Velvet Revolver - Libertad

from Velvet Revolver - Libertad
Let It Roll
Words and Music by Scott Weiland, Duff McKagan, Matt Sorum, Dave Kushner and Slash
C5
G5
D5
A5
Eb
7fr
134
Ab
34
13
11
1333
1333
Bb5
F5
G5
D5
III
4fr
1342
5fr
1333
134
134
134
5fr
1342
Db5
5fr
1342
6fr
134
B5
4fr
134
134
Intro
Fast q = 208
Play 3 times
* E5
Eb5
Ab5
G5
D5
End Riff A
mf
A5
Riff A
Gtr. 1 (dist.)
D5
12
11
10
10
10
*Chord symbols reflect implied harmony.
Gtr. 1: w/ Riff A (5 times)
Eb5
D5
A5
Ab5
G5
Oh,
**Gtr. 2 (dist.)
Eb
E5
yeah.
Rhy. Fig. 1
8
8
8
6
X
X
X
X
7
7
7
5
7
7
7
5
X
X
X
X
Ab
X
X
X
X
5
6
6
4
7
7
7
9
9
9
7
X
X
X
X
6
7
7
5
**Doubled throughout
Ab
6
7
7
5
X
X
X
X
5
6
6
4
X
X
X
X
4
5
5
3
Eb
7
7
7
5
9
9
9
7
X
X
X
X
X
X
X
X
7
7
7
5
7
7
7
5
X
X
X
X
8
8
8
6
6
7
7
5
X
X
X
X
4
5
5
3
Copyright 2007 Chrysalis Music, Ready Set Go Publishing, Pimp Music, Dracsorum Music, DTK Music and Slash And Cash Publishing
All Rights for Ready Set Go Publishing, Pimp Music, Dracsorum Music and DTK Music Administered by Chrysalis Music
All Rights Reserved Used by Permission
End Rhy. Fig. 1
7
7
7
5
1
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 2: w/ Rhy. Fig. 1
Eb
Riff B
Gtr. 3 (dist.)
Ab
Eb
mf
Ab
Verse
Gtr. 3 tacet

1. Shes
the
one
with
lips
like
can
dy,
can
dy.
D5
End Riff B
Gtr. 3
Rhy. Fig. 2A
Gtr. 4 (dist.)
mf
1
2
2
0
Gtr. 1
1
2
2
0
1
2
2
0
1
2
2
0
1
2
2
0
1
2
2
0
1
2
2
0
1
2
2
0
1
2
2
0
1
2
2
0
1
2
2
0
1
2
2
0
1
2
2
0
1
2
2
0
1
2
2
0
1
2
2
0
End Rhy. Fig. 2A
1
2
2
0
1
2
2
0
Rhy. Fig. 2
3
2
0
End Rhy. Fig. 2
2
2
0
3
2
0
Gtrs. 1 & 4: w/ Rhy. Figs. 2 & 2A (3 times)

Like
2
Sorgdal
dog,
well,
Im
com
ing
run
ning.
D5
She
got
eyes
told
me
that
burn
right
her
name,
calls
her
Chorus
C5
Rhy. Fig. 3
Gtr. 1
self
Can
G5
D5
Cant
burn
her
out
of
my
5
5
5
3
5
5
5
3
5
5
5
3
5
5
5
3
5
5
5
3
5
5
5
3
5
5
5
3
5
5
5
3
3
3
4
5
5
3
X
X
X
X
X
X
Eb
Ab

Rhy. Fig. 4
9
9
9
7
X
X
X
X
8
9
8
6
X
X
X
X
7
7
7
5
7
7
7
5
X
X
X
X
6
7
7
5
X
X
X
X
X
X
X
X
4
5
5
3
5
6
6
4
7
7
7
5
dy,
Can
dy.
7
7
7
5
7
7
7
5
7
7
7
5
drink
her
off
of
my
Eb5
7
7
7
5
7
7
7
5
7
7
7
5
7
7
7
5
A5
7
7
7
5
She
mind.
5
5
6
7
7
5
X
X
X
X
X
X
9
9
9
7
7
7
7
5
7
7
7
5
7
7
7
5
7
7
7
5
Ab
D
End Rhy. Fig. 3
me.
D5
through
head,
me,
Gtr. 2
through
D5
9
9
9
7
X
X
X
X
8
8
8
6
X
X
X
X
7
7
7
5
7
7
7
5
X
X
X
X
6
7
7
5
Let
it
X
X
X
X
X
X
X
X
4
5
5
3
5
6
6
4
End Rhy. Fig. 4
7
7
7
5
Gtrs. 1 & 2: w/ Rhy. Fig. 1

Gtr. 3: w/ Riff B
roll.
Eb
Ab
Let
it

roll.
Eb
Ab
G D
2. She
3
Sorgdal
Verse
* E5

got
head
that
makes
you
Gtr. 1
2
2
0
more
of
her.
w/ bar
grad. dive
0
0
She
got
Gtrs. 1 & 4
-1
E5
0
0
*Chord symbols implied by bass, next 7 meas.
hairs
that
makes
you
want
more
of
-2 1/2
D5
it.
D5
**fdbk.
w/ heavy chorus
think
mf
Pitch: G
**Microphonic fdbk., not caused
by string vibration.
Gtr. 5 (dist.)
3
2
0
3
2
0
3
2
0
Gtr. 5
w/ bar
0
0
0
0
-2 1/2
slack

Gtr. 5 tacet
Lip
stick
than
quite
in
4
Sorgdal
smile
more
sane,
that
tastes
of
cher
that
makes
you
want
ry
bran
her
bad
D5
dy.
ly.
Shes
D5
Chorus
Gtr. 1: w/ Rhy. Fig. 3 (2 times)
C5
G5
D5
A5
Gtr. 2
Cant
burn
her
out
of
my

Riff C
Gtr. 6 (slight dist.)
head,
mf
9
X
7
7
X
5
7
X
5
X
X
X
End Rhy. Fill 1
drink
her
off
of
Rhy. Fill 1
my
mind.
11
X
9
14
X
12
14
X
12
X
X
X
13
X
11
Eb
Ab
End Riff C
13
X
11
11
12
X
10
12
X
10
11
X
9

13
Ab
11
X
9
Gtr. 2: w/ Rhy. Fill 1
G5
D5
head,
Cant
burn
her
out
of
my
E Eb D
Gtr. 6: w/ Riff C
C5
Eb
A5
mind.
drink
her
off
of
my
Eb D
Ab
G D
Let
Gtr. 6
7
X
5
it
Eb
Ab
Da,
ba,
ba,
ba,
F5
C5
ba, da,
5
X
3
5
X
3
X
X
X
9
X
7
Can - dy
O.
Eb
ya,
ba,
Ab
G D
ba,
G D
roll,
Interlude
Bb5
Gtr. 2
Ab
G5 III
D5 V
ba, da,
ba,

7
X
5
7
X
5
X
X
X
11
X
9
5
Sorgdal
Can
dy,
Can
dy, Can
B5
11
C5
Db5
Bb5
dy,
Can
dy,
Can
(cont. in notation)
A5
dy
15
14
13
12
11
10
17
16
15
14
13
12
Guitar Solo
Gtr. 4: w/ Rhy. Fig. 2A (4 times)
Gtr. 6 tacet
D5
Gtr. 2 tacet
O.
mf
1
Gtr. 2
0
0
1/4
1/2
1/4
2
2
Gtr. 7 (dist.)
Spoken:
Can
dy
burn - ing,
D5

Can - dy
1/2
6
Sorgdal
2
2
0
2
2 3 2 0
2
2
1 1/2
1 1/2
1/4
2
X
X
X
X
1 1/2
- ing.
burn
D5
1 1/2
D5
Burn.
5
6
7
0
Chorus
F/A
8v a
Gtr. 7
11
Cant
burn
her
out
of
my
15
1
1
2
3
0
11
14
12
head,
14
12
14
16
15
12
14
12
14
15
12
14
14
12
drink
her
off
of
my
mind.
3
1
0
2
3
3
3
0
0
2
3
grad. bend
12
A/C#
12
15
15
*Gtrs. 1 & 2
1 1/2
1
17
2
3
2
0
2
2
4
*Composite arrangement
7
Sorgdal
A5
Gtr. 6
dy,
Gtr. 7
Can
dy, Can
dy,
22
22
18
D5
10
11
12
13
14
15
17
12
13
14
15
16
17
19
3
3
1
4
4
2
5
5
3
6
6
4
9
9
9
7
7
7
5
Gtr. 6 tacet
Ab
roll.
8v a
C#5
dy,
Let
it
Eb
Ab
Eb
2
2
0
C5
17
2
2
4
dy, Can
Gtrs. 1 & 2
16
Can
15
B5
Can
15
A#5
15
8v a
Gtr. 7
roll,
Can
dy
Can
dy
22
Gtr. 6
17
19
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (3 times)
Eb
O.
8v a
Gtr. 7
22
8
Sorgdal
Ab
Let
it
roll,
Eb
Ab
Gtr. 3: w/ Riff D (2 times)
Eb
12
12
14
12
13
15
12
15
Let
it
roll,
12
12
15
15
12
15
15
12
15 12
Gtr. 7
Eb
Ab
15 12
12 15 12
14
12 15 12
14
12 15
12 15
14
Gtr. 3
14
12
13
12
12
12
12
14
12 15
12
15 12
14
12
14 12
14
O.
dy
14
14
Can
1/2
14
12
14
Ab
14
15
12
15 12
12
Eb
15
12 15
12
15
12 15 12
Eb
End Riff D
12
15
12
12
Ab
Gtr. 7
15
Riff D
Gtr. 3
Ab
Gtr. 7
O.
12
14
12
12
14
12
14
13
12
10
10
10
w/ heavy reverb
9
Sorgdal
She Mine
G5
A5
Bb5
5fr
134
Intro
Moderately q = 132
134
F5
D5
6fr
134
C5
5fr
134
134
134
***A5
*Gtr. 3 (slight dist.)
pp
mp
End Riff A
mf
*Bkwds. gtr. arr. for gtr.

Fade in
Gtr. 1 (dist.)
Riff A
**Gtr. 2 (dist.)
pp
mf
w/ bar
**w/ random fdbk. throughout

***Chord symbols reflect implied harmony.
Fade in
Gtr. 3: w/ Riff A
Gtr. 1
-1/2
Gtr. 1 tacet
G5
Gtr. 4 (dist.)
( )
mf
grad. dive
0
0
0
0
Gtr. 2
w/ bar
+1/2
0
0
-1
( )
w/ bar
2
0
2
0
-3/4
-1/2
1
Sorgdal
( )
w/ bar
0
0
0
0
-1/2
( )
w/ bar
w/ bar
2
0
2
0
2
0
-1
(cont. in slashes)
A5
w/ bar
0
0
X
X
X
-3/4
w/ bar
Harm.
2
0
2
0
2.25
2.25
2.25
*Harm. located approx. one-fourth the
distance between the 2nd & 3rd frets.
Pitches low to high: E-A-D.
-1/2
G5 A5
G5 A5
Bb5
A5
G5 A5
Gtr. 4
Rhy. Fig. 1
Gtr. 2
Rhy. Fig. 1A
5
5
6
7
7
2
Sorgdal
X
X
X
X
X
X
X
X
4
5
5
6
7
7
7
8
8
6
7
7
4
5
5
6
7
7
X
X
X
X
G5 A5

X
X
X
X
4
5
5
6
7
7
G5 A5
X
X
X
X
X
X
X
X
4
5
5
6
7
7
Bb5
7
8
8
A5
6
7
7
G5 A5
4
5
5
6
7
7
X
X
X
X
X
X
X
X
G5 A5
G5 A5
Bb5
Gtr. 5 (dist.)
A5
G5 A5
G5 A5
G5 A5
Bb5
A5
G5 A5
End Rhy. Fig. 1A
mp
8
10
10

Riff A
Gtr. 6 (dist.)
10

Gtr. 2
4
5
5
6
7
7
X
X
X
X
X
X
X
X
4
5
5
10
w/ slide
10
10
6
7
7
7
8
8
6
7
7
4
5
5
6
7
7
X
X
X
X
4
5
5
6
7
7
X
X
X
X
X
X
X
X
4
5
5
10
10
End Riff A
6
7
7
7
8
8
6
7
7
A5 B5
C5

X
X
X
X
11
10
mf
11
10
End Rhy. Fig. 1
5
6
7
7
4
5
5
5
6
7
7
Verse
1st time, Gtrs. 4, 5 & 6 tacet

2nd time, Gtr. 6 tacet
*A5 B5
A5 B5
B5
A5 B5
1. Love
2. Cool
C5
songs
kids
keep
keep
mf
12
10
pump - in on my ra - di - o.
mov - in as the car ex - plodes.
A5 B5
You
split on
Roll a - round on
B5
Mon
Sun
12
10

Gtr. 2

day,
day.
**w/ wah-wah
P.M.
A5 B5
P.M.
9 10 9
9 10 9

**Used as filter.
3
Sorgdal
A5 B5
A5 B5
C5
B5
A5 B5
took
your
ma - chine
Du - al di - ag - no -
A5 B5
that kept, uh, me a - float.

sis is the way to
go,
12
10
12
10
B5
Tues
can
9 10 9 7
P.M.
day.
dy.
A5 B5
P.M.
C5
Now youre back, its

pop - ping pills like
A5 B5
Pre-Chorus
Gtr. 7 tacet
2nd time, Gtr. 4: w/ Fill 1
call it

Gtr. 2
wah-wah off
5
5
3
Gtr. 4
5
5
5
3
5
5
3
5
5
3
5
5
3
love
in
san
0
0
5
5
3
4
4
2
0
0
4
4
2
0
0
4
4
2
0
0
5
5
3
0
0
5
5
3
4
4
4
2
4
4
4
2
4
4
4
2
4
4
2
4
4
2
4
4
2
0
0
4
4
2
0
0
4
4
2
Fill 1
Gtr. 4
1
2
2
0
1
2
2
0
0
0
1
2
2
0
X
X
X
X
X
X
X
X
0
0
1
2
2
0
2
2
0
4
Sorgdal
0
0
1
2
2
0
0
0
1
2
2
0
0
0
1
2
2
0
0
1
2
2
0
0
4
2

let ring
P.M.
X
X
X
X
X
X
X
X
1
2
2
0
1
2
2
0
2
2
0
1
2
2
0
2
2
0
0
1
2
2
2
2
0
let ring
ty.

0
0
5
5
3
0
4
2
0
4
2
0
4
2
0
4
2
X
X
X
X
X
X
X
X
0
4
2
0
4
2
let ring
0
1
2
2
0
0
0
call it
my
re

5
5
3
5
5
3
5
5
3
5
5
3

0
0
5
5
3
0
0
5
5
3
5
5
5
3
5
5
5
3
0
0
5
5
3
0
0
5
5
3
5
5
5
3
4
4
4
2
4
4
4
2
al
4
4
2
0
0
4
4
2
4
4
2
4
4
2
4
4
2
4
4
4
2
4
4
4
2
ty.
0
0
4
4
2
0
0
4
4
2
0
0
4
4
2
4
4
4
2
X
X
X
X
She

1
2
2
0
X
X
X
X
0
0
1
2
2
0
1
2
2
0
1
2
2
0
grad. bend

0
0
1
2
2
0
0
0
1
2
2
0
0
0
1
2
2
0
0
0
1
2
2
0
0
0
1
2
2
0
P.M.
2
2
0
2
2
0
3/4

2
2
0
1/2
2
2
0
1/4
2
2
0
2
2
0
2
2
0
2
2
0
2
1
3
2
3
2
Chorus
Gtrs. 2 & 4: w/ Rhy. Figs. 1 & 1A
Bb
mine.
G A
Mine,
all
Bb
mine.

