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bleed

for orchestra
Nikolaos-Laonikos Psimikakis-Chalkokondylis

bleed

for orchestra
Instrumentation:
Score is in C apart from piccolo (sounds an octave higher) and basses (sound an octave lower).
Piccolo
Flute
2 Oboes
2 Clarinets in Bb
2 Bassoons
4 Horns in F
2 Trumpets in C
3 Trombones (2 Tenor, 1 Bass)
Tuba
Percussion (woodblock, suspended cymbal soft beaters)
Vibraphone (soft beaters)
Harp (or two harps, if available)
Violins I (divisi)
Violins II (divisi)
Violas
Violoncellos
Double Basses

Performance Notes:
All instruments play strictly non-vibrato (e.g. piccolo, flute, string section).
The second bassoon must use a piece of cloth as a mute throughout.
Horns 3 and 4 are muted throughout.
The second trumpet has a straight mute throughout.
The second trombone has a cup mute throughout.
The tuba has a mute throughout.
The second group of Violin I and II divisi are muted throughout, with metal mutes if available.
In the piece the following symbols have been used for quarter-tones:
quarter-tone sharp
three quarter-tones sharp

quarter-tone flat
three quarter-tones flat

String players should bow as slowly and as imperceptibly as possible.


Wind players with extremely long notes should breathe as necessary and as imperceptibly as possible ( decrescendo to nothing, and then
crescendo back to the dynamic indicated).

Programme Note:
This composition has its roots in Marcel Mauss' The Gift, a seminal book in anthropology about the culture of gifts and potlach in indigenous
cultures around the world. Mauss emphasises often how important it is for a system of gifts to feature an obligation to give, an obligation to
receive and an obligation to reciprocate. I was very interested in seeing how this could be applied to music, by receiving, giving, and
reciprocating material to form a composition. I believe that receiving and reciprocating is as important as giving when it comes to creative
interaction with material, whether musical or physical.
In this piece I was also interested in the internal dialogue between structure and content, how one defines and is defined by the other. Robert
Hollingworth, at a pre-concert talk before a performance of Monteverdi's Vespers of 1610, said (with regards to using Gregorian chants or
popular tunes as canti firmi) you take a well known tune doesn't have to be sacred, slow it down tremendously, and you have a structure ,
which ended up being the ground for one of the two kinds of material in this piece.
bleed consists of two kinds of material which are juxtaposed and re-contextualise each other as the piece unfolds, playing with the roles of
context and content, foreground and background. The skeleton of the piece is based on Ferneyhough's Transit. I took the fourth bar from page
40 of Transit, expanded it to take a bit over five minutes (slowing it down by more than 64 times) and re-arranged it for the ensemble
available, while reciprocating the act of receiving material by changing the material slightly and offering some of my own material.
The recurring chords on the vibraphone and harp are loosely based on the harmonic spectrum of a zen gong bell whose sound I am
particularly fond of. This material keeps coming back slightly different each time, juxtaposed against the massive sonic space that the
Ferneyhough material occupies, re-contextualising it and being re-contextualised by it.
The word bleed refers to the various meanings of the word, mainly to the idea of bleed in design, where an illustration/design or text is
printed so as to run to the edge of the page or container, or the concept of colours bleeding into (and re-contextualising) each other, much
like in a Rothko painting.

Full Score

bleed
for orchestra

Score is in C except for piccolo (sounds an octave higher)


and double basses (sound an octave lower)

Laonikos Psimikakis-Chalkokondylis

gently ( q = 54 )

& 44

43

44

& 44

43

44

4
&4

3
4

43

strictly non-vibrato

Piccolo

strictly non-vibrato

Flute

1
Oboes
2

1
B b Clarinets
2

1
Bassoons
2

2
Horns in F
3

& 44
4
&4
& 44

nw

4
&4
& 44

muted (with cloth), throughout

& 44 n w

4
&4
& 44

Trumpets in C

kw

4
& 4 nw

4
& 4 nw

B 4 Kw
4

Violin II
Violins II always
play extremely
2
sul tasto

Viola

Violoncello

Double Bass

with mute, throughout *

3
4

4
4

K .

44

3
4
3
4

4
4
4
4

43

44

m .

* if available, use metal mute, otherwise just a normal mute


** use soft sticks for the vibraphone and woodblock, and a wirebrush for the suspended cymbal

3 .
4

34
.

