Jijau Shrushti

INTRODUCTION

Maharashtra is a state of Marathi peoples, but what is the history of

Maharashtra, how it was born, vary few peoples knows this. My project

'Jijau Shrushti' will focus not only on the history of Maharashtra but also

on the Jijamata and Shivaji Maharaj.

What is the purpose of 'Jijau Shrushti'?

Although Maharashtra is having a vast background of Shivaji

Maharaj and Jijamata but there is no structure or place where anybody

can get an information about Jijamata.

So that's why, it is a need that a different world should be created such

that it will have a display of historical monuments, history, light and sound

show of history, meditation center, auditoriums where dramas will be

played.

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Why Sindkhed Raja ?

Sindkhed (Raja) is a town in Buldhana District where the Jijamata

which are declared as a historical monuments, Sindkhed (Raja) is known

as 'Matrutirth' for Maharashtrian people. Where very few peoples visit

daily, because of this project people will come to know about this project

and Sindkhed (Raja). It will be developed as an historical tourist place.

Buldhana District is having an vast background of famous places like

Shegaon, Sindkhed (Raja), Lonar it is not has much developed so that the

whole District will be known to the common peoples, so this project could

help to development Buldhana District.

Sindkhed (Raja) lies on the Nagpur - Jalna State Highway, which is

proposed as a express Highway. Now, which will increase the importance

of Sindkhed (Raja).

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JIJAU SRUSHTI

The saga of Chhatrapati Shivaji Bhosale, his phenomenal rise to

power and the sculpting of an independent Maratha Rajya against

overwhelcoming odds is a golden chapter in the history of India. He is the

embodiment of all that is gallant, honorable and secular in the Indian

tradition. He is a living example of the "Karma Yoga" of the Bhagvat Gita.

The hands that rocked his cradle, guided his footsteps from a tender age,

the mind that lit the fierce fire of patriotism in him and the heart that gave

him courage through the darkest hours, were those of his mother - JIJAU.

She was truly "Shakti" incarnate - a goddess, an angel, temper and loving

as a mother to her children, who could assume the form of "Mahakali" to

vanquish evil.

CHARISMATIC JIJAU

Jijau was married to Raje Shahaji somewhere between 1611 AD. The

traumatic event which turned the course of history was the brutal killing of

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Jijau's father, both her brothers and nephew in the Raj Durbar of the

Nizam in 1629. Raja Shahaji was kept prisoner by the Adilshah inspite of

his loyalty and selfless service. These events lit the fire of SWARAJYA - a

free Maratha state, in Jijau's heart.

After staying with Raje Shahaji in Karnataka till 1640 Jijau returned to

Pune with her ambition of "Swarajya" and her son Shivba. The times were

difficult, the enemy was strong and surrounded the Maratha Region on all

sides. There was no unity amongst the various Maratha Sardars. It was in

this hostile soil that JIJAU planted the tender sapling of SWARAJYA in

Shivba's heart and nurtured it to maturity. Shivba learnt lessons of

warfare, administration and politics under her watchful eye. He and his

handful of Marathas started with small victories against the mighty

Moghuls. Strategic locations were captured, Maratha sardars were united

under the ideal of Swarajya, military power and supplies were amassed

and at all times justice and rights of the weak and the downtrodden were

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upheld. JIJAU's vision had started to take shape. Subsequent events

proved her to be a woman of courage, and integrity, one who combined

clever politics with able administration, built on a strong foundation of

humanitarianism, and justice.

MSS has taken up the mammoth tak of translating the preaching and

ideas of JIJAU in the form of a project - JIJAU SRUSHTI., at Sindkhed Raja,

her birth place. Sindkhed Raja is in Buldhana District, 30 Kms. From Jalna,

well connected to the Nagpur-Pune Highway by an all season road. It is

also the capital of Raje Lakhuji Jadhav in 1565. With a population of

45000, it was at that time a well developed commercial center and is

today a place of tremendous historical importance.

