BSC English - Final Stuuy Sheet - Nouules

Modu|e A D|st|nct|ve|y V|sua| Maestro

D|st|nct|ve|y v|sua| |ntro ulsLlncLlvely vlsual ls deflned as Lhe ways ln whlch composers use dlfferenL forms of LexL and language Lo
creaLe vlvld lmages and shape Lhelr meanlng vlsuallsaLlons are creaLed Lhrough llLeraLure lmmerslng Lhe audlence lnLo Lhe world of
Lhe LexL
Maestro AccounLs for Lhe experlences of aul as he Lransforms from an lmmaLure Leenager Lo a grown adulL fllled wlLh value and
maLurlLy
Love ond Lust uemonsLraLed Lhrough characLer folls Megan and 8osle whlch acL as Lhe blnary opposlLes of each oLher |b||ance #@he
Cheekbones Lhe eyes Lhe smooLh sofL body l had dreamL of so ofLen" demonsLraLes physlcal lnfaLuaLlon and feellngs of deslre and lusL
Lowards Megan kepet|t|on #l wasn'L so much gullLy l was Lerrlfled @errlfled l mlghL lose her" evoklng a sense of fear Lhus afflrmlng
Lhe ldea of an lnLlmaLe connecLlon aul has wlLh 8osle' aradox #@he woman and chlld l loved ln Lhe conflnes of a llfe l haLed"
demonsLraLes how love overrldes Lhe feellngs of haLred Lhus ulLlmaLely deplcLlng aul's love for 8osle as one of greaL anlmoslLy
(lnLlmacy)?
@onsfootive Powe of Music orLrayed Lhrough aul's emoLlonal change erson|f|cat|on #@he muslc as always LhaL beauLlful
Lugglng gravlLy pulled me ln" shows muslc havlng Lhe ablllLy Lo capLlvaLe lndlvlduals Iuxtapos|t|on aul ls flrsL deplcLed as 'ulsLanL'
and 'Angry' however an exposure Lo muslc causes hlm Lo be seen 'waLchlng Lhelr fllckerlng flngers across Lhe keys' @hls kepet|t|on
evokes a sense of exclLemenL and [oy suggesLlng a poslLlve LransformaLlve power Metaphor #A greaL washlng ocean rlslng and
falllng rlslng and falllng" deplcLs aul ln a sense of mesmerlsaLlon and capLlvlLy PypnoLlc sense Lhrough anaphora of '8lslng and falllng'
suggesLs muslc's cleanslng ablllLy
ke|ated 1ext 1he o|o|st Lxplores Lhe lnLerLwlnlng sLory of SLeve Lopez and naLhanlel Ayers
e/otionships {Love) A sLrong lmage of love beLween frlends ls creaLed ln Lhe scene ln whlch Lopez embraces Ayers as an equal
comlng Lo a reallsaLlon LhaL he cannoL cure Ayer's slckness buL lnsLead offer hlm frlendshlp aradox #SomeLlmes frlends plss each
oLher off" shows how frlendshlp Lranscends lnsecurlLy and adverslLy Lhus fosLerlng a sense of companlonshlp Lxtreme c|ose up
Pandshake represenLs muLual respecL and equallLy ln addlLlon orchesLral muslc evokes an aLmosphere of harmony addlng Lo Lhe vlvld
lmage of Lhe experlence frlendshlp and love
@onsfootive Powe of Music LncapsulaLed Lhrough lLs ablllLy Lo Lransform Ayers a schlzophrenlc resLless lndlvldual lnLo a sLaLe of
subllme and serene naLure Metaphor #race" creaLlng a sLrong poslLlve lmage #Pe surrenders" ound @he hlghway ls deplcLed as a
place of dlscord Lhrough Lhe [umped cacophonlc sounds of Lhe hlghway consLrucLlon and cars As Ayer's beglns Lo play Lhe cello a
LransformaLlve power of muslc becomes clear as Lhe sound of Lhe Lrafflc become nonexlsLenL replaced by Lhe melodlc sound of Lhe
cello Concert ha|| !usL as oldsworLhy creaLes an lmage of muslc belng hypnoLlc and mesmerlslng WrlghL does Lhe same ln Lhe scene
of Lhe concerL hall Lxtreme c|ose up Ayer's eyes Lransflxed ln a sLaLe of Lrance and love as he llsLens Lo muslc ymbo||sm @he Lears
LhaL formulaLe wlLhln Ayer's eyes are symbollc suggesLlng a powerful movlng power assoclaLed wlLh muslc A monLage of varlous
colours engulfs Lhe scene creaLlng a vlvld lmage of muslc as one of vlbrancy and awe connoLed by Lhe varlous brlghL colours as
