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  • Boulez - Harmony To Derive

    Загружено:

    Miguel Angel Aguirre Igoa
    2K просмотров3 страницы
    Derive is a systematic investigation into the harmonic possibilities of the following six note row: E flat : a : C : B : E : D. Each pitch being drawn from the letters in the last name of the Swiss patron and conductor Paul Sacher. In the first 27 bars of derive, boulez structures the chords of the piano part from different permutations of the intervals of this row. Each chord starts with a 3rd, third chord with a semitone, fourth

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    Оригинальное название

    Boulez - Harmony to Derive (2)

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    Derive is a systematic investigation into the harmonic possibilities of the following six note row: E flat : a : C : B : E : D. Each pitch being drawn from the letters in the last name of the Swiss patron and conductor Paul Sacher. In the first 27 bars of derive, boulez structures the chords of the piano part from different permutations of the intervals of this row. Each chord starts with a 3rd, third chord with a semitone, fourth

    Авторское право:

    Attribution Non-Commercial (BY-NC)
    Скачайте в формате PDF, TXT или читайте онлайн в Scribd
    Отметить как неприемлемый контент
    2K просмотров3 страницы

    Boulez - Harmony To Derive

    Загружено:

    Miguel Angel Aguirre Igoa
    Derive is a systematic investigation into the harmonic possibilities of the following six note row: E flat : a : C : B : E : D. Each pitch being drawn from the letters in the last name of the Swiss patron and conductor Paul Sacher. In the first 27 bars of derive, boulez structures the chords of the piano part from different permutations of the intervals of this row. Each chord starts with a 3rd, third chord with a semitone, fourth

    Авторское право:

    Attribution Non-Commercial (BY-NC)
    Скачайте в формате PDF, TXT или читайте онлайн в Scribd
    Отметить как неприемлемый контент
    из 3

    Harmony

    Page 1 of 3

    Drive is a systematic investigation into the harmonic possibilities of the following six note row: E flat : A : C : B : E : D

    This row reveals a set of non-repeating intervals - tritone, minor third, semitone, fourth, wholetone. Each pitch being drawn from the letters in the last name of the Swiss patron and conductor Paul Sacher, who commissioned and supported the work of many leading composers of the twentieth century. In the first 27 bars of Drive, Boulez structures the chords of the piano part from different permutations of the intervals of this row. Each is built around the Eb with the intervals shifted along one - the second chord starts with a 3rd, third chord with a semitone, fourth with a 4th. A sixth interval is created from the original row by returning to the Eb:

    Chord 1

    Top of page

    http://www.soundintermedia.co.uk/boulez-online/compose/harmony.html

    10/17/2004

    Harmony

    Page 2 of 3

    Chord 2

    Chord 3

    Chord 4

    Top of page

    At bar 27 new inversions of the opening chord sequences are presented in a linear fashion to produce a simple crotchet based melody embellished with grace notes taken from the melodies past or future direction.
    Drive: bars 27 - 32

    This method of merging chords or melodic lines is used to great effect at bar 41 where each instrument plays through a closely related series of falling pitches based on overlapping layers of the opening chords. The contrasting rhythmic strands creates a vibrant heterophony which softens to leave a brief duet between flute and piano before returning to static trills underpinned by the harmonies of chords 3 and 6 in bar 45 and chord 1 in bar 46.

    http://www.soundintermedia.co.uk/boulez-online/compose/harmony.html

    10/17/2004

    Harmony
    Drive: bars 41 - 46 All audio examples are provided with kind permission by Nimbus Records: CD NI5167 London Sinfonietta/George Benjamin

    Page 3 of 3

    introduction : intro.to Drive : a guide to Drive : harmony : texture : tempo : influences : words : definitions boulez : composing : workshops : support : contact

    http://www.soundintermedia.co.uk/boulez-online/compose/harmony.html

    10/17/2004

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