dig subdivide / carbon copy digital delay wet 50, mix 10/10, 1/64, 1/16, 0, 0 xf 3ms, dmod 0, 0hz,

filter 20 spacey digital delay wet 50, mix 10a/0b, 50ms, 0ms, 101, 0 xf 3ms, dmod 2, .09hz, filter 30 slap multitap et 50, mix 10/10, 120ms, 120ms, 0, 0 slur 2, tapr -10, spread 3, filt 0 roto digital delay wet 100, 10/3, 5ms, 70ms, 60, 60 xf 23ms, dmod 4, 3.5hz, filt 30 reso eq vintage delay 50, 9/10, 1ms, 4ms, 85, 75 20bits, dmod 10, .60hz, filter 20 dreamy multitap 50, 10/10,v b 750ms, 650ms, 95, 95 slur 10, taper -2, spread 0, filtr 20 chorus vintage delay 50mix, 26ms, 2ms, 0, 0 20bit, dmod 10, 1.5hz, filter 50 reverse 50mix, 10/0, 500ms, 0ms, 60, 0 130ms, 0, 0, 0 __________________

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Digital Delay Mix: Up to you. Dly Mix: 7:10 Time A/B: 526ms/694ms Fdbk A/B: 30/43 Xnob: 3ms Mod/Filter off... add to taste. Seek Wah: Band Delay Dly Mix: 7:10 Time A/B: 470ms/222ms Fdbk A/B: 0/19 Xnob: 8 Depth: 1 Speed: 0.37hz Filter: Hipass The Seek Wah patch only sounds like its stepping thru 4 steps... needs a few more tweaks to get longer step settings... ill crack it soon Tape Flange: Tape Echo Dly Mix: 10/10 Time A/B: 0ms/0-7ms Fdbk A/B: 20/80 Xnob:0 Depth:3 Speed 2: *w/Tape Flanger, the two Fdbk settings interact w/each other. twist the knobs and see how many different shades of flange you can get. I just recommend 20/80 for the traditional Flange sound. *Depth/Wow now sets the depth of the flange. Better U2 setting Vintage Delay DlyMix: 10:6 Time A/B: 370ms/124ms Fdbk A/B:15/0 Xnob: 15 Depth: 5 Speed: 1.81hz Filter: Off Bell Reverb

MultiTap WetMix: 74 DlyMixA/B: 10:3 Fdbk A/B:94/31 Time A/B: 8ms/140ms Xnob: 7 Depth: 3 Speed: Filter: 33 Sweet & Low Tape Echo Wet Mix: 17 DlyMix A/B: 10:2 Fdbk A/B: 17/28 Time A/B: 795ms/795ms Xnob: 4 Wow: 4 Flutter: 4 Filter: 97 - in contrast to the wacky patches, this one is a great subtle delay that works well in many situations; leads are fattened with a nice repeat in the background, and it provides the right amount of space for strummy passages. I found some great bitcrusher/ring mod type sounds under FilterPong: Mix: 100% wet, a-b mix 10/10, delay times at 0 or 1 ms, slur and speed multiplier all the way down to 0, feedback 50%, filter 100 %, expression sweeping the depth between 5 and 10, and/or panning between a and b. The slur will affect the texture the more you turn it up; it sounds the most like a bitcrusher with it off, and sounds more like a ring moddy metallic reverb as you increase it. Works with all the waveshapes; triangle sounds the best at 0ms and sine sounds best at 1ms. Mode Multitap; Mix 30; Dly-Mix A10 / B10; Dly-Time A 234ms / B 306ms; Fdbk A 51 / B 50; X-Knob 10; Depth 0; Speed 5; Filter 62; BPM 500ms i set the expression pedal to incrase the mix from 30 to 65. Bitcrusher - "Filter Pong" Patch: Mix - to taste dly mix - mine is set to A dly time - 0

xknob - I have mine assigned to my exp knob to change the waveforms depth - 3 speed - 16 filter - 65 feedback for A - 33 Tremdelay - "Band Delay" Patch: dly mix - A -8, B - 10 xknob - 2 depth - 2 speed - 5.01 (maxed) dly time A - 1/8 dly time B - 1/4 filter - lowpass feedback for both is around 70 Dancing delay things - "MultiTap" Patch: Mix - 54 Dly mix - 10/10 dly A - 758ms dly A - 654ms xknob - 0 depth - 0 speed - 6 (though doesn't matter I guess) filter - 19 fback A - 76 fback B - 84 crystal sucker Mod: Reverse Mix: 100 A/B: 5/10 dly A:1/8d dly B: 1/4 Xknob: 52 - (to taste, the goal is a lower attack) depth: 10 speed: 1.00Hz filter: -20 FBack A: 78 FBack B: 62 *important is the mod, overall mix and a negative filter

slap verb Mod: Vintage Mix: 25 A/B: 10/8 dly A:230ms dly B: 210ms Xknob: 16Bits depth: 0 speed: 0.00Hz filter: 50 FBack A: 50 FBack B: 55 *needs lots of fine tuning...
Moddelay mix:50 a10b8 Dl a; 360ms Dl b: 120ms FB a:35 FB b:17 triangle dmod: 2 speed: 4,46 fllter: 0 Streets Have no Name: Delay Type: 78 Mix: 78 Dly Mix: A10 B5 Dly Time A: 1/8 Dot Dly Time B: None Fdk A: 46 Fdbk B: 26 Xknob: Wave 4 Depth: 2 Speed: 1.8Hz Filter: 21 BPM: 127 Delay Type - Multitap Mix - Wet:36