3
4 K .
o

with mute, throughout *

?4
4

4
4

nw

4
4

& 44 K w

4
B4

3
4

44

mw

4
&4

? 44

motor off (no vibrato); use soft sticks

3
4

43

4
&4
4
&4

4
&4

4
4

3 .
4

with mute, throughout

Violin I

4
4

Tuba

? 44

***

3
4 .

4
4

& 44

44

Bass

Harp

44

.
43

3
4

?4
4

Vibraphone

44

with cup mute throughout

woodblock
4 p. j

44

43

B 44

**

4
4

43 .
43

44

44

Trombones 2

Percussion woodblock
sus. cymbal

4
4

4
4

43

k .

.
34

3
4

3
4

with straight mute throughout

nw

muted throughout

4
&4

muted throughout

b .

3
4
43

3
4

4
4
4
4
44
4
4
44

*** all strings play strictly non-vibrato throughout and should bo as slowly and as imperceptibly as possible
winds should breathe as necessary for the really long notes

4
4

bleed, for orchestra

2
5
Picc.

Fl.

1
Ob.
2

1
Cl. in B b
2

1
Bsn.
2

2
Hns. in F
3

A
& 44
4
&4
4
&4

(b )w

4
&4
4
&4
4
&4

3
4

4
4

3
4

4
4

( n) ..

Tpt.
2

Tbns. 2

& 44 n w

4
& 4 ( n )

kw

4
&4 kw
()

& 44 (n )w

& 44

n
J

& 44 (n )w

4 (m)w
&4
B 44

B 44 (K)w

gliss.

Vla.

Vc.

D.B.

43

4
4

4
4

44

44
4
4

43

43

3 .
4

K .
o

4
4

44
44

44
4
4

.
43

44

43

44

43 .

3
4

4
4

3
4

4
4

3
4

n .

43 .

4
4

k .
o

l.v.

4 m
&4
f
l.v.

4
& 4
f
4
&4

3
4

4
4

43

Perc.

Vln. II

3
4

3
4 .

3
4

Tuba

Vln. I

?4
4

3
4

? 44

Hp.

B. Tbn.

Vib.

n .

& 44

44

43

44

4
4

3
4

4
4

43

44

& 44 (K)w

43 .

44

4 (m )w
&4

3 .
4

4
4

3
4 O.
.

4
4

4
&4
B 44
?4
4
?4
4

(n )w

m m wO
o

wO

.
43

3
4

3
4

44
4
4
4
4

bleed, for orchestra

Picc.

4
&4

3
4

4
4

Fl.

4
&4

3
4

4
4

43

44

1
Ob.
2

1
Cl. in B b
2

1
Bsn.
2

2
Hns. in F
3

1
Tpt.
2

Tbns. 2

& 44
4
&4
& 44
4
&4
& 44

Vln. II
2

Vla.

D.B.

3
4

kw

Kw

gliss.

j
l

(k ) ..

43

44

W.B.

pj
.

3
4 .

4
4

44

3
4 .

4
4

43

43
3
4 .

43

bw

4
4
44

44

43

44

43

44

43

44

43 .

44

43

44

.
43

4
4

.
43

44

k .

43 .

3
4

44

4
4

4
4

44

3
4

kw
n

gliss.

4
4

43

B 44 ( n )w

?4
4

43

4
& 4 m O.
(m( ) ) .
? 44

& 44 (K)w

Vc.

B 44

l.v.
4
m
& 4
P
l.v.

& 44

n .

B 44 (K )w

& 44

3
4

& 44

w
w

4
& 4 ( n )w

Perc.

( n )w

nw

44

(m )w

& 44

Tuba

Vln. I

4
&4

?4
4

4
& 4 (K)w

? 44

Hp.

(b )w

4
&4 nw

4
&4
(k )w
& 44

B. Tbn.

Vib.

44

44

3
4

.
43

43

3
4

4
4
44

b O
o

44
4
4

bleed, for orchestra

4
13
Picc.

Fl.

1
Ob.
2

1
Cl. in B b
2

1
Bsn.
2

2
Hns. in F
3

1
Tpt.
2

& 44 n w
4
&4

& 44

& 44
& 44
& 44

(b )w

b .

( n)

B 44

B. Tbn.

Tuba

Perc.

