1.

) The Birth of Venus

he Birth of Venus (in Italian: Nascita di Venere) is a 1486 painting by Sandro Botticelli. It depictsthe goddess Venus, having emerged from the sea as a fully grown woman, arriving at the sea-shore (which is related to the Venus Anadyomene motif). The painting is held in the Uffizi Gallery inFlorence.

Sandro Botticelli was an Italian painter of the Early Renaissance. He belonged to the Florentine school under the patronage of Lorenzo de' Medici, a movement that Giorgio Vasari would characterize less than a hundred years later as a "golden age", a thought, suitably enough, he expressed at the head of his Vita of Botticelli. Botticelli's posthumous reputation suffered until the late 19th century; since then his work has been seen to represent the linear grace of Early Renaissance painting.

SANDRO BOTTICELLI (1447-1510)

2.) Mona Lisa

The Mona Lisa (also known as La Gioconda or La Joconde, or Portrait of Lisa Gherardini, wife of Francesco del Giocondo) is a portrait by theItalian artist Leonardo da Vinci. It is a painting in oil on a poplar panel, completed circa 15031519 and bought by king Francis I of France. It is now the property of the French Republic and it is on permanent display at the Muse du Louvre in Paris.

LEONARDO DA VINCI
Leonardo di ser Piero da Vinci (April 15, 1452 May 2, 1519, Old Style) was an Italian Renaissance polymath: painter, sculptor, architect, musician, scienti st,mathematician, engineer, inventor, anatomist, geologist, cartogra pher, botanist, and writerwhose genius, perhaps more than that of any other figure, epitomized the Renaissance humanist ideal. Leonardo has often been described as the archetype of the Renaissance Man, a man of "unquenchable curiosity" and "feverishly inventive imagination"

3.) Pieta

The Piet (14981499) is a masterpiece of Renaissance sculpture by Michelangelo Buonarroti, housed in St. Peter's Basilica in Vatican City. The statue was commissioned for the French cardinal Jean de Billheres, who was a representative in Rome. The sculpture, in Carrara marble, was made for the cardinal's funeral monument, but was moved to its current location, the first chapel on the right as one enters the basilica, in the 18th century. It is the only piece Michelangelo ever signed (See History after completion).

MICHELANGELO BUONARROTI
Michelangelo di Lodovico Buonarroti Simoni] (6 March 1475 18 February 1564), commonly known as Michelangelo (Italian pronunciation: [mike land elo]), was an ItalianRenaissance sculptor, painter, architect, poet, and engineer who exerted an unparalleled influence on the development of Western art.[2] Despite making few forays beyond the arts, his versatility in the disciplines he took up was of such a high order that he is often considered a contender for the title of the archetypal Renaissance man, along with fellow Italian Leonardo da Vinci.

4.) Sistine Madonna

Sistine Madonna, also called La Madonna di San Sisto, is an oil painting by the Italian artist Raphael. Finished a few years before his death, ca. 15131514, as a commissioned altarpiece, it was the last of the painter's Madonnas and the last painting he completed with his own hands. Relocated to Dresden from 1754, the well-known painting has been particularly influential in Germany. After World War II, it was relocated toMoscow for a decade before it was returned to Germany. There, it resides as one of the central pieces in the Gemldegalerie Alte Meister. The painting has been highly praised by many notable critics, and Giorgio Vasari called it a "a truly rare and extraordinary work".

RAPHAEL (RAFFAELO SANZIO)

Raffaello Sanzio da Urbino[2] (April 6 or March 28, 1483 April 6, 1520[3]), better known simply as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form and ease of composition and for its visual achievement of theNeoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period.

5.) Drunkenness of Noah

Drunkenness of Noah is a painting by the Italian artist Giovanni Bellini. It was Finished about 1515. it is kept in the Museum of Fine Arts and Archeology of Besanon, France.. Noah is sleeping naked. The Cup and the bunches of grapes (on the foreground), and the vineyard (in the back) suggests that Noah is drunk. This three sons are represented at his side. Shem et Japhet (left and right) avert their eyes and cover their father with a red cloth. But Ham, the third son, laughs when he see his father naked.

