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Drawing a Blank!

Chapter Six of Shake, Rattle and Roll!


By Sharon L. Bowman, MA
Professional Speaker and Corporate Trainer
Director, The Lake Tahoe Trainers Group
P.O. Box 564, Glenbrook, NV 89413
Phone: 775-749-5247 Fax: 775-749-1891
E-Mail: SBowperson@aol.com Web-Site: www.Bowperson.com

Chapter Six:
Drawing A Blank

Know what the most ordinary yet


most creative object you can
hand your learners is? According
to Madeline Hunter, former
UCLA professor and interna-
tional speaker:

The most creative thing Depending upon how it's used, a


you can hand your learners blank piece of paper can be a
is a blank piece of paper. left-brain, right-brain, or a whole
brain learning aid. What's that
No way, you say! Here's the mean? With blank paper, you can
skinny: have your learners analyze and
evaluate what they've learned
A blank piece of paper is an un- (left brain), synthesize and create
limited, open-ended, learner- new ways of using what they've
centered information generator. learned (right brain), or do both
Huh? Let me try again: (whole brain).

A blank piece of paper makes With blank paper, your learners


learners work with new infor- (and you) get to find out what
mation in ways that personally they know, what they learned,
connect them to what they're what they're still puzzled about,
learning. Better? and what they plan to do with
what they learned.

Sharon Bowman 775-749-5247 SBowperson@aol.com www.Bowperson.com © 2003 1


Drawing a Blank! Chapter Six of Shake, Rattle and Roll!

With blank paper, you can check other participants to define a


for understanding, correct mis- word or explain a phrase. The
conceptions, and better modify person who defined the word
your training to meet your signs the bingo paper of the one
learner's needs. who asked him to define it. Par-
ticipants must go to different
Besides all that, activities with people for each signature. When
blank paper take very little all squares are filled with signa-
preparation time on your part - tures, the trainee waves his pa-
no complicated worksheets to per, shouts "Blackout Bingo!"
make or correct, no running to and gets a prize.
Kinko's to copy a pile of papers,
no fiddling with fonts, spacing, Variation One: Do a Pre-
graphics, computer crashes and Blackout Bingo as a connecting
the like. activity. Give them about five
minutes. They won't be able to
Still puzzled about the use and collect enough signatures be-
worth of blank paper? Try these cause they don't know all the in-
activities and you'll be con- formation yet. But they do as
vinced: much as they can. Then, as the
closing activity, have them take
*************** their old papers and finish get-
ting the signatures to make
1. Blackout Bingo: First, the ge- Blackout Bingo.
neric activity. Each trainee gets a
blank piece of paper (8 1/2 x 11) Variation Two: Use the Pre-
and folds it to form eight boxes Blackout Bingo as a note-taking
(sixteen if you count both sides). page during the lecture. Have
In each box, trainees write a participants fill in the missing
word or phrase naming some- pieces of information. Then, as a
thing that is part of the content of closing activity, give them a
the training (you have a list of blank sheet of paper to create a
training topics, pieces of infor- new blackout bingo sheet to re-
mation, main ideas, etc. posted peat the activity.
on a chart paper or overhead
transparency for them to copy Variation Three: As review,
from). After filling in their pa- have participants generate the
pers (with anywhere from eight list of words or phrases to be
to sixteen words or phrases), they used for the Blackout Bingo ac-
stand. While you play upbeat tivity.
music, they walk around asking

Sharon Bowman 775-749-5247 SBowperson@aol.com www.Bowperson.com © 2003 2


Drawing a Blank! Chapter Six of Shake, Rattle and Roll!

Write one thing you can do with


the information you learned.

Write this person a compliment.

Variation Two: Participants


stand and trade papers to write
on as they move around the room
to upbeat music. When the music
2. Pass the Paper: Each trainee stops, or when you give a signal,
takes a blank piece of paper and they find their own papers and
writes her name and one thing sit.
she's learned so far. Then she
passes the paper to a person sit- Variation Three: Participants
ting next to her. That person stand and form a line. After
writes something he learned, then writing, they pass their papers
passes the paper on to someone down the line. The person at one
else. While music plays, partici- end will run to the other end to
pants keep passing papers until pass his paper. They keep writing
they have written on at least five and passing until they get their
or six papers. When the music own papers back.
stops, participants find their
original papers and read the 3. Four on the Door: Partici-
comments written on it. It be- pants fold their papers to form
comes a review of material. four squares. They copy the fol-
lowing sentences - one sentence
Variation One: With each pass per square - from a chart or over-
of the paper, you can tell them head transparency that you pre-
what to write. Examples: pared beforehand:

