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Padmaja
Directior Plot No: 84, Honey House,
Gandhinagar, Vanasthalipuram,
Hyderabad – 500 0070.
Mobile: 99495 05995
R.Praveen Kumar 99492 74450
Coordinator Creativity at work E-Mail:srushti.org@gmail.com
______________________________________________________________________
Date: 18-12-2008
Profile of “SRUSHTI”
1. About Us
We have been providing support to service the IEC and BCC requirements of
national programs and international organizations Over the years we have
worked with and developed content, given trainings and performances
for CAR E – India on Health & Nutrition concept, developed 10 songs, 4
dances and 2 street plays, trained 80 artists, for AP Tourism
Developm ent Corporat ion (Prestigious Taramati Baradari Project) on
rural folk dances & songs, participated with 20 artists, for World Telugu
Fed eration on AP folk art forms, participated with 16 artists, for AP
AIDS Con trol Society on AASHA (HIV/AIDS control) Campaign,
participated with 250 artists, for ITC India Ltd on Plantations & Waste
land development, developed 10 songs, 4 dances and 1 street play, trained
12 artists, for All India Radio & Door Darshan on Livelihoods,
Plantations & Diary, participated with 28 artists, for New Concept on
frame works of street theatre, for HIV- Alliance on STI, HIV concept
audio, for HLFPPT (BMGF - Swagathi) on prevention of STI, HIV in
sex workers and the Sangham (CBO) concept, developed 24 songs, 6
dances, 1 mime action and 4 street plays, trained more than 200 sex
workers, for ROH on Strategic Communications, for Pratham Mum bai
Educational Initiati ves on education concept, developed reading cards,
charts and rhymes and short stories, for LEAD INDIA 202 0
Fou ndation developed IB strategy and Media Initiatives. For CARE-
SAKSHAM on Gender bias, superstitions, HIV/AIDS, Girl child education,
Alcoholism, Dowry, early child marriages concepts, developed 10 songs, 1
street play and 2 dances and trained 14 community artists. For N.T.R.
Me morial Trust produced 35 songs, 3 street plays, 1 dance drama and 1
mime action play. For SVDS developed 24 songs, 8 dances 3 street plays
with FSW community on Gender bias, prevention of STI, HIV/AIDS and
Unity. For YCB produced 20 songs, 6 dances, 3 street plays on
prevention of STI, HIV/AIDS, women rights etc, For RES developed 24
songs, 8 dances 3 street plays with FSW community on Gender bias,
prevention of STI, HIV/AIDS and Unity. For SRAVANTI produced 20
songs, 6 dances, 3 street plays on prevention of STI, HIV/AIDS, women
empowerment and unity. For GRAMASIRI produced 24 songs, 8 dances 3
street plays with FSW community on Gender bias, prevention of STI,
HIV/AIDS and Unity. For HELP developed 22 songs, 8 dances 3 street
plays with FSW community on Gender, prevention of STI, HIV/AIDS and
Unity. For SARDS produced 20 songs, 6 dances, 3 street plays on
prevention of STI, HIV/AIDS, women rights etc, For Lepra Society given
TOT on prevention of STI, HIV/AIDS. For HLFPPT (BMGF-Nestam) produced 14
songs, 1 street play and 5 dances for MSM on unity, prevention of STI,
HIV/AIDS. For SOPAR (Canada) produced 36 songs, 8 dances, 1 dance drama,
2 street plays on girl child education, widows, women empowerment, orphans,
youth, surface water management, de-floridation and sustainable agriculture. For
UNICEF – BCC Cell produced 10 songs in telugu, 10 songs in Lambadi
languages, 3 dances and 4 street plays in telugu and 4 street plays in Lambadi
languages, given training for 18 members. Conducted number of grand events
like Dr.A.P.J.Abdul Kalam Lead India launching program at Medak
District, 12 hrs non-stop cultural event with 200 FSWs on the occasion of
In ternational Wo men’s Day celebrations conducted by HLFPPT at
Vijayawada, Krishna District and most among others.
2. SRUSHTI’s approach
Our approach to Developing Behavior Change Communication Strategy and
Materials. Developing messages and materials that can increase knowledge,
change attitudes and especially encourage new behavior is no easy task. It
combines art and science. It calls for a creative process that applies imagination
and talent within the framework of strategic design.
3. Our Methodology
i) Desk research – SRUSHTI will conduct a quick desk review of all relevant
material with existing information available. Review of communication material
will help to understand and get an idea of the messages, illustrations and
importantly assess the information gaps in the material used currently.
iii) Developing the BCC strategy – Based on the desk review and assessment
of current situation, SRUSHTI will develop the communication strategy that will
guide the development of the communication material(s). The BCC strategy will
elaborate the target audience, their profiles, concerns, obstacles, facilitating
factors and the tools that could be developed. It will also indicate the different
themes, key messages and sub-messages under each theme.
The channels form the main mechanisms to influence the target groups by taking
the messages to them. While the identification of target groups themselves is
indicative of how they will be reached, it is important to understand and clarify the
main mechanisms to be adopted for reaching each target group.
Developing Messages
Messages need to be tailored to target audiences so that the relevant issues are
brought forth; only then will the audiences be persuaded to support the bcc effort.
The three main questions that would guide the process of developing the
messages are:
Given our experience of what has worked, the following communication materials
are proposed viz.
Kalajatha
Audio visual materials
Audio skit and Jingles
Flip books and Flow charts
Pictorial game charts for children
Pictorial booklets
Interactive games for children
Stickers
Posters/Hoardings/Billboards
The cost, time and effort required for pre-testing and revising communication
material vary greatly. There are several ways to pre-test the communication
material. Some are quite easy to administer and others more difficult. It is
important to choose a method that fits the budget and resources.
A table summarizing the activities that need to be carried out, along with
support materials to execute the BCC strategy and the issues that need to
be highlighted and implemented would be developed in the
implementation plan.
4. Key Personnel
In the last 18 years of its existence SRUSHTI has worked extensively across the
development sector involving development and production of a range advocacy,
communication and social mobilization materials for audiences from community
level to program implementation staff.
The Team
The team at SRUSHTI will comprise of: Director (1), Coordinator (1),
Researchers (2), Creative Consultant/Resource Persons for communication tools
and trainings manual (2), Story/Content writers (12), Graphic designer 91),
Cartoonist cum illustrator (1), Photographer (1), Creative writers for songs/jingles
(10), Translators (2), DTP operator (1), Kalajatha Resource Persons (24),
Kalajatha artists – singers, dancers, instrumentalists & Performers (160), Cultural
organizers (4), Administrative Assistant (1)
Also more than 250 other master trainers, trainers and field level work artists
were also involved in SRUSHTI.
(R.Praveen Kumar)
Coordinator