She
T o Coda
Gtr. 5: w/ Riff A
Bb
Mine,
all
G A
mine.
Fill 2
Gtr. 4
2
2
0
G A
Bb
G A
mine.
5
Sorgdal

Interlude
A5 B5
A5 B5
C5
B5
D.S. al Coda
A5 B5
A5 B5
Gtr. 6
10
A5 B5
C5
B5
A5 B5
10

Gtr. 2
mp
w/ wah-wah
P.M.
mf
P.M.
P.M.
10 9
10 9
Coda
Bridge
F5
Rhy. Fig. 2
Gtr. 2
G5
D5
C5
End Rhy. Fig. 2
While a
12
X
10
14
X
12
Gtr. 4
2
3
3
1
6
Sorgdal
way,
14
X
12
11
X
9
(Oo.
Gtr. 5
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
11
12
X
10
let ring
3
2
0
3
2
0
3
2
0
3
2
0
11
X
9
9
X
7
0
2
3
G5
our
old mis
oh,
14
X
12
takes
14
X
12
14
X
12
14
X
12
11
X
9
let ring
1
2
3
3
1
C5
Oo.
Dsus2
0
3
0
X
3
14
X
12
14
X
12
14
X
12
let ring
3
2
0
14
X
12
2
3
2
0
3
2
0
0
2
3
G5
Dsus2
break
the
fray.
Oo.
Gtr. 7
let ring
14
15
12
15
14
15
12
15
14
15
12
15
14
15
12
15
14
14
X
12
14
X
12
14
X
12
14
X
12
11
X
9
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
2
3
2
0
Gtr. 5
Gtr. 4
1
2
3
3
1
15
12
15
14
15
12
15
let ring
2
3
2
0
7
Sorgdal
C5
F5
Gtr. 2
C5
Change.
12
15
15
14
12
15
15
14
X
12
14
X
12
14
X
12
14
X
12
14
X
12
14
X
12
14
X
12
14
X
12
2
3
3
1
2
3
3
1
2
3
3
1
let ring
0
6
let ring
Oo.)
let ring
14
let ring
5
5
3
5
5
3
5
5
3
5
5
3
5
5
3
5
5
3
(cont. in slashes)
5
5
3
Guitar Solo
Gtrs. 2 & 5 tacet
Gtr. 4
G5 A5

Gtr. 6
Gtr. 7
w/ bar
steady dive
G5 A5
w/o slide
w/ heavy reverb
1/2
G5 A5
Gtr. 4 tacet
*A5
1/2
-1
Sorgdal
5
5
Bb5
A5
1/2
G5 A5
1/2
G5 A5
1/2
10
10
Gtr. 7 tacet
G5
A5
G5 A5
Bb5
A5
G5 A5
G5 A5
G5 A5
Bb5
Gtr. 4
P.S.
10
1/2
Gtr. 2
1/2
1
10
5
8
She
Gtr. 6
7
7
1/2
1/2
1
1
7
7
7
7
(77)
15ma
Harm.
*
2.6
2.6
*Harmonic located six-tenths the
distance between the 2nd & 3rd frets.
Pitches low to high: C-F.
Chorus
Bb
mine.
Mine,
all
(She
Bb
Gtr. 6: w/ Riff B (6 times)
G A
mine,
Bb
She
Riff B
mine.
End Riff B
w/ slide
heavy reverb off
mine.
all
She
mine.

steady gliss.
Gtr. 6
mine,
Mine,
all
mine.
G A
Bb

She
all
mine.
9
Sorgdal
G A
G A
Bb
mine.
Mine,
(Love
songs
keep
She
pump
in
on
the
ra - di - o.
G5 A5
Bb5
Cool
kids
keep
She
Gtr. 2
4
5
5
10
Sorgdal
6
7
7
G A

She
You
split
on
Mon
day.
A5
G5 A5
mine.
Bb
mine.
Gtr. 4

mine.
G5 A5
G A
all
mov
in as
Mine,
all
X
X
X
X
X
X
X
X
7
8
8
6
7
7
4
5
5
6
7
7
X
X
X
X
A5
G5 A5
X
X
X
X
Sun
day.)
all
Roll a - round on
6
7
7
Bb5
mine.
mine,
4
5
5
the car ex - plodes.
G5 A5
G5 A5
mine.)

4
5
5
6
7
7
X
X
X
X
X
X
X
X
4
5
5
6
7
7
7
8
8
6
7
7
4
5
5
6
7
7
6
7
7
Get Out the Door

B5
A5
9fr
Drop D tuning:
(low to high) D-A-D-G-B-E
333
D5
F#5
7fr
G#5
4fr
111
111
A#5
4fr
8fr
333
111
111
Intro
Moderate Rock q = 130
A5
B5
D5 E5 D5
X
X
X
X
X
X
Gtr. 1 (dist.)
mf
7
7
7
9
9
9
A5
12 14 12
12 14 12
12 14 12
7
7
7
B5
9
9
9
D5
9
9
9
X
X
X
E5 D5 A5
12 12 14 12
12 12 14 12
12 12 14 12
Gtr. 1 tacet
B5
D5 E5 D5
A5
E5 D5 A5
7
7
7
D5
Rhy. Fig. 1
*Gtr. 2 (dist.)
B5
mf
7
7
7
9
9
9
End Rhy. Fig. 1
X
X
X
X
X
X
12 14 12
12 14 12
12 14 12
7
7
7
9
9
9
9
9
9
X
X
X
12
12
12
12
12
12
14 12
14 12
14 12
7
7
7
*Two gtrs. arr. for one.
B5
X
X
X
9
9
9
9
9
9
D5 E5 D5
A5
Gtr. 2
9
9
9
X
X
X
12 14 12
12 14 12
12 14 12
7
7
7
B5
D5
9
9
9
X
X
X
12
12
12
E5 D5 A5
12
12
12
14
14
14
12
12
12
7
7
7
B5
D5 E5 D5
X
X
X
12 14 12
12 14 12
12 14 12
A5
B5
D5
E5 D5 A#5
X
X
X
9
9
9
7
7
7
9
9
9
X
X
X
12
12
12
12
12
12
14
14
14
12
12
12
8
8
8
Verse
B5
1. Come
2. Like
9
9
9
9
9
9
9
9
9
on
Trans
clos
- form
er,
ers,
F#5
G#5
wont
girl,
you
theres
tell
more
me
than
what
meets
you
the
got.
eye.
mp
6
6
6
6
6
6
6
6
6
4
4
4
A#5
8
8
8
1
Sorgdal
B5
F#5

Wait
a
An - oth - er
9
9
9
9
9
9

min - ute,
beer and
girl, youre
then
I
feath - ers
to
An - gel - os
and
and
fro.
Toms.
6
6
6
6
6
6
6
6
6
Pre-Chorus
B5
(1.) door.
(2.) vard.
Ive

string
noise
X
X
9
9
9
9
9
9
8
8
8
6
6
6
6
6
6
that youre not.

end
up
buy - in.
0
0
0
9
9
9
9
9
9
9
9
9
road
be
fore.
cit - ies scream - ing,

cit - y screams, its
X
X
X
9
9
9
9
9
9
9
9
9
8
8
8
F#5
G#5
6
6
6
6
6
6
4
4
4
C#5
D5
so
A5
long
with
X
X
X
2
2
2
4
4
4
4
4
4
X
X
X
12
12
12
12
12
12
A5
B5
11
11
11
X
X
X
4
4
4
A5
you walked up
Sun - set
to
my
Bou - le -
X
X
X
miles
and
miles
of
7
7
7
9
9
9
9
9
9
X
X
X
12
12
12
14
14
14
14
14
14
7
7
7
E5
End Rhy. Fig. 2
D5
0
0
0
B5
driv - ing
full
of
D5
when
of
Big
The
Rhy. Fig. 2
F#5
hit
it
dan - ger
this
D5
Mm, brass in
pock - et, thought you
Nev - er
un - der - es - ti - mate the
down
C#5
14
14
14
B5
14
14
14
A#5
12
12
12
B5
X
X
X
F#5
E5
F#5
some - thing
might, a,
D5
D5
been
Rhy. Fig. 3
A#5
4
4
4
G#5
G#5
X
X
X
2
2
2
A5
Get
out
the
Oh.
freaks
4
4
4
4
4
4
X
X
X
12
12
12
2
Sorgdal
11
11
11
12
12
12
End Rhy. Fig. 3
X
X
X
7
7
7
9
9
9
steady gliss.
9
9
9
7
7
7
Chorus
1st time, Gtr. 2: w/ Rhy. Fig. 1 (3 times)

2nd time, Gtr. 2: w/ Rhy. Fig. 1 (4 times)
3rd time, Gtr. 2: w/ Rhy. Fig. 1 (3 1/2 times)
B5
D5 E5 D5
door.
Riff A
Gtr. 3 (dist.)
A5
Get
out
10
mf
D5
door.
A5
Gon
na
End Riff A
12
10
End Riff A1
Gtr. 4 (dist.)
E5
Riff A1
D5
the
mf
B5
Gtrs. 3 & 4: w/ Riffs A & A1 (3 times)
B5
kick
you
when
B5
D5
D5
D5
E5
E5
saw
what
you
D5
door.
A5
B5
were
pack
B5
D5
kick
you
when
Gtr. 2
9
9
9
X
X
X
12
12
12
E5
14
14
14
A5
B5
Get
out
the
To Coda 2
A5
saw
what
you
were
pack
12
12
12
X
X
X
7
7
7
ing,
gon
na
kick
D5
E5
D5
A5
it
out
the
E5
door.
D5
D5
B5
9
9
9
D5
A5
Gon
ing,
gon
9
9
9
X
X
X
D5
E5
D5
na
kick
it
out
na
To Coda 1
A#5
the
(2nd time, cont. in slashes)
12
12
12
12
12
12
14
14
14
12
12
12
8
8
8
3
Sorgdal
Interlude
D.S. al Coda 1
B5
F#5
G#5
A#5
B5
F#5
G#5
D5
A#5
door.
Gtr. 5 (dist.)
mf
*w/ phaser & octaver
*Octaver set for one octave below.
Gtr. 2
9
9
9
4
4
4
6
6
6
8
8
8
9
9
9
9
9
9
4
4
4
6
6
6
6
6
6
0
0
0
X
X
X
8
8
8
Coda 1
Interlude
B5
A5
B5
A5
B5
A5
B5
D5

Rhy. Fig. 4
Gtr. 2
door,
oh,
Riff B
Gtr. 6 (dist.)
mf
ah,
w/ talk box

Gtr. 6: w/ Riff B
B5
A5
B5
A5
B5
A5
ow,
B5
oh,
Gtr. 3
End Riff B
A5
End Rhy. Fig. 4
D5
A5
ah,
ow,

9
10
4
Sorgdal
Bridge
B5
oh.
Ive
A5
been
down
this
road
10
11
10
11
X
X
Riff C
B5
miles
9
9
9
9
9
9
B5
X
X
5
6
7
7
7
7
X
X
A5
B5
3
4
5
6
5
6
X
X
D5
and
miles
of
freaks
be
fore.
3
4
5
6
5
6
X
X
7
7
9
9
9
9
X
X
5
6
7
7
7
7
X
X
A5
think
strong
stop
and
9
9
9
9
9
9
B5
7
7
7
9
9
9
9
9
9
A5
B5
9
9
9
7
7
7
D5
A5
could
been
so
wrong,
so
9
9
9
9
9
9
7
7
7
9
9
9
9
9
9
0
0
0
9
9
9
9
9
but
End Riff C
A5
9
9
er
A5
9
9
9
9
9
nev
9
9
9
9
9
with
X
X
7
7
long
10
11
Gtr. 2
10
11
Think
so
B5
A5
Gtr. 3: w/ Riff C
B5
X
X
X
(cont. in slashes)
7
7
7
5
Sorgdal
Guitar Solo
B5
Gtr. 2
G#5
wrong.
F#5
A#5
B5
F#5
G#5
D5
12
12
14
14
B5
21
15
16
0
0
9
11
11
15
16
15
16
F#5
G#5
15
16
15
16
12
13
12
13
12
A#5
D5
A5
B5
D5
E5
9
9
7
7
7
7
7
7
15
12
12
F#5
12
13
12
13
12
13
12
13
10
11
10
11
10
11
10
11
9
9
9
9
9
9
F#5
C#5
15
12
13
B5
G#5
12
14
14
Gtr. 6
A#5
15
15
16
16
D5
A5
2
1
16
15
14
14
21
D.S.S. al Coda 2
B5
D5
E5
F#5
19
Sorgdal
19
A5
B5
D5 E5 D5
1 1/2
C#5 D5
19
17
1/2
17
17
17
17
Gtr. 6 tacet
17 15 17
15
16
16
A5
B5
D5
E5 D5 A5
Get out the
Coda 2
B5
A#5 B5 A5
B5
D5
A#5 B5 A5
B5
D5
A#5 B5 A5
B5
D5
A#5 B5 A5

Rhy. Fig. 5
End Rhy. Fig. 5
Gtr. 2
pack - ing, gon - na kick
out the
door,
oh,
(Get out the

Screamed: (Get out the
it
door.
door.
Gon - na
kick you when I
saw what you were
Riff D
Gtr. 6
End Riff D
(cont. in slashes)
Gtr. 2
9
9
9
9
9
9
9
9
9

Gtr. 6: w/ Riff D
B5
9
9
9
9
9
9
8
8
8
D5
A#5
9
9
9
Gtr. 2
B5
D5
kick
it
Get
out
out
the
the
door.
door.
A#5
B5
A5
kick
you
when
Gtr. 6
B5
A5
B5
saw
what
you
were
B5
Get
out
the
door.
A#5
B5
A5
pack - ing,
D5
D5
gon - na
B5
A#5 B5
A5
Gon - na
ow.
kick
you
out
the
oh,
D5
A#5
ah,
ow,
gon - na
B5
A5
pack - ing,
B5
ah,
7
7
7
door.)
7
Sorgdal
She Builds Quick Machines

F
G
5fr
7fr
132
132
Drop D tuning:
(low to high) D-A-D-G-B-E
Intro
Moderately q = 150
C5 D5
C5 D5
C5 D5
B5 D5
B5 F5
C5 D5
Rhy. Fig. 1
Gtr. 1 (dist.)
C5 D5
C5 D5
B5 D5
B5 F5
End Rhy. Fig. 1
mf
10
10
10
10
10
10
12
12
12
10
10
10
0
0
12
12
12
0
0
10
10
10
12
12
12
9
9
9
12
12
12
9
9
9
0
0
3
3
3
3
12
12
12
0
0
10
10
10
12
12
12
0
0
10
10
10
12
12
12
9
9
9
12
12
12
9
9
9
0
0
3
3
3
3
C5 D5
C5 D5
C5 D5
B5 D5
B5 F5
C5 D5
C5 D5
C5 D5
B5 D5
B5 F5
Gtr. 2
(dist.)
mf
10
10
12
Gtr. 3 (dist.)
* pp
10
10
10
12
12
12
10
10
10
0
0
12
12
12
9
9
9
12
12
12
9
9
9
0
0
3
3
3
3

10
10
10
12
12
12
0
0
10
10
10
12
12
12
0
0
10
10
10
12
12
12
9
9
9
12
12
12
0
0
9
9
9
3
3
3
3
*Fade in
C5 D5
C5 D5
C5 D5
B5 D5
B5 F5
C5 D5
Rhy. Fig. 2
**Gtrs. 2 & 3
10
12
12
12
C5 D5
B5 D5
B5 F5
End Rhy. Fig. 2
1010
C5 D5
0
0
10
10
10
12
12
12
0
0
10
10
10
12
12
12
9
9
9
12
12
12
0
0
9
9
9
3
3
3
3
10
10
10
12
12
12
0
0
10
10
10
12
12
12
0
0
10
10
10
12
12
12
9
9
9
12
12
12
0
0
9
9
9
3
3
3
3
**Composite arrangement
1
Sorgdal
Verse
* C5 D5
C5 D5
C5 D5
B5 D5
1. Hold
Riff A
Gtr. 2
fast,
B5 Dm
lit - tle
10
10
C5 D5
C5 D5
C5 D5
B5 D5
off.
Punch
12
strong,
let
10
it
roam.
10
B5 Dm
End Riff A
12
Riff A1
Gtr. 3
End Riff A1
P.M.
P.M.
Gtr. 3: w/ Riff A1 (3 times)
C5 D5
C5 D5
C5
D5
B5
D5
Eyes
Gtr. 2
Riff B
cold
B5
10
C5 D5
as
10
Dm
the
C5 D5
C5
D5
B5
snow.
She
12
B5
Dm
quick
built
D5
10
dream.
10
12
10
10
End Riff B
Gtr. 2: w/ Riff A
C5 D5
C5 D5
C5
D5
B5
Sis
C5 D5
C5 D5
C5
D5
B5
D5
ter
keep
D5
Shes
Gtr. 2
Riff C
10
2
Sorgdal
B5
Dm
her
B5
mo - tor
10
12
to
C5 D5
C5 D5
clean.
Dm
al - ways quick
C5
D5
B5
D5
Sol - id
C5 D5
C5 D5
C5
D5
B5
fight.
B5
Dm
vi - sions and
wet
D5
B5
ma - chine.
Dm
Well break her through to - night.
10
10
12
12
14
Pre-Chorus
Half-time feel
A5
G5
C5
can feel
it when you
push
pp
Gtr. 2 tacet
G5
C5
straight
down.
Gtr. 2
A5
End Riff C
14
Riff D
End Riff D
mf
let ring throughout
3
Gtr. 3
Rhy. Fig. 3
7
7
5
5
10
10
10
10
7
7
5
5
10
10
10
10
*w/ echo set for quarter-note regeneration w/ 1 repeat, till Chorus.
End half-time feel
Gtr. 4: w/ Riff D
A5
G5
C5
I
Gtr. 3
7
7
Chorus
5
5
10
10
10
10
C5 D5
C5 D5

Roll
Rhy. Fig. 4
10
10
10
10
12
12
12
12
C5 D5

C5 D5
Right
B5 D5
in
B5
when they
12
12
9
9
12
12
B5 D5

my
sight,
keep
C5 D5
B5
F5
their
7
7
5
5
3
3
C5 D5

3
3
C5 D5

C5 D5
Right,
it through to - night.
10
10
12
12
10
10
10
10
12
12
C5 D5

Ill
B5 D5
smash
End Rhy. Fig. 3
B5
F5
keep it through to - night.
10
10
12
12
C5 D5
right
5
5
right,
10
10
G5
10
10
C5 D5
ground.
F5
3
3
F5
stood
10
10
G5
10
10
it
10
10
10
10
could feel
o - ver right,
C5 D5
A5
9
9
12
12
B5 D5

through
End Rhy. Fig. 4

3
3
your
B5 F5
spot
3
3
light.
3
Sorgdal
Verse
Gtrs. 2 & 3: w/ Riffs A & A1
C5 D5
C5 D5
C5
B5
2. She
ran
Gtr. 2: w/ Riff B
C5 D5
C5 D5
C5 D5
D5
ex
in
C5 D5
Dm
to
Tex
C5
as
B5 Dm
Veg
C5 D5
At
as
B5
Dm
dont
back
all
night
B5 D5
the
sex
show,
D5
keep
a - way
B5 D5
B5
Dm
the
ex
D5
so
far
C5 D5
C5 D5
End Riff E
B5
from
home.
B5
dashed
C5 D5

D5
C5 D5
cess.
B5 Dm
as.