GIOVANNI BELLINI

Giovanni Bellini (c. 14301516[1]) was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. His father was Jacopo Bellini, his brother was Gentile Bellini, and his brother-in-law was Andrea Mantegna. He is considered to have revolutionized Venetian painting, moving it towards a more sensuous and colouristic style. Through the use of clear, slow-drying oil paints, Giovanni created deep, rich tints and detailed shadings. His sumptuous coloring and fluent, atmospheric landscapes had a great effect on the Venetian painting school, especially on his pupils Giorgione and Titian.

6.)

Assumption of the Virgin

Assumption of the Virgin is a large oil painting by Italian Renaissance artist Titian, executed in 15161518.[1] It is located on the high altar in the Basilica of Santa Maria Gloriosa dei Frari in Venice, being the largest altarpiece in the city.

TITIAN ( TIZIANO VECELLIO) Tiziano Vecelli or Tiziano Vecellio (c. 1488/1490[1] 27 August 1576[2] known in English asTitian ( / t n/) was an Italian painter, the most important member of the 16th-centuryVenetian school. He was born in Pieve di Cadore, near Belluno (in Veneto), in the Republic of Venice. During his lifetime he was often called da Cadore, taken from the place of his birth.

7.) The Elevation of the Cross

The Elevation of the Cross (also called The Raising of the Cross) is a triptych painting by Flemish artist Peter Paul Rubens, completed in 1610-1611. Rubens painted The Elevation of the Cross after returning to Flanders from Italy. The work shows the clear influence of Italian Renaissance andBaroque artists such as Caravaggio, Tintoretto, and Michelangelo. The central panel illustrates a tension between the multitude of finely muscled men attempting to lift the cross and the seemingly unbearable weight of Christ on the cross.

PETER PAUL RUBENS

Sir Peter Paul Rubens (Dutch pronunciation: [ ryb (n)s]; 28 June 1577 30 May 1640), was aFlemish Baroque painter, and a proponent of an extravagant Baroque style that emphasised movement, colour, and sensuality. He is well-known for his CounterReformation altarpieces,portraits, landscapes, and history paintings of mythological and allegorical subjects.

8.) The Infanta Maria Theresa of Spain

The infanta Maria Theresa of Spain or The infanta Maria Theresa aged 14 is a 1653 portrait by Diego Velzquez of Maria Theresa of Spain. It has been cut down at the top and bottom and is now in the Kunsthistorisches Museum in Vienna.

It is considered one of the artist's best late portraits, showing its subject in a majestic pose, illuminated in a light dress against a dark background. Its seriousness and formality is added to by the two watches she carries, whilst the handkerchief in her left hand is one of the painting's highlights.

DIEGO VELAZQUEZ

Diego Rodrguez de Silva y Velzquez (Spanish pronunciation: [ dje o ro ri e e sil a i be la ke ]; June 6, 1599 August 6, 1660) was a Spanish painter who was the leading artist in thecourt of King Philip IV. He was an individualistic artist of the contemporary Baroque period, important as a portrait artist. In addition to numerous renditions of scenes of historical and cultural significance, he painted scores of portraits of the Spanish royal family, other notable European figures, and commoners, culminating in the production of his masterpiece Las Meninas (1656).

9.) Domino, Quo Vadis

It reveals a striking economy in figure composition and a force and precision of gesture that influenced on Poussin and through him, the language of gesture in painting.

Annibale Carracci (November 3, 1560 July 15, 1609) was an Italian Baroque painter.

10.) Lamentation of Christ

The Lamentation of Christ is a very common subject in Christian art from the High Middle Ages to the Baroque. After Jesus was crucified, his body was removed from the cross and his friends and family mourned over his body. This event has been depicted by many different artists.

Ludovico (or Lodovico) Carracci (21 April 1555 13 November 1619) was an Italian, early-Baroque painter, etcher, and printmaker born in Bologna.

PROJECT IN MAPEH ITALIAN RENAISSANCE PAINTERS

SUBMITTED BY: RODILYN C. ALAMANO III-WILDFIRES SUBMITTED TO: MRS. SANTOS