenand spoken word
- it willbe halfway betweenthetwo.
A writtenpiece is in fact distinguished by a prevalenceof the
"text"in thesensewhichthatfactorof speech willbe seen to take on
in this essay, a factorwhich makes possible the kind of tightening
up thatI like in orderto leave the readerno otherway out than the
way in, whichI preferto be difficult. In thatsense,then,thiswill not
be a written work.
The priorityI accord to the nourishingof my seminarseach
time with somethingnew has until now preventedmy drawingon
such a text,withone exception,not outstanding in the contextof the
series,and I referto it at all onlyforthegenerallevel of its argument.
For the urgencywhichI now take as a pretextforleavingaside
such an aim onlymasks the difficulty that,in tryingto maintainthis
discourseon the level at whichI oughtin thesewritingsto present
my teaching,I mightpush it too far fromthe spoken word which,
with its own measures,differsfromwritingand is essentialto the
instructive effectI am seeking.
That is whyI have takentheexpedientofferedme by the invita-
tion to lectureto the philosophygroup of the union of humanities
students1to produce an adaptationsuitableto my talk; its necessary
generality havingto accommodateitselfto the exceptionalcharacter
'The lecture took place on 9th May 1957 in the Descartes Amphitheatreof the Sorbonne.
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3This aspect of aphasia, very suggestivein the directionof an overthrowof the concept of
"psychological function,"which only obscures every aspect of the question, appears in its
proper luminosityin the purely linguistic analysis of the two major forms of aphasia
worked out by one of the leaders of modern linguistics,Roman Jakobson. See the most
available of his works, the Fundamentalsof Language, with Morris Halle (Mouton and Co.,
'S-Gravenhage), part II, Chs. 1 to 4.
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4We may recall that the discussion of the necessityfor a new language in the communist
society did in fact take place, and Stalin, much to the relief of those depending on his
philosophy,cut off the discussion with the decision: language is not a superstructure.
5By "linguistics"we understandthe study of existinglanguages in their structureand in the
laws revealed therein;this leaves out any theoryof abstractcodes sometimesincluded under
the heading of communicationtheory,as well as the theory,originatingin the physical sci-
ences, called informationtheory,or any semiology more or less hypotheticallygeneralized.
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7So, Mr. I. A. Richards, author of a work preciselyin accord with such an objective, has
in another work shown us its application. He took for his purposes a page from Mong-tse
(Mencius to the Jesuits) and called the piece, Mencius on the Mind. The guarantees of the
purityof the experimentare nothingto the luxury of the approaches. And our expert on
the traditional Canon which contains the text is found right on the spot in Peking where
our demonstration-model manglehas been transportedregardlessof cost.
But we shall be no less transported,if less expensively,to see a bronze which gives out
bell-tones at the slightestcontact with true thought,transformedinto a rag to wipe the
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LADIES GENTLEMEN
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12We give homage here to the works of Roman Jakobson - to which we owe much of this
formulation;works to which a psychoanalystcan constantlyrefer in order to structurehis
own experience,and which render superfluousthe "pesonal communications"of which we
could boast as much as the next fellow.
Let us thankalso, in this context,the author [R. M. Loewenstein] of "Some remarkson
the role of speech in psycho-analytictechnique" (I.J.P., Nov.-Dec., 1956, XXXVII, 6, p.
467) for taking the trouble to point out that his remarksare "based on" work dating from
1952. This is no doubt the explanation for the fact that he has learned nothingfrom work
done since then, yet which he is not ignorantof, as he cites me as their editor (sic).
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His sheaveswerenotmiserlynorspiteful'3
underwhichaspectI presentedmetaphorto myseminaron psychosis.
Let us admit that modernpoetryand especially the surrealist
school have taken us quite far in this domain by showingthat any
conjunctionof two signifiers would be equally sufficientto constitute
a metaphor,except for the additional requirementof the greatest
possible disparityof the images signified,needed for the production
of the poetic spark, or in otherwords for there to be metaphoric
creation.
It is truethisradicalpositionis based on the experimentknown
as automaticwritingwhichwould not have been triedif its pioneers
hacdnot been reassuredby the Freudian discovery.But it remainsa
positionbranded with confusionbecause the doctrinebehind it is
false.
The creativespark of the metaphordoes not springfromthe
conjunctionof two images,thatis of two signifiers equallyactualized.
