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  • Sol LeWitt's Sentences On Conceptual Art: Manuscript and Draft Materials 1968-69

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    Office for Contemporary Art Norway
    254 просмотров1 страница
    In January 1969 LeWitt's Sentences on Conceptual Art were first published in the magazine 0-9 edited by Vito Acconci and Bernadette Mayer, and later the same year in Art-Language as a declaration of independence of 'art as idea'. These rarely exhibited handwritten notes illustrate the evolution of LeWitt's thought with respect to his proposal and were made available to the public courtesy of the Collection Daled, Beglium. Besides reproducing the original manuscript, the publication includes 'An Image of Romanticism - Fragment and Project: From Schlegel's Athenaeum Fragments to LeWitt'sSentences on Conceptual Art', an essay that Peter Osborne first presented as a lecture at OCA on 21 October, as the opening event of 'Columns, Grottos, Niches: The Grammar of Forms. The text approaches how many ideas central to the understanding of contemporary art - genre, fragment, project, concepts of the new and of concepts of art and art criticism themselves - derive from early German Romanticism. In doing so, Osborne points out how the significance of these connections has been obscured, in large part, by continuing pre-occupations with notions of 'medium' and 'aesthetic' and by the literary origins of the ideas themselves. The text further delves into how Conceptual art in the 1960s broke with these conventions, laying the foundation for the radical openness of contemporary art. CONTENTS Peter Osborne An Image of Romanticism: Fragment and Project in Friedrich Schlegel´s Athenaeum Fragments and Sol LeWitt´s Sentences on Conceptual Art Sol LeWitt Sentences on Conceptual Art: Manuscript, 1968 Sol LeWitt Sentences on Conceptual Art: Draft Materials, 1968 Sol LeWitt Sentences on Conceptual Art: Correspondence and Documentation, 1967-1973 For more information please visit: http://www.oca.no/publications/verksted/978-82-92495-15-5/

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    Sol LeWitt's Sentences on Conceptual Art: Manuscript and Draft Materials 1968–69

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    In January 1969 LeWitt's Sentences on Conceptual Art were first published in the magazine 0-9 edited by Vito Acconci and Bernadette Mayer, and later the same year in Art-Language as a declaration of independence of 'art as idea'. These rarely exhibited handwritten notes illustrate the evolution of LeWitt's thought with respect to his proposal and were made available to the public courtesy of the Collection Daled, Beglium. Besides reproducing the original manuscript, the publication includes 'An Image of Romanticism - Fragment and Project: From Schlegel's Athenaeum Fragments to LeWitt'sSentences on Conceptual Art', an essay that Peter Osborne first presented as a lecture at OCA on 21 October, as the opening event of 'Columns, Grottos, Niches: The Grammar of Forms. The text approaches how many ideas central to the understanding of contemporary art - genre, fragment, project, concepts of the new and of concepts of art and art criticism themselves - derive from early German Romanticism. In doing so, Osborne points out how the significance of these connections has been obscured, in large part, by continuing pre-occupations with notions of 'medium' and 'aesthetic' and by the literary origins of the ideas themselves. The text further delves into how Conceptual art in the 1960s broke with these conventions, laying the foundation for the radical openness of contemporary art. CONTENTS Peter Osborne An Image of Romanticism: Fragment and Project in Friedrich Schlegel´s Athenaeum Fragments and Sol LeWitt´s Sentences on Conceptual Art Sol LeWitt Sentences on Conceptual Art: Manuscript, 1968 Sol LeWitt Sentences on Conceptual Art: Draft Materials, 1968 Sol LeWitt Sentences on Conceptual Art: Correspondence and Documentation, 1967-1973 For more information please visit: http://www.oca.no/publications/verksted/978-82-92495-15-5/

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    Attribution Non-Commercial (BY-NC)
    Скачайте в формате PDF, TXT или читайте онлайн в Scribd
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    254 просмотров1 страница

    Sol LeWitt's Sentences On Conceptual Art: Manuscript and Draft Materials 1968-69

    Загружено:

    Office for Contemporary Art Norway
    In January 1969 LeWitt's Sentences on Conceptual Art were first published in the magazine 0-9 edited by Vito Acconci and Bernadette Mayer, and later the same year in Art-Language as a declaration of independence of 'art as idea'. These rarely exhibited handwritten notes illustrate the evolution of LeWitt's thought with respect to his proposal and were made available to the public courtesy of the Collection Daled, Beglium. Besides reproducing the original manuscript, the publication includes 'An Image of Romanticism - Fragment and Project: From Schlegel's Athenaeum Fragments to LeWitt'sSentences on Conceptual Art', an essay that Peter Osborne first presented as a lecture at OCA on 21 October, as the opening event of 'Columns, Grottos, Niches: The Grammar of Forms. The text approaches how many ideas central to the understanding of contemporary art - genre, fragment, project, concepts of the new and of concepts of art and art criticism themselves - derive from early German Romanticism. In doing so, Osborne points out how the significance of these connections has been obscured, in large part, by continuing pre-occupations with notions of 'medium' and 'aesthetic' and by the literary origins of the ideas themselves. The text further delves into how Conceptual art in the 1960s broke with these conventions, laying the foundation for the radical openness of contemporary art. CONTENTS Peter Osborne An Image of Romanticism: Fragment and Project in Friedrich Schlegel´s Athenaeum Fragments and Sol LeWitt´s Sentences on Conceptual Art Sol LeWitt Sentences on Conceptual Art: Manuscript, 1968 Sol LeWitt Sentences on Conceptual Art: Draft Materials, 1968 Sol LeWitt Sentences on Conceptual Art: Correspondence and Documentation, 1967-1973 For more information please visit: http://www.oca.no/publications/verksted/978-82-92495-15-5/

    Авторское право:

    Attribution Non-Commercial (BY-NC)
    Скачайте в формате PDF, TXT или читайте онлайн в Scribd
    Отметить как неприемлемый контент
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    Ofce for Contemporary Art Norway


    Verksted N
    o
    11, :oo
    Peter Osborne
    An Image of
    Romanticism:
    Fragment and
    Project in
    Friedrich
    Schlegels
    Athenaeum
    Fragments and
    Sol LeWitts
    Sentences on
    Conceptual Art
    Sol LeWitt
    Sentences on
    Conceptual Art,
    168

    Sentences on
    Conceptual Art:
    Draft Materials,
    168
    Sentences on
    Conceptual Art:
    Correspondence
    and Documenta-
    tion, 161j
    Ofce for
    Contemporary
    Art Norway
    www.oca.no
    isnN 8-8:-:q-1-
    issN 1oj-8q6

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