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In this Photoshop tutorial we will make a realistic refinery using matte painting technique, Ill show you some photo manipulation techniques to transform a picture of a girl into a female with cyborg characteristics. If you want to take your Photoshop Manipulation and creative composition skills to the next level, this tutorial is perfect for you. As usual, youll learn loads of great tips and cool tricks in this tutorial. Lets get started! Tutorial Details Program: Adobe Photoshop CS5 Difficulty: Advanced Estimated Completion Time: 5 Hours
Final Result
This is a preview of the final effect.
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1. THE BASE
After selecting the photo you want to transform into a cyborg, start with opening a new document with following parameters: 30 cm wide by 40 cm high at 300 pixels and RGB. Copy your photo into this new document, and position it in the center.
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3. MAKE-UP
To give cheeks more volume we will have to add a little white to them. To do that well use large brush and reduced Opacity. Then on the new layer we add little bit of pink on cheeks, also in harsh light. Adjust the layers opacity to complete the cheeks. Choose a light blue and a layer set to Color. Add color over the eyelids to enhance the look. Do the same for the lips and soften the selection with a mask after copying it to a new layer. Use the Plastic wrap lter and select the layer mode to Hard light. It will give more contrast and there will be more reections.
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4. THE LOOK
W ith the Pen make a path to select the eye. Copy on a new layer and set its mode to Density, than adjust the opacity to settle the effect. Draw two circles on the iris of the eye. Choose a white brush with a width smaller than the size of the iris. On a new layer with the selected path in the Window tracks options you will nd the option Contour plots uncheck it. Simulate the pressure and accept. You have just created two white circles on the iris. Switch the layer mode to Overlay. I did the same but with black to mark the edge of the iris.
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5. SKIN
Copy and duplicate layers by moving the new layer icon. Flatten it to get a new working basis. Clean the skin with the Stamp tool and Spot Healing Brush tool. Duplicate this layer and apply the blur lter. With a mask limit its effect to the skin of the face. Keep up the edges. Now you have the original layer and the layer with the smoothen skin. You can use the Spot Healing Brush tool to smooth out some details.
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7. CONTRASTS DETAILS
Add a layer settings Brightness/Contrast and adjust the Contrast to 24%, and the Opacity to 25% to mitigate the effect. Add the Curves adjustment layer and play with different settings to obtain a green and blue atmosphere that ts well with our theme of Science Fiction. I also added a layer with black hair to less visible at the bottom and another layer in which I painted in white on the collar to make it shine.
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8. LIPS
Now we will darken the lips. To do it, open new layer, select a brush and paint the lips with black. Set it to 60%, as shown. On a new layer I added on eyes and lips some white with a ne brush to add reections. I duplicated this black layer and set it to the Color mode at 100% Opacity to desaturate the lips while keeping the reections visible. I added a little black on another layer to erase the last faults.
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9. CUTTING
W ith the Pen tool draw rectangular shapes that follow the natural line of the face to break it into several pieces. Get your rst selection line and complete it with black on a new layer. Add a drop shadow to this layer. Repeat the selection, complete it with white and move the new layer down. This will give the impression that the skin was cut. By holding [Ctrl] and clicking on this layer, retrieve the selection of the white layer and using the Eyedropper paint colors of the surrounding skin. You can also add some black to give more volume. Repeat these steps on all of the lines that cut out the character. Remember to respect the general direction of the light.
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11. OPENING
To accentuate the Cyborg, make a circle on a new layer and distort it so that it follows the line of the face. Set the Opacity to 50%. Duplicate the layer and then move it under the previous layer to create a white outline. Select the outline and erase the circle that we created in the rt step here. It will create the depth effect. Duplicate this layer and blur it slightly to Brighten.
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13. DEPTH
Group the layers from the rst round in a folder and duplicate it. W ith the Transformation tool, reduce the size of the le copied to create a second circle inside the rst one. By recovering the selection of the rst circle I created a new layer lled with black that I enlarged. To dig inside, I used the menu Selection>Modify>Contract which reduced the selection. Now you just need to cut the pixels inside the circle. Adjust with the Transformation tool if needed. Finally, with the use of mask layers I created a line that split the small circle.
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