Dlymix- A10:B10 DlyA:1/8 dot DlyB:1/64 FdbkA:94 FdbkB:46 Xknob:Slur - 9 Depth:Tapr 0 Speed:Sprd:2 Filter:0 Hey Came across an interesting tone while playing around with my TF. It sounds very similar to a zvex seek wah or maybe what you might expect from a pitch factor. Try it out and play some arpeggiated chords. Delay Type: Filter Pong Mix: 53 Dly Mix: A10 B10 Dly A:494ms Dly B:238ms FdbkA:50 FdbkB:10 Xknob: Fully Clockwise Depth: 3 Speed: 8 Filter:100

THE BIG DISCOVERY (other than tape sounding much better: saturation at 7, filter at 40-60) is that VINTAGE is very very usable if tweaked like this: - reduce bits to 16, set mod intensity to 14-18, speed to .20, filter to 30 or so for some nice DMM-like sounds. (Or set mod depth low and mod speed very high) - reduce bits to 12 and filter to 95-100 (each number changes the sound subtly but importantly up at the extreme settings, you can hear the "vowel" morph), increase feedback to help it speak some more, and viola: good dark and dirty DM-2-like sounds! Not sort of OK like before, now REALLY good.
I am a huge fan of what Andy Timmons does, and made a setting that took a while to make (which in my opinion is very close to his actual sound). Vintage Delay mix = 15, dry mix = 10-10, Time A = 375, Time B = 500, Feedback A = 40, Feedback B = 40, X knob = 20, Depth = 10, Speed = 0.38, Filter = 86

Vintage Delay Bits:12, Dmod:15, Speed: .20, Filter:95. Delay A: 85ms Feedback A: 1 (FB B:0) Nice dark slap for OD. Also works well with open chords (clean) to give it a little depth, very slight chorus almost. A good lead delay that plays well with OD is: Mix:50, Dly Mix A:10+ B:10, Vintage Delay, Bits:14, Dmod:0, Speed: .50, Filter:50. Dly A:300ms, FdBk A: 6 (Dly B:0). I also have the same setting in bank two but with FdBk A:35. Using this base setting, adjusting the Dmod up you can get a nice dark phaser type tone. Tape mode Saturation 5 Wow 6 Flutter 2 Filter 40 Delay 1 set to Dotted Eighth Delay 2 set to Eighth Both feedbacks set to around 50 Mix set to mostly delay 1 Adjust overall mix according to application Vintage Mode Bits: 11 Mod: 3 Speed: 4.30 Filter: 47 Repeats: 53 Mode: TapeEcho Mix: 36 Delay Mix: A 10 + B 8 Delay Time A: 1/8 dotted Delay Time B: 1/16 Tap Tempo: 130 Feedback A: 32 Feedback B: 70 Xknob: 4 Depth: 3 Speed: 3

Filter: 23 Mode 8: Mode = TapeEcho, Delay Mix = A 9 + B 10, Delay Time A = 1/8, Delay Time B = 1/16, Feedback A = 30, Feedback B (Slur) = 70 (7), Xnob = 3, Depth = 3, Speed = 5, Filter = 12 Mode 9: This one I couldn't properly replicate, but it's the closest I could get. Mode = TapeEcho, Delay Mix = A 10 + B 10, Delay Time A = 1/8 Dotted, Delay Time B = 1/8, Feedback A = 20, Feedback B (Slur) = 63 (6), Xnob = 3, Depth = 3, Speed = 5, Filter = 20 Mode 10: Mode = TapeEcho, Delay Mix = A 10 + B 9, Delay Time A = 1/8 Dotted, Delay Time B = 1/16, Feedback A = 33, Feedback B (Slur) = 73 (7), Xnob = 3, Depth = 3, Speed = 5, Filter = 12 Mode 11: Mode = TapeEcho, Delay Mix = A 8 + B 10, Delay Time A = 1/8 Dotted, Delay Time B = 1/16, Feedback A = 0, Feedback B (Slur) = 73 (7), Xnob = 3, Depth = 3, Speed = 5, Filter = 12 "Hosanna" or "From the Inside (Out)" Vintage Delay Mix: 35 Delay Mix: A10-B5 Delay Time A: 1/8* Delay Time B: 1/4 Feedback A: 20 Feedback B: 10 Bit Resolution: 16 Mod Depth: 16 Mod Rate: 0.20Hz Vintage Tone: 40