Write one fact you remember My feelings about this topic are:
from the lecture.
The most important thing I've
Write a question about something learned so far is:
you learned.
One thing I plan to do with the
Write the answer to the question info is:
that's written on the paper you're
holding. A question, idea, or comment I
still have is:

Sharon Bowman 775-749-5247 SBowperson@aol.com www.Bowperson.com © 2003 3


Drawing a Blank! Chapter Six of Shake, Rattle and Roll!

They write their responses to introducing themselves to others


each sentence, then tape their pa- and asking if the other persons'
pers to the doors on the way out favorite things are the same. If
to a break. You read the papers there is a match, the other person
and use the information to mod- signs the box. After a time limit,
ify the training and to answer or when someone gets Blackout
their questions. Bingo, stop the game and find
out how many signatures each
person collected and what some
of the similarities were.

6. Map It: Hand participants


blank papers and, as you lecture,
have them take notes in a mind-
map or clustering form - main
idea goes in the middle of the
paper, connecting ideas fan out
around it with shapes and lines
4. Ticket Out: Participants write connecting them to the main
three things they've learned so far idea. Doodles or colors can be
on 3x5 index cards and hand the added to make the mind-map
cards to you on the way out the even more memorable.
door at break time. You can also
have them write questions they 7. Flip Strips: Cut blank flip
still want answered, or what they chart pages vertically into two
plan to do with what they've pieces. Then cut the pieces into
learned (see Chapter Ten for strips about 3 inches wide. Each
more Ticket Out suggestions). trainee gets about a half-dozen
strips. During the training, the
5. People Hunt: Similar to learners write one thought, idea,
Blackout Bingo, trainees take question, fact, comment, "aha,"
papers that they have folded into suggestion, etc. per strip. They
eight boxes and write something can color-code what they write
about themselves in each box. by using colored felt pens. At
Examples: Favorite foods, mov- various times during the day,
ies, books, movie stars, vacation they tape their strips to the walls
places they've gone to, how (example: questions on one side,
many kids they have, where they comments on another, "ahas" on
live, when they were born, make a third wall) and read all the
of car they drive, etc. Then they strips at break time. (From:
stand and move around the room

Sharon Bowman 775-749-5247 SBowperson@aol.com www.Bowperson.com © 2003 4


Drawing a Blank! Chapter Six of Shake, Rattle and Roll!

Creative Training Techniques


Newsletter.)

8. Two Part Paper: C i n d e e


Davis, math instructor at Truckee
Meadows Community College,
uses this type of paper (found in
office supply stores) for math
quizzes. Students work on their
own to solve a problem copied
onto the paper from the chalk-
board. Then they tear off the top
copy, pass it in, and work in
groups with the bottom copy to 10. Musical Questions: Each
solve the problem again and get participant writes a question on a
immediate feedback as to how card about the information just
they did the first time. Students covered. While music plays,
can also do a Pass the Paper ac- trainees pass the cards to the
tivity with the top copy, then right and keep passing until the
compare it to their own bottom music stops. Then they answer
copy when they get it back. the questions on the cards they
ended up with, using each other
9. Advanced Organizers: Diane and written materials as re-
Cheatwood, instructor and staff sources if necessary. They share
development trainer at Commu- their questions and answers with
nity College of Aurora in Colo- the whole group. (From: The Ac-
rado, uses advanced organizers to celerated Learning Newsletter)
start her classes and trainings.
Participants divide a blank piece 11. Overhead Transparencies:
of paper into columns or squares Small groups use transparency
and label each division with a film instead of chart paper to cre-
heading related to the subject ate pictorial representations of
matter. Then they use the paper information already learned.
as a note-taking tool to help or- They present their transparencies
ganize material as it's being pre- to the whole group.
sented or discussed.

Sharon Bowman 775-749-5247 SBowperson@aol.com www.Bowperson.com © 2003 5


Drawing a Blank! Chapter Six of Shake, Rattle and Roll!