THE IDEA

The MSS wishes to develop this historical place into a pilgrimage and

educational center of international repute. At the initiative of the

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Maharashtra Government, a Jijau Gramin Vidyapeeth, Jijau Sangrahalaya

(Museum) and Jijau Granthalaya (Library) have already been set up there.

Further, the MSS also has plans to set up a Jijau Dharmapeth and Jijau

Temple. This entire complex will be known as JIJAU SRUSHTI. This

magnificient project will have the capacity to accommodate 50,000 people

with facilities for lodging and boarding. It is envisaged as a "Matru Tirth",

a sacred pilgrimage not only for the Marathas but for all Indians. It will

provide an insight into JIJAU's contribution to Indian history. This shall be

depicted by way of Sculptures, paintings as well as through the latest

electronic medium like Laser shows, CAD, LCD displays etc. A meditation

center, a temple, a study centre, a research wing and stage of the art

library facilities shall make JIJAU SRUSHTI an ideal educational center.

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THE MEGA PROJECT

The scope of the project is all-encompassing-ranging from the

educational, social, cultural to a pilgrimage and heritage center.

Conceptualising and realizing this mammoth dream without imparting any

parochial or dogmatic flavour will require studied, broadminded and wide

ranging inputs. The Maratha Sewa Sangh has given deep thought to these

aspects and has enlisted the support and help of reputed people in the

fields of civil engineering, architecture, history, religion and social science

and, having acquired 40 acres of land, are determined to bring to fruition

this tribute to JIJAU in the ardent hope that the people of this country will

draw inspiration there from and some more 'Shivbas' will emerge in this

country to help recapture our lost glory.

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DESIGN FEATURES

Parking :-

1. The site is highly contoured on the North side. Where there is no

possible to provide untry fore vehicles.

So that the parking is provided at the entrance and on the both side of

hostel for Rest house and hostel which prevents campus from the

vehicular nuisance and keeps the site clean, peaceful and safe.

2. Buffer zone :

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As one flock of museum is attached with the open air theatre which

requires silence for that purpose and cut is provided in the two buildings in

which Ashoka and palm trees is planted as a buffer zone.

3. Light and Ventilation :

The big open to sky is provided in the museum block for getting

Natural light and ventilation for working easily throughout day.

In the sfurti center the roof is having covering of acrylic sheet and

glass which provides natural light and ventilation.

In the Rest House the central open space makes the atmosphere

pleasant and peaceful due to which no problem of light and ventilation.

In the Hostel central cut out is having height two storeyed over

which acrylic sheet provides natural light and huge cut out connects the

students.

Paving :

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As the site having a huge area at 2 acres, after parking the peoples

will walk throughout the site.

The paving plays an important role in comfort the having may bricks,

concrete blocks or other.

Landscape Elements :

Landscape is a important element which makes the site beautiful

and asthetically good.

Landscape covers various element like trees, shrubs, water body,

fountains, flowing water, bridges, islands, small huts, artificial contours,

rock gardens or others due to which peoples fills interest while moving on

the site.

Materials - The Jijau Shrumuti is constructed with various elements old and

modern both.

The open air theatre is constructed in RCC slab of 15 cm ths. the

stage is having wooden platform.

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The interior of museum is havings cladding of various accoustical

materials like accoustical blanckets, tiles.

The partition wall is of single brick wall which is cladded from both

side.

The sfurti center is constructed in steel trusses over which the

acrylic sheets and glass is used which makes its look beautiful.

Water Body - The water body is on the north side of site which is grown for

the purpose of sitting dule, the contours around the water body is

developed and the peoples can seat on the contours are on the seaches

laid on that contours.

Small huts are also for the purpose of seating purpose.

Conviniency of the peoples : The drinking water fountains are provided it

easily accessable distance.

Children's playing area is also provided for playing various games

like see-saw, mercy go around etc.

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Big Puzzle is created on the site for childrens for enjoying themselves.

If the peoples set hungry fore that Restaurant and snacks counter

are also provided.

