Академический Документы
Профессиональный Документы
Культура Документы
Theodor Adorno et al., Aesthetics and Politics (London: Verso, 2007) Giorgio Agamben, Homo Sacer. Sovereign Power and Bare Life (Stanford: Standord University Press, 1998)
Giorgio Agamben, State of Exception (Chicago and London: The University of Chicago Press, 2005)
Jeffrey C. Alexander, Toward a theory of cultural trauma, in Jeffrey C. Alexander et al. (ed.), Cultural trauma and collective identity (Berkeley, University of California Press, 2004) 1-30.
Jan Avgikos, Hans Haacke: Paula Cooper Gallery, Artforum, February 2006. Marius Babias, Zones of Indifference. The World in a State of Exception: On the Relations of Populism, Public Sphere and Terrorism, IDEA Arts + Society no 25 (2007), 178-184.
Karen Beckman, Terrorism, Feminism, Sisters, and Twins: Building Relations in the Wake of the World Trade Center Attacks, Grey Room 7, On 9/11 (2002), 24-39
Gerrit-Jan Berendse and Mark Williams (eds.), Terror and Text. Representing Political Violence in Literature and the Visual Arts (Bielefeld: Aisthesis Verlag 2002)
Laura Brandon, Art & War (London and New York: I. B. Tauris 2007) Benjamin H. D. Buchloh and Rachel Churner (eds.), October123 (2008): In what ways have artists, academics and cultural institutions responded to the U.S.-led invasion and occupation of Iraq?
Susan Buck-Morss, Thinking of Past Terror. Islamism and Critical Theory on the Left (London and New York: Verso, 2003)
Noam Chomsky, Ramsey Clark, Edward W. Said, Acts of Aggression. Policing Rogue States (New York: Seven Stories Press, 1999)
Alexander Cockburn, Whatever Happened to the Anti-War Movement?, New Left Review 46 (2007), 29-38 Diarmuid Costello and Dominic Willsdon eds., The Life and Death of Images. Ethics and Aesthetics (London: Tate Publishing, 2008)
Graham Coulter-Smith and Maurice Owen, Art in the Age of Terrorism (London: Paul Holberton Publishing, 2005)
Stuart Croft, Culture, Crisis and Americas War on Terror (Cambridge: Cambridge University Press, 2006)
Alex Danchev, On Art and War and Terror (Edimburgh: Edimburgh University Press, 2009)
Mike Davis, Budas Wagon. A Brief History of the Car Bomb (London and New York: Verso, 2008)
TJ Demos, Another World and Another... Notes on Uneven Geographies, in Alex Farquharson and Jim Waters, Uneven Geographies, exhibition catalogue (2010) <http://www.nottinghamcontemporary.org/sites/default/files/UG_cat_lowres.pdf> [accessed 14 January 2011]
TJ Demos, Image Wars, in TJ Demos ed., Zones of Conflict, (New York: Pratt Manhattan Gallery, 2008)
TJ Demos, Life Full of Holes, Grey Room, no. 24 (Fall 2006), pp. 72-88 Rosalyn Deutsche, Hiroshima After Iraq: Three Studies in Art and War (New York: Columbia University Press, 2010)
Beshara Doumani, ed., Academic Freedom after September 11 (New York and London, MIT, 2006)
Sergio Edelsztein, Doron Solomons video works: Mind the gap (Tel Aviv: Center for Contemporary Art, 2006)
David Evans, War artist: Steve McQueen and postproduction art, Afterimage SeptemberOctober (2007)
Nicholas Fotion, Boris Kashnikov and Joanne K. Lekea, Terrorism: The New World Disorder (London and New York: Continuum, 2007)
Francis Frascina, Hiroshima After Iraq: Three Studies in Art and War, Art Monthly 341, 35 Francis Frascina, Inventing and Sustaining a Visible Resistance, Peace Review 15, vol. 4 (2003), 491-8