Vib.

Hp.

4
4

p
l.v.

& 44 m
& 44

l.v.

1
Vln. II
2

Vla.

Vc.

D.B.

3
4

4
4

43

44

3
4

j
n

K .

nw

gliss.

j
k

3
4 .
n

W.B.

w
pj
.

w
w

4
&4

B 44

nw
o

44

43

44

3
4 .

4
4

43

44

3
4

43

4
4

44

44

43

43

44

.
43

.
43

nw

43 .

4
4

4
4

3
4 .

4
4

4
4

3 .
4

4
4

kw

w
b

3
4

nw
& 44

?4
4 (b )wO

? 44

44

F
mw
4
&4

& 44

44

Vln. I

43

44

B 44 (K )w
?4
4 (k )w

? 44
(k )

44

Tbns. 2

43

k ..

4
4

4
& 4 (n )w

4
& 4 (l )w

J
J

gliss.

4
& 4 k .
()

4 (m )w
&4

44

.
43

..

43

3
4

mw

43 .

(n )w

4
&4 nw

& 44 n w

4
&4

& 44

44

43

44
o

44

3
4

4
4

43

44

.
3
4

43

4
4

44

bleed, for orchestra

17
Picc.

Fl.

1
Ob.
2

1
Cl. in B b
2

1
Bsn.
2

2
Hns. in F

4
&4 mw
& 44
& 44

(b )w

(J )w

4
&4

Tbns. 2

B. Tbn.

Perc.

Hp.

1
Vln. I
2

1
Vln. II
2

4
&4
& 44

& 44

Vla.

Vc.

? 44
?4
4

43

43

4
4
4
4

44

44

44

3
4 .

3
4 .

n .
o

4
4

43

44

43

44

.
43

44

3
4 .

4
4

43

44

3 K .
4

3
4 .

4
4

o
o

3
4

43

pj
.

W.B.

4
4
4
4
4
4
44

3
4

4
4

43

44

nw

w
w

(n )w

4 mw
&4

B 44

D.B.

p
l.v.

43

(b )w

f
m
(
4 )w
&4

& 44

(k )w

l.v.

3
4

?4
4 (k )w

44

B 44 (K )w

?4
4

Vib.

4
& 4 (n )w

Tuba

44

(m )w
& 44

B4
4

nw

44

3 n .
4

4
4

.
43
43

4
&4 kw
()
& 44 n w

n .

& 44 n w

4
&4 nw

gliss.

3
4 .

& 44

gliss.

& 44

.
w

& 44

Tpt.

4 (m )w
&4

3 .
4

3
4

44
4
4

43 .

44

3
4

4
4

43

44

3
4

4
4

43

4
4

bleed, for orchestra

6
21
Picc.

Fl.

1
Ob.
2

1
Cl. in B b
2

4 Kw
&4
( n )
& 44
& 44

& 44
4
&4

3
4

(J ) .

4 (n)w
&4

gliss.

(n )w

43

44

44

3 .
4

43

4
4

43

3
4

4
4

44
4
4

1
Bsn.
2

2
Hns. in F
3

1
Tpt.
2

Tbns. 2

B. Tbn.

& 44 n w

4
&4

4
&4

1
Vln. II
2

3
4

4
4

43

44

43

44

(k )w

gliss.

Jw

& 44

K
o

kw

Vla.

B 44

Vc.

? 44

n .

?4 kw
4
o

44

4
4
44

4
4

4
4

43

44

3
4

4
4

43

44

43

D.B.

44

43

& 44 (n )w

4
4

3
4

3 .
4

43 .

44

3
4

43 .

43

4
4

3
4

nw

& 44

44

3
4 K .

43

kw

(k )w

P
l.v.
4
m
& 4
f
4
&4 kw

B 4 (K)w
4

& 44

gliss.

w
w

(b )wj
.
l.v.

? 44

4 mw
&4
B 44

4
4

Vln. I

Perc.

43

& 44 n w

?4
4

Hp.

& 44

Tuba

Vib.

& 44 (n )w
& 44

44

44

43

44

3
4

4
4

44

43

3 .
4

4
4
o

bleed, for orchestra

25
Picc.

4
&4

Fl.

& 44

4 nw
&4

Ob.
2

1
Cl. in B b
2

1
Bsn.
2

2
Hns. in F
3

1
Tpt.
2

Tbns.