Library is also provided for acquiring knowledge from books with

news paper reading area and book stacks, book reading area.

Toilets are also provided in every block for convenience of the

peoples.

Information contour : Information center is in basement of Sfurti center

which contains Audio Visual Hall and scenes display area for giving

information Alore Jijau Shrushti and whole life of Jijau and Shivaji Raje.

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CASE STUDY - I

NATIONAL GALLERY OF MODERN ART, DELHI.

National Gallery of Modern Art Jaipur House, New Delhi.

The National Gallery of modern Art was established in year 1954 by

the Govt. of India for development & promotion of modern Art in India.

Gallery is to sure quality & to set & maintain international museum.

Gallery House International Art exhibition programme under which

various quality exhibition of masters of overseas countries are arranged at

regular internals. The gallery owns permanent collection more than 14000

works of Indian & Western modern Art of paintings, sculpture, graphics,

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Industrial Design, Architecture, photography & select audio-visual

material.

The activities have further extended to Non formal education,

preservation & conservation of modern objects, publication programme on

the spot art competition.

The Central P.W.D. is the premier construction agency of the

Government of India with a heritage of experience in different fields of

civil engineering construction for more than 100 years. The Department is

moving forward in the field of civil construction by adopting new

techniques and technology.

As per the parameters set by department of culture, a National

Design competition was floated by CPWD and a Board of Assessors,

specially constituted by department of Culture, awarded the first prize to

Shri. A. R. Ramanathan of M/S TEAM, who were also entrusted the task of

Architectural consultancy.

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The proposed new wing having an approximate plinth area of 24,700

Sqm. comprises of two basement floors and three upper floors in the

superstructure. While the basements shall cater to the art and general

storage requirements, workshops and services support, and the upper

levels will be utilised for display spaces, administration, conservation

laboratories, library, auditorium, preview theatre and lecture halls. The

proposed new wing shall be equipped with state of the art high technology

support services in the form of central environmental control, CCTV and

intrusion alarm systems, automatic fire detection and protection systems.

The intervening landscaped courts between the proposed blocks and

the existing building have been designed as an integral part of the overall

development, catering to outdoor sculpture displays. The external facade

of the proposed new wing respects the existing Jaipur House and shall

have a finish in sand stone panels.

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The proposed new wing has an interlinked lower basement and three

superstructure blocks; one auditorium-cum-administration block and two

gallery-cum-display blocks. The structural system is essentially an RCC

framed structure (span - 7.68 m x 7.68 m) to integrate column free display

spaces with support infrastructure.

The electrical power requirements shall be met through an in-house

substation receiving HT supply and transforming to LT distribution. A

centralised Air-Conditioning plant with computerised control shall cater to

year round operation. In the integrated fire detection and protection

system smoke and heat detectors located at necessary intervals, zone

wise, are proposed to be controlled through a central monitoring cell.

Likewise the security system comprising of intrusion alarms. CCTV at

strategic locations, access controls, perimeter protection and public

address system shall be monitored through a central control room.

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1) Location - The site is located in the heart of the city, in the

periphery of the India Gate, which is the most costly area in the Delhi.

2) Surroundings - The site is

surrounded by Hi-class residential or

commercial buildings.

3) Topography -

Topography of the site is almost plain

there are contours in the site or water body.

4) Transport - As the is in

the periphery of India Gate, so lot of

transport facilities are available.

5) Vehicular Traffic Analysis -

As India Gate is a tourist place so

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that heavy traffic flows daily in that area. Thousands of people visit India

Gate only.

6) Parking -

In the site parking has been provided for 25 four wheelers and 25

two wheelers.

7) Functions & Activities -

The gallery has a programme of increasing its collection under

paintings, sculpture, graphics, industrial design, architecture, photography

& select Audio-Visual material. The gallery owns a permanent collection of

14000 works of Arts of Indian & Fokelan peoples. The gallery is set to sure

& maintain as a International Museum.