It springsfromtwo signifiers one of whichhas takenthe place of the
other in the signifying chain, the hidden signifierthen remaining
presentthroughits (metonymic)relationto therestof thechain.
One wordforanother:thatis theformulaforthe metaphorand
if you are a poet you will produceforyourown delighta continuous
stream,a dazzlingtissueof metaphors.If the resultis the sortof in-
toxicationof the dialogue that Jean Tardieu wrote under this title,
thatis onlybecause he was givingus a demonstration of the radical
of
superfluousness all meaningto a perfectlyconvincingrepresenta-
tionof a bourgeoiscomedy.
It is manifestthat in the line of Hugo cited above, not the
slightestspark of lightspringsfromthe propositionthathis sheaves
wereneithermiserlynor spiteful,forthe reasonthatthereis no ques-
tion of the sheaves' havingeitherthe meritor demeritof these at-
13"Sa gerben'etaitpas avare ni haineuse," a line from"Booz endormi." (Trans.)
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'6That is the process by which the results of a piece of research are assured through a
mechanicalexplorationof the entireextentof the fieldof its object.
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f(S) I
s
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overcomesthisobjection.
Of coursethisconfinesme to beingtherein mybeingonlyinso-
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191tis quite otherwiseif by posing a question such as "Why philosophers?" I become more
candid than nature, for then I am asking the question which philosophershave been asking
themselvesfor all time and also the one in which they are in fact the most interested.
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20A German comic newspaper of the late nineteenth and early twentieth centuries. (Trans.)
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220ne of my Colleagues went so far in this direction as to wonder if the Id of the last
phase wasn't in fact the "bad Ego."
23Note, none the less, the tone with which one spoke in that period of the "elfin pranks"
of the unconscious; a work of Silberer's is called, Der Zufall und die Koboldstreiche des
Unbewussten- completelyanachronisticin the contextof our present soul-managers.
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a key (false only in thatit opened all locks of the same make) the
lock whichthislady took to be a worthysignifier of her educational
intentions, and doingit withostentationin her sight- what "other"
was he aimingat? She who was supposed to interveneand to whom
he would thensay: "Do you thinkmyobediencecan be securedwith
a ridiculouslock?" But by remainingout of sightand holdingher
peace untilthateveningin order,afterprimlygreetinghis return,to
lecturehim like a child, she showed him not just anotherwith the
face of anger,but anotherAndre Gide who is no longersure,either
thenor later in thinkingback on it, of just what he reallymeantto
do - who's own truthhas been changedby the doubt thrownon his
good faith.
Perhaps it would be worthour while pausing a momentover
this dominionof confusionwhich is none otherthan that in which
the whole humanopera-buffa plays itselfout, in orderto understand
the ways in which analysiscan proceed not just to restorean order
butto foundtheconditionsforthepossibility of itsrestoration.
Kern unseresWesen,the nucleus of our being,but it is not so
much thatFreud commandsus to seek it as so many othersbefore
him have withthe emptyadage "Know thyself"- as to reconsider
thewayswhichlead to it,and whichhe showsus.
Or ratherthat which he proposes for us to attain is not that
whichcan be the object of knowledge,but that (doesn't he tell us as
much?) whichcreatesour being and about whichhe teaches us that
we bear witnessto it as much and more in our whims,our aberra-
tions,our phobias and fetishes,as in our vaguelycivilizedpersonali-
ties.
Folly,you are no longerthe object of the ambiguouspraisewith
whichthe sage decoratedthe impregnableburrowof his terror;and
if afterall he findshimselftolerablyat home there,it is onlybecause
the supremeagentforeverat workdiggingits galleriesand labyrinths
is noneotherthanreason,theveryLogos whichhe serves.
So how do you imaginethata scholarwithso littletalentforthe
"engagements" whichsolicitedhimin his age (as theydo in all ages),
thata scholar such as Erasmus held such an eminentplace in the
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24To pick the most recent in date, Francois Mauriac, in the Figaro Litteraire of May 25,
excuses himselffor not "narratinghis life." If no one these days can undertaketo do that
with the old enthusiasm,the reason is that, "a half centurysince, Freud, whateverwe think
of him" has already passed that way. And afterbeing brieflytemptedby the old saw that
this is only the "historyof our body," Mauriac returnsto the truththat his sensitivityas a
writermakes him face: to writethe historyof oneself is to writethe confessionof the deep-
est part of our neighbors'souls as well.
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