1
3
C5 D5
to
C5 D5

C5 D5
Tex
B5
P.M.
D5
C5
B5 Dm
C5
C5 D5
C5 D5
P.M.
3
D5
burned through in - her - it - ance,
C5 D5
B5 D5
She
C5
Gtr. 2: w/ Riff C
Gtr. 3
B5 D5
Gtr. 2: w/ Riff A
Gtr. 3: w/ Riff E
B5
P.M.
C5 D5
a - way
Old
D5
C5 D5
Gtr. 3 Riff E
D5
a - cross
Dm
A - mer - i - ca.
B5 D5
B5 Dm
Pre-Chorus
Half-time feel
A5
G5
C5
A5
can
feel
it
when
you
push
A5
could
feel
it
when
they
stood
G5
C5
straight
down.
*w/ echo as before.
A5
G5
C5
G5
F5
their
ground.
End half-time feel
G5
Chorus
C5 D5
C5 D5

C5 D5
Roll
o - ver
Voc. Fig. 1
(Ah,
Sorgdal
B5
F5
C5 D5

C5 D5
Right,
ah,
C5 D5

B5 D5
right,
17
keep
8v a
15
keep
ah,
Fill 1
Gtr. 6
right,
B5 D5
ah.)
B5
F5
End Voc. Fig. 1
Bkgd. Voc.: w/ Voc. Fig. 1
C5 D5
C5 D5
Right
Gtr. 3
in
my
10
10
10
10
12
12
C5 D5
T o Coda
B5 D5
sight,
12
12
F5
Ill
10
10
12
12
9
9
12
12
10
10
10
0
0
Interlude
D5
12
12
12
0
0
10
10
10
12
12
12
9
9
9
12
12
12
3
3
0
0
3
3
9
9
9
3
3
3
3
10
10
12
12
C5 D5
smash
10
10

12
12
12
10
10
Gtr. 2
10
10
10
C5 D5
C5 D5
10
10
10
10

B5
right
B5 D5

through
12
12
10
10
10
10
12
12
9
9

F5
your
10
10
10
10
12
12
spot - light.
0
0
3
3
10
10
10
0
0
12
12
12
10
10
10
0
0
12
12
12
10
10
10
12
12
12
9
9
9
12
12
12
0
0
3
3
Ah.
Gtrs. 2 & 3
0
0
Bridge
Gtrs. 2 & 3 tacet
D5
Gtr. 4
Riff F
mp
What
you
give
is
what
you
12
X
10
9
X
7
**
take.
End Riff F
*w/ delay
5
X
3
7
5
11
11
11
9
*Set for quarter-note regeneration w/ 1 repeat.

Gtrs. 2 & 3
0
0
pp
7
7
mf
7
7
**w/ echo as before, next 32 meas.
5
Sorgdal
Gtr. 4: w/ Riff F
Dsus4
What
you
8
7
bleed
8
7
8
7
is
what
you
8
7
7
7
Dsus4
fdbk.
Gtr. 5

5
X
3
Gtr. 5
8
7
fdbk.
8
7
12
X
10
14
12

8
7
6
Sorgdal
11
Id
steal
7
7
11
X
9
7
7
17
X
15
7
7
7
7
0
0
12
11
X
9
10

7
7
7
7
for
14
X
12
you.
19
19
17
17
you.
fdbk.
8
7
8
7
7
7
7
7
15
11
17
for
9
X
7
11
bleed
12
X
10
Dsus4
8
7
Harm.
8
7
break.
I
Gtr. 4

7
7
7
7
C/F
4
X
2
5
5
5
X
3
3
4
take,
D5
Id
5
X
3
Id
3
2
let ring
fdbk.
3
2
*Fingernail of right hand lightly

touches vibrating string.
C/F
G(no3rd)
take,
Id
take,
17
X
15
8
9
17
X
15
8
7
19
19
19
19
19
grad. bend
1/4
1/2
14
X
12
19
1919
3/4
19
19
Id
19
19
17
7
7
19
fdbk.
(cont. in slashes)
7
7
Half-time feel
Gtr. 4 tacet
***F
Rhy. Fig. 5A
Gtr. 5

End Rhy. Fig. 5A
*Voc. Fig. 2
take,
(Ah.)
Id
Rhy. Fig. 5
Gtrs. 2 & 3
End Voc. Fig. 2
take,
Id
End Rhy. Fig. 5
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
*Refers to down-stemmed voc. only.

***See top of first page of song for chord diagrams pertaining to rhythm slashes.
7
Sorgdal
End half-time feel

Gtr. 5: w/ Rhy. Fig. 5A
take,
Id
Gtr. 6 (dist.)
take,
Id
f
1/2
Guitar Solo
D5
C5
D5
C5
D5
C5
D5
C5
D5
C5
B5
take.
Gtr. 6
1/2
1/2
Gtrs. 2 & 3
0
0
D5
1/2
10
10
10
12
12
12
10
10
10
12
12
12
C5
D5
C5
D5
0
0
8
10
10
10
12
12
12
8
8
10
10
10
12
12
12
10
10
10
12
12
12
12
12
12
10
10
10
9
9
9
D5
C5
D5
C5
B5

3
P.M.
hold bend
C5
hold bend
Rhy. Fig. 6
Sorgdal
1/2
1/2
0
0
10
10
10
12
12
12
0
0
10
10
10
12
12
12
0
0
End Rhy. Fig. 6
10
10
10
12
12
12
12
12
12
10
10
10
9
9
9
1/2
P.M.
F5
G5
Gtr. 6

1
P.M.
P.M.
P.M.
P.M.
P.M.
P.M.
3
5
5
5
5
5
5
5
5
5
5
5
5
D5 C5 D5
1/4
9 12
12
10
10
10
10
12
C5 D5
12
10
12
C5
D5
C5 D5
C5
10 10
10 10
B5
1/2
10
13 10
13
12
12 10
12 10 12 10
12
12
12 10
Gtrs. 2 & 3: w/ Rhy. Fig. 5 (1st meas.)
D5 C5 D5
C5
D5
C5
D5
C5
13
B5
F5
8v a
3
1
10
13
12
13
10 12 10
10
13
1/2
13
C5
3
1 1/2
D5
10
13 10
10
12
10
15
13 10
12
12
1/2
13
11
13
14
15
15
13
14 0
D.S. al Coda
G5
15
8v a
Gtr. 6
1/4
13
15
17
15
1 1/2
15
16
15
16
17
1/2
17
10
17
17
15
17
17
1/2
17
17
16
*Played behind the beat.
Gtrs. 2 & 3
F5
3
3
3
3
3
3
3
3
3
3
3
3
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5

5
5
3
3
Coda
Gtr. 2: w/ Rhy. Fig. 1 (last 2 meas.)
C5
D5
C5
Ill
Gtr. 3
D5
smash
10
10
10
10
12
12
C5
D5
right
B5
D5
through
12
12
F5
your
10
10
10
10
spot
light.
10
10
10
10
12
12
9
9
12
12
3
3
3
3
9
Sorgdal
The Last Fight

(E)
(F#7'4) (A'9)
(Dsus2)
(D7)
5fr
Gtr. 3: Tune down 1 step:

(low to high) D-G-C-F-A-D
231
Intro
Moderately slow q = 91
*D
1342
1342
13
2341
Gtr. 1 (elec.)
Riff A
End Riff A
mf
w/ slight dist.
let ring throughout
14
12
15
12
15
14
15
13
12
12
13
12
12
14
15
13
12
12 15
12
14
12
X
12
12 15
12
14
12
12
X
12
14
12
X
12
14
14
14
13
X
13
12
X
12
*Chord symbols reflect basic harmony.
Gtr. 1
10
10
11
14
12
15
12
15
14
15
12
13
12
12
14
13
15
10
12
12
X
12
12
14
14
12
X
12
14
14
3
0
0
X
3
3
2
0
0
Verse
1st time, Gtrs. 1 & 2 tacet
2nd time, Gtrs. 5, 6 & 7 tacet
Asus4
1. Time
2. Time
feels
heals
Riff B
Gtr. 3 (acous.)
B5
(C#5)
like Ive been back in

all of the burned out
0
0
4
0
0
4
0
0
4
0
0
4
6
0
0
4
do - ing
noth - ing
time,
more
let ring
0
0
4
A5 G5
(B5) (A5)
jail,
like when Is
bridg - es filled with
mf
12
12
0
0
1
2
2
** (Bsus4)
10
12
w/ clean tone & amp tremolo
2
3
2
0
12
mf
12
Gtr. 2 (elec.)
13
0
0
4
6
0
4
6
0
0
4
6
0
0
4
6
0
0
4
4
0
2
2
D
(E)
oh, in the
can.
than mis - er - y.
0
2
2
0
X
4
0
2
2
End Riff B
0
0
4
6
Gtr. 4

mf
w/ slight dist.
P.M.
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
4
2
5
5
3
5
3
4
2
4
2
**Symbols in parentheses represent chord names respective to de-tuned guitar.

Symbols above reflect actual counding chords.
4
2
4
2
4
2
4
2
2
0
5
3
5
5
3
5
3
5
5
3
5
3
5
5
3
5
5
3
4
5
4
5
4
5
4
5
4
5
0
4
5
4
5
1
Sorgdal
Gtr. 3: w/ Riff B
Asus4
(Bsus4)
Spend all
wear the
night
mask
on
of the
B5
(C#5)
A5 G5
(B5) (A5)
a
bend - ed
un - bat - tled
knee
son
D
(E)
just
tryn
to
to
beg for
some - thing to
be - lieve.
Rhy. Fig. 1
End Rhy. Fig. 1

P.M.
2
0
2
0
2
0
2
0
Pre-Chorus
E7'4
(F#7'4)
2
0
2
0
4
2
4
5
4
2
4
2
4
2
Left
home
pack
0
0
3
4

0
0
3
4
with
4
2
4
2
4
2
G'9
(A'9)
Gtr. 3
2
0
of
clothes,
5
5
3
5
3
5
5
3
5
3
with - out
5
5
3
G7
(A7)
5
5
3
5
5
3
4
5
4
5
4
5
4
5
fam - i - ly
yeah.
tree,

(cont. in slashes)
0
0
6
7
6
7
4
6
5
5
3
0
0
2
0
2
0

P.M.
Gtr. 4
0
0
6
7
0
0
6
7
0
0
6
7
8
9
8
9
8
9
8
9
0
8
9
8
9
0
8
9
0
8
9
Gtr. 4
P.M.
P.M.
0
2
0
2
0
5
5
3
P.M.
3
5
5
3
5
3
5
5
3
5
3
P.M.
5
5
3
5
5
3
5
3
5
3
5
3
5
5
3
X
X
X
X
X
X
Chorus
Gtr. 1: w/ Riff A
(E)
(F#7'4)
(A'9)
Rhy. Fig. 2
Gtr. 3
This
fight
last
fight,
no
giv
ing
and no
win
ning.
End Rhy. Fig. 2A
P.M.
7
5
2
Sorgdal
the
End Rhy. Fig. 2
Rhy. Fig. 2A

Gtr. 4
could be
(E)
7
5
7
5
7
5
7
5
7
5
7
5
1
2
2
0
X
X
X
P.M.

P.M.
0
0
1
2
2
0
4
5
5
3
P.M.
5
3
5
3
5
3

P.M.
5
3
4
5
5
3
0 0
7
5
7
5
P.M.
7
5
T o Coda
(E)
(F#7'4)
One
time
Gtr. 1
10
10
11
could
14
12
15
be
the
12
15
14
all
(A'9)
15
13
the time
12
12
13
should
12
12
de - cide
to end the
12
12 15
mis
(Dsus2)
15
13
14
we
(E)
12
12
12
12
X X
X X
X X
14
X
14
er - y.
X
X
X
12
12
X
X
5
3
Gtr. 4
P.M.
7
5
7
5
7
5
1
2
2
0
7
5
P.M.
1
2
2
0
1
2
2
0
X
X
X
X
X
X
X
X
let ring
5
5
3

P.M.
5 5 5
3 3 3
5
5
3
X X
X X
X X
7
5
5
3
D.S. al Coda
Interlude
Gtr. 1 tacet
Gtr. 3: w/ Riff B
Asus4
(Bsus4)
*Gtr. 5
B5
(C#5)
A5 G5
(B5) (A5)
14
14
14
14
mf
14
15
14
14
15
14
14
15
*Kybd. arr. for gtr.

Gtr. 6 (elec.)
mf
15
14
14
Gtr. 7 (elec.)
15
14
15
14
14
15
15
17
w/ dist.
D
(E)
16
17
16
15
14
14
15
15
14

mf
**w/ dist. & delay
**Delay set for eighth-note

regeneration w/ 1 repeat.
3
Sorgdal
Coda
Bridge
Gtr. 1 tacet
(F#'4)
of feath - er
and gi
(A'9)
weights
Gtr. 2
(F#'4)
ants.
With the stain,
for - ev - er

Break the chains
(A'9)
last - ing li
ars.
amp tremolo off

let ring throughout
10
Gtr. 4
12
10
7
0 0
0 0
0
3
0
0
X
3
0
0
1
2
2
0
7
10
10
12
w/ amp tremolo
0
0
1
2
2
0
(F#'4)
(D7)

Theyre a - fraid
when we spit
0
0
1
2
2
0
4
Sorgdal
out
the
liv
1
0
2
3
1
0
2
3

1
0
2
3
and start
(E)
fire
3
3
5
0 0
0 0
0

0
0
0
0
0
2
3
2
0
0
(F#'4)
liv
5
7
ing,
3
3
0
0
X
3
0
1
2
2
0
0
1
2
2
0
0
1
2
2
0
let ring
ing,
0
1
2
0
0
0
0
(A'9)
liv
ing,
my
Gtr. 6
friend.
Gtr. 2
10
12
3
0
0
X
3
12
12
10
10
Gtr. 4
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
Guitar Solo
Gtr. 2 tacet
D
(E)
E7'4
(F#7'4)

Voc. Fig. 1
(Who
Gtr. 6
prayer?)
my
D
(E)
swer
10
G'9
(A'9)
an
10
will
10
9
End Voc. Fig. 1
let ring
11
10
10
13
13
10
11
10
5
Sorgdal
10
15
15
15
G'9
(A'9)
1/4
17
17
15
16
16
15
17
15
15
D
(E)
17
17
17
13
E7'4
(F#7'4)
1/2
17
17
19
15
17
16
13
12
13
12
3
1
15
12
10
10
10
11
1/4
1/2
12
12
12
10
12
10
12
13
12
13
12
13
12
13
12
13
12
13
12
10
10
12
Chorus
Bkgd. Voc.: w/ Voc. Fig. 1 (till fade)
Gtrs. 3 & 4: w/ Rhy. Figs. 2 & 2A (till fade)
D
(E)
This
E7'4
(F#7'4)
could
be
the
last
fight
G'9
(A'9)
fight,
no
liv
ing
and
no
mp
10
10
10
11
X
X
D
(E)
win
ning.
One
time
6
Sorgdal
the
all
the
X
X
E7'4
(F#7'4)
1/2
could be
X
X
time
should
G'9
(A'9)
D
(E)
we
de
cide
to
end
the
mis
This
could
be
the
last
10
10
9
fight,
10
10
no
10
10
10
11
10
giv
ing
G'9
(A'9)
12
and
no
10
10
10
12
10
10
10
12
12
12
12
X
X
win
E7'4
(F#7'4)
fight
12
D
(E)
12
let ring
10
9
y.
10
let ring
1
er
string
noise
X
X
X
ning.
One
time
10
14
12
14
10
11
12
12
10
12
12
10
12
12
10
10
could
be
the
10
12
14
14
10
10
12
12
12
10
10
Begin fade
E7'4
(F#7'4)
all
the
G'9
(A'9)
time
10
10
12
10
10
12
10
10
10
12
we
de
should
10
10
10
10
12
10
12
10
10
10
10
10
10
12
cide
to
end
the
10
10
10
10
12
10
12
12
10
10
10
10
12
10
10
12
10
10
12
10
10
12
7
Sorgdal
D
(E)
mis
er
y.
This
fight
10
10
12
10
10
12
E7'4
(F#7'4)
10
10
10
10
12
12
12
12 10 12
12
10
10
11
12
12
10
fight,
12
12
11
11
D
(E)
win
11
11
10
10
11
could
be
the
10
10
10
12
giv
12
10
12
no
1/2
10
11
G'9
(A'9)
12
12
hold
1 bend
last
hold
1 bend
12 11 12
12
ing
and
no
15
15
16
15
15
16
15
15
16
15
15
16
15
15
16
15
15
16
15
15
16
15
15
16
10

0
17
ning.
One
time
could
be
the
E7'4
(F#7'4)
all
the
time,
10
10 11
17
could
be
the
let ring
12 14
14
13
14
14
14
14
14
13 13 13 13 13
13 13 13 13
13 13
14
13
14
13
14
14
14
13 13
14
14
13
14
12
13
15
13
15
12
15
13
15
12
15
12
13
15
13
15 15
Fade out
G'9
(A'9)
time
to
end
the
let ring
13
15
8
Sorgdal
13
16
15
13
16
15
16
15
13
16
15
D
(E)
er
y.
17
17
mis
15
16
17
17
17
17
17
17 17
17
17
17
Pills, Demons & Etc.