Francis Frascina, Modern Art Culture. A Reader (London: Routledge, 2009) Francis Frascina, 1968: Art and Politics in Chicago, Art Monthly 322, 22-23 Boris Groys, Art Power (London and Massachusetts: The MIT Press, 2008) Michael Hardt and Antonio Negri, Multitude. War and Democracy in the Age of Empire (London: Penguin Books, 2006)
Development (London: Verso, 2006) Ian Herbert, Steve McQueen: Queen and Country, The Independent, 15th March 2007. Martin Herbert, Post-war: Martin Herbert on Steve McQueens Queen and Country, Artforum, May 2007. Maria Hlavajova and Jill Winder, Concerning War: A Critical Reader (Utrecht: BAK, basis voor actuele kunst, 2006) David Holloway, 9/11 and the War on Terror (Edimburgh: Edimburgh University Press, 2008) Andreas Huyssen, Present Pasts: urban palimpsests and the politics of memory (Stanford, Calif.: Stanford University Press, 2003) Andreas Huyssen, Twilight Memories: marking time in a culture of amnesia (New York and London: Routledge, 1995) Matti Hyvrinen and Lisa Muszynsky (eds.), Terror and the Arts. Artistic, Literary, and Political Interpretations of Violence from Dostoyevsky to Abu Ghraib (Hampshire and New York: Palgrave Macmillan, 2008) Nico Israel, Atelier in Samarra, Artforum, January 2004 Fredric Jameson, The Geopolitical Aesthetic: Cinema and Space in the World System (Indianapolis: Indiana University Press, 1995) Jeffrey Kinkle, Spectacular Developments: Guy Debords Parapolitical Turn (PhD Thesis, Goldsmiths, 2010) <http://eprints.gold.ac.uk/3225/> [accessed 14 January 2011] Naomi Klein, The Shock Doctrine (London: Penguin, 2007) Kathy Lebowitz, Divide we stand, Art in America, March 2006. Lucy Lippard et al., Creative Time: The Book: 33 Years of Public Art in New York City (Princeton: Princeton Architectural Press, 2007) WJT Mitchell, What Do Pictures Want? The lives and loves of images (Chicago: University of Chicago Press, 2005) Reggie Nadelson, One Year Ago, Art Review, September 2002), 66-9 Photoworks Magazine 11 (2008) Jacques Rancire, The Polictics of Aesthetics (London: Continuum, 2007) Gene Ray, Terror and the Sublime in Art and Critical Theory. From Auschwitz to Hiroshima to September 11 (Hampshire and New York: Palgrave Macmillan, 2005) Retort (Iain Boal, T. J. Clark, Joseph Matthews, Michael Watts), Afflicted Powers: Capital
and Spectacle in a New Age of War (London: Verso, 2005) Retort, All Quiet in the Eastern Front, New Left Review 41 (2006), 88-91 Ralph Rugoff, Monuments for the USA (Oakland: CCA Wattis Institute for Contemporary Arts, 2005) Astrid Schmetterling, Encounters at the Site of Trauma 110901 September 11: A film by 11 Directors, Third Text 5, vol. 20 (2006), 561-570. Susan Sontag, Regarding the torture of others, New York Times Magazine, 23 May 2004 Julian Stallabrass, Not in our Name, Art Monthly 293, 1-4 Julian Stallabrass, Spectacle and Terror, New Left Review 37 (2006), 87-106 Paul Virilio, Art and Fear (London: Continuum, 2004) Slavoj Zizek, Good Manners in the Age of Wikileaks, London Review of Books, vol. 33 n 2, 20 January 2011, 9-11 Slavoj Zizek, The Universal Exception (London and New York: Continuum, 2007) Slavoj Zizek, Violence (London: Profile Books, 2008) Slavoj Zizek, Welcome to the desert of the real: Five essays on September 11 and related dates (London, Verso, 2002)