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In writing~ th.~.'moveM.ents shonld be: employed in, tr&inin:g aJ the -musol~

. whose readv and disciplined. use constitutes good 'work'.. !:I?J . Ist, is the actiop. ~ the forearm from the e1 ... , 'bow' forward in all dlreCtion.a ~h9. wrist an inch ab'ol1e th,a.paper- at C~·~,d the' forearm pla~gJfreely on the movable r,est s't B~~. . 'I'his is the business, miter's movement generally, on which be depends more 'tha'n all others,' both for the capital curves and the combination of the small . letters.. Wherever the- letter E is attached to a c.opy in the book, \t mea~ that a forearm or muscular exerc~se is intended to govern.
~ ... • • .~ 11;,

. 91, 92, 9 8, 97, lO~~110~l12, lIS, 115, 116, 11 'l,~ 18l,; .33~ 136, l3-S~. on the· prineiples of flourishing; and in the ap-plie--: :fLourisbes 146, in th,e capitals of ~page a 91 eto., as' tli e student writes tll:e words of which the bold ~hole arm.
1

MUso-uLA:e MOVEl!]J.NT-whloh

1.,....

capltala are the initial&

Also in the large oval 'copy 53~

Classrnoation.
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3, CfJ:P9J8a 3J 4, 6.) All, th,e ~asoondin,g or baIT linea of the principles; and letters formed, oj 'th:9 the letters thus formed; the wavi1P- ,light HUBS ~hi,ch Princip'lea, and the Eo, nni..te ~o·rda in columns, and terminate them by a bold, heayy sw'ee~ to, the left, a.t their 'base, on page- 3:'~ are, by muscular m ovement free, firm, and with .$0 will.' Remember, muscular is the true con;lbining',:rpQ~~~m.ent for all eontracted le,tters P,ractice. alao ,rre~ly on copies O'i 17" and ~~, -e~.peciiilly..

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(Nm»

eee page

. Thts disposition of letters, from the 'principles 'on which letters depend for root and' government, ,mary' be pro..titably studied by tbose ambitious to k"U,QW clearly . the syste.m. On p";~:$ .,. 31 ,4, OJ and ~, are grouped the -elasses thug de~ rived, and their pr.incip.: 6S '~pl~mly drawn on pages 3~~4, ~nd 6., The classes are...:.... Contracted, >Semi,-col)tracted; ~r 'C.~nipound '!::i Ele;vata. Purely Extan:de~
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2d"F.lNGEij MOVEHENT:-,which means an lextensio~, ~~ contraction of the 1st and 2d fIngers and the thumb, Such a 'flJ,OV~qi.ell~~ wirj;~ly~ snob, scarcely as, exists in 'the specimens of the correct and r-eady ~it@r~: .,!/FltOSe·marks 'which come nearest ¥requ'irlng this rnovemen purely ar~ ~ f~8~~di.ng or central mark of the ' 81;,_ 2d, and 3d princlples and the wh.o:~~ :tJt~ - in oOPY, 3, p,ag,e of 4'th 3; and even in thje8~ the muscular movement preeE1.&i.ng .q_* tl eir hal line; earries its steady, firm ,sympathy· iuto the downward m~jlU~~I!o_~' . :Ti ,
. ' ._,. .. ~, .,. I
I

a view of forming ~ goo d, plaint easy chit..O§apllY~ in the use of tJ.h~e. copi aB· on the" rust 15 pages, the s1~d9~~ ~ll ll?t ,on}y. d 0 well to understaod pen haldiu z, position-;- movements; £".. -:and \~-class.i-Eic.ation, but - the structure and , -. o~ ...., '

With

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MOVEMENT---W:hich ls ,tl) r?imnl"tatneons action of the forearm, thumb, and fingers; 'or" protmding and receding movement of the Attended by thumb and frng~r extension and' contraction, Thlsjmoye.inent·pr.a~
ORCOM'POUND

3d~ MIXED

principles depend Just :lloTm~-' '" 't,· on. Principles are ih:~d, :for.m's "(si5.ecopies 3'3:,21t a.n~ '48~) for ~th e structure of ,etters".and the principle or, prfnoiples employed to form a letter or combination. of letterS is designated '9Y- th·€, proper Jngure and figures above them, as on page a to. page 15 ,inclusive" et-o~.-·. , ,
.. • • 1,

applioation

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arm,

:t!ood -with sleight, produces the extended letters most b:eautifully. .. also, stem· o f Jj" ,hJ !/1 1t, 'r? J Z, eopie 9 6 and ~, 'Se e also page IS.
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See, co;pi tf,

P also stands for principle,- .as, 'i ',~ ceples '1l9 and' 36~ Mind, the prinelples, specially, (See Ciopy 48 ~) .., Each principle .bas· its p-ecljUantYr or distinct 'charneter,~v-ery' visi'ble to the ~
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4't'h" WHOLE Aluf' MOVBlLIF~"""T---tbis is, the largest, boldest movement employed-train,tng an the m~lsc.les into obedience from the ab.oul<\er forward, It is fonned. (see eloeing clause and .llstter .A~ 1eft hand drawlng, Card 1.) t .<.@ ~ $hould be practiced ~:fteely and freq uently on the bold' 'm~ ~c1JtrVei~-...tff';.ooPft~: '
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careful eyH~very nece soory in l1;lodel! n g dMti'l1£~ ferm 3., . Take the principles on the .ad copy, Look at the lat. ~It has a ,gentJ.e· '!On.. ct{lV.l~ hair line on 'the left, a direct downward mark for its. center" and the .same gentle COUC3Yt9 hair line on the right. ~Dot it" and i' becomes ~ }bop it narrow half' w'ay down and It ,is e, repea,t it and it .has the cb:aranter of uJ and so' on, Look at the '2d._prin()tp~ ~ is ,sntirely the "ootrr86 of the 1at in i'ta hair and,
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'Will be governed- in. 6hett· ~ooial department~ fro.m page 41 to 50 1lY the· principles, scale, and exercises in principles, as. they occur;
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t;he.1~rromineitt business character into lady's style., jles' and capitals with. care, and by no means forget the flowing muscular combluing". movement, ....,.:1.00 -essentbal to ease, be·.{tuty, and lJu}forrni:ty: see cop'Jea. 15·~~ ,. 'l~~~, -]:1G, 17R An -rgood uniform writers, both ln epIstolary' and buslness sty):~ .~r'.. : "w~Il1Orm.~~d.,m~n~oon the ~blt -ofWfl'tmg through whole 'words without Id\;lng ·the. xp-eni The, 'tostt ..t·o gO,ofl f~eA. clean combinstion VlithoTd, this habdt. 18 w,eD.rr.. t -~ ... ~!rI .. ~r,1 ~ 3¥Od ·.wttbes9. u,. A' y.''word!~t~tiSti~ wise ie sufficient-·n , ., "" } ". ':_'·~·i :;c
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