A5
C'9
A5 open
5fr
134
134211
21
34
1144
Intro
Moderately q = 115
*A7
Gtr. 1 (dist.)
mf
w/ wah-wah
17
X
X
X
X
G5
A5
C5
Riff A1
Gtr. 2 (dist.)
mf
10
Gtr. 1
11
12
10
11
12
10
11
12
10
A5
G5
A5
G5
A5
C5
10
12
10
12
11
12
10
11
12
10
11
X
X
12
X
X
Rhy. Fig. 1
Gtr. 3 (dist.)
mf
1/4
2
2
0
X
X
End Rhy. Fig. 1
G5
Riff A
A5
1/4
2
2
0
2
2
0
2
2
0
A5
1/4
2
2
0
1/4
2
2
0
2
2
0
2
2
0
1
Sorgdal
A5
G5
A5
C5
A5
Gtr. 2
10
11
12
10
11
12
10
11
12
G5
A5
G5
10
10
12
12
12
10
11
12
10
End Riff A1
A5
11
C5
12
10
11
X
X
12
X
X
10
End Riff A
G5
Gtr. 1
A5
X
X
X
X
Verse
A5
Gtr. 3
Gtrs. 2 & 3 tacet
1. You,
12
12
Fill 1
you
got
skills,
C5
you
got
F#5

the
pills.
End Fill 1
* G5
Youre
get
ting
old -
**w/ delay
X
X
X
5
G5
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
5
**Set for quarter-note regeneration w/ 1 repeat.
A5
G5
er.
Gtr. 1
C5
You
F#5
G5
got
the
A5
weight
G5
of
C5
all
thats left
F#5
you
G5
on
your
shoul -

Harm.
X
X
X
X
X
X
X
X
X
X
X
X
5
X
X
Pitch: B
2
Sorgdal
5
X
X
5
X
X
5
X
X
5
X
X
5
X
X
5
X
X
5
X
X
5
X
X
A5
G5
der.
C5
F#5
But
Gtr. 1
G5
A5
the
G5
world
C5
still
G5
waits
for

X
X
X
Gtr. 3
F#5
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
Riff B
A5
G5
C5
F#5
though
G5
you,
Gtr. 4 (dist.)
you
stare
mf
through
right
me.
delay off
(cont. in slashes)
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
End Riff B
3
Sorgdal
Chorus
Gtr. 3 tacet
C'9
A5
open
T o Coda
C'9

Rhy. Fig. 2
*Gtrs.
1&4
You got your de - mons and your
Gtr. 5
(dist.)
Riff C
ways of
life.
You could
open
end the
End Rhy. Fig. 2
(2nd time, cont. in notation)
pull the trig - ger and youd
2. strike.
1. strike,
you could.
EndRiff C
mp
w/ chorus
let ring
17
20
17
19
17
20
19
17
20
20
17
19
20
17
20
19
17
20
17
19
17
20
19
17
20
17
20
19
17
20
19
20
Interlude
A7
Gtr. 5 tacet
Oo,
oo,
Fill 2
Gtr. 5
oo.
End Fill 2
let ring
17
Verse
Gtr. 2: w/ Fill 1
**A5
G5
C5
F#5
1. Yeah,
Gtr. 1
G5
got
the
4
Sorgdal
news
G5
C5
you
had
F#5

the
blues,
G5
you
bought
tick -
w/ delay
X
X
X
**Chord symbols implied by bass, next 4 meas.
A5
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
A5
G5
C5
F#5
G5
et
A5
to
the
one
X
X
X
X
X
X
X
X
X
X
X
X
G5
C5
place
that
F#5
wont
G5
be
go - ing
to
vis -
mp
X
X
X
X
X
X
X
X
X
Gtr. 3: w/ Riff B
A5
G5
C5
F#5
A5
What
the
G5
it.
G5
fuck
were
C5
you
F#5
think
G5
ing
mf
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
D.S. al Coda
A5
G5
C5
F#5
of?
Now
G5
A5
G5
stare
C5
right
F#5
through
G5
you.
(cont. in slashes)
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
Coda
Gtr. 5: w/ Riff C
Dsus2
You
got
your
de
Rhy. Fig. 3
Gtrs. 1 & 4

0
3
2
0
Csus2
mons
and
G5
your
fan
cy
wine.
A5
It
would
End Rhy. Fig. 3
0
3
2
0
0
3
2
0
X
X
X
X
X
X
X
X
3
0
X
3
3
0
X
3
X
X
X
X
X
X
X
X
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
X
X
X
X
X
X
X
X
2
2
0
2
2
0
5
Sorgdal

Gtrs. 1 & 4
1
1
2
3
3
1
C'9
go
down
eas
G5
if
youd
1
1
2
3
3
1
1
1
2
3
3
1
X
X
X
X
X
X
X
X
X
X
X
X
0
3
0
2
3
0
3
0
2
3
X
X
X
X
X
X
X
X
X
X
Gtr. 3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
spend
the
night.
3
0
0
X
3
3
0
0
X
3
P.S.
X
X
15
Interlude
Gtr. 4 tacet
Gtr. 5: w/ Fill 2
A5
C5
Oo,

Gtr. 2
Riff D
10
11
12
10
11
12
10
11
12
10
Gtr. 3
10
12
10
12
11
12
10
11
12
10
11
12
6
X
X
X
7
X
5
X
X
X

X
X
Riff D1
7
X
5
Sorgdal
oo,
Gtr. 1
10
X
8
X
X
G5
oo,

10
11
12
10
11
12
10
11
12
10
10
12
10
12
11
12
10
11
12
10
11
12
oo,

X
X
X
X
X
X
X
X
X
X
X
X
Riff E
10
11
12
10
11
4
X
2
12
10
11
12
oo,
X
X
X
F#5
5
X
3
A5
10
X
X
X
X
X
X
X
X
X
X
X
5
X
3
12
10
12
11
12
10
11
X
X
X
4
X
2
X
X
X
X
X
X
X
X
X
X
X
X
7
X
5
G5
10
12
10
11
12
X
X
X
X
X
X
X
oo,

X
X
X
X
X
X
X
X
X
X
X
X
End Riff E
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
5
X
3
X
X
X
X
X
X
X
X
X
7
Sorgdal
A5
oo,
10
11
12
10
12
11
10
12
11
oo.
10
10
12
10
12
7
X
5
11
10
12
11
X
X
X
7
X
5
7
X
5
7
X
5
X
X
X
12
12
10
11
14
19
X
17
17
14
End Riff D1
19
7
X
5
End Riff D
19
X
17
19
X
17
19
X
17
19
X
17
Guitar Solo
Gtrs. 1, 2 & 3 tacet
F#5
E5
F#5
8v a

Gtr. 6 (dist.)
F#5
E5
F#5
E5
F#5
A5
F#5
E5
A5
w/ wah-wah
1
1 1/2
17
17
Gtr. 4
1 1/2
17
1/2
17
17
17
19
Rhy. Fig. 4
4
4
2
8
Sorgdal
End Rhy. Fig. 4

2
2
0
4
4
2

2
2
0
4
4
2
2
0
4
4
2

2
2
0
4
4
2

2
2
0
4
4
2
2
0
F#5

Gtr. 6
E5
F#5
A5
F#5
E5
F#5
E5
F#5
A5
F#5
14
A5
14
14
17
G5/A
14
14
14
12
17
14
17 14
1/2
14
17
14
16 14 16
16
14
16 14
16
18
X
16
0
0
0
14
X
12
14
X
12
A5
16
16
X
14
14
16
X
14
G5
16
X
14
18
2
2
0
5
5
A5
18
X
16
16
18
X
16
19
19
X
17
17
19
X
17
G5
A5
19
X
17
21
19
C5
21
X
19
21
X
19
2
2
0
0
0
0
A5
G5/A
2
2
0
C5
A5
0
0
0
X
X
X
11
11
2
2
0
0
0
0
2
2
0
5
5
2
2
0
0
0
0
G5
12
14
2
2
0
0
0
0
11
16
14
0
5
5
14
A5
X
X
X
2
2
0
A5
12
16
16
14
X
12
G5/A
14
A5
14
17
17
C5
Gtr. 4
2
2
0
14
14
17
A5
Gtr. 6
11
3
1
12
E5
7
4
2
2
0
2
2
0
2
2
0

2
2
0
2
2
0
0
0
0
0
0
Chorus
Gtr. 5: w/ Riff C (1 1/2 times)
Gtr. 6 tacet
You
got
your
C'9
de - mons
and
your
ways
of
life.
end
the
strike.
Dsus2
You
got
your
A5
Csus2
de - mons
and
You
could
your
G5
pull
fan - cy
C'9
the
trig - ger
and
youd
A5
It
would
wine.
9
Sorgdal
C'9
go
Gtr. 5
down
eas
G5
if
youd
spend the
night,
spend the
night.
Oo,
let ring
17
20
17
20
19
20
17
20
19
17
19
17
20
20
17
17
20
19
20
19
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
X
X
X
X
X
X
X
X
X
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
1
1
2
3
3
1
1
1
2
3
3
1
1
1
2
3
3
1
X
X
X
X
X
X
X
X
X
X
X
X
0
3
0
2
3
0
3
0
2
3
X
X
X
X
X
X
X
X
X
X
1
1
2
3
3
1
1
1
2
3
3
1
1
1
2
3
3
1
X
X
X
X
X
X
17
20
Gtr. 1
Gtr. 4
17
19
0
3
0
2
3
0
3
0
2
3
X
X
X
X
X
X
X
X
X
X
X
X
X
P.S.
X
X
X
17
Interlude
Gtrs. 2 & 3: w/ Riffs D & D1
Gtr. 4 tacet
Gtr. 5 tacet
A5
15
17
Gtr. 5
C5
oo,
oo,
Gtr. 1
17
Gtr. 1: w/ Riff E
G5

oo,
10
Sorgdal
A5

oo,
F#5

oo,
G5

oo,
A5
oo.
Gtr. 1
A5
Gtr. 2
17
18
20
G5
17
18
20
A5
C5
17
18
A5
17
A5
17
19
19
11
12
A5
10
11
G5
Gtr. 2
17
18
19
17
18
12
10
11
12
10
A5
10
C5
17
18
19
12
12
10
11
12
18
17
19
18
12
10
11
10
12
11
20
G5
A5
17
17
12
10
11
17
18
17
19
12
G5
18
19
17
18
C5
A5
19
17
10
18
20
11
12
10
A5
17
18
19
10
10
11
10
12
11
12
10
11
12
10
11
12
Gtr. 3
1/4
2
2
0
1/4
2
2
0
2
2
0
2
2
0
1/4
2
2
0
18
19
19
12
17
G5
A5
A5
20
Gtr. 1
10
12
17
19
Gtr. 1
10
G5
19
G5
12
10
12
19
12
1/4
2
2
0
11
Sorgdal
American Man
B
B VII
B/D#
Em
7fr
1333
A5
B'11
7fr
7fr
134211
143121
1342
32 1
134211
Em type2
1144
1342
7fr
13421
Intro
Moderately q = 141
(Drums)
111
*A
231
(Bass)
132
Gtr. 1 (dist.)
** p
mf
12
12
12
Rhy. Fig. 1
***Gtrs. 1 & 2

0
2
2
2
0
0
2
2
2
0
12
12
12
**Vol. swell
G
End Rhy. Fig. 1
X
X
X
X
0
0
1
2
2
0

0
0
1
2
2
0
X
X
X
X
0
1
0
2
3
0
1
0
2
3
3
3
4
5
5
3
X
X
X
X
3
3
4
5
5
3
3
3
4
5
5
3
0
2
2
2
0
0
2
2
2
0
X
X
X
X
0
0
1
2
2
0
X
X
X
X
0
0
1
2
2
0
0
1
0
2
3
X
X
X
X
0
1
0
2
3
3
3
4
5
5
3
X
X
X
X
3
3
4
5
5
3
3
3
4
5
5
3
X
X
X
X
***Gtr. 2 (dist.), played mf . Composite arrangement

Rhy. Fig. 2
Gtr. 3 (dist.)
3
3
4
5
5
3
3
3
4
5
5
3
X
X
X
X
End Rhy. Fig. 2
mp
5
5
6
7
7
5
5
5
6
7
7
5
X
X
X
X
12
12
13
14
14
12
12
12
13
14
14
12
1. Free
Riff A
w/ chorus
let ring
11
8
8
9
10
10
8
dom,

Gtr. 1
8
8
9
10
10
8
X
X
X
X
3
3
4
5
5
3
Verse
Gtr. 3
X
X
X
X
5
5
6
7
7
5
5
5
6
7
7
5
X
X
X
X
12
12
13
14
14
12
12
12
13
14
14
12
X
X
X
X
8
8
9
10
10
8
8
8
9
10
10
8
X
X
X
X
3
3
4
5
5
3
3
3
4
5
5
3
3
3
4
5
5
3
X
X
X
X
(cont. in slashes)
Gtr. 3 tacet
*** Em9

the
na
ked
pow
er
weak

- ened
by
let ring
10
7

the
ag -
End Riff A
***Chord symbols reflect implied harmony.
1
Sorgdal
B7
* B7/D#
Em9
es.
Raped,
but
not
for - got
Em9/G
ten.
Em9/A Em9/G
All
its
sup
ple
se -
*Bass plays note to right of slash, next 11 meas.
B7
B7/D#
Gtr. 2
crets,
P.M.
4
6
7
gods
and
lib
P.M.
4
6
7
4
6
7
P.M.
4
6
7
P.M.
er
tions.
P.M.
4
6
7
Em9/G
4
6
7
to
use
P.M.
P.M.
B7

it
Riff B
let ring
11
B7/D#

are
P.M.
5
7
7
Em9/A
Those
that
try
those
that
5
7
7

try
P.M.
5
7
7
Em9
to
P.M.
sheath
it,

let ring
10
7
5
7
7
P.M.
Em9/G
wide a
2
P.M.
5
7
7
Em9/A
wake.
End Riff B
5
17
Sorgdal
End Rhy. Fig. 3
5
7
7
Gtr. 1
Em9
Rhy. Fig. 3
Chorus

3rd time, Gtr. 4: w/ Fill 1

Yes,
am
the
A - mer
i - can
man.
Yes,
am
the
A - mer
i - can
man.
To Coda 1
To Coda 2
1st & 2nd times, Gtr. 3: w/ Rhy. Fig. 2

Yes,
am
the
Gtr. 1
A - mer
Guitar Solo
B VII
Rhy. Fig. 4
mf
am
the
Em
End Rhy. Fig. 4
10
10
10
10
10
man.
10
i - can
A - mer
B/D#
P.M.
Yes,
man.
Em
Gtr. 4 (dist.)
i - can
B/D#
* Em/G
Em/A
Em/G
12
11
12 11
12
11
12 11
*Bass plays note to right of slash, next 13 meas.
Fill 1
Gtr. 4
14
3
Sorgdal
Verse
B7
Em9
2. Free
Gtr. 4 tacet
B7/D#
men
haunt
ed
by
the
mu
Em9/G
sic.
Em9/A
Ghosts
of
gen
er
12
B7
B7/D#
tions
Em9
beat
the
drums
for
free
Em9/G
dom.
Em9/A
Those
that
toiled
and
D.S. al Coda 1
Gtr. 1: w/ Riff B
B7
B7/D#
suf
fered,
now
those

they
Em9
try
to
Em9/G
smoth
er
Em9/A
wide
wake.
Coda 1
Bridge
Half-time feel
A5
Gtr. 2
Where
Gtr. 1
to
Gtr. 2 tacet
*A
be - gin?
17
Where
do
17
4
Sorgdal
17
Bred
to
win.
mp
string noise
X
X
X
17
w/ slapback delay
go,

the
soul
5
*Chords implied by bass, next 6 meas.

worn
17
off my

skin?

13
X
10
15
X
12
15
X
12
15
X
12
12

9
X
7
12
10
So...
Riff C
Gtr. 2
w/ pick & fingers
11
10
9
9
9
Gtr. 1
8
9
10
8
7
9
14
14
X
12
12
Gtr. 2: w/ Riff C (3 times)
16
16
14
14
11
X
9
cut
out the
Gtr. 1
14
14
X
12
12
So
are
we
read
know I
16
16
14
14
y,
feel,
12
X
10
12
End Riff D
to
lose?
feel.
9
X
7
feel,

14
you.
12
9
X
7
know is
14
8
7
9
End Riff C
read
12
let ring
8
9
10

14
8
9
10
soul
Gtr. 4
9
9
9
9
9
12
my
14
in
hole
Riff D
12
X
10
10
9
11
mf
12
X
10
let ring
15
15
17
5
Sorgdal
Gtr. 4 tacet
side
11
12
9

Riff E
7
X
5
the
8
8
8
7
9
10
side
the
walls,
12
9
9
X
7
12
14
10
12
7
X
5
8
8
9
10
8
9
10
8
7
9
i - ron
Gtr. 4
walls
pro
7
X
5
tect
the
souls
of
my old
let ring
12
12
8
8
8
8
Gtr. 2
11
Gtr. 5 (fuzz)
12
9
10
let ring
7
8
9
9
Sorgdal
12
12
9
15
15
12
15
15
12
12
10
9
11
mf
4
9
X
7
boots.
End Riff E
End half-time feel
the
10
let ring
10
9
11
let ring
in
walls,
Gtr. 1: w/ Riff E

Gtr. 2
Gtr. 1
In
10
12
let ring
8
7
9
Guitar Solo
Gtrs. 2 & 5 tacet
B/D#
Gtr. 4
Em
12
* Em/G
Em/A
1 1/2
12
12
12
12
1/2
11
*Bass plays notes to right of slash, next 9 meas.
B/D#
11
11
12
12
14
12
11
1/2
11
11
let ring
12
12
14
12
15
14 15 12
Em
Oh.
11
Em/A
B/D#
Em/G
Em
14 14 14
15
12
12
Em/G
11
12
Em/A
1/2
12
15
15
14
14
14
14
12
11 12
7
Sorgdal
BVII
Gtr. 1
B'11
12
14
17
17
0
0
0
20
17
Yes, I
am
the
A - mer
19 19
17 14
i - can
side
the
man.
Yes,
am
walls,
in
am

Gtr. 3
5
5
6
7
7
5
X
X
X
X
the A - mer
12
12
13
14
14
12
Gtrs. 1 & 2
5
5
6
7
7
5
17 15
14
Sorgdal
14
the
A - mer
side
the
i - can
man.
walls.)
Gtr. 1

(Gtr. 2, cont. in notation)
i - can man.
12
12
13
14
14
12
8
8
X 9
X 10
X 10
X 8
8
8
9
10
10
8
X
X
X
X
3
3
4
5
5
3
3
3
4
5
5
3
3
3
4
5
5
3
X
X
X
X
5
5
6
7
7
5

5
5
6
7
7
5
X
X
X
X
12
12
13
14
14
12
12
12
13
14
14
12
X
X
X
X
8
8
9
10
10
8
3
3
4
5
5
3
10
10
11
12
12
10
Gtr. 2
7
7
5
5
17 15 13 12
End Voc. Fig. 1
Yes, I
17 15 14 15 14
Voc. Fig. 1
(In

17
12 12
Coda 2
D.S. al Coda 2
Em type2
Em
7
7
5
5
7
7
5
5
Mary Mary
F#5
F5
E5
B5
B5 type2
D5
A/C#
5fr
134
134
11
134
Intro
Moderately q = 134
13
134
311
Verse
*F#5

(Drums)
F5
E5
F5 F#5
F5
E5
F5 F#5
1. Got a feel - in, feel
F5
E5
F5 F#5
Got a
fe - ver, fe -
in in your eyes.
F5
E5
F5 F#5
E5
F5 F#5
- ver, fe - ver in your

Gtr. 1 (dist.)
F5
F5
E5
thighs,
F5 F#5
F5
E5
F5 F#5
in your
thighs.
** F5
E5
B5
mf
P.M.
0
0
4
2
0
4
2
2
0
X
X
X
4
4
2
**Chord symbols reflect overall harmony.