percelved by Ayers
Modu|e 8 C|ose tudy of a 1ext W|tness
C|ose study of a text |ntro eLer Welr's fllm 'WlLnesses' focuses on shaplng meanlng and encapsulaLlng varlous aspecLs of Lhe human
condlLlon and lLs value ln socleLy WlLness explores Lhe lnLerLwlnlng sLory of !ohn 8ook and Lhe Amlsh as Lhe murder case forces Lhem
closer ln order for 8ook's survlval agalnsL Lhe corrupL world |gn|f|cant |deas are deflned as promlnenL facLors whlch sLand ln and
mong lLs LexL ulLlmaLely reveallng Lo audlences ldeas on Lhe human sLaLe of mlnd and body ln respecL Lo Lhe conLexLuallsed Llme
C|ash of cu|tures A clash of culLures emerges from Lhe confllcL whlch ls lnsLlgaLed as Lwo dlfferenL culLures are exposed Lo each oLher
and falllng Lo connecL as a resulL of noL sharlng Lhe same values or ldeologles 8esL shown ln Lhe Lown scene Iuxtapos|t|on of d|a|ogue
#uo noLhlng lL's noL our way" Lll eplLomlslng Lhe Amlsh communal paclflsLlc way of llfe #8uL lL's my way" !ohn 8ook emphaslslng
Lhe vlolence and selflshness of Lhe 'Lngllsh socleLy' Camera ang|es Plgh Amlsh suggesLlng lnferlorlLy as opposed Lo Low used Lo
porLray 8ook's power ymbo||sm mot|f @he ldea of blood symbollslng Lhe vlolenL cruel naLure of Lhe world
ac|f|sm Vs V|o|ence @he clash of culLures ls derlved from a seL of blnary opposlLes whlch ls evldenL ln Lhe confllcL beLween Lhe
paclflsLlc ways of Lhe Amlsh and Lhe vlolenL ways of Lhe books AnLlLhesls' of each oLher Irony As 8ook uses morallLy Lo deal wlLh a
vlolenL slLuaLlon ymbo||sm @he symbollc lmage of Lhe gun ln Samuels hand represenLs Lhe lnnocence of Lhe Amlsh world belng
LalnLed by LhaL of Lhe 'Lngllsh world' C|ose up Close up of 8ook's bleedlng heavlly onLo Lhe horse wagon demonsLraLes Lhe bruLallLy of
Lhe 8ooks world enveloplng Lhe world of Lhe Amlsh 8|b||ca| a||us|on Lll alludes Lo Lhe Cld @esLamenL wrlLlng #@ouch noL Lhe unclean
Lhlng" ln reference Lo Lhe gun demonsLraLlng a clear schlsm beLween culLures 8ooks gun represenLs someLhlng slnful lnfecLlous and
deLrlmenLal Lo Lhe Amlsh culLure
Innocence vs Corrupt|on (ap |th v|o|ence and pac|f|sm ] [o|n) Can be capLured Lhrough Lhe use of ett|ng naLurallsLlc llghLlng ls
conLrasLed Lo Lhe llghLs of Lhe clLy creaLed by bulbs and florescenL llghLs creaLlng a seedy and dark underLone for Lhe clLy Lhus
BSC English - Final Stuuy Sheet - Nouules

fosLerlng a sense of corrupLlon Clean naLural Llmeless sense dlrLy dark back sLreeLs of Lhe clLy A sense of lnnocence and corrupLlon ls
capLured Lhrough Samuel ln Lhe murder scene ln whlch an extreme c|ose up demonsLraLes Lhe sLalnlng of lnnocence as Samuel ls
exposed Lo Lhe raw sLaLe of vlolence encapsulaLed wlLh Lhe murder
Love comp|ex unllke convenLlonal fllms Welr explores Lhe LhemaLlc concern of love ln a unlque way ln whlch alLhough Lwo lndlvlduals
long for each oLher are denled a relaLlonshlp as a resulL of Lhelr socleLles values and pre[udlclal ldeals agalnsL Lhe respecLlve culLure
@hls ldea of love ls encapsulaLed wlLh Lhe relaLlonshlp of !ohn 8ook and 8achael I||m techn|ques SofL synchronlsed muslc comblned
wlLh close ups of 8ook and 8achael passlonaLely eloplng capLure Lhe ldea of love shared beLween Lhe Lwo 8achael's symbollc acLlon of
removlng her bonneL demonsLraLes her sLrong love for 8ook ln whlch she ls wllllng Lo glve up her Amlsh values and culLure for hlm
Irony usually symbollses a sLarL of a relaLlonshlp whlch ln Lhls case represenLs Lhe end @he moLlf of Lhe door ln whlch 8achael ls
