MARSHALL 3D MONITOR

The World's first portable 7inch 3D production monitor with innovative "glassesfree" autostereoscopic technology. Provides superior 3D images with 1600 x 600 resolution, as well as waveform and vectorscope graphs. Features muxing, image flip (beamsplitters) and onboard battery power that allows this fully self-

contained monitor to mount directly on the rig.

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$7,495 + S&H
It's the perfect real-time 3D viewing solution for remote 3D shoots. A light-weight, linear polarized, 3D production monitor with a viewing area of 8", dual camera inputs, picture flip capability (beamsplitters) and the ability to run off just a 12V battery. CLICK HERE to learn more.

True3Di FIELD MONITOR

$4,495 + S&H
This is the Cadillac of multiplexers. Our stereographers swear by it, because the Davio can perform anything from

DAVIO 3D PROCESSOR

the most basic to the most complex 3D processing for production, post production, distribution and even exhibition. CLICK HERE to learn more.

$6,495 + S&H

STEREOBRAIN PROCESSOR
A highquality dual image processor that provides real-time viewing capability in a wide variety of stereoscopic 3D formats, including polarized and anaglyph. It's compact, economical 3D and works with plethora of cameras, TV's and

post production software.

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$3,995 + S&H

3D INDIE VIEWER

Using stereoscopic mirror glasses, this clever 3D field viewer system muxes 2 images, one from each camera, and allows the cinematographer to watch in realtime 3D. This compact 3D viewer offers an economical alternative to higher priced 3D monitors, while using a rechargeable 12V battery, making it ideal for on-location shooting.
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$1,495 + S&H

About the 3D Film Factory

Since 2008 weve been the leader in professional, affordable 3D camera rigs and 3D production monitors. Were a full-service 3D production company that offers 3D rig rental, stereographers for hire, and 3D post production, as well as, 3D training workshops and seminars. Our veteran stereographers are some of the best in the World and theyve filmed stereoscopic 3D projects for major clients on almost every continent. Our clients include Disney, ESPN, NASA, Discovery Channel, Honeywell, USC Film School and many others.

Developed by award-winning filmmakers and veteran stereographers, our line of beam-splitter (mirror box) and side-by-side 3D rigs offer filmmakers a viable alternative to the high-priced, behemoth 3D rigs, costing ten times as much and more. A 3D Film Factory rig is lightweight, precise and features unlimited alignment and XYZ axis control, allowing users to create perfectly aligned 3D images. Since 2008 our goal has been to proliferate 3D to ALL filmmakers, not just the James Camerons of the World, said company operations manager Shawn Gilmore. Our goal is to make a quality 3D rig that every filmmakers can afford. We're succeeding, because today our 3D rigs create fantastic stereoscopic images and theyre affordable. The 3D Film Factorys rigs are designed to accommodate a wide range of professional HD cameras, including Red One, epic, Sony F3 & EX3, Canon 305s, 105s & Canon 5D, Arris Alexa, and a broad range of camcorders, compact HD cameras and all the DSLR cameras. The beam-splitter rigs (mirror box) are fully adjustable, allowing users to have total control over convergence settings (1 to 5), inter-ocular (camera-to-camera) distances (0 to 6) and complete yaw, tilt and roll (XYZ axis), for perfect 3D alignment. The black anodized aluminum frames are virtually indestructible, yet completely modular. The side-by-side systems are easyto-use, fully adjustable and offer inter-ocular distances of 30 or more. At the center of the 3D rig is the mirror box with its optically engineered, 50/50 beam-splitter glass. Its fully encased in high-grade, specially formulated foam plastic, thats light-dampening, detachable and cooler than sheet metal or carbon fiber boxes. Finally, the entire rig readily attaches to most professional tripod heads with a simple aluminum tripod adapter (-20 & 3/816 screws).

The result is the Worlds most affordable, professional line of stereoscopic beam-splitter and side-by-side rigs. Together they make 3D shooting precise and amazingly simple. When combined with a 3D production monitor, cinematographers can capture extraordinary, eyecatching 3D images for a fraction of the cost of other options.

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