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For purposes of this assignment, youll want to review these Bible chapters: Ten keys to creating captivating characters (pp. 50-69). Narrative description (pp. 164 -185). When I first tried my hand at scriptwriting, one of my colleagues told me, You should be a natural at it, Pat. Youre really good with dialogue. And thats the common perceptionthat screenplays are all about dialogue. But if that were really the case, wed all still be working on radio dramas. Screenplays are about dialogue, sure, but theyre mostly about the visuals. Making pictures. Moving pictures. Showing instead of telling. Youve heard that a picture is worth a thousand words, right? Well, a sharp visual is better than a page of dialogue that explains what the visual shows us. (Have you seen The Artist yet?) Trottier calls it Description. My Final Draft program calls it Action. Ive heard colleagues refer to it as Narrative or Instruction or even Direction. But it all amounts to the same thing: its the stuff that aint dialogue, the flush-left blocks of paragraphs that show your characters doing things. So lets try our hands at showing our characters doing thingsthings that show us something of who they are.
Click on "TypeSet". This not only shows you your script with page numbers, but above the script itself, it gives you the option to "Save PDF".
exercises by the deadline, the one posted just before yours, the one posted just after yours, and two others of your choice. (If youre the last one to post, then respond to the person who posted the first exercise. And if you are the first to post, then youll respond to the last person to post.) Question, comment, confer, commiserate, etc. Any tips for improvement will be greatly appreciated by the authors. And be sure to point out any formatting problems you see and the ways to fix them. And oh, yeah. . . . Dont forget to have some fun while youre at it.