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An idea called Strelka 2 Rem Koolhaas speaks at the Strelka launch 4 Vision and strategy 6 Programme 8 Research themes 10 Public space 12 Preservation 14 Thinning 16 Design 18 Energy 20 Location 22 Facilities and resources 24 A social space 26 Summer at Strelka 28 Admissions and contacts 32
Programme
The Strelka Institutes yearly activities are divided into three parts. Research at the Institute is organized into six-month cycles which run from January to July. Prior to the start of each cycle, all new researchers participate in a two-month warm-up conference that introduces the years research themes and provides a set of research and production methodologies. The atmosphere throughout the warm-up period is rigorous and social. Researchers are encouraged to get to know one another and to explore Moscow. The conference is structured by a programme of lectures, workshops, and salons, exposing the participants to international educational and professional thinking. It culminates in an eight-day field trip where the researchers apply the previous weeks lessons to create original expressions on one of the years research subjects. Following a winter recess, researchers are distributed into the five research themes, based on their stated preferences and an evaluation by the themes instructors. Over the course of the next six months, researchers explore the themes through academic and field investigations, interviews, consultations and analysis. Throughout this process, the work is guided by a theme Initiator who provides the overall framework for the research, a project Supervisor who oversees its execution, and local Mentors who help translate the work into a media product. The generation of research and application occur in tandem, each reinforcing and inspiring the other. On three occasions during the six-month research cycle, all five themes are reviewed by the Educational Committee of Strelkas Board of Initiators. During these sessions research teams must present and defend their work. At the end of the term, a final review is held after which the teams make improvements to their work in order to prepare it for dissemination through the Russian media. Strelka will release the final products of the research themes over the course of its summer programme.
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Research themes
Strelkas educational programme will be structured around five interconnected areas of research that are relevant worldwide and particularly urgent in Russia from the preservation of cities and the dispersal of populations to the future of energy and virtual space. Five themes, five paradoxes Each theme is framed with a paradox that reflects contemporary shifts in architecture and the way it is perceived and inhabited from a social, economic, and cultural perspective. Rather than providing solutions, each paradox describes an apparent impasse that is in fact an opportunity.
Thinning
ublic space
Design
Preservation
Energy
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Research theme:
Public space
As virtual realms become more popular, physical public space has experienced a simultaneous divestment of attention and potential. It is not only the conflict between virtual and real space that defines the nature of public space today, but also the shift from the public to the private sector, morphing formerly free spaces into hybrid commercial zones. When attention is paid to public space, the increase in supervision and surveillance together with a glut of good intentions in the form of more art, more design transforms spaces of spontaneity into pre-programmed, over-determined areas. What comprises public space in Russia? What should be done with the excess of open space produced by monumental Soviet planning? What can be learned from the architecture of improvisation that populated these spaces after the arrival of the market economy? Is there a correlation between the heavily programmed nature of 21st century public space and the relative free-for-all of virtual social spaces? This theme examines the current state of public space in Russia in its physical and virtual manifestations. It calls for a reassessment of the open spaces of Russian cities and a committed architectural engagement in the virtual territories created by new media.
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We think this site [Apollo 11s lunar landing site] needs to be protected, either as a national landmark or a world heritage site.
Dr. Beth OLeary, anthropologist at New Mexico State University
Research theme:
Preservation
While our sense of duty (and nostalgia) towards history grows exponentially, actual knowledge and the depth of our memory diminishes. Four percent of the surface of the world is now designated by UNESCO as a World Heritage Site, and while 200 years ago the average age of the sites we preserved was 2,000 years, in 1960 the lag time of preservation was cut to 40 years. Today, modernity coexists with a larger and larger territory that is dedicated to its opposite. Preservation is no longer a retroactive idea, applied selectively to the past, but something we look forward to and accommodate in advance. What do we preserve? How can we deal with preservation within the context of a market economy where architecture and cities are often reduced to marketing tools? How do we preserve urban substance without compromising its vitality and capacity to incorporate changing lifestyles? This theme takes Russia as a case study for addressing and reframing preservation within the global context of the free market.
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Research theme:
Thinning
Shrinking cities, whose original purpose mining, science, the automotive industry has been eroded or abandoned, are a familiar phenomenon from Siberia to Detroit. But thinning is a concept that extends to ostensibly healthy, burgeoning cities, where extremely low-density living is an accepted consequence of architecture developed primarily for speculation rather than inhabitation. As a result, cities expand, but the density with which they are inhabited is diminishing. Dubai has experienced rapid development, but the occupancy of any new urban substance there hovers around 15 percent. It is not only cities that are undergoing a process of thinning: rural areas are emptying out both as a result of urbanization and the recalibration of small towns and villages to accommodate parttime, urbanite, occupants. Thinning therefore is a process taking place both in cities and the countryside, and as a result both of economic growth and economic stagnation. How does the mobility of Russias population shape its urban environments? How is the decline of certain territories connected to growth of others? If people are moving to cities what happens to the places left behind? Demographic and urban thinning is an international issue in which Russia has intensive experience. This theme will formulate a distinctly Russian perspective for a global conversation.
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Research theme:
Design
From its outward appearances, one could imagine that design is undergoing a kind of apotheosis. It is referenced as an essential component to nearly every scale of aspiration from the teaspoon to the city and its most accomplished practitioners are worshipped as heroes by people inside the profession and out. But for all the chances and rewards that this would-be Golden Age promises, the professional life of the architect is typically defined by relative weakness and passivity. How is design directly impacted by economics, politics, journalism and other fields
that support it? And conversely, how do the technical aspects of design transform into tactical devices for marketing, city branding and career manufacturing? Design schools have traditionally taught students how to design, but have not looked at how design actually operates in the world. The Strelka design theme will address this inadequacy: over a six-month period, researchers will investigate design in relation to its professional context rather than as a hermetic discipline.
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Research theme:
Energy
As energy security, provision and sustainability become increasingly urgent issues and global awareness of this urgency increases, the scale of action and coordination on the part of governments remains comparatively small. Due to its scale and climatic diversity, Russia has some of the most significant renewable energy potentials in the world. It also has a high degree of centralization that makes efficient exploitation possible. Architecture and regional planning can play a crucial role in this development, but the thinking must extend beyond the comfortable scale of individual buildings.
What happens to Russia when its neighbours are no longer reliant on Russian oil and gas? How to diversify Russias energy-based economy? How can Russias climatic diversity and resource richness be translated into a new approach to power? What is the role of energy in shaping the emerging global order? This theme declares energy as a subject of design and Russia as a platform for innovation.
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Location
Kremlin >
Strelka is located in the centre of Moscow, on the grounds of the former Red October Chocolate Factory on Bolotny Island, just a few steps away from the Kremlin, the notorious House on the Embankment and the Pushkin Museum of Fine Arts. The Institute occupies what were once the factorys garages, which up until 2009 housed the ARTStrelka Cultural Centre.
The Red October Chocolate Factory is rapidly becoming the citys premier cultural destination, which means every day Strelka gains new neighbours: galleries and photostudios, publishing houses and bars, design bureaus and architectural workshops.
Strelka >
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A social space
The Strelka bar and restaurant have already established the school as one of Moscows most popular nightlife destinations. The Strelka is the only school in the world that also operates as a vibrant social hotspot, with fine dining, film screenings and regular parties and club nights.
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Summer at Strelka
The school was inaugurated in June with the Summer at Strelka public programme, three months of projects and events relating to architecture, design, media and new technology. Broken down into thematic sessions, the programme comprised lectures, workshops and discussions, along with film screenings, concerts and parties at Bar Strelka.
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Summer at Strelka
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