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Gun shot, reworks, re alarm APPROX PAIN THRESHOLD Jack hammer, aeroplane takeo (from 22 metres distance) Close thunder, nightclub, ambulance siren PAIN BEGINS Concert at State Theatre, power saw Stereo (on half volume), chain saw LEVEL AT WHICH SUSTAINED EXPOSURE CAN CAUSE HEARING LOSS Truck tra c, lawn mower, train information announcement Vacuum cleaner, Town Hall train, station, alarm clock Hairdryer, heavy tra c, telephone, Pitt Street Mall Dishwasher, sewing machine, typical speech
Soundscapes are the totality of all sounds within a location, with an emphasis on the relationship between individuals or societys perception of, understanding of, and interaction with the sonic environment.
TASTE
TOUCH
SMELL
HEARING
SIGHT
Light rainfall, refrigerator, St James Church crypt Quiet o ce Whisper, quiet library Leaves rustling, calm human breathing The softest sound you can hear THRESHOLD OF HEARING
(Adapted by Cogger 2011 from Skurnik & George 1963 in Rodaway 1994 p.27)
The thesis documented the interplay between sound and place with a speci c focus on peoples behavioural and emotional response to their environment. Furthermore, attention was drawn to the importance of the sonic environment with regards to the role it plays in stimulating the human experience of place and in bringing places to life. Soundscapes are an integral component of place experience, yet noise policy addresses unwanted sounds and ignores the embodied experience of the urban environment. The current approach to the soundscape is narrow, and assumes incorrectly that if environments are quieter, the perceived soundscape quality will be improved. As such, greater emphasis must be placed on the quality of the sound environment. Wanted sounds should be identi ed and preserved. Controlling the unwantedsounds and negative aspects of the acoustic environment ignores the intrinsic qualities which contribute to the beauty, character and value of a place. The research has shown that the practice of urban planning is still too rigid and prescribed in the way environmental sounds are responded to, and opportunities to create engaging places that connect people to their surrounds in an emotional way through the acoustic environment are being missed.
RESEARCH STATEMENT
Sound is an integral component of how people experience place and yet urban planners do not consider the soundscape and the role it plays in connecting people to their environments.
The concept of soundscapes and their perceived quality warrants attention from the planning discipline because:
All members of the public are exposed to the soundscape whether they like it or not. Places a ect our acoustic well-being, therefore conscious planning, design and management of soundscapes warrants attention as sounds can connect people to their surrounds. When an acoustic environment meets expectations, people will value and chose some places over others. When a strong sense of place exists it fosters connectedness, stewardship and increases feelings of belonging.
LSPL
Physical damage of hearing caused by sound Measurement by sucient A-weighted sound pressure level
85 dB(A)
Physiological impairment caused by sound A-weighted sound pressure level measurements necessary but not sucient
65 dB(A)
+
The acoustic environment has been altered by technical revolutions, and the acoustic character of places is changing rapidly. The approach to the soundscape requires new patterns of behaviour, laws and framework to take a more positive approach by built environment professionals.
Annoyance by noise with negetative eects possible A-weighted sound pressure level is not suited for describing the sound quality
+
People are not equipped with ear lids and cannot defend themselves against poor quality soundscapes. Every person has the right to an acoustic environment that is not detrimental to their health.
Permissible Exposure Time 8 Hours 4 Hours 2 Hours 1 Hour 30 Minutes 15 Minutes 7.5 Minutes < 4 Minutes < 2 Minute ~ 1 Minute ~ 30 Seconds
+
Planning can no longer be a deaf discipline. Planners are at the core of place and place-making and the soundscape is an integral part of human experience.
+
Education and awareness are integral to shifting the approach to the soundscape, from noise control and mitigation to focusing on soundscape quality.
+
Places must provide a rich sensory experience for users. People can be deeply a ected and touched by the soundscape or disa ected and tune out from their environment.
(Cogger 2011)
Experience of place?
Have I been here before?
Place-making should enable and foster acoustic diversity and richness. There is a need to preserve wanted and valued sounds, and ensure that not all places end up homogenized and sounding the same.
Hi - Fi Soundscape
Lo - Fi Soundscape