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8) Construction period - 36 months

started in 1949 & Established in 1954.

9) Structure - The whole structure is in

RCC SPAN (7.68 m x 7.68 m.), for column

free display.

10) Scope & Limitations -

Due to the less space the working of the

new wing has been started, having an area

of 24, 769.44 m2. With two basements &

three upper floors, exterior finish is of sand

stone.
View of Gallery

11) Area Analysis -

Total plot area - 7.84 acre ( 31736.30 sq.m.)

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Existing total plinth area - 4,620 m2. New wing - 24,769.44 m2.

12) Service supports -

Internal environment control through split air conditioning. Electric

fire detection and protection system. Closed circuit television (CCTV) &

intrusion alarm system for security purpose.

13) Architect - Shri. A. R.

Ramnathan & M/s Team, Team for

Engg. Architecture & Management.

Constructed by - Central Public

Works Department (PWD).

Interior view of entrance Foyer

Climate - Temperature

Max. 380 Summer 220 Winter

Min. 230 Summer 120 Winter

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Humidity - Summer - 35 %

Monsoon - 65 %

Winter - 54 %

Post Monsoon - 62 %

Rainfall - Summer - 47 m.m.

Monsoon - 962 m.m.

Winter - 22 m.m.

Conclusion -1. No signs have provided so visitors get confused where to

go.

2. More electricity consumption in artificial lighting & AC.

3. No centralised AC have been provided so more wastage of space.

4. No carpets or accoustical material is applied in the auditorium.

AREA ANALYSIS
Requirements -

1. Auditorium - 980

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2. Conference room - 312

3. Director's cabin - 312
4. Photo section - 300
5. Reception - 540

6. Computer room - 280 AC plant on Back side of

building
7. Technical section - 320

8. Restoration laboratories - 150

 View of
9. Air conditioning plant - Gallery

1300

10. Display area - 12529

11. Store - 500

12. Library - 1602

13. Reserve collection - 5993

14. Attached toilets - 450

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CASE STUDY - II

NATIONAL MUSEUM, NEW DELHI

The museum was established on 15 August 1949, in the Darbar Hall

of Rashtrapati Bhavan New Delhi. After that it was transferred to the new

building near India Gate on 18 December 1960.

It has work over 2,00,000 of equisite art, both of Indian & foreign

origin. It has a display of selected art objects in the various galleries

screening of Education films related to art & culture. Special lecture &

training programme, facilitate for photography & access to the reserve

collection & library for study. The art exhibitions sent abroad from

National museum have further enhanced the image of Indian art & culture

throughout the world.

National museum is having large buildings & good landscaping, open

display area & various sections like pre-history & archacology,

manuscripts, Numishratics & epigraphy, paintings, Arms & Armour, Art

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(Decorative), Anti quities, femellery, suthropology, education, public

relations & pre-columbian Art.

National museum also have there own Auditorium & library in the

building for public functions.

For the documentation purpose, the Research laboratory is

necessary in which the written & graphic records are maintained. The

laboratories are well equipped.

The laboratories has organised no.of training programmes for

students, curators, conservator. Also it has been arranged workshops &

seminars.

Educational programmes -

It is said to be a deemed University, comparts teaching a student

who enroll themselves for matiln conservation.

Lab. provides guidance to other Institutions not having facility for

Restoration & has been Rendering valuable services to many Institutions.

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OTHER DETAILS OF NATIONAL MUSEUM

The museum was developed & designed by Ar. Deolalkar. Who

proposed three phases of construction. First was completed in 1959-1960.

Lighting & Ventilation -

The Galleries located in the periphery enjoys light through box

windows. Since the natural lighting is not sufficient, artificial lighting used

in excess in two ways.

1.Hidden lighting in false ceiling 2. Sliding channel spot lights.

• The museum was designed as an octagonal in plan which is set around

acentral circular court.

• A circular around the court provides ventilation.

• All the corridors & courts Act as a display area.

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• The entrance hall leads to the auditorium & library & corridor leads to

central court.