4
&4
4
&4

nw

( n)w

4
&4
?4
4
& 44 n w

4
&4

Vln. I
2

1
Vln. II
2

Vla.

Kw

w
w

4
&4 nw

B 44

44
4
&4

(b)w
.

n .

4
4
4
4
4
4
44

44

3
4 .

34

4
4

43

44

44

.
43

44

3
4 .

4
4

43

44

43

44

43 .

44

3
4

4
4

43

.
43

43

4
4

.
43

& 44 (K)w

( n)w

43
3
4

4
4

& 44 ( n)w

B 44

F
l.v.

4
& 4
F
m
w
& 44

4
&4

(k)w

l.v.

n .
o

B 44

43

mw

& 44

Tuba

3
4

44

3
4

nw

& 44 ( n)w

?4
4

Hp.

3
4

& 44 (K)

? 44

Vib.

3
4

3
4

4
4

43

4
&4

B. Tbn.

Perc.

3
4 .

3
4
43

Kw

W.B.

pj
.

44
4
4

44

44

.
.

3
4

44

4
4
44
4
4

n
o

Vc.

D.B.

? 44
?4
4

(k)w

43

3 k .
4
o

44

4
4

bleed, for orchestra

8
29
Picc.

Fl.

1
Ob.
2

1
Cl. in B b
2

1
Bsn.
2

2
Hns. in F
3

1
Tpt.
2

Tbns. 2

B. Tbn.

Tuba

Perc.

Vib.

Hp.

1
Vln. I
2

1
Vln. II
2

Vla.

Vc.

D.B.

4
& 4 (n)w
& 44
& 44

(n)w

nw

& 44
& 44
?4
4
4
&4

(n)w

( n)

.
43

3 .
4
43
.
34

44

44
4
4

3
4

4
4

3
4 n .

nw

4
&4 Kw
()

4 (m)w
&4

& 44 (n)w

44

3
4

3
4

B 44 (n)w

?4
4

W.B.

3
4 .

4 mw
&4

pj
.

4
4
4
4
4
4

3
4
3
4
43

3
4

3
4 .

4 nw
&4

3
4

4
4

.
43

4
4

4
4

4
4

3
4 .

4
4

?4
4 (k)w

3
4 .

nw
n

3 .
4

3
4

?4
4

4
4

3
4

B4
4

44

B4
4

4
&4

? 4 (k) .
4

43

44

4
& 4 (n)w

4
& 4 (n)w

4 nw
&4 ( )

4
4
l.v.

4
m
& 4
f
l.v.

4 m
&4
f
4 (m)
&4

4
4

3
4

4 nw
&4

4
4

4
4
44

4
4

4
4
4
4

3 .
4

4
4

3 .
4

4
4

3 .
4

4
4

3
4

4
4

3
4

4
4

bleed, for orchestra

33
Picc.

Fl.

1
Ob.
2

1
Cl. in B b
2

1
Bsn.
2

4
&4 nw

& 44

4 (n)w
&4

& 44
4
&4

(n)w

?4
4

4
& 4 ( n)

Tbns. 2

B4
4

Tuba

Perc.

(m)w

Vib.

Hp.

1
Vln. I
2

1
Vln. II
2

Vla.

?4
4 (k) .

gliss.

? 44
4
4

l.v.

4
& 4 ( n)

nw

4
4

4
4

44

3
4

4
4

3
4 .

3
4 .

34

4
4
4
4
4
4
4
4
4
4
4
4

44

gliss.

3
4 .
43
3
4

3
4

3 .
4

mw

pj
W.B. .

44

4
4
44
4
4

4
4

3
4

4
4

43

44

n
o

& 44 n w
B 44

4
& 4 m
F
l.v.

4 m
&4
f
nw
& 44

4
&4

3
4 n .

B. Tbn.

4
4

43

3
4

4 (m)w
&4

B 44

4
4

3
4 n .

.
3
4

3
4

4
& 4 (n)w

44

3
4

43 .

43

4
4

3 .
4

4
&4

Tpt.

gliss.

R n

Hns. in F

& 44 n w

4
& 4 (n)w

4
&4

n .

3
4

(n)w

4
&4

nw

4
4
4
4

43

3
4 .

3 .
4

Vc.

?4
4

D.B.