Mar - y, Mar

Gtr. 2 (dist.)
y,
Mar
E5
B5
y,
by my
side.

Got, a, time

and
E5
love,
F#5
the kind you
can - not
buy,
mf
4
4
2
Rhy. Fig. 1
Gtr. 1
4
4
2
4
4
2
4
4
2
End Rhy. Fig. 1
P.M.
2
2
X
X
4
4
2
P.M.
2
0
2
0
2
2
0
0
0
4
2
X
X
4
4
2
1
Sorgdal
F5
E5
F5 F#5
F5
E5
F5 F#5
can - not
F5
E5
F5 F#5
F5
E5
buy.
Rhy. Fig. 2

4
4
2
4
4
2
3
3
1
3
3
1
2
2
0
2
2
0
3
3
1
4
4
2
4
4
2
3
3
1
3
3
1
2
2
0
2
2
0
B5
3
3
1
4
4
2
4
4
2
3
3
1
3
3
1
2
2
0
2
2
0
3
3
1
4
4
2
4
4
2
3
3
1
3
3
1

2
2
0
2
2
0
4
4
2
X
X
X
string
noise
4
4
2
Black
boots,
strong
legs,
got
style.
2
Sorgdal
4
4
2
2
2
0

P.M.

4
4
2
2
0
2
0
2
2
0

My ba - by knows
4
4
2
let ring
E5
the
you see her come for
A5
walk,
X
X
4
4
4
2
4
4
2
X
X
miles,
End Rhy. Fig. 2
4
4
2
2
2
0
0
0
4
2
2
0
2
2
0
0
0
4
2
12
4
4
4
2
4
4
4
2

X
X
X
7
7
5
G#5
G5
C#5
come for
C#7#9
F#5 G#5
miles.
Voc. Fill 1
A5
End Voc. Fill 1
(Oo, oo,
Riff A
oo.
End Riff A
14
12
12
14
14
12
13
11
11
14
X
11
12
11
10
12
Rhy. Fig. 3

P.M.
7
7
5
7
7
5
7
7
5
7
5
Pre-Chorus
7
7
5
7
7
5
X
X
X
6
6
4
Wan - na
Voc. Fig. 1
find
6
6
4
X
X
X
X
X
X
5
5
3
5
5
3
out
what
let ring
6
6
4
P.M.
6
6
4
E5
End Rhy. Fig. 3
4
4
2
B5
E5 F5
youre
say
6
6
4
X
X
X
X
7
7
5
F#5
ing.
End Voc. Fig. 1
Oo, oo,
oo.)
14
12
12
14
14
12

P.M.
7
7
5
7
5
7
7
5
X X
X X
X X
7
7
5
7
7
5
X
X
X
2
2
0
10
X
7
12
9

P.M.
2
2
0
0
0
4
2
2
0
2
2
0
2
2
0
X
X
X
4
2
4
4
2

P.M.
4
2
4
2
P.M.
4
2
P.M.
4
2

P.M.
4
2
4
2
2
0
3
1
4
4
2
3
Sorgdal
F5
E5
F5 F#5
Wan - na

Gtr. 3 (dist.)
play
F5
the
E5
F5 F#5
games
F5
youre
play
E5
F5 F#5
F5
B5 C#5
D5
ing.
Mar -
mp
17

Gtr. 2
4
4
2
4
4
2
3
3
1
3
3
1
2
2
0
2
2
0
3
3
1
4
4
2
4
4
2
3
3
1
3
3
1
2
2
0

P.M.
4
4
2
4
4
2
3
3
1
P.M.
2
2
0
3
3
1
X
X
X
Chorus
D5
y, Mar - y
4
4
2
4
4
2
3
3
1
3
3
1
X
X
X
on
my
4
4
2
C5
mind,
3
3
1
2
2
0
2
2
0
3
3
1
4
4
2
4
4
2
3
3
1
3
3
1
P.M.
3
3
1
6
X
4
3
3
1
2
2
0
4
4
2
4
X
2
2
2
0
Gtr. 1
4
4
2
4
4
2
3
3
1
2
2
0
oh.
3
3
1
X
X
X
Get
4
4
2
4
4
2
3
3
1
4
X X 4
X X 2
X X
back,
X
X
X
7
7
5
D5
6
6
4
sug - ar
ba
by.
Mar -
Riff B1
19
17
17
Riff B
19
19
18
18
17
7
5
18
18
17
17
17
17
6
5
17
7
7
5
4
Sorgdal
7
7
5
X X
X X
X X
7
7
5
7
7
5
X
X
X
2
2
4
2
2
4
X X
X X
X X
5
5
2
2
4
2
2
4
End Riff B1
16
16
15
14
17
End Riff B

2
2
4
17
X
X
X
5
5
3

5
5
3
5
5
3
X X
X X
X X
4
5
Rhy. Fig. 4
16
17
1/2
17
1/2
17
5
5
3
5
5
3
X
X
X
5
5
3
End Rhy. Fig. 4

7
X
5
5
3
4
X
2
4
X
2
5
X
3
4
X
2
7
7
5
To Coda 2
Gtrs. 2 & 3: w/ Riffs B & B1
C5
y,
Mar - y
on
my
mind,
oh.
Get
back,
sug - ar
ba
D5
by.
Mar -
y, Mar - y
Fill 1
Gtr. 3
on my
mind,
oh.
B5
19
19
17
19
18
18
17
Gtr. 4 (dist.)
18
End Fill 1
1/2
17
E5 F#5 E5 F#5
17
To Coda 1
18
16
16
16
17
mf
P.S.
X
X
Gtr. 2
7
5
1/2
4
19
(cont. in slashes)
0
0
19
4
4
2
Gtr. 1
let ring
let ring

P.M.
P.M.
P.M.
7
7
5
7
7
5
X X 7
X X 7
X X 5
Interlude
Gtr. 3 tacet
F#5
F5
open
E
7
7
5
X
X
X
E5 F5
2
2
4
2
4
F#5
X X
X X 2
X X 4
F5
2
0
E5 F5
(cont. in slashes)
4
2
4
2
4
2
F#5
4
2
F5
4
2
open
E
4
2
4
2
E5 F5
4
2
4
2
4
2
4
2
4
2
F#5
F5
4
4
2
E5
B5

P.M.
P.M.
*Gtrs.
1&2
Gtr. 4
5
Sorgdal
Verse
E5

2. A mod - ern
lov
er,
a mod - ern
Gtr. 4 tacet
B5
kind.
E5

When we close

the
F#5
door
were nev - er out of
time,
F5
E5
F5 F#5
F5
E5
F5 F#5
out of
F5
E5
F5 F#5
F5
E5
time.
string
Gtr. 1
noise
4
4
2
red
lips,
brown
eyes.
Cant tell you how it
feels
4
4
4
2
0
0
4
2
2
2
0
X
X
X
hair,
Uh, black
E5
0
0
4
2
2
2
0
A5
that youre mine, o
1
2
4
4
4
2
X
X
X
mine,

1
2
7
7
5
D.S. al Coda 1
Gtr. 2: w/ Riff A
6
Sorgdal
Bkgd. Voc.: w/ Voc. Fill 1
G#5
mine,
G5
C#5
mine.
C#7#9
F#5 G5
A5
Coda 1
B5
type2
F#
open 2fr
Gtr. 1
Guitar Solo
Gtr. 3: w/ Fill 1 (last 2 meas.)
F5 E E5 F5
open

Gtr. 5 (dist.)
* pp
mf
16
16
16
16
16
16
F5 E E5 F5
open
F#5

P.M.

P.M.
End Rhy. Fig. 5
14
14
steady gliss.
w/ slide
F#5
open
Rhy. Fig. 5
E F#5
0
0
14
14
16
*Vol. swell
Gtr. 2

Rhy. Fig. 6
P.M.
P.M.
4
4
2
4
4
2
3
3
1
2
2
0
3
3
1
End Rhy. Fig. 6
3
4
4
2
3
4
4
2
2
3
3
1
1
2
2
0
2
3
3
1
3
4
4
2


Gtr. 5
E F F#
steady gliss.
16
Gtr. 1
14
14
F5
F#
E F
F#
14
14
17
17
E F
F#
steady gliss.
16
F#5
E F
17
17
14
14
E5
F5
open
P.M.
Gtr. 5
9
9
17
17
3
4
4
2
3
4
4
2
2
3
3
1
F5
1
2
2
0
2
3
3
1

3
4
4
2
17
17
3
4
4
2
2
3
3
1
14
14
14
14
9
9
E5
F5
P.M.
1
2
2
0
2
3
3
1
11
11
19
19
open
11
11
11
Gtr. 2
P.M.
14
14
F#5
9
9
19
19
P.M.
F#5
11
11
3
4
4
2
7
Sorgdal
Interlude
Gtr. 5 tacet
(cont. in notation)
steady gliss.
11
11
11
3
4
4
2
4
4
2
Verse
* F#5
F5
E5 F5
3. Ba - by, ba
Gtr. 2
by, ba
F#5
F5
bys on my

1/2
4
4
2
E5 F5
F#5
F5
mind.
4
4
2
E5 F5
When we close
F#5
the
F5
door
A5
were nev - er out of
E5
time,
4
4
2
12

Gtr. 1

string
noise
X
X
X

Gtr. 2: w/ Riff A
8
Sorgdal
7
7
5
Bkgd. Voc.: w/ Voc Fill 1
G#5
G5
C#5
out
of
time.
C#7#9
F#5 G#5
A5
Pre-Chorus
A5
E5
Wan - na
play
Gtr. 2
the
B5
games
play
youre
ing.
14
12
12
14
14
12
2
2
0
2
2
0
X
X
X
Gtr. 1
7
7
5
7
7
5
7
7
5
7
7
5
7
5
7
7
5
X
X
X
2
2
0
2
2
0
0
0
4
2
2
0
12
10
X
7
4
4
2
4
4
2
4
4
2
P.M.
4
4
2
4
4
2
4
4
2
P.M.
P.M.
4
4
2
D.S.S. al Coda 2
C#5
D5
Ah.
Mar -
X
X
X
X
X
X
4
4
2
3
3
1
4
4
2
5
5
4
6
6
4
5
5
4
6
6
4
7
7
5
8
8
6
7
7
5
8
8
6
4
2
4
4
2
4
4
2
4
4
2
4
4
2
4
4
2
4
4
2
4
4
2
4
4
2
4
4
2
4
4
2
4
4
2
12
9
4
4
2
4
4
2
P.M.
4
4
2
4
4
2
4
4
2
P.M.
P.M.
4
4
2
P.M.
P.M.
P.M.
P.M.
P.M.
9
9
7
10
10
8
4
4
2
4
4
2
6
6
4
0
0
P.M.
0
0
7
7
5
Coda 2

Gtrs. 2 & 3: w/ Riffs B & B1 (2 times)
y, Mar - y
on
my
mind,
C5

oh.

Get
back,
sug - ar
ba
D5
by.
Mar -
9
Sorgdal
C5
y,
Mar - y
on
my
mind,
oh.
Get
D5
back,
sug - ar
ba
by.
Mar -
Gtr. 3: w/ Fill 1
D5
Gtr. 1
A/C#
F#5

P.M.
P.M.
y, Mar - y
Gtr. 2
on my
mind,
oh.
w/ slide
1
Come on
Gtr. 4
B5
Gtr. 2
divisi
steady gliss.
down
w/ out slide
1/2
7
5
4
4
4
4
8
8
11
11
4 4
4
2
*Gtr. 2 notated to
left of slash in tab.
Outro
Gtrs. 1 & 2: w/ Rhy. Fig. 5 (3 1/2 times)
F5
E5 F5

now.
Get on

Gtr. 4
F#5
F5
E5 F5
down
now.
F#5
Come on
down
E5
F5
F5
E5
10
F5
Get
on
F#5
down
F5
E5
F5
F#5
now.
Riff D
down
End Riff C
F#5
Come on
E5 F5
now.
now.
F5
F#5
F#5
F5
Sorgdal
E5 F5
Riff C
F5
F#5
F5
E5
F5
E5
F#5

P.M.
F5
E5
F5
F#5
F5
E5
F5
F#5
open
Gtrs.
1&2
Ooh.

Gtr. 5
Come
on
down
X
X
X
X
X
X
11
11

now.
Get
on
11
11
10
10
X
X
10
10
11
11
9
9
down
X
X
now.
Riff E
11
11
Get
on
down,
End Riff E
10
10
9
9
10
10
11
11
End Riff D
Gtr. 4
1/2
E5
F5
down,
F5
E5
get
on
Come
on
F5
get
on
down,
F#5
F5
down,
down,
E5
F5
down,
down,
come
on
E5
F5
get
on
Free time
F#5
F#5
down
F#5
down,
F5
E5
now.
F5
get
on
E5
down,
F5
Get
on
F5
get
on
F5
F#5
Gtr. 4: w/ Riff C
now.
on
get
F5
Gtr. 4: w/ Riff D
Gtr. 5: w/ Riff E (6 times)
Gtrs.
1&2
F#5
down
F#5
down
now.

Gtr. 5
11
11
11
11
Gtr. 4
grad. bend
11
Sorgdal
Just Sixteen
F#5
E5
A5
B5
5fr
134
11
134
Dsus4
E5 type2
G5
7fr
134
D5
113
A5 open
D5 V
34
E5 VII
5fr
Intro
Moderately fast q = 160
B5
Gtr. 1 (dist.)
P.M.
9
9
7
11
12
9
10
9
7
9
7
9
7
9
7
9
9
7

11
12
9
10
9
9
7
9
9
7
11
12
9
7
9
7
9
7
Rhy. Fig. 2A
9
9
7
9
9
7
9
9
7
12 10 12
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
10
11 9
12 10
9
7
9
7
9
7
9
7
9
7
X
X
X
9
9
7
9
9
7
9
9
7
9
9
7

11
12
9
10
9
9
7
9
9
7
9
9
7

11
12
9
10
9
9
7
14
12
9
7

9
9
7
10
12 10
12
10
12 10
12
9
7
9
7
9
7
X
X
X
9
7
9
7
9
7
X
X
X
9
7
End Rhy. Fig. 1A
P.M.
P.M.
9
7
End Rhy. Fig. 1
Rhy. Fig. 2
9
7
134
9
9
7
134
Rhy. Fig. 1A
mf
Riff A
11
P.M.
10
9
7
Gtr. 3 (dist.)
13
P.M.
P.M.
mf
134
Rhy. Fig. 1
Gtr. 2 (dist.)
mf
132
7fr
9
7
9
7
X
X
X
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7

14
12
12
10
9
9
7
9
9
7

14
12
12
10
9
9
7
9
9
7
9
9
7
E5
14
12
P.M.
P.M.
9
7
9
7
9
7
9
7
9
7
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7

14
12
12
10
9
9
7
9
9
7
9
9
7
9
9
7

14
12
12
10
9
9
7
B5
12
End Rhy. Fig. 2
9
7
End Rhy. Fig. 2A
2
2
0
2
2
0
9
9
7
1
Sorgdal
Verse
Gtr. 1 tacet
* B7
1. At

Gtr. 1
school
the
teach
er
saw
the tal - ent
End Riff A
in your
eyes.
12

P.M.
P.M.
P.M.
Riff B
End Riff B
Fill 1
Gtr. 2
End Fill 1
P.M.
1
7
7
9
7
11
7
9
7
11
7
9
7
Rhy. Fig. 3

Gtr. 3
9
7
9
7
7
7
P.M.
1
P.M.
7
7
8
7
P.M.
9
9
7
9
7
P.M.
9
7
11
7
9
7
9
7
9
7

P.M.
9
7
8
7
8
9
9
7
*Chord symbol reflects implied harmony.
Gtr. 3
So
pleased

P.M.
8
9
9
7
2
Sorgdal
8
9
9
7

to
meet
you.
So young, so pret - ty,
8
9
9
7
so
un - sat - is

P.M.
8
9
9
7
fied.
8
9
9
7
9
9
7
9
9
7
9
9
7
7
7
7
Un - der - neath

P.M.
7
7
7
9
9
7
Hes her
the
fa
vor - ite

P.M.
P.M.
P.M.
teach
9
7
11
7
9
7
9
7
8
9
9
7
the kid and
Mis - sus
Jones.
Du
9
9
7
one - o
7
7
7
9
7
11
7

8
9
9
7
7
7
7
8
9
9
7
9
9
7
F#7'11
one.
7
7
9
(cont.
in
slashes)
P.M.
P.M.
P.M.
1
1
P.M.
8
9
9
7
ly dis - con - cert - ed lov - ers
8
7

8
9
9
7
9 7
P.M.
9
7
P.M.