• The vertical circulation of goods is through stair & lifts near the circular

corridor.

• Central courtyard acts as a landmark for the visitors in orienting himself

from one gallery to another gallery.

• The central court is the vertical circulation from where the galleries

radiater.

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Sliding Lights

Auditorium - Interior View of

Gallery

Capacity 260 people 210 lower flook & 40 balcony projection room

area 416 m2. Two projectors 35 mm & 16 mm.

Stage -

10 x 6 m with carpated floor workshop provided on backside of

stage.

Green Room -

1 large room on side of stage.

Conclusions -

• Spot lights on showcase enhance glare

• Seating/Resting space within galleries is missing.

• No Relief space for visitors.

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• There is only one entrance & one exit to museum.

• Loading & unloading areas are away from public ent.

• Bldg.was not designed for so many services therefore they are

located on terrace Eg. AC plant.

• Museum does not provide any visitor's parking in its premises which

in conveniences public.

Gallery Plans

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CASE STUDY - III

DR. PUNJABRAO DESHMUKH SMRITI BHAVAN,

AMRAVATI.

It was constructed in year 1903. In the Smriti of honorable Shri.

Punjabrao Deshmukh.

It is having an requirements of Administrative building, Smriti

Bhavan, exhibition Auditorium, art gallery, library.

This Smriti Bhavan is constructed for the purpose of taking general

functions in Audi, Central open space.

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In the Smriti Bhavan is having G + 1 floors, where the peoples will go

for meditation.

The art gallery & library is provided for the purpose of display of

paintings, photographs, manuals & for the study purpose.

ANALYSIS

Site - Site is located at panchvati square, Amravati.

Traffic - Heavy traffic is flowing on all the five roads.

Parking - Parking space has been provided for 2 & 4 wheelers of visitors,

as well as for staff.

Structure - All the buildings are of modern structure with all type of

modern materials like stain glass, glass mozaic tiles, aluminium composite

pannels, glass blocks, channelized pavings.

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The pathways are in the form if channels with lights which are

hidden. The booking counters are at entry. The open ground is provided

at the center for small functions with small stage. Tire seating is provided

in front of Smriti Bhavan for tired peoples.

Planning considerations -

i) No direct light is used in Smriti Bhavan.

ii) Glass pyramids provided at top in Library, Art gallery.

iii) Glass blocks are provided in front side if Smriti Bhavan for getting the

view of statue, in the night when the lights focussed on it.

iv) An cavity wall of .345 m is used in the Smriti Bhavan for reducing noise

of the surrounding.

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v) In the meeting hall louvers are provided at top for using natural light,

they are provided in the last butone row to prevent direct light on the

persons seating inside.

FORMAT FOR CASE STUDIES

1) Analysis
1. Site analysis - Location.
2. Surrounding.
3. Topography.
4. Climate - macro & micro
5. Vegetation.

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6. Soil.
7. Transport & parking.
- vehicular traffic analysis.
- Parking.
- entry & exit.
- Pedestrian traffic analysis.
8. Functions & activities - the spaces provided.
9. Landscape analysis.
- the green areas.
- the hard areas.
- additional features.
- relationship with built form.
10.Visual analysis.
- general observations.
- colour.
- texture.
- form.
2) Areas

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- Individual built spaces with areas in sq. m.

- The area statement.
- area analysis - in terms of pie charts & %
3) Services
- water supply.
- drainage.
- electricity.
- garbage disposal.
- air conditioning system
Lighting
- natural
- artificial.
Structure & materials.
Openings & fenestration.
Signage.
Other special features.
4) Conclusion
Scope & limitations of the project.

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Future of the project.

Aims & objectives.

SITE ANALYSIS

1) Location - On Nagpur - Jalna State

Highway at a distance of 3 Km's from

Sindkhed (Raja) District. Buldhana.

2) Area - Part A - 17408.56 M2, Part B -

49858.75 M2, Total - 67267.31 M2 = 6.7

Hectare = 16.61 acre.