? 44

43

3
4

43

44
44
4
4
44

1037
Picc.

Fl.

1
Ob.
2

1
Cl. in B b
2

1
Bsn.
2

bleed, for orchestra

& 44

& 44 ( n)

4 (k)w
&4

n
R

4
&4
? 44

(n)w

n .

gliss.

1
Tpt.
2

Tbns. 2

B. Tbn.

?4
4

Perc.

4
4

Vib.

Hp.

1
Vln. I
2

1
Vln. II
2

Vla.

Vc.

D.B.

B 44

(m)

n ..
o

w
n ..

gliss.

k
o

n .

nw

n
R

4
4

4
4

4
4

43 .

3
4 .

44
4
4
l

gliss.

4
4
4
4
44

43

44

4
4
4
4

3
4

4
4

43

44

3
4

4
4

w
m .

3
4

3
4 .

w
w

43 .

3
4

4
4

4
4

3
4

.
43

43

44

4
4

.
w

44

3
4 .

4
4

3
4

3
4

n
J
o

43 .

3
4 .

n
J

3
4

? 44 m w
?4
4

4
4

( n)

3
4

4
&4 nw

& 44

3
4

l.v.
4
m
& 4
P
4
&4

4
&4

(n)w

l.v.
4
&4
P

43

n .

?4
4 (k)w

Tuba

3
4

4
&4

B 44

43

4 (m)w
&4

B 44

3
4

44

.
3
4

4
& 4 (n)w

4
& 4 (n)w

44

43

4
&4 nw

4 .
&4

43

& 44

m .

2
Hns. in F

( n)

4 (n)w
&4
& 44

4
4
44

44
44

4
4

bleed, for orchestra

j
.

41
Picc.

Fl.

1
Ob.
2

1
Cl. in B b
2

1
Bsn.
2

2
Hns. in F
3

4
& 4 ( n) .

4
&4

3
4

43 .

43 m .

nw

(n)w

( n)

(n)w

n .

..

& 44 (n)w

3
4
43

3
4

&

4
4

44

43

4
4
4
4

43 .

gliss.

4
4

4
4

3
4

44

44

3
4

44

3
4

4
4

4
& 4 (n)w
& 44

4 (n)w
&4

?4
4

( n)
& 44

4
&4

& 44

& 44

11

44

1
Tpt.
2

4
& 4 ( n)j

n .
o

4 (l)w
&4

4
& 4 (n w

gliss.

3
4 .

3 m .
4

4
4
4
4

3
4

4
4

3
4

4
4

Tbns. 2

B. Tbn.

Tuba

Perc.
Vib.

Hp.

1
Vln. I
2

B4
4 (l)w

? 44

k( )w

?4
4 (k )

44 l.v.

4
& 4 m

l.v.
4
&4
F
& 44

& 44 ( n)
& 44 (n)w

Vln. II

Vla.

Vc.

gliss.

B4
4 mw

& 44
B 44

(m )w
(n )w

? 4 (m )w
4

n .

3
4

43 .
3
4

nw
.

43
3
4

.
43

44
4
4

4
4
44

43

43 .

43

nw

44
4
4

3
4

W.B.

pj
.

4
4

44
44
44

m
3

.
43

44

3
4

4
4

.
o

D.B.

? 44 k w
o

.
43

44

bleed, for orchestra

12
45
Picc.

Fl.

1
Ob.
2

1
Cl. in B b
2

1
Bsn.
2

2
Hns. in F
3

1
Tpt.
2

4
&4

nw

4
& 4 (n)w

4
& 4 (m )w
4
&4
4
&4
4
&4

(n)w

4
&4

B4
4

B. Tbn.

?4
4

Tuba

?4
4

Perc.
Vib.

Hp.

1
Vln. I
2

1
Vln. II
2

Vla.

Vc.

D.B.

(k )w

4
4

3
4

4
4

3
4

4
4

nw

3
4 .

3
4

n .

gliss.

Kw

k ..

3
4

n ..
o

nw

3
4

m .

gliss.

4
4

gliss.

4
4
4
4

4
4

4
4

3
4 .

4
4

3
4

4
4

3
4
43

3
4

4
4

3
4

4
4

W.B.

pj
.

4
4
44

.
43

4
4

& 44 ( n ) .

3
4

3
4

m .

( n)

l.v.

