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The Sunset Strip Music Festival: Traditional PR and New Social Media
Jonathan Barba
Abstract
Public relations are expanding to social media. Today, corporations hire social media experts to
run a plethora of social media accounts. These emergent communication forums are gaining
popularity and utility within the practice of public relations. However, the carefully developed
art of public relations will not be overrun by social media. The challenge for today’s
practitioners is discovering ways to explore new communication frontiers while still being true
to traditional PR practices. The Sunset Strip Music Festival (SSMF) serves as en exemplary
model of utilizing best practices in public relations as well as incorporating more innovative
social media tactics. This case study examines the Sunset Strip Music Festival as a public
relations campaign. Specifically, it traces traditional public relations practices, and the influence
The Sunset Strip Music Festival is a three day music festival held on the Sunset Strip in
West Hollywood, California. SSMF tickets grant access to six prestigious music venues along
the Sunset Strip: the Cat Club, the House of Blues, the Key Club, the Roxy, the Viper Room,
and the Whiskey a Go Go. In 2008, the year examined in this study, the ticket also granted
access to additional outdoor stages along a one mile portion of the Sunset Strip. Tickets sold for
$39.50 presale and $50 at the gate. Nic Adler, founder of SSMF describes the event, “The street
fest is part music festival, part club experience, and part celebration of The Sunset Strip.”
(Behrens, 2009)
The public relations activities enacted to promote SSMF can be categorized into
traditional and non traditional PR practices. SSMF executed a traditional public relations
campaign utilizing branding, an event cycle, sponsorship, and celebrity appeal. Simultaneously,
SSMF developed an innovative social media campaign that forged new utility for public
relations in social media, specifically Twitter. This campaign couples traditional public relations
discipline with innovative use of social media creating a professional, effective, and
Situational Analysis
The Sunset Strip was once a rock and roll Mecca. In recent years, however, its reputation
has been dwindling. Zach Behrens (2009), a Los Angeles blogger for the the site LAist notes
that The Sunset Strip built its reputation in the 70’s and 80’s. Vannessa Franko, a Southern
California journalist recalls the Doors, Bob Marley, Motley Creu, Guns ‘N’ Roses, and the
Police performing on the Sunset Strip as far back as 1966. (Franko 2008) She states, “The Strip
was the setting for some of the most important music to come around in the last 50 years.”
Recently this hot bed of music has cooled significantly. Blogger Zach Behrens laments,
“These days it can feel like a ghost town.”(2009) Nic Alder, through personal communication,
states that the Sunset Strip is suffering from increased local music venue competition and the
affects of the weaker economy. A Los Angeles County reporter cites Universal City, the
Hollywood Corridor, and the Third Street Promenade as specific venues that are detracting from
the draw of The Strip. (Franko, 2009) These threats, manifested in weak foot traffic and
decreased venue attendance, are the driving force behind the founding of the Sunset Strip Music
Festival. The Sunset Strip Music Festival is, at its very core, a public relations mechanism to
An overarching goal of the Sunset Strip Music Festival is to revitalize The Sunset Strip as
a prominent attraction for music lovers. Promotions for the Sunset strip music festival are
intended to highlight the rich history of the location as well as promote The Strip as an exciting
consuming publics of The Sunset Strip’s rich history. This objective is apparent in materials
leading up to the weekend of the festival, September 10th through 12th. A press release issued
July 23, 2009 emphasizes the term “World Famous Sunset Strip.” (Sunset Strip, 2009 d para. 6)
This same press release uses the term “Iconic Boulevard” in a quote by SSMF Executive
Director Todd Steadman. This same press release, issued by SSMF’s official PR firm, the Mitch
Schneider Organization, expresses that a goal of SSMF is to “Promote, preserve, and perpetuate
the legendary Sunset Strip Music Experience.” (Sunset Strip, 2009 d para.10) In using terms
SUNSET STRIP MUSIC FESTIVAL
like “world famous” “iconic” and “legendary,” the SSMF campaign seeks to educate potential
A second objective of the campaign, under the overarching goal of revitalizing the Sunset
communication with Nic Adler (Oct 2009), he expresses that few people actually come to the
strip as a destination. Instead people go directly to specific venues for a specific event and
directly home after. Adler expresses a desire to present the entire strip as a blanket location for
“spontaneity” and “living in the moment.” The tools and tactics of SSMF repeatedly promote the
The tools and tactics of the SSMF campaign can be divided into traditional PR practices
and non-traditional practices. Both categories work to achieve campaign objectives and the
Traditional tactics include branding, sponsorship, celebrity appeal, and the utilization of
a strategic event cycle. Non traditional tactics were comprised of social media tactics, and can
Branding
The Sunset Strip Music Festival and its acronym SSMF are an encompassing brand for
all of the venues that collaborated on the festival. According to Nic Adler, through personal
communication, a stylized SSMF logo was created for the festival by the design company
Signature Creative. Branding themselves as one entity, the venues and businesses of The Sunset
Strip can speak to the history of the location, promote The Sunset Strip as a destination for
spontaneity, and also promote the diversity within the encompassing brand. Working towards
SUNSET STRIP MUSIC FESTIVAL
the goal of revitalizing The Sunset Strip as a whole, the first logical tactic in that process is to
brand the entire Sunset Strip for one robust public relations campaign.