capLure ln Lhe baLh scene symbollses Lhe cholce ln 8ook has ln regards Lo relaLlonshlp @he dark llghLlng and sLorm ouLslde allude Lo Lhe
ldea of darkness and confllcL whlch wlll occur lf Lhey do lnsLlgaLe a relaLlonshlp 8ook's Lurnlng away ls slgnlflcanL as lL represenLs hls
undersLandlng of Lhelr slLuaLlon of an lmposslble love relaLlonshlp
Modu|e C Into the Wor|d Lducat|ng k|ta
Into the or|d |ntro @he concepL of lnLo Lhe world emerges from Lhe ldea of one's LransformaLlon of ldenLlLy @hls experlence ls
lnsLlgaLed by ones selfacknowledgemenL and deslre for a change wlLh Lhe reward of belng an lndlvldual wlLh a greaLer undersLandlng
and percepLlon Lowards socleLy @he deslre Lo beLLer oneself ls profound ulLlmaLely Lranscendlng Lhe boundarles of conLexLual
consLralnLs
Lducat|ng k|ta Lxplores Lhe sLory of 8lLa as she emanclpaLes herself from her lower soclal class Lo [oln Lhose of Lhe upper arlsLocraLlc
class Lhrough academla
os|t|ve groth Per experlence of movlng lnLo Lhe world Co||oqu|a| |anguage and |ncorrect syntax #See lookycan say dead clever
Lhlngs can'L y" creaLes a sLrong lmage of 8lLa's lnlLlal selfprlor Lo her move lnLo Lhe world Iuxtapos|t|on of texts #l know Lhe
dlfference beLween SomerseL and Maugham you're LreaLlng as lf l'm hung up on 8uby lrulL !ungle" paramounL example As SomerseL
and Maugham symbollse her beLLer self sophlsLlcaLed and lnLellecLual as opposed Lo her Lrashy counLerparL
acr|f|ce ln order for one Lo emanclpaLe Lhemselves and lmmerse Lhemselves ln Lhe world one musL sacrlflce Lhelr lnlLlal ldenLlLy ln
forseelng a new sense of ldenLlLy Metaphor #l'm a freak" #ou're golng Lo have Lo suppress perhaps abdon your unlqueness"
ymbo||sm #8ecause we could slng beLLer songs Lhan Lhose" Lhe songs symbollse 8lLa's ldenLlLy ln whlch her moLher can see her
lmprovemenLs reflecLlng upon herself and seelng 8lLa as a changed and beLLer person aradox] Irony #l'm busy enough flndln'
myself leL alone flndln' someone else" Shows sacrlflce as lL suggesLs movlng lnLo Lhe world ls a [ourney noL for oLhers buL for self
galn her success lf evldenL Anaphora "l had a cholce l chose me" oc|a| d|fference #Pe even brlngs me presenLs someLlmes"
demonsLraLes Lhe lower classes lnablllLy Lo undersLand 8lLa's deslre for change and personal developmenL Lhus enforclng Lhe ldea LhaL
sacrlflce does come wlLh movlng lnLo Lhe world Costume #Second hand cloLhes #newSecond hand cloLhes" (Cxymoron) dress
connoLes sophlsLlcaLlon #for an educaLed woman" Door uenles her enLry Clllng Lhe door symbollslng a deslre Lo change #8ursLs
Lhrough Lhe door" demonsLraLes movemenL lnLo Lhe world
ke|ated text L|m|t|ess Ne|| 8urger
Lxplores Lhe sLory of Lddle Morra who flnds Lhe means Lo physlologlcally change hlmself selzlng Lhe chance for hlm Lo beLLer hlmself ln
ways unlmaglnable ln hls messy saLe before
cene C|ean|ng room oor llghLlng unorganlsed unhealLhy sense of dlscord and depresslon aradox|ca| c||ch #l was bllnd buL
now l see" khetor|ca| quest|on #Who would llve llke Lhls Lhls can'L be my house can lL?" os|t|ve Accumu|at|on #l learnL Lhe plano ln
four days learnL a language sLockmarkeL" suggesLlng lnLo Lhe world one wlLh poslLlve effecLs Iuxtapos|t|on of scenes 8e[ecLlon
AccepLance ConLlnual relaLlonshlp Morra's cosLume slgnlflcanL as lL represenLs hls changes flrsL deplcLed as an ungroomed
lndlvldual Changed Lo a buslness sulL suggesLlng sophlsLlcaLlon flnally Lhe movle ends wlLh a plcLure of Morra runnlng for senaLorlal
poslLlon slgnlfylng hls movmemLn from a Lrashy lndlvldual Lo one of greaL power