4 m
& 4
F
4 (m )w
&4

4
4 l.v.

& 44 m
p

4
&4

4
4

3
4

..

mw

4
4

4 (m )w
&4

4
4

4
& 4 (n )w

4
4

gliss.

4
4

3
4

4
&4

B4
4

3
4

4
4

3
4 m

4
4

3
4 .

3
4

m .
o

4
& 4 (n)w

Tbns. 2

3
4 .

4
&4 nw

4
& 4 m ..
4
&4

3
4 J

3
4

44

4
4
o

& 44
B 44 (m )w
?4
4

? 4 (k )w
4

43
3 .
4
3
4
3
4

44
4
4
4
4
4
4

bleed, for orchestra

49
Picc.

Fl.

1
Ob.
2

1
Cl. in B b
2

1
Bsn.
2

2
Hns. in F
3

4
&4
4
&4

13

3
4

4
4

3
4

4
4

4
&4 mw

3
4 .

4
4

4
& 4 (m)w

3
4 .

4
4

& 44 m w
4
&4

4
& 4 m ..

4
&4 nw

4
&4
& 44

43

3
4

4
4

3
4

4
4

3
4

4
4

43

44

.
o

n ..

& 44 ( n)

4
&4 nw

44

nw

n .

43 .

34

3
4

44
44

4
4

b .

1
Tpt.
2

& 44

( n)w

& 44
B 44

( n)w

B. Tbn.

Tuba

? 44

Perc.

4
4

Vib.

Hp.

1
Vln. I
2

(k)w

l.v.

m
p
l.v.

4 m
& 4
P
4
&4

4
&4

& 44

(m)w

3
4

pj
.

43

Vln. II
2

Vla.

Vc.

4
&4
& 44

3
4

4
4

3
4

4
4

43

44

3
4

B 44 (m)w
? 44

nw
o

D.B.

?4 nw
4
o

.
43

n .

44

mw

44

4
4

W.B.

43 .

44

n .

44

44

3 suspended cymbal
4 .
o
3

.
43

43
43

( n)w

B4
4
? 44

n .

Tbns.

nw

3 .
4

bw
3

4
4
4
4

4
4

44

4
4

43 .

44

3
4 .

4
4

bleed, for orchestra

14
Picc.

Fl.

1
Ob.
2

1
Cl. in B b
2

1
Bsn.
2

2
Hns. in F
3

1
Tpt.
2

Tbns.
2
B. Tbn.

Tuba

Perc.

Vib.

Hp.

1
Vln. I
2

1
Vln. II
2

Vla.

Vc.

D.B.

4 >
&4 nw

4 n w>
&4

53

4
& 4 (m) .
4
& 4 (m )w

nw

m
n

.
m

Kw
W.B. pj

gliss.

n .

n .

mw

? 4 (b)w
4

?4 kw
4

4
4
44

4
4

4
4

4
4

4
4

4
4

b .

3
4

44

4
4
4
4
o

3
4

3
4 .

43

gliss.

44
4
4
44

3
4

4
4

3
4

4
4

3
4

4
4

3
4

4
4

4
4

3
4 .

4
4

3
4 .

4
4

3
4

4
4

3
4 b .

4
4
4
4

3
4
43

( n)

3 .
4

4
4

3 .
4

43

o
o

3
4
3
4

4
4

3
4

w
w

3
4

gliss.

3
4

43

4
4

3
4

?4
4 (k )w

B 44

3
4

B 4 n > .
4

(n )w
B4
4

4 ( m)
&4

l.v.

4
& 4
p
l.v.
4 m
&4
F
4
&4
>
4
&4 n O
nw
p
m
(
)
4 w
&4

3
4

3
4

mw

4
& 4 (n)w

4
4

4
& 4 m ..

4 >
&4 nw

4
&4

? 44

4
&4

4
&4

& 44

& 44 n .
>

4
&4
(b)w
4 (n)w
&4

3
4

4
4

4
4

bleed, for orchestra

>
& 44 n w
P
>
n
4 w
&4
P
( n)
& 44

57
Picc.

Fl.