8
9
9
7
9
9
7
- er.
7
7
Gtr. 3
8
9
9
7
sat
Gtr. 2
8
7
bleach - ers
9
7
4
4
2
End Rhy. Fig. 3
let ring
8
9
9
7
8
9
9
7
8
9
9
7
8
9
9
7
8
9
9
7
8
9
9
7
8
9
9
7
8
9
9
7
8
9
9
7
0
0
3
4
4
2
Pre-Chorus
F#5
E5
F#5
E5
F#5

P.M.
P.M.
P.M.
P.M.

Gtr. 2
We aint got
Gtr. 3
noth - ing
to
hide,
hide.
We aint got
noth - ing
to
hide,
hide,
let ring
0
0
3
4
4
2
2
4
2
4
3
Sorgdal
E5
F#5
A5
B5
P.M.
P.M.
hide.
We aint got
noth - ing to
hide,
P.M.
P.M.
hide.
(cont. in notation)
We aint got
noth - ing, noth - ing, noth - ing to
Chorus
Oh,
you
say
Rhy. Fig. 4
*Gtrs. 1 & 2
its
slight P.M.
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
7
7
5
G5
D5
you
say
5
5
3
wrong,
hide.
let ring
5
5
3
X
X
X
7
7
5
what
you
you
do,
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
9
9
7
A5
do,
you
B5
do.
slight P.M.
7
7
5
7
7
5

7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
X
X
X
9
9
7
Oh,
Gtr. 4 (dist.)
you
say
were
wrong,
G5
A5
you
say
what
we
we
do,
do,
E5
we
B5
do.
mf

Gtrs. 1 & 2
End Rhy. Fig. 4
slight P.M.
9
9
7
9
9
7
4
Sorgdal
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7

5
5
3
5
5
3
X
X
X
7
7
5

slight P.M.
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
X
X
X
9
9
7
9
9
7
9
9
7
1st time, Gtrs. 2 & 3: w/ Rhy. Fig. 4

2nd time, Gtrs. 2 & 3: w/ Rhy. Fig. 4 (1st 7 meas.)
Oh,
you
say
its
wrong,
D5
you
say
what
you
you
do,
A5
do,
you
Oh,
Gtr. 1
you
do.
say
were
wrong,
A5
T o Coda
you
steady gliss.
17
G5
B5

Gtr. 4
G5
say
what
we
we
do,
E5
B5
do,
12
we
do
wrong.
12
Riff C
End Riff C

Gtr. 4
Interlude
Gtr. 1: w/ Riff A
Gtrs. 2 & 3: w/ Rhy. Figs. 2 & 2A
Gtr. 4 tacet
You
do
wrong.
You
do
wrong.
Verse
Gtr. 2: w/ Fill 1
Gtr. 3: w/ Rhy. Fig. 3 (simile)
B7
2. Roll - ing
in
the
street
lights
in
his
old mans
ride.
5
Sorgdal
in
his
lap
Head
go
Stand - ing
in
the
court
ing
up
and down,
up
and down,
house,
God
and
oh,
no,
cop
lights.
ev - ry
child,
D.S. al Coda
you said, Your Hon
or,
to
I plead
7
7
9
7
11
7
the crime of
be - ing
sat - is
F#7'11
fied.
7
7
P.M.
P.M.
P.M.
P.M.
1
1
1 hold bend

P.M.
P.M.
Gtr. 2
8
7
9
7
9
7
9
7
Coda
8
7
9
7
11
7
9
7
7
9
4
4
2
Bridge
Gtr. 4: w/ Riff C (last meas.)
A5
Gtr. 2
E5 type2
E5
do,
we
do
Rhy. Fig. 5

Gtr. 3
wrong.
Voc. Fig. 1
Kind
of
(Kind
of
feel - ing
feel - ing
in
love.
in
love.
6
Sorgdal
7
7
5
7
7
5
7
7
5
19
P.M.
P.M.
Riff D
steady gliss.
7
7
5
P.M.
G5
Dsus4 D5
P.M.

Im
kind
of
Kind
of
feel - ing
in
love.
in
love.
feel - ing
Dsus4 D
Im
kind
of
Kind
of
End Voc. Fig. 1
Dsus4 D
feel - ing
Kind
of
feel - ing
in
love.
*Voc. Fig. 2
Dsus4 A5
Gtr. 2
3
3
2
0
2
3
2
0
2
3
2
0
3
3
2
0
2
3
2
0
Kind
of
3
3
2
0
5
5
2
2
0
feel - ing
in
love.)
P.M.
5
5
2
2
0
2
3
2
0
Gtr. 3
feel - ing
in
love.
in
love.
5
5
2
2
0
5
5
2
2
0
(Once
(cont. in notation)
End Riff D
P.M.
Dsus4
End Rhy. Fig. 5
E5
gain.
P.M.
5
5
2
2
0
5
5
2
2
0
5
5
2
2
0
5
5
2
2
0
5
5
2
2
0
5
5
2
2
0
0
0
4
2
2
0
*Refers to upstemmed voc. only.

Gtr. 3: w/ Riff D

Kind
of
End Voc. Fig. 2
feel - ing
in
G5
love.

Im kind
Once
of
feel - ing
in
love.
gain.)
7
Sorgdal
Dsus4 D5
Dsus4
Dsus4 D
open
Dsus4 A5 open
open
A5 open A
A5 open
B5

P.M.
P.M.
P.M.

Gtr. 2
Kind of feel - ing in
love.
(Kind of feel - ing in

Gtr. 1
Im kind of feel - ing in
love.
love.
Kind of feel - ing in
love.)
7
7
X
X
X
Gtr. 3
grad. bend
9
9
7
Guitar Solo
Gtrs. 2 & 3: w/ Rhy. Figs. 1 & 1A
7
7
7
7
7
7
7
7
7
7
10
9
7
7
7
7
Gtr. 1
7
7
1/2
7
7
7
7
7
7
9
9
9
9
9
9
7
7
9
9
7
7
9
1

*Gtrs. 2 & 3
1 hold bend
2
3
F#5
Gtr. 1
4
4
7
6
1/4
4
4
6
6
(cont. in slashes)
9
9
7
9
9
7
8
Sorgdal
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
4
4
2
F#5
E5 type2

Gtr. 1

Rhy. Fig. 6
Gtrs.
2&3
2
2
1/4
2
2
F#5
5
6
2
2
2
2
F#5
End Rhy. Fig. 6
2
2
2
2
E5
F#5
2
5
Gtrs.
2&3
2
2
E5
5
6
4
4
2
2
A5
2
2
E5
F#5
7
8
0
5
6
7
8
0
5
6
0
5
6
0
5
6
2
2
(Gtr. 2, cont. in notation)
10
11
14
11
12
14
10
11
14
11
12
14
12
13
16
13
14
17
13
14
17
13
14
14
17
17
14
14
17
17
Chorus
Gtr. 1 tacet
Gtr. 3
Gtr. 1
Oh,
you
say
its
D5 V
(cont. in notation)
wrong,
you
say
A5
what
you
you
do,
B5
do,
you
do.
17
8
9
9
7
8
9
9
7
8
9
9
7
8
9
9
7
8
9
9
7
8
9
9
7
8
9
9
7
8
9
9
7
8
9
9
7
8
9
9
7
5
5
3
Gtr. 2
8
9
9
7
X
X
X
5
5
3
5
5
3
7
7
5
Gtrs. 2 & 3
slight P.M.
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
X
X
X
9
9
7
9
Sorgdal
Gtrs. 2 & 3: w/ Rhy. Fig. 4 (last 4 meas.)
Oh,
Gtr. 4
you
say
were
G5
wrong,
A5
you
say
what
we
we
do,
E5
do,
we
B5
do.
Gtrs. 2 & 3: w/ Rhy. Fig. 4 (2 3/4 times)
Oh,
you
say
its
wrong,
D5
you
say
what
you
you
do,
A5
do,
you
Oh,
Gtr. 1

you
say
were
wrong,
G5
A5
you
steady gliss.
17
Gtr. 4: w/ Riff C
B5
do.
G5
say
what
we
we
do,
12
E5
do,
we
B5
do
wrong.
7
10
G5
D5

You
do
wrong.
1/2
A5
10
10
10
7
9
10
Sorgdal
You
do
wrong.
7
10
B5
G5
You
7
7
9
9
12
10
9
9
10
12
12
10
12
12
A5
12
B5
do
10
A5
10
12
10
10
10
12
10
10
11
wrong.
11
12
12
10
do
1/2
7
9
1/2
B5
do
wrong.
7
9
You
wrong.
1/2
1/2
7
7
10
1
1
A5
You
1/2
10
12
12
wrong.
E5 VIII
do
G5
12
12
12
wrong.
1/2
10
You
1/2
You
do
11 9
D5
11
10
wrong.
9
9
B5
Gtrs.
2&3
You
10
E5
G5
do
1/2
7
7
A5
11
Sorgdal
Cant Get It Out of My Head

Words and Music by Jeff Lynne
C5
Fmaj7
134
Dsus2
T3 4 2 1
Am
13
Dmaj7
D7
231
21
34
Cmaj7
32 1
32
G III
C7
134211
Ab
213
111
3241
134211
134211
132
C VIII
Bb
4fr
111
6fr
8fr
134211
13421
Gtr. 2: Drop C tuning:

(low to high) C-A-D-G-B-E
Intro
Moderately q = 85
Gtr. 3: w/ Rhy. Fig. 1A (2 times)
C,7
Rhy. Fig. 1A
*Gtr. 3 (acous.)
F/C
G/C
C
End Rhy. Fig. 1A
C,7
F/C
G/C
Riff A
End Riff A
0
1
0
2
3
0
1
0
2
3
0
1
0
2
3
0
1
0
2
3
0
0
0
2
3
0
0
0
2
3
0
0
0
2
3
0
0
0
2
3
1
1
2
3
3
1
1
2
3
3
1
1
2
3
3
1
1
2
3
3
3
3
4
5
3
3
3
4
5
3
3
3
4
5
3
3
3
4
5
3
3
3
4
5
3
mp
Gtr. 4 (elec.)
mf
w/ dist.
5
X3
5
X
3
5
X
3
5 7 5
X X X
3 5 3
5
X
3
5
X
3
5 7
X X
3 5
5
X
3
5
X
3
5
X
3
5
X
3
5
X
3
12
X
10
12 12
X X
10 10
*Doubled throughout
Rhy. Fig. 2
Gtr. 1 (elec.)
mf P.M.
P.M.
P.M.
P.M.
P.M.
let ring
w/ dist.
5
5
3
5
3
5
5
3
5
3
4
5
3
5
3
4
5
3
5
3
2
3
3
2
3
3
3
4
5
3
Rhy. Fig. 1
Gtr. 2 (elec.)
4
5
3
4
5
3
End Rhy. Fig. 2
4
5
3
P.M.
5
3
5
5
3
5
3
P.M.
5
5
3
X X 4
X X 5
X X 3
mf
w/ dist.
5
X
3
0
5
X
3
0
4
5
3
5
3
X X
X X
X X
2
3
3
3
3
2
3
3
P.M.
(cont. in slashes)
5
3
4
5
3
4
5
3
End Rhy. Fig. 1

5
X
3
0
P.M.
5
X
3
0
5
X
3
0
5
X
3
0
5
X
3
0
5
X
3
0
5
X
3
0
5
X
3
0
5
X
3
0
5
X
3
0
5
X
3
0
5
X
3
0
5
X
3
0
5
X
3
0
5
X
3
0
5
X3
0
5
X
3
0
5
X
3
0
5
X
3
0
5
X
3
0
5
X
3
0
5
X
3
0
5
X
3
0
1974 (Renewed 2002), 1975 EMI APRIL MUSIC INC.

All Rights Reserved International Copyright Secured Used by Permission
5
X
3
0
5
X
3
0
5
X
3
0
5
X
3
0
5
X
3
0
5
X
3
0
5
X
3
0
5
X
3
0
5
X
3
0
1
Sorgdal
Verse
C5
Gtr. 1

1. Mid
Gtrs. 1 & 2 tacet
Am
night
on
Gtr. 4
the
wa
ter,
w/ wah-wah
1
10
10
5
X
3
Rhy. Fig. 3

Gtr. 3
0
1
0
2
3
Gtr. 2
0
1
0
2
3
0
1
0
2
3
10
0
1
0
2
3
0
1
0
2
3
0
1
0
2
3
0
1
0
2
3
0
1
0
2
3
0
1
0
2
3
0
1
0
2
3
0
1
0
2
3
0
1
0
2
3
0
1
0
2
3
0
1
0
2
3
0
1
0
X
2
0
1
0
0
X
3
0
1
2
2
0
0
1
2
2
0
0
1
2
2
0
0
1
2
2
0
0
1
2
2
0
0
1
2
2
0
0
1
2
2
0
0
1
2
2
0
0
1
2
2
0
0
1
2
2
0
0
1
2
2
0
0
1
2
2
0
0
1
2
2
0
0
1
2
2
0
Rhy. Fill 1
End Rhy. Fig. 3
0
1
0
X
2
0
1
0
0
X
3
0
1
0
0
X
3
End Rhy. Fill 1
5
X
3
0
Gtr. 4
saw
the o
ceans
Am
daugh
ter.
13
12
Sorgdal

Walk-
13
Pre-Chorus
Gtr. 4 tacet
F,7
Dsus2
F,7
Am
Rhy. Fig. 4A
Gtr. 3
End Rhy. Fig. 4A
in through the burn - ing
rain,
hop - ing just to know her
name.
And I
Gtr. 4
mp
13
12
Rhy. Fig. 4B
Gtr. 5 (elec.)
End Rhy. Fig. 4B
mf
0
3
2
0
0
1
2
3
0
1
2
2
0
w/ clean tone & amp tremolo
0
1
2
3
Gtr. 1
3
0
0
X
3
Rhy. Fig. 4
End Rhy. Fig. 4

P.M.
3
3
1
3
3
1
3
3
1
3
3
1
P.M.
3
3
1
3
3
1

P.M.
0
0
0
0
0
0
0
0
3
2
0
3
2
0
P.M.
3
2
0
3
2
0
0
0
0
0
0
0
0
0

P.M.
3
3
1
3
3
1
3
3
1
3
3
1
P.M.
3
3
1
3
3
1
P.M.
0
0
0
0
0
0
0
0
2
2
0
2
2
0
2
2
0
2
2
0
5
3
5
3
5
3
5
3
Chorus

Gtr. 5 tacet
3rd time, Gtrs. 8 & 9: w/ Fills 2 & 2A
3rd time, Gtr. 10: w/ Riff A (3 1/2 times)
cant
C,7
get
Fill 1
Gtr. 4
it
out
of
F/C
my
head.
13
G/C

No,
C,7
cant
Fill 2
Gtr. 8
get
it
out
of
13

my
F/C
head.
G/C

Now
my
Fill 2A
Gtr. 9
3
Sorgdal
C,7
F,7
To Coda 1
To Coda 2
Rhy. Fill 2A
End Rhy. Fill 2A
Gtr. 3
old
world
is
gone
for
dead,
cause
Gtr. 1

5
5
3
5
5
3
5
3
4
5
3
5
3
5
3
4
5
3
X X
X X
X X
2
3
3
Gtr. 2

5
X
3
0
5
X
3
0
5
X
3
0
5
X
3
0
5
X
3
0
5
X
3
0
5
X
3
0
5
X
3
0
3
3
cant
get
2
3
3
4
5
3
let ring
2
3
3
4
5
3
5
5
3
5
5
3
Rhy. Fill 2
5
X
3
0
5
X
3
0
5
5
7
5
5
7
5
X
3
0
5
X
3
0
5
5
7
5
5
7
5
X
3
0
5
X
3
0
it out
of
my head.
Rhy. Fill 3
End Rhy. Fill 3
5
5
3
0
0
X 0
X
X
5
5
3
5
5
3
5
5
3
5
5
3
5
5
3
3
3
1
3
3
1
3
3
1
3
3
1
5
5
3
5
5
3
5
5
3
End Rhy. Fill 2
5
X
3
0
5
5
7
5
X
3
0
5
5
7
5
5
7
5
5
7
5
5
7
3
3
5
3
3
5
3
3
5
3
3
5
5
5
7
5
5
7
5
5
7
Verse

2.
*Am7
on
the
End Riff B
17
17
17
17
Break
down
shore
line.
Riff B
Gtr. 6
(elec.)
mp
w/ dist.
17
19
20
17
17
Gtr. 4
19
20
17
17
19
20
17
17
19
20
17
17
20
17
17
17
20
17
17
mf
20
1
10
mp
20
17
10
Riff C
Gtr. 7 (elec.)
17
10
10
10
10
w/ dist. & slide
Gtr. 1 Rhy. Fig. 5

slight P.M.
5
3
5
3
4
Sorgdal
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
0
5
0
5
0
5
0
5
0
5
0
5
0
*Chord symbols reflect overall harmony.
5
0
5
0
5
0
5
0
5
0
5
0
5
0
5
0
5
0
Gtr. 6: w/ Riff B

Cant
move,
Ive
par
lyzed.
mf
been
Gtr. 4
*p
Am7
13
13
12
*Vol. swell
Gtr. 7
End Riff C
End Rhy. Fig. 5
Gtr. 1
slight P.M.
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
0
5
3
5
3
5
3
5
3
5
3
5
3
5
0
5
0
slight P.M.
5
3
5
0
5
0
5
0
5
0
5
0
5
0
5
0
5
0
5
0
5
0
5
0
Gtrs. 1, 3 & 5: w/ Rhy. Figs. 4, 4A & 4B