Sponsors
Sponsorships for the Sunset Strip Music Festival brought both resources for the event as well as
prestige. This then contributed to the objective of reestablishing the reputation of the festival
and the strip as the hot spot for music in Los Angeles. Sponsors of SSMF included; the Andaz
Hotel, Virgin America, V Australia, 98.7 fm, Jack Daniels, Ticket Master, Signature Creative,
City Of West Hollywood, West Hollywood Marketing and Visitor’s Bureau, Coffee Bean & Tea
Leaf, Metal Jeans, Miller Light, LA Weekly, Whole Foods West Hollywood, and Art Guitar.
Celebrity Appeal
The use of celebrity appeal can be traced to the goal of revitalizing the reputation the
Sunset Strip and the objective of connecting the location to its history. Multiple press releases
from the SSMF campaign lead with the mention of either Korn or Ozzy Osborne. (Ozzy,2009 a;
Ozzy,2009 b; Korn, 2009 a; Korn, 2009 b) This use of celebrity not only increases the
newsworthiness of the event, but also creates the connection to the rock and roll foundations of
The Sunset Strip. A press release, for example, leads a story with Ozzys name, mentions his
roots at The Sunset Strip, and goes on to mention the details of the SSMF event. (Ozzy, 2009 b)
The campaign was able to propagate its messages behind the headline of a celebrity name.
Event Cycle
The Sunset Strip Music Festival displays a tremendous grasp on the traditional practice
of creating an event cycle. A timeline of events created sustained and measured newsworthy
moments where SSMF could promote its objectives of historical reputation and modern diversity
SUNSET STRIP MUSIC FESTIVAL
of entertainment. On May 6th a press release announced Ozzy Osbourne would join the festival.
It also highlighted his five day stint at the Whiskey a Go Go with Slayer decades ago.(Ozzy Set,
2009 a) The city of West Hollywood issues a press release May 13, 2009 that announces the
next days “Faces of Sunset Boulevard” event. (Faces, 2009) This press release also highlighted
the history of The Strip as well as listing the diverse venues that participate in the festival. A
press release issued September 9th highlights the declaration of Ozzy Osbourne day by the city of
West Hollywood, and also highlights Ozzy’s historic connection to The Sunset Strip. (City,
2009). On September 10th a detailed press release announces the official party of the Sunset
Strip Music Festival along with detailed information about the history of The Sunset Strip and
the participating venues. (Virgin, 2009) Additional press worthy events included a call for
2009 a; Behrens, 2009 c; Korn, 2009 a), and even a Twitter event on the 9th of September. (The
Sunset, 2009 c)
The SSMF campaign did two revolutionary things with its use of twitter. First it used
geography oriented twitter strategies to activate public through the creation of “tweet-crawl.”
Second it was an early pioneer incorporating the use of twitter “hashtags” and usernames in
press releases. Though many corporations and organizations are becoming privy to the
advantageous of twitter, SSMF has a documented press release on September 3, 2009 that
utilizes the Twitter username @thesunsetstrip in the opening line of the release (The Sunset,
2009 c). Additionally the press release mentions the Twitter user names of all six major venues
of the sunset strip along with the hashtag #stripcrawl. This infusion of twitter lingo allows
journalists to find the corresponding twitter conversations that give the press release the added
The #stripcrawl tweet-crawl event was an ingenious innovation by the SSMF campaign.
Where most social media experts utilize twitter as a listening device and a tool for two way
geography, instantly mobilized target publics and converged social media with traditional media
practices.
Among the six venues of the SSMF and the Sunset Strip Twitter account there are tens of
thousand of followers online. SSMF created a tweet-crawl under the title #stripcrawl to activate
these publics. The tweet crawl starts with one venue announcing an amazing deal for a specific
amount of time. This action, through Twitter, was able to get people out to that venue. Then
another venue would announce, through Twitter, that their amazing deal would be next and
would end at a certain time. The crowd at the first venue then walks to the next venue. This
happened throughout the night of the tweet-crawl among the six major venues on the Sunset
Strip.
The implications of the tweet-crawl expanded the functionality of twitter into the realm
of activating publics to real time geographic locations. Conversely the integration of twitter
usernames and hash tags in formal press releases expanded the realm of public relations to the
point where using twitter lingo (such as hashtags and at mentions) in a press release may, and
arguably will, become as common practice as including a phone number and website.
Evaluation
The SSMF did a successful job through a qualitative analysis of their press clippings.
However, on a quantitative level the campaign did not have the type of local media saturation
that is possible with such a large event. Though the goals and objectives were eloquently
addressed in the tactics of the campaign, message exposure and thus the reputation and
SUNSET STRIP MUSIC FESTIVAL
reintroduction to the Sunset Strip Music Festival could be expanded. In the end the qualitative
goals were met, but they could be expanded to larger quantities of publics.
Future Recommendations
Future Recommendations include seeking more televised coverage of the festival. Also
Nic Adler, through personal communication, admits that promotions slumped in the final weeks
leading to the campaign due to focus on the logistics of the event. In the future it would be
recommended to pursuit more press coverage in the final weeks of the campaign. This could
include paid advertisement, but ideally feature stories could be pitched. In the short term one
could focus on local media saturation. In the long term one could focus on national diffusion of
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