1
Ob.
2

1
Cl. in B b
2

1
Bsn.
2

2
Hns. in F

1
Tpt.
2

Tbns. 2

4
&4

(n )w

Tuba

1
Vln. I
2

1
Vln. II
2

43

43

44

4
4
44

43

44

43

44

bw
o

(b)w

3
4

3
4

3
4

3
4

4
4
4
4

3
4

4
4

3
4

4
4
4
4
4
4
4
4

kw

3
4 J

.
43

43

pj
.

W.B.

.
.

4
& 4 m
f
>
4
&4 n O
nw
p
4 m >
&4
F
4
&4
( n)
4
&4

4
4
44

44

4
4

3
4

4
4

3
4

4
4

3
4

4
4

3
4

4
4

3
4

4
4

43 .

4
4

3
4

44

3
4

(n)w
W.B.

l.v.

3
4

l.v.

Hp.

? 4 (b)w
4

4
&4

4
4

3
4

B4
4

Vib.

B 44 (m)w

44

3
4

4
&4 nw
p

Perc.

4
&4

? 44

44

B. Tbn.

P
>
4
& 4 m ..

4
&4 mw

4
&4 nw
P
4
&4
(b)w

4
&4

43

>
n .
& 44
p
>
& 44 n w

4
&4

15

Vla.

Vc.

D.B.

B 44 (m)
? 4 (b)w
4
? 4 (n)w
4
o

kw

3
4 .

.
o

4
4

3
4

4
4

3
4

4
4

bleed, for orchestra

16
61
Picc.

& 44

Fl.

& 44

4
&4

( n)w

1
Cl. in B b
2

1
Bsn.
2

2
Hns. in F
3

1
Tpt.
2

Tbns. 2

B. Tbn.

43

44

43

44

3
4

4
4

& 44

Perc.

Vib.

Hp.

1
Vln. II
2

Vla.

Vc.

D.B.

nw

4
&4

& 44

43

44

3
4

4
4

43

44

3
4

4
4

4
& 4 m ..

& 44

43

44

4
&4

3
4

4
4

& 44

43

44

4
&4

3
4

4
4

& 44

43

44

4
&4

3
4

4
4

& 44

43

44

3
4

4
4

B 4 (k)
4
B4
4
? 44
?4
4

kw

( n)

4
4

4
&4

k ..

3 .
4

43

kw
o

gliss.

k .

3
4

4
4
44

3
4 .

3
4

4
4

W.B.

j
.
p

4
4
4
4

4
&4

3
4

4
4

4
&4

3
4

4
4

Vln. I
2

Tuba

Ob.
2

4
&4
& 44

nw

4
&4

B 44 (k)w
?4
4

4
4

43

44

3
4

4
4

43

3
4

? 44 n w

3
4
43 .

44

4
4
44

bleed, for orchestra

65
Picc.

4
&4

Fl.

4
&4

1
Ob.
2

& 44
& 44

n .

( n)w

gliss.

43

n .

Cl. in B b
2

1
Bsn.
2

2
Hns. in F
3

& 44

4
&4

& 44

Tpt.
2

& 44

bw

& 44

4
&4

? 44

Tuba

?4
4

Perc.

Vib.

Hp.

1
Vln. I
2

n
J

Kw

(k)w

4
4

l.v.

4 m
&4
f l.v.
4
& 4
f
4
&4
( n)w
4
&4

.
.

4
4

44
44

43 .

44

43

44

3 .
4

43 .

4
4
44

3
4

gliss.

3
4

4
4

43

.
o

43

44

44

43

4
4

43

B 4 (k)
4

B. Tbn.

Tbns. 2

44

3
4

43

44

44

3
4

4
4

43

& 44 b w

B 44

n
o

4
&4 nw

4
&4

& 44

4
4

.
43

3 .
4
3
4

17

44

3
4 .
R (stop abruptly)

W.B.

4
4

4
4

3
4

4
4

3
4

4
4

3
4

nw

.
43

4
4
44

1
Vln. II
2

Vla.

Vc.

4
&4

3
4

4
4

& 44

43

44

B 44

(b)w

? 44 b w
o

D.B.

?4
4

Kw

3
4
n .

.
43
3
4

K .

4
4
44
4
4

bleed, for orchestra

18

J
69

Picc.

Fl.

1
Ob.
2

1
Cl. in B b
2

1
Bsn.
2

2
Hns. in F
3

& 44 (k)
& 44
4
&4

nw

gliss.