Gtr. 7 tacet

Morn - ing dont get here
till
Dsus2
F,7
night.
13
Search - ing for her sil - ver
Gtr. 4
5
0
D.S. al Coda 1
Pre-Chorus
F,7
5
0
1/2
Am
light.
And I
14
14
16
12
1/2
12
12 14
5
Sorgdal
Coda 1
Gtrs. 2 & 3: w/ Rhy. Fills 2 & 2A
cant
get
Gtr. 4
it
out
of
let ring
5
5
3
5
5
3
5
5
3
5
5
3
Guitar Solo
D
Gtr. 4
Gtr. 1
Riff D
2
3
0
Gtr. 2
Rhy. Fig. 6
Sorgdal
of
10
10
my
5
5
3
5
5
3
5
5
3
5
5
3
3
3
1
3
3
1
3
3
1
3
3
1
5
5
3
5
5
3
5
5
3
5
5
3
D7
End Rhy. Fig. 6A
5
8
2
2
0
2
2
0
2
1
0
2
1
0
2
1
0
3
1/4
1/2
8 10
9 7
11
10
End Riff D
5
5
3
5
5
3
5
5
3
5
5
3
7
7
5
7
7
5
2
1
0
7
7
7
5
7
7
7
5
7
7
7
5
7
7
7
5
7
6
7
5
7
6
7
5
7
6
7
5
7
6
7
5
7
5
7
5
7
5
7
5
7
5
7
5
7
5
7
5
7
5
7
5
7
5
7
5
7
5
7
5
7
5
7
5
out
let ring
2
3
head.
head,
my
Gtr. 3
D,7
Rhy. Fig. 6A
let ring
Gtr. 1
5
5
3
7
7
5
7
7
5
End Rhy. Fig. 6
5
5
7
5
5
7
5
5
7
5
5
7
7
7
9
7
7
9
7
7
9
7
7
9

Gtr. 4
D,7
10
15
15
15
13
D,7
1 1/2
1/2
12 10
10
13
13
10
10
10
17
15
17
13
15
13
16
6
1
13
10
14
13
13
10
15
15 14 15 14
15
13
15
15 13 15 13
15
3
1
15
15
13
15
1/2
13
15

0
0
15
0
0
3
1
10 13 10
12
*Gtrs. 1, 2 & 3
13 10
15
13
13
13 10
G/B
13
10 13 10
13
15
Bb5
13 12 13 10 13 10
13
15
D7
14
17
13 10
15
17
10 12 10 13 10
15
1/4
Gtr. 4
1/2
12
15
13
D7
13 11 13 11 10 11 10 11 10
12
12
12 10 12
13
3
3
1
3
3
1
3
3
1
3
3
1
5
2
5
2
5
2
5
2
5
2
Verse
Gtr. 7: w/ Riff C

3. Bank
Am7
job
in
the
cit
Gtr. 4
12
13
y.
7
Sorgdal
Rob - in
10
12
10
10
Hood and
Wil - liam
Tell
and
12
10
Am7
en
and
Lan
- ce - lot,
they dont
12
I - van - hoe
vy
me.
8v a
fdbk.
15
15
D.S. al Coda 2
Pre-Chorus
Gtrs. 1, 3 & 5: w/ Rhy. Figs. 4, 4A & 4B
F,7
Sit - ting still I want to
Dsus2
drown.
F,7
Gtr. 4 tacet
Am
In my dreams the world keeps go - ing
round

and
round. And I
8v a
Gtr. 4
fdbk.
15
Gtr. 8 (elec.)

mf
15 17
Gtr. 9 (elec.)

mf
1/2
w/ dist.
8
17 15 13
17
15
15
15

16
1/2
1/2 1 1/2 1 1/2 1 1/2
15
w/ dist.
Sorgdal
Gtr. 2
14
12
14
12 14
12
12 14
5 7
Coda 2
Outro

Gtrs. 2 & 3: w/ Rhy. Fills 2 & 2A (last meas.)
G
*Gtrs.
1&3
head,
out
Gtr. 4
of

5
X
3
5
X
3
5
X
3
head.
14
13
14
Gtr. 10
5
X
3
my
C7
5
X
3
C,7
12
X
10
12
X
10
12
X
10
13
13
13
13
13
13
13
13
13
13
13
13
steady gliss.
13
9
5
X
3
4
X
2
5
X
3
5
X
3
5
X
3
4
X
2
4
X
2
4
X
2
3
X
1
3
X
1
3
X
1
3
X
1
3
X
1
13
14
14

3
X
1
3
X
1
3
X
1
G III
Gtr. 4

15 13
15
15
15
15
14
15
13
14
13
Ab
5
X
3
5
X
3
5
X
3
5
X
3
7
X
5
7
X
5
3
3
5
3
3
5
3
3
5
3
3
5
5
5
7
5
5
7
7
X
5
13
13
7
X
5
13
13

8
X
6
13
8
X
6
5
5
7
5
5
7

6
6
8
6
6
8
13
15
13 15
let ring
13
15
8
X
6
10
X
8
10
X
8
10
X
8
12
X
10
8
8
10
8
8
10
8
8
10
5
5
3
0
6
6
8
6
6
8
15
15 15
8
X
6
fdbk.
let ring
1
15
15
15
C VIII
Gtr. 2
let ring
10
Gtr. 10
Bb
10
X
8
8
8
10
9
Sorgdal
For a Brother
G5
D/F#
134
23
1342
Intro
Moderately q = 128
**E5
F#5
E5
F#5
E5
F#5
E5
C#5
A5
G#5
E5
mf
Riff A
Gtr. 1 (dist.)
End Riff A
Gtr. 4 (dist.)
11
11
mf
mf
*Gtrs. 2 & 3 (dist.)
Riff A1
End Riff A1
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
**Chord symbols reflect implied harmony.
Gtr. 1: w/ Riff A
Gtrs. 2 & 3: w/ Riff A1
F#5
Gtr. 4
E5
F#5
E5
F#5
E5
C#5
Riff B
A5
G#5
E5
11
11
End Riff B
11
11
12
11
Verse
Gtr. 1: w/ Riff A (1 1/2 times)

1st time, Gtr. 2: w/ Riff A1 (1 1/2 times)
Gtr. 3: w/ Riff A1 (1 1/2 times)
Gtr. 4: w/ Riff B (1 1/2 times)
2nd time, Gtr. 2: w/ Riff D (1 1/2 times)
F#5
1. Cant
2. Nose
rise
dive,
F#5
crash
E5
from
to
the
the
bot - tom.
bot - tom.
F#5
Time
An
E5
E5
flies
gel,
your
1
Sorgdal
Wast
not
ed.
for
E5
Your
Fought
A5
F#5
got
it.
bro - ken.
E5
E5
G#5
time
for
re - ced - ed.
the
proph - ets,

did
Did
E5
has
of
rights
Could and should have been and

spir - it
of
your daugh - ters.
the
F#5
when
ya
al - ways
was
F#5
A5
wing
C#5
nt.
nt.
Gtr. 1
Gtr. 4
End Fill 1
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
Gtr. 3
Fill 2
Gtr. 2

2
2
0
2
Sorgdal
2
2
0
Gtr. 2
Fill 1
2
2
0
let ring
8
9
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
1 hold bend
8
7
Chorus
Gtrs. 1 & 4 tacet
F5
A5
Giv - en
up my
5
X
3
5
X
3
5
X
3
Rhy. Fig. 1
Gtr. 2
Riff C
3
3
1
3
3
1
3
3
1
3
3
1
4
X
2
9
X
7
2
2
0
2
2
0
2
2
0
5
X
3
5
X
3
3
3
1
3
3
1
9
X
7
giv
X X
X X
X X
2
2
0
0
0
0
3
3
1
5
X
3
3
3
1
4
X
2
free.
End Riff C
9
X
7
9
X
7
7
X
5
5
5
3
5
5
3
5
X
3
5
X
3
4
X
2
9
X
7
3
3
1
3
3
1
3
3
1
9
X
7
9
X
7
but you set your - self
free.
9
X
7
9
X
7
14 12
X X
12 10
12 12 12
X X X
10 10 10
2
2
0
2
2
0
9
X
7
2
2
0
2
2
0
12
X
10
12
X
10
14
X
12
14
X
12
5
5
3
5
5
3
5
5
3
5
5
3
5
5
3
5
5
3
E5
F#5
Riff D
P.M.
E5
F#5
X
X
P.M.
0
0
2
14
X
12
14
X
12
14
X
12
12
3
2
0
0
2
3
2
0
0
2
3
2
0
0
2
3
2
0
0
2
3
2
0
0
2
End Rhy. Fig. 1

X
X
X
D.S. al Coda 1
F#5
1/2
14
X
12

Gtr. 4: w/ Riff B
5
5
3
3
2
0
0
2
5
5
3
4
X
2
E5
Interlude
Gtr. 2
7
X
5
To Coda 2
1/4
5
X
3
7
X
5
5
5
3
2
2
0
E5
for
D/F#
en and Ive par - doned,
5
X
3
G5
hand
9
X
7
2
2
0
2
3 0
up
G5
9
X
7
9
X
7
Ive giv - en
To Coda 1
Ive ris - en and for
a broth - er.
2
2
0
A5
9
X
7
C5
9
X
7
2
2
0
E5
for
E5
F5
hand
Gtr. 3
F5
E5
E5
X
X
P.M.
0
0
X
X
X
X
X
X
A5
G#5
E5
End Riff D
P.M.
0
0
0
C#5
2
2
0
3
Sorgdal
Coda 1
G5
Gtr. 2
D/F#
12
X
10
10
12
X
10
12
X
10
12
X
10
free.
Gtr. 3
12
12
X
10
steady gliss.
11
X
9
10
X
8
10
8
Bridge
Gtr. 2 tacet
A7
Gtr. 3 tacet
Oo,
walk
slow
ly.
0
0
2
0
1
0
2
time
stopped.
Gtr. 3
Seems like
mf
w/ clean tone
3
2
0
2
0
Seems like Im

Gtr. 5
let ring

slow
danc
oh,
but
ing,

5
5
7
8
7
10
10
12
Sorgdal
Im
fly -

7
7
5
5
X
X
5
7
A7sus4
ing.

Gtr. 5
Where
do
Rhy. Fig. 2
10
A7sus4

Im
10
10
C,7
free,
End Rhy. Fig. 2
yeah.
0
3
0
2
0
free,
5 5
7
0
2
C,7
let ring
0
2
0
2
0
free,
Riff E
1/2
10 8
10
0
0
0
2
3
Im
Gtr. 3
3 5
closed.
A7sus4
free,
A7
Gtr. 5
know is

1 hold bend
home
0
3
0
2
0
The
A7
go?
0
2
0
2
0
Gtr. 5
3
5
Gtr. 3
C,7
0
0
0
0
2
3
10
10
10
10 8
0
0
2
3

yeah.
10
10
1
10
End Riff E
5
Sorgdal
Gtr. 3: w/ Riff E
A7
A7sus4
Free,
Gtr. 5
10
10
10
C,7
13
10
10
10
10
10
13
13
12
10
13
12
10
12
13
10
13
12
10
13
12
13
12
10
12
12
12
10
12
10
12
10
D7sus2
10
E5
9 10 9
Gtr. 3
12
Gtr. 5
13
yeah.
12
free,
Fsus2
10
3
1
10
5 7 5
10
10
10
12
13
10
13
1 1/2
13
13
let ring
Gtr. 2
1
3
1
3
1
3
1
3
0
2
1
0
0
2
6
Sorgdal
Interlude
Gtr. 5 tacet
F#5
E5
F#5
E5
F#5
G5
A5
Yeah.
X
X
X
X
X
X
X
X
X
X
X
X
X
X
2
2
0
0
2
2
0
Gtr. 4
Gtr. 2
Gtr. 3
0
0
X
3
w/ dist.
2
2
0
D.S.S. al Coda 2
Gtr. 4 tacet
Gtr. 2
5
5
5
5
5
5
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
E5
Gtr. 3
X
X
X
X
X
X
1/2
5
5
14
14
12
14
14
12
14
14
12
14
14
12
14
14
12
14
14
12
14
14
12
14
14
12
E5
C5
the
shit
Coda 2
Gtr. 2: w/ Rhy. Fig. 1 (1 1/2 times)

Gtr. 3: w/ Riff C
F5
bit - ten
off
my
hand

for
the stuff
and
F5
liv - in
off
you
G5
E5
Ive
A5
steal.
7
Sorgdal
F5
E5
A5
li
5
X
3
5
X
3
5
X
3
9
X
7
4
X
2
Gtr. 3: w/ Riff C
F5
E5
A5
up
my
E5

3
3
1
3
3
1
5
X
3
5
X
3
5
X
3
8
Sorgdal
2
2
0
2
2
0
3
3
1
Gtr. 3
3
3
1
4
X
2
9
X
7
2
2
0
2
2
0
giv - en
9
X
7
9
X
7
9
X
7
9
X
7
up
11
X
9
11
X
9
C5
11
X
9
hand
11
X
9
11
X
9
G5
for
free.
14
X
12
12
X
10
11
X
9
11
X
9
D/F#
F5
5
5
3
5
5
3
5
5
3
5
5
3
3
2
0
0
2
12
X
10
12
X
10
12
X
10
12
X
10
12
X
10
free.
11
X
9
3
3
1
10
X
8
X
X
X
free.
5
5
3

9
X
7
12
X
10
see.
free.

2
2
0
12
X
10
E5
Ive
12
X
10
12
X
10
You set your - self
Gtr. 2
hand,
G5
F5
12
X
10
nt
Ive giv - en up my
your - self
12
X
10
A5
set
12
X
10
You
F5
9
X
7
hand.
9
X
7
could
E5
X
X
X
E5
Giv - en
9
X
7
daugh - ters that you

9
X
7
D/F#
gion and for - got - ten
9
X
7
re
Gtr. 3
You per - ished for
G5
Spay
Bb5
A5
6fr
134
E5
G5
F5
Bb5 I
5fr
134
134
Ab5
134
F#
4fr
11
F#5
134
134
F#sus4
9fr
1333
D5
9fr
1334
134
Ab
5fr
134
4fr
13421
Intro
Fast q = 184
* Bb5
A5
Bb5
(Bass & drums)
A5
Bb5
Gtr. 1 (elec.)
A5
mp
** p
w/ dist. & slide
14
14
14
Gtr. 3
(elec.)
Gtr. 1
**Vol. swell
mf
14
14
14
Gtr. 2 (acous.)
14
14
14
14
14
14
14
A5
mf
w/ dist.
14
14
14
14
Bb5
14
14
14
14
12
12
15
15
14
14
mp
w/ slide
15
15
14
14
1
Sorgdal
Bb5
A5
Bb5
A5

(cont. in notation)
Rhy. Fig. 1
14
14
12
12
12
14
14
14
14
14
14
14
12
14
14
15
15
15
14
14
14
15
14
15
Gtr. 1
15
14
14
14
14
14
14
12
14
14
10
10
10
12
12
12
11
11
11
15
15
15
F#5
14
14
14
14
14
14
14
Gtr. 2
15
15
15
12
12
12
G5
14
14
14
14
14
14
Bb5
A5
steady gliss.
(cont. in slashes)
11
11
11
14
14
14
7
7
5
steady gliss.
14
14
14
14
14
14
12
14
14
12
14
12
12
11
11
11
11
11
11
7
7
7
End Rhy. Fig. 1
Gtr. 3
7
7
5
7
7
5
2
Sorgdal
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5

7
7
5
7
7
5
7
7
5
7
7
5

5
5
3
5
5
3
5
5
3
4
4
2

4
4
2
4
4
2
4
4
2
4
4
2
4
4
2
4
4
2
4
4
2

4
4
2
4
4
2
4
4
2
4
4
2
8
X
6
8
X
6
8
X
6
7
X
5
Verse
Gtr. 2 tacet
A5
Bb5
A5
Bb5
A5

P.M.
P.M.
P.M.
P.M.
Rhy. Fig. 2
End Rhy. Fig. 2
Gtr. 1
1. Wast - ed,
2. Blitz - krieg
all
the
a
bitch

Gtr. 3
dis - grace.
es
bald.
Re - ar - ranged
May the tro -
pret
sell
ty
the
mess
gold.
es.
Riff A
7
5
7
X
5
7
X
5
7
X
5
7
X
5
7
X
5
7
X
5
7
X
5
End Riff A

7
X
5
7
X
5
7
X
5
7
X
5
8
X
6
Pray
on
Pay the toll
7
X
5
7
X
5
7
X
5
7
X
5
7
X
5
7
X
5
7
X
5
7
X
5
7
X
5
7
X
5
To
When
the
the
king
bill
with
is
king
on
5
X
3
Bb5
of
rights
col - lec
P.M.

you would rath
The sing - er sings
er
of
spite
your
di - mond
face
things
Gtr. 3
7
X
5
7
X
5
7
X
5
7
X
5
7
X
5
7
X
5
7
X
5

7
X
5
7
X
5
7
X
5
4
X
2
5
3
7
X
5
7
X
5
7
X
5
7
X
5
7
X
5
7
X
5
7
X
5
7
X
5
8
X
6
8
X
6
8
X
6
7
X
5
A5
P.M.
P.M.
up
come
4
X
2
4
X
2
4
X
2
4
X
2
4
X
2
pleas
all.
4
X
2
4
X
2
ures.