12. Coin Toss: Each table group


takes a large piece of paper (8
1/2 x14, 11x17, or half a chart
page) and lays it on the table.
With felt pen, the table group
members divide the paper into
large squares (any shapes will
do) and in each square they write
a term from the material learned.
Then they take turns tossing a
coin onto the paper. The tosser
has to define/explain verbally the 15. Bag Writing: Instead of
term that the coin landed on or placemats, trainees take notes on
closest to. (From: Red Hot blank white paper lunch bags.
Handouts by Dave Arch) They add doodles representing
the new information, questions or
13. Tablecloth Writing: Table comments about the information,
groups use colored markers to and examples illustrating what
decorate paper table cloths with they've learned. They share their
words, phrases, doodles, car- bags with a partner, or they can
toons, etc. all relating to the write additional comments on
topic. (From: The Accelerated each others bags. The bags can
Learning Newsletter). also double as souvenirs of the
training.
14. Placemat Writing: During
the lecture, participants use paper 16. Snowball Fight: This is one
placemats on which to scribble of the craziest and most enjoy-
notes, comments, doodles, and able activities to do at the end of
questions related to the topic. a training. Each participant
writes his action plan - what he's
planning to do with what he's
learned - on a blank white paper.
Then all participants form a
standing group in a large space
away from the furniture.

Sharon Bowman 775-749-5247 SBowperson@aol.com www.Bowperson.com © 2003 6


Drawing a Blank! Chapter Six of Shake, Rattle and Roll!

They crumple up their action special twist. As a review activ-


plans into "snowballs." When ity, they direct each small discus-
you say "Snowball fight!" they sion group (or participant triads)
have thirty seconds to throw, to write a question pertaining to
catch, and throw again as many the topic on a blank piece of pa-
snowballs at each other as they per. Participants wad up the pa-
can. At the end of thirty seconds, pers and the trainer collects them.
you signal them to stop. Each Then the trainer turns her back to
person picks up a snowball the participants and tosses the
(doesn't have to be his own), "blizzard balls" over her shoulder
opens it, and reads it to the all at once. Small groups or triads
group. If the group is really large, catch the balls (one per group or
participants can form smaller triad) and proceed to discuss and
standing groups of four to six and agree on an answer to the ques-
read the snowballs in small tion they caught. They present
groups instead. (From: How To their answer to the whole group
Give It So They Get It) after the discussion period has
ended. If they get their own
Variation One: If space is a question, they exchange it for
problem, trainees can simply toss another blizzard ball.
their snowballs straight up above
their heads, then catch someone ***************
else's snowball and read it to the
group. A blank piece of paper. How or-
Variation Two: Besides a closing dinary. And what a simple thing
activity, the Snowball Fight can to use to make your training
be an introductory review activ- extraordinary.
ity of material already learned in
a previous class or session.
Trainees write facts they know or This article is a copyrighted chapter
questions about the material. from Sharon Bowman’s book Shake,
Catchers read the facts or an- Rattle and Roll! Using the Ordinary to
Make Your Training Extraordinary.
swer the questions aloud as part
of the post-activity discussion. You have permission to download it
provided that you use it for non-
17. Blizzard Balls: Lynn Jack- commercial purposes only and that
son, Program Specialist at the you cite the source. Thank you.
Arkansas Career System Partner- For book orders, go to
ship in Little Rock, and Melanie www.trainerswarehouse.com,
Faby, Education Specialist, give www.amazon.com, or call Bowperson
the Snowball Fight their own Publishing at 775-749-5247.

Sharon Bowman 775-749-5247 SBowperson@aol.com www.Bowperson.com © 2003 7


Drawing a Blank! Chapter Six of Shake, Rattle and Roll!

Author and traveling teacher Sharon


Bowman helps educators and business
people “teach it quick and make it
stick,” - fine-tuning their information-
delivery skills and turning their passive
listeners into active learners.

Sharon is the author of six popular


teaching, training, and motivation
books, including: “Preventing Death
by Lecture,” “Presenting with Piz-
zazz,” “How To Give It So They Get
It,” and “Shake, Rattle, and Roll.”
40,000 copies of her books are now in
print.

Sharon is a member of the National


Speakers Association and the director
of The Lake Tahoe Trainers Group.

She is also the “Trainer’s Coach,”


helping individual teachers and train-
ers polish existing lessons and training
programs, and creating new ones that
reach all learners.

For more information about Sharon


and her books and training services,
log onto www.Bowperson.com, or
email her at SBowperson@aol.com.

Sharon Bowman 775-749-5247 SBowperson@aol.com www.Bowperson.com © 2003 8

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