( n)w

nw

( n)w
& 44

& 44

4
&4

( n)

nw

Tpt.
2

& 44 n w

4
&4

( n)w

4
&4

B4
4 (K)w

Tuba

? 44

Vib.

Hp.

1
Vln. I
2

1
Vln. II

& 44

( n)w

Vc.

nw

(b)w
B 44

D.B.

? 44 ( n w
?4
4

K .

(K)w

44

43

44

3
4

4
4

43

44

3
4

4
4

43 .

4
4

43

44

3 .
4

34

44

3
4

4
4

43

44

n .
o

3
4

4
4

3
4

.
43

44
n

3
4
43

44
44
4
4

43

4
4

3
4 .

4
4

.
j
34 p. W.B.

44

3
4

Vla.

& 44

4
4

4
4

?4
4

l.v.

P
l.v.

4 m
& 4
F
( n)w
& 44

4
&4

B. Tbn.

44
4
&4

3 .
4
.
34

Perc.

( n)w

o
o

& 44 (b)w

B 44

Tbns. 2

44

3
4

4
& 4 ( b)

& 44

43

44

4
& 4 .

& 44

n ..

.
43

43

4
4
44

44

3
4

4
4

43

44

3
4

4
4

bleed, for orchestra

73
Picc.

Fl.

& 44 (n)w
& 44

(n)w

nw

1
Ob.
2

( n)
& 44
& 44

(n)w

1
Cl. in B b
2

1
Bsn.
2

4 n
&4
4
&4

& 44 n w

4
&4 nw

& 44 b w

Hns. in F
3

1
Tpt.
2

n >

n >

Tbns. 2

B. Tbn.

Tuba
Perc.

Vib.

Hp.

1
Vln. I
2

1
Vln. II
2

Vla.

D.B.

n >

4
& 4 ( b) .

& 44

b
o

4 (n)w
&4

B4
4

B 44

n .

4
4

4
&4
P
l.v.

4 m
& 4
F
(n)w
& 44
l.v.

4 ( n)
&4
& 44
4
&4
B 44

(n)w

4
4

43

44

nw

gliss.

?4
4

3
4

4
4

3
4

4
4

43

44

wO

43 O ..

k
o

4
4
44

3
4

4
4

3
4

4
4
(:)

wO

gliss.

44
4
4

3
4

44

4
4

44

43
3
4

4
4

3
4

43 .

Kw

44

3
4

44

.
43

? 44 K w

43

n n O

4
4

43 .

3
4

3
4

4
4

n .

4
4

n >

3
4

3
4

? 44

44

?4
4 Kw
()

n >

44

44

44

43

& 44

& 44

n >

3
4

44

Vc.

n >

43

n >

43

43

n >

43

19

4
4

3 .
4

43 .

4
4
44

2077
Picc.

Fl.

1
Ob.
2

1
Cl. in B b
2

1
Bsn.
2

2
Hns. in F
3

4
&4
& 44
4
&4
& 44
4
&4
4
&4

bleed, for orchestra


rit.

( n)w

( n)w
n

n >

n >

n >

n >

n >

n >

n >

3
4

( n)w

4
& 4 ( b)

n
o

1
Tpt.
2

& 44
4
&4

( n)

4 ( n)w
&4

B4
4

Tbns.
2

B 44 (k)w

B. Tbn.

? 44

Tuba

?4
4

Perc.

4
4

Vib.

Hp.

1
Vln. I
2

1
Vln. II
2

Vla.

Vc.

D.B.

& 44

Kw

l.v.
4
&4
P
l.v.

4 m
&4
F
4 nw
&4

U
o

3
4

3U
4 .

U
43
.

3
4

U
3 .
4
U

3
4 .
43

43

3U
4 .
3
4

Kw

3
4 .

U
3 .
4

3
4

3
4

U
.

43

n >

b .

U
.

4
&4 nw

4
&4

3
4

43

3
4

4
&4

4
&4

( n)w

(ca. q = 30 )

3
4

3
4

3
4

3
4

3
4

3
4

( n)w

4
& 4 n(n)wO
()

& 44

B 44

? 44 (k)w

U
34 .

U
.
43

? 4 (K)
4

W.B.

U
34 .

nw

> .
R
f

* as soon as the conductor cuts off the rest of the orchestra, the percussionist plays that final note
or, perhaps, the orchestra players cut off as soon as they hear the woodblock

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