4
X
2
4
X
2
4
X
2
4
X
2
4
X
2
A5
8
X
6
8
X
6
8
X
6
Bb5
un - der - neath
pep - per holes
tions,
7
X
5
fucked
one,
7
X
5
Bb5
4
X
2
F#5
G5
P.M.
7
X
5
A5
7
X
5
to
Come

Gtr. 3: w/ Riff A
8
X
6
your a - ban - doned knee

or
sell
your soul.
8
X
6
G5

P.M.
P.M.
Gtr. 1
the
phy
the
and
night
ug -
A5
to - night
ly
mess
7
X
5
es.
open
F#5
P.M.
P.M.
P.M.
than
and
change
all
your
ex

5
X
3
4
X
2
4
X
2
4
X
2
4
X
2
4
X
2
4
X
2
life.
ces

4
X
2
P.M.
4
X
2
P.M.
(cont. in notation)
ses.
(cont. in slashes)
4
X
2
4
X
2
4
X
2
4
X
2
4
X
2
4
X
2
4
X
2
4
X
2
3
Sorgdal
Chorus
G5
F5 G5
Gtr. 3
Bb5 I
Rhy. Fig. 3A
G5
Spay.
Voc. Fig. 1
Why
wont
F5 G5
Bb5 I
End Rhy. Fig. 3A
you?
Rhy. Fig. 3
5
5
3
5
5
3
3
3
1
G5
F5 G5
Bb5 I
5
5
3
5
5
3
3
3
1
5
5
3
5
5
3
3
3
1
Why
wont
you
spay
Why
Why
wont
wont
3
3
1
3
3
1
Why
wont
Why
Why
wont
wont
Ab5
you?
you?
you?
E5 F5
End Rhy. Fig. 3
3
3
1
5
5
3
self?
End Voc. Fig. 1
2
2
0
3
3
1
6
6
4
Bkgd. Voc.: w/ Voc. Fig. 1 (1st 4 meas.)

Gtrs. 1 & 3: w/ Rhy. Figs. 3 & 3A
G5
Spay.
4
Sorgdal
F5 G5
Bb5
G5
Why
wont
your
you?
you?
3
3
1
5
5
3
F5
3
3
1
5
5
3
(Spay.
Screamed: (Spay.
Gtr. 1
you?
F5 G5
Bb5
Why
wont
you?
To Coda 1
To Coda 2
G5
Gtr. 3
Gtr. 1
5
5
3
3
3
1
5
5
3
F5
(2nd time, cont. in notation)
5
5
3
Gtr. 2
Bb5
F5 G5
Why
wont
you
spay
Why
Why
wont
wont
you
you
3
3
1
spay
spay
3
3
1
3
3
1
6
6
4
self?)
self?)
3
3
1
End Voc. Fill 1
2
2
0
A5
self?
your
your
your
Ab5
Voc. Fill 1
E5 F5
w/ slide
12
12
12
6
6
4
15
15
15
14
14
14
15
15
15
14
Interlude
Bb5
A5
14
14
14
Gtr. 2
14
14
14
14
14
Ah.
Gtr. 1
Bb5
A5
A5
12
12
12
15
15
15
14
14
14
15
15
14
15
14
14
14
14
12
14
14
14
12
12
12
15
15
15
14
14
14
15
15
15
14
14
14
5
Sorgdal
A5
14
14
14
14
14
14
15
15
15
12
12
12
14
14
14
D.S. al Coda 1
Bb5
Bb5
w/o slide
(cont. in slashes)
steady gliss.
14
14
14
A5
8
8
6
8
8
6
7
7
5
steady gliss.
14
14
14
14
14
14
12
14
14
15
14
15
15
14
14
14
14
14
14
Coda 1
Bridge
Bkgd. Voc.: w/ Voc. Fill 1
F5
Ab5
spay
Gtr. 4 tacet
E5 F5
A5
D5
your
self?
There
Gtr. 4 (elec.)
7
7
7
is
F#
mf
w/ dist.
fdbk.
2
3
2
3
3
1
3
3
1
Gtr. 1
3
3
1
3
3
1
Gtr. 3
6
Sorgdal

2
2
0
3
3
1

2
2
0
3
3
1
6
6
4
w/ slide
5
5
5
7
7
7
7
7
7
Rhy. Fig. 3
11
11
11

(cont. in slashes)
6
6
4
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
11
11
11
9
F#
F#sus4 F# F#sus4
D5
F#

End Rhy. Fig. 3
Gtr. 3
love
that
does
nt
lease
through
the
night,
(Uh.)
Gtr. 1
7
7
7
9
11
11
11
11
11
11
11
11
11
7
7
7
*Fret top note w/ index finger

on slide hand.
F#sus4 F# F#sus4
D5
9
11
11
11
heed
all
your
11
11
11
7
7
7
sume
all
your

7
7
7

Gtr. 3
gage
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
9
9
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
9
X
7
11
11
11
9
X
7
9
X
7
11
9
X
7
D5
12
12
9
X
7
con
7
7
5
and
1/4
7
7
5
F#sus4 F# F#sus4
life.
Gtr. 1
bag
7
7
7
E5
F#
9
X
7
9
X
7
9
X
7
9
X
7
9
X
7
1/2
9
X
7
9
X
7
2
2
0
F#5
12
12
11
11
(cont. in slashes)
2
2
0
4
4
2
7
Sorgdal
Guitar Solo
F#5
E5
F#5
E5
Gtr. 3
P.M.
P.M.
F#5
11
11
11
E5
11
11
11
11
10
10
10
10
10
10
F#5
11
11 11
11
11
G5
11
11
Gtr. 1
11
10
11 X
14
14
14
A5
14
14
14
13
G5
A5
14
12 14

P.M.
P.M.
P.M.
13
14
15
14
16 14
16
14
16
14 16
15
14
12
16 12
G5
13
14
14
14
12
14
A5
G5
A5

P.M.
8v a
P.M.
12
14
12
13 12.5
14
14
14
14
12
14
14
14
14
14
12
12
14
14
14
17
17
17
17
17
19
21
15
17
15 15 17
*Slide positioned between 12th & 13th frets.
D.S.S. al Coda 2
Coda 2
Gtr. 3

F5
spay
8v a
**
20
21 21.5 22 22.5 23 23.5 24
24
15
**Hypothetical fret numbers.
8
Sorgdal
17
17
17
Gtr. 1
your

3
3
1
2
2
0
Ab
17
3
3
1
E5 F5
3
3
1
self?
w/ slide
10
10
10
13
13
13

fdbk.
13
13
13
Pitch: G
13
13
13
20
Gravedancer
G III
G5
F5
10fr
21
134211
134211
32 1
C/E
8fr
14
14
7fr
14
Gtr. 5: Open G tuning:

(low to high) D-G-D-G-B-D
Intro
Moderately slow q = 70
Gtr. 1 (clean)
(Synth.)
*G
Csus2 G/B
F5

mf
4 sec.
let ring throughout
1
0
Verse
G7
F'9
1. Shes
2. Shes
all
world
the
that
at
I
my
G7
F'9
see
feet,

Gtr. 1
and
the
all
sun
that
that
I
gives
w/ wah-wah
0
3

mf
let ring throughout
0
1
0
1
0
3
1
Sorgdal
G7
F'9
breathe.
heat.
Take a
Take a
Riff A
breath
rest
G7
and
and
hold
hold
her
her
Riff A1
0
1
ows whis
a - way
per from
End Riff A
0
1
as her shad
or shell float
1
3
in
near
F'9
End Riff A1
0
3

Gtr. 2: w/ Riff A1
G7
F'9
ing.
here.
G7
Cause
Im
I
can
know - ing
hear
the laugh what youre fear -

flies
mile
be - side
that guides
an
G7
F'9
ter,
ing,
F'9
and while she

And ev - ry
G7
un
on
me
you,
Ill watch
Gtr. 2
0
1
2
Sorgdal
0
3
0
1
know - ing what theyre

sen - ti - men - tal
man - y
o - ver
5
3
5
3
bro
ev

af
ju
ter
ry.
ken wings.
ry - thing.
Chorus
Gtr. 2 tacet
Am7
Bb6
Take,
take
Riff B1
Gtr. 3 (clean)
a - round,
look
C'9
shes
pret - ty good
danc
End Riff B1
mf
w/ amp tremolo
let ring throughout
Gtr. 1
Riff B
wah-wah off
End Riff B
Gtrs. 1 & 3: w/ Riffs B & B1 (2 times)
Am7
er.
Am7
Bb6
She
danc
Bb6
down.
Ev
- ry
es
on
my
time
she
Am7
grave.
comes

down.
Gtr. 3
Gtr. 1
She danc - es all
Ev
- ry
time
it
goes
time
we
fall
(cont. in notation)
ver me.
End Fill 1
Fill 1
C'9
down.
Ev - ry
G
Gtr. 2
1.
Interlude
2nd time, Gtr. 3: w/ Riff B1 (last meas.)
C'9
0
1
Sorgdal
2.
Bridge
Gtr. 3 tacet
G III
Gtr. 2
ver
mp
let ring
that
we
feel
it,
its just
5
5
an - oth - er long
let ring
5
5
0
1
5
5
night.
wast - ed
Gtr. 1
End Rhy. Fig. 1
me.
7
7
And ev - ry time
Rhy. Fig. 1
F'9
And the
dance
that
let ring
7
7
2
3
3
1
4
5
5
3
4
Sorgdal
we
F'9
do
is
just an - oth - er way for you
6
5
5
6
5
7
5
5
roll
let ring

let ring
to
5
5
Riff C

Gtr. 1
8
7
Gtr. 4
End Riff C
4
5
2
1
3
1
Gtr. 1: w/ Riff C
F'9
ver
me.
And the
bed
that
Gtr. 4
8
7
6
5
5
6
5
you.
Gtr. 4
let ring
7
7
Wan
8
7
8
9
8
7
8
7
7
6
5
5
5
5
na
feel
6
5
5
let ring
8
8
10
that
6
5
5
wan - na
bring
let ring
6
5
5
5
5
5
7
5
5
you,
the home
Eb
is
5
5
6
5
5
ing
let ring
let ring
let ring
shar
F'9
F'9
were
let ring
let ring

dont want
let ring
8
8
10
8
8
8
8
8
8
X
X 5
5
Fill 2
mf
to
5
5
hear
5
7
5
5
8
8
8
5
5
5
5
5
5
w/ slide
5
5
5

Gtr. 1
2
3
3
4
5
5
5
3
3
3
1
*Gtrs. Rhy. Fill 1

1&2
End Rhy. Fill 1
(Gtr. 2, cont. in slashes)
2
1
8
8
8
8
8
6
8
8
6
8
8
6
8
8
6
5
5
3
5
5
3
5
5
3
5
Sorgdal
Interlude
G
Gtr. 2
you.
Gtr. 4
f
1/2
12
12
Gtr. 5
1/2
11
11
12
12
1/2
1/2
12
1/2
1/2
1/2
12
12
12
10
12
12
w/ dist.
1/2
Gtr. 5 tacet
11
11
12
12
12
1/2
11
11
12
End Fill 2
12
10
0
0
0
Gtr. 1
Gtr. 4
1/2
12
1
1
12
F5
1/2
10
13
13
12
12
0
2
Guitar Solo
G5
12
12
12
12
15
12
15
12
Gtr. 1
0
5
12
X
10
12
X
10
12
X
10
0
3
12
X
10
12
X
10
12
X
10
12
X
10
12
X
10
12
X
10
0
5
0
0
12
X
10
12
X
10
12
X
10
12
X
10
12
X
10
12
X
10
0
5
mp
12
X
10
6
Sorgdal
14
12
14
X
12
C/E

1/2
15
0
0
15
F5
13
15
1/2
15
15
0
0
0
5
17
3
5
12
X
10
12
X
10
12
X
10
12
X
10
12
X
10
12
X
10
12
X
10
12
X
10
12
X
10
12
X
10
12
X
10
12
X
10
12
X
10
12
X
10
12
X
10
12
14
17
Chorus
Gtrs. 2 & 6 tacet
Gtr. 3: w/ Riff B1 (3 1/2 times)
take
Gtr. 4 tacet
C'9
a - round,
shes a pret - ty good
Am7
danc
Bb6
er.
She danc - es
down.
Ev
- ry
C'9
grave.
look
on
my
18
18
Bb6
Take,
Am7
Gtr. 4
Gtr. 4 tacet
C'9
Ev - ry
time
it
time
it
Am7
goes
falls
Ev
- ry
Bb6
down.
time
she
comes
Gtr. 1: w/ Fill 1
Am7
down.
She
danc
es
all
7
Sorgdal
Outro
F'9
ver
me.
Gtr. 4

1
1
She danc
F'9
3
1
me.
3
1
es
all
F'9
She danc
es
all
5
5
3
1/2
5
5
5
5
3
3
3
3
5
5
F'9
me.
F'9
3
3

ver

ver
w/ wah-wah
F'9

Shes a
pret - ty good
3
1/2 hold bend
Gtrs. 1 & 2: w/ Rhy. Fill 1

Gtr. 5: w/ Fill 2
F'9
Eb
danc - er.
8
Sorgdal
6
1
3
5
3
6
3
6
3
6

F'9
Take,
take,
take
look
pret
6
7
6
7
6
7
ty,
pret
6
7
shes
pret - ty
ty,
pret - ty
8 8 8
danc
good
Ev -ry time
she
go
7
1 1/2
er.
F'9
er,
6
1/2
F'9
danc
a - round,
F'9
13
13
10
10
11 13
11 13 11
10 8
Begin fade
F'9
round,
she come
F'9
down.
Come
head - ing
my
1/2
12 12
13
12
13
12
13
12
13
12
15 14 15 14 12
14
15 14 15 14 12
14
15 14 15 14 12
14
15 14 15 14 12
14
15 14 15 14 12
14
15 14 15 14 12
14
F'9
way.
12
17
15
3
1
1
1
17
15
17
1/2
17
15
15
17
18
18
17
1/2
18
17
9
Sorgdal
Gtrs. 1 & 2: w/ Rhy. Fill 1
Eb
Gtr. 4
Gtr. 1: w/ Riff C (till fade)

Gtr. 2: w/ Rhy. Fig. 1 (till fade)
F'9
3
1/2
1/2
18
18
17
Gtr. 5
17 15 17
17
17
19
15
8
8
8
8
8
8
5
5
5
5
5
5
17
15
15
17
15
15
17 15
15
17
17 15
17
17
17
17
17
15
17
17
15
12
12
12
12
F'9
17 15 17
17
1/2
Gtr. 5 tacet
F'9
14
14
5
5
5
15
1/4
1 hold bend
3
3
1 hold bend
17
17
18
17
15
1/2
18 18
18
18 18 18
17
17
17
17
17
15 18 17 15
17
17 15
15
14
17
15 14 15 14
17
14
17 15
17 16
12
12
12
12
Fade out
F'9
Gtr. 4
1/2
14 12
10
Sorgdal
12
12 15
12
15 12 15 14 12
15 12
F'9
14
12
15
15 13
15
15
15
13 15
17
15
15
17
15 18
17
1/2
15 18
17
15
18
17
17 15 17 15
17
17 15 17

Velvet Revolver - Libertad

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Velvet Revolver - Libertad

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from Velvet Revolver - Libertad

*Chord symbols reflect implied harmony.

Gtr. 1: w/ Riff A (5 times)

End Rhy. Fig. 1

Gtr. 2: w/ Rhy. Fig. 1

End Rhy. Fig. 2A

End Rhy. Fig. 2

Gtrs. 1 & 4: w/ Rhy. Figs. 2 & 2A (3 times)

End Rhy. Fig. 4

Gtrs. 1 & 2: w/ Rhy. Fig. 1

*Chord symbols implied by bass, next 7 meas.

Gtrs. 1 & 4: w/ Rhy. Figs. 2 & 2A (2 times)

End Rhy. Fill 1

Gtr. 2: w/ Rhy. Fig. 4

Gtr. 2: w/ Rhy. Fill 1

Gtr. 2: w/ Rhy. Fig. 4

Gtrs. 1 & 2: w/ Rhy. Fig. 1

Gtrs. 1 & 2: w/ Rhy. Fig. 4

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (3 times)

Gtr. 3: w/ Riff D (2 times)

from Velvet Revolver - Libertad

*Gtr. 3 (slight dist.)

*Bkwds. gtr. arr. for gtr.

**w/ random fdbk. throughout

End Rhy. Fig. 1A

End Rhy. Fig. 1

1st time, Gtrs. 4, 5 & 6 tacet

Gtr. 7 (slight dist.)

*Chord symbols implied by bass, next 8 meas.

that kept, uh, me a - float.

Now youre back, its

2nd time, Gtr. 4: w/ Fill 1

2nd time, Gtr. 4: w/ Fill 2

Gtr. 2: w/ Rhy. Fig. 2 (2 times)

*Chord symbols implied by bass, next 6 meas.

Gtr. 6: w/ Riff B (6 times)

the car ex - plodes.

from Velvet Revolver - Libertad

Get Out the Door

End Rhy. Fig. 1

*Two gtrs. arr. for one.

2nd time, Gtr. 5 tacet

that youre not.

cit - ies scream - ing,

End Rhy. Fig. 2

End Rhy. Fig. 3

1st time, Gtr. 2: w/ Rhy. Fig. 1 (3 times)

Gtrs. 3 & 4: w/ Riffs A & A1 (3 times)

(2nd time, cont. in slashes)

Gtr. 1: w/ Rhy. Fig. 1

*w/ phaser & octaver

*Octaver set for one octave below.

Gtr. 2: w/ Rhy. Fig. 4

End Rhy. Fig. 4

Gtr. 2: w/ Rhy. Fig. 2

Gtr. 2: w/ Rhy. Fig. 3

Get out the

End Rhy. Fig. 5

pack - ing, gon - na kick

(Get out the

kick you when I

saw what you were

Gtr. 2: w/ Rhy. Fig. 5

from Velvet Revolver - Libertad