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3) Surrounding - The site is surrounded by Farms, Moti Talao is on the

West side of the site, which supplies water to the town.

View showing water 4) Topography - The

body
topographical area is near about

plain but some part of the site is

having contours & water body.

5) Soil - The soil is Rocky &

Murumad type having hard

surface at low depth.

6) Vehicular Traffic Analysis - As the site lies on state highway the road

is quit busy within few years heavy

View showing Contours
traffic is expected on this road.

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7) Functions & Activities - Jijau Srushti will be an religious place, with

all type of educational facility, it will provide jobs to the people living in

that area with peaceful environment. At easily reachable distance.

8) Landscape Analysis - The site surrounded by fields only which are

used for farming so the surrounding area is open. For that purpose more

wind load will affect on the whole

structures.
9) Temperature -

Max. - 460C. Summer 220 Winter

Min. - 300 C.Summer 120 Winter

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10) Contours - Steaf contours in

the water body area, water body is

below 16 m from main ground level.

AREA ANALYSIS

Block - I Ground floor

Administration block + waiting lobby

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1. Entrance foyer - 130 m2

Manager's cabin - 23 m2

Directors cabin - 27 m2

Maintenance engg's cabin - 23 m2

Staff Room - 50 m2

Meeting cum confereance - 80 m2

Store - 10 m2

Training Center - 92 m2

Books Counter - 16 m2

Gents toilet - 25 m2 (2 nos.)

Ladies toilet - -------"-------

Snacks counter - 16 m2

Handicraft shop - 78 m2

Display area model & art craft - 78 m2

Library

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Computer section - 38 m2

Security counter - 12 m2

Library Reading area - 250 m2

Toilet - 8 m2

Library cabin - 13 m2

Book stacks - 32 m2

Paper store - 25 m2

Museum

Ground floor

Jewellery section - 120 m2

Sculpture section - 120 m2

Murals section - 40 m2

Paintings - 270 m2

First floor

Pottery section - 75

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Armery section - 121

Dresses section - 64

Murals section - 42

Handicraft section - 64

Photography section - 36

Paintings section - 178 m2

Restaurant

Indoor - 200

Outdoor - 45

Kitchen - 55

Store - 24

Wash up - 9

Gents toilet - 20

Ladies toilet - 20

Temporary Display area. 66 mt.

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Gents toilet - 23 m2 ( 2 Nos.)

Ladies toilet ----------"---------

Snacks counter 16 m2 (2 Nos.)

BLOCK II

Shruti Center Ground floor

Entrance Foyer

Admission - 15 m2

VIP seating - 90 m2

Conference Hall - 90 m2

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Incharge - 15 m2

Multi functional Hall -

G. toi. - 16

L. toi. - 16 mt

BACK STAGE AREA

G. Green Room - 23 m2

L. Green Room - 23 m2

Store - 18 m2

Reharsal room - 36 m2

toilet - 14 m2

BASEMENT FLOOR

Scenes Display area - 560 m2

G. toilet - 16 m2

L. toilet - 16 m2

Incharge - 16 m2

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Store - 16 m2

Audio Visual Hall - 340 m2 for 360 peoples.

BLOCK III

Rest House

Foyer - 15 m2

Adminstration - 12 m2

TV Room - 55 m2

Cards Room - 55 m2

Reception and Record Room - 12 m2

8 suits - 50 m2

Dining area - 110 m2

Pantry - 10 m2

Kitchen - 55 m2

Store - 10 m2

toilet - 10 m2

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wash up - 8 m2

BLOCK IV

Hostel

Foyer - 50

Cards Room - 20

5 tv - 9.5

4 ym - 50

G. toi. - 10

L. toi. - 10

Incharge Room - 13

15 Room - 26 m2 each

Reception - 9 m2

Dining - 100 m2

Administration - 40 m2

Kitchen - 25 m2

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Store - 10 m2

Wash up - 5 m2

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