Rhoads Tab Book

DVD
HOW TO PLAY LIKE
RANDY RHOADS
HOW TO PLAY LIKE RANDY RHOADS 1
DVD
HOW TO PLAY LIKE
RANDY RHOADS
CHAPTER ONE
SOLOING IN RANDYS STYLE

A Minor Pentatonic,
Fifth Position
A Minor Pentatonic,
Extended Position
Four-Note Patterns
A Blues Scale
CHAPTER TWO
MINOR MODES
A Dorian
A Aeolian
CHAPTER THREE
CHAPTER SEVEN
MODAL SEQUENCES
A Dorian
A Aeolian
E Aeolian
A Harmonic Minor
A Phrygian-Dominant (Fifth Mode
of Harmonic Minor)
D Aeolian Mode
Modal Sequences on One String
CHAPTER EIGHT
WIDE SCALAR FINGERINGS

D Aeolian
LEGATO
Fret-Hand Only
Tapping
CHAPTER NINE
CHAPTER FOUR
COMBINING SCALES
EXPRESSIVE NOISES
CHAPTER FIVE
MORE MINOR PENTATONIC

AND BLUES SCALE LICKS
A Minor Pentatonic:
Repeated Melodic Shapes
A Blues Scale
CYCLING SCALE SEGMENTS
CHAPTER TEN
CHAPTER 11
TRILLS
Scalar
Chordal
CHAPTER 12
RANDYS FAVORITE LICKS

PHOTOGRAPHER TKTKTK
CHAPTER SIX
SCALE PATTERNS/SEQUENCES:
MINOR PENTATONIC
2
GU I TA R WOR L D
Photograph by PHOTOGRAPHER
CHAPTER 1: MINOR PENTATONIC SCALE

A) A Minor Pentatonic, Fifth Position
FIGURE 1
= downstroke
* = upstroke
8 5 5
FIGURE 2a triplets, descending w/alternate picking

*
*
FIGURE 2b triplets, ascending

w/alternate picking
7
3
etc.
7 5
7 5
5
!
8 5
FIGURE 2e triplets, ascending w/pull-offs
7 5 7 5
3
etc.
FIGURE 2d triplets, ascending

w/hammer-ons
7 5
5 5 8
8
7 5
FIGURE 2f triplets, ascending w/pull-offs and hammer-ons
8 5 8 5
FIGURE 2c triplets, descending

w/pull-offs
etc.
B) A Minor Pentatonic, Extended Position
FIGURE 3
9
3
8 10
8 10 12
FIGURE 4b triplets, descending

w/pull-offs and slides
12 10 8
10 8
9 7 9
10
etc.
10 8
12 10 8 10 8
10
10 8 10 8
9 7 9 7 5 7 5
7 5
7 5
7 5 7 5 3 5 3
3
FIGURE 4c triplets, ascending w/alternate picking

10 8
10 8 10
FIGURE 4a triplets, descending w/alternate picking
10
10 8
10 !
12
P.M.
FIGURE 4d triplets, ascending w/pull-offs and slides
P.M.
5 3 5
3
etc.
5
3
3 5 3 5
3
7 5 7
3
7
3
5 7 5 7
3
7
3
5 7 5 7
FIGURE 5a w/alternate picking
P.M.
FIGURE 5b w/hammer-ons
and pull-offs
FIGURE 5d w/alternate picking
5 7 5
7
3
5 7 5
7 5 7
FIGURE 5c w/alternate picking
P.M.
5 3 5
3
5 3 5 3 5
3
FIGURE 6 w/hammer-ons
and pull-offs
10
P.M.
7 5 7
7 5 7 5 7
7 5
7 5 7
5 7 5 7 9 7 9
7
3
7 9 7 9
9
3
8 10 8 10
12 10 12
12 10
12
10
12 10 12 10 8 10 8
9 7 9 7
10
12
12
10 12
9 7 9 7 5
10
12
FIGURE 7c triplets, descending w/hammer-ons, pull-offs and slides
FIGURE 7b w/alternate picking
FIGURE 7a E minor pentatonic

(fifth-string root)
5 3
P.M.
7 5
7 5 7 5
3
7 5
7 5 3 5 3 0
3
!
C) Four-note Patterns
FIGURE 8a A minor pentatonic,
descending quadruplet pattern
8 5
8
*repeat previous beat
FIGURE 8d
FIGURE 8b
5
8
FIGURE 8e
FIGURE 8g
FIGURE 8c
FIGURE 8h

8 5 7 5
FIGURE 8f

5
7
FIGURE 8i
D) A Blues Scale
FIGURE 9a A blues scale, fifth position
5 8
FIGURE 9b triplets descending, w/pull-offs

5
8 5
8 5 8 5
8 7
8 7 5 7 5
7 5 7 5
3
7 6 7 6 5 6 5
8 5
3
FIGURE 9c triplets, ascending
P.M.
FIGURE 10 four-note pattern (quadruplets)
etc.
CHAPTER 2: MINOR MODES

A) A Dorian
FIGURE 11a
FIGURE 11b triplets, descending w/pull-offs
8 7 5 7 5
8 7 8 7 5
7 5
7 5 7 5 4 5 4
7 5 7 5 4 5 4
3
7 5
7 5 3 5 3
3 2
5 3 2 !
2
5 3
3
8
!
B) A Aeolian
FIGURE 12a
FIGURE 12b triplets, descending
8 7 5 7 5
8 6 8 6 5
6 5
7 5 7 5 4 5 4
7 5 7 5 3 5 3 2 3 2
5 3 5 3 2 3 2
5 3
1
!
5 3 1
7 5 7!
8
3 1 3 5 3 5
3
2 3 2 3
5 3 5
2 3 2 3 5 3 5
7 5 7
4 5 4 5 7 5 7
5 6 5 6 8 6 8
Am
FIGURE 14 mordent
12 13 12
FIGURE 15b
14
13
12 15
5
!
Am
14
13
12 15 13 12
13 15 13 12 13 12 13 12
15
12
15 13 12
15 13
12
14 12
10
13 12 13 12
FIGURE 15a A Aeolian
12
15
FIGURE 13
12 10
14
12
14
12 10
12
10
12 10
10
10 9
12
5
!
12 10 9
10
10
12
12
10
10
10
10
5
!
CHAPTER 3: TAPPING
FIGURE 16 tapping
Am
Em
T
T
12 8 5 12 8 5
12 8 5 12 8 5
12 9 5 12 9 5
Dm
12 9 5 12 9 5
3
Am
12 8 5 12 8 5
3
12 8 5 12 8 5
3
FIGURE17a
17a frethand
frethandonly
only
FIGURE
Am
EE
Am
88 55 00
33
33
33
77 44 00 88 55 00 77 44 00 88 55 00
33
33
33
33
77 44 00
88 55 00
EE
10 77 00
10
33
Am
Am
77 44 00
Am
Am
33
88 55 00
33
EE
10 77 00
10
33
12 88 00
12
33
Am
Am
Em7(Bm/E)
Em7(Bm/E)
Em7(Bm/E)
Em7(Bm/E)
12 88 00
12
CC
33
10 77 00
10
33
88 55 00
33
77 44 00
FIGURE17b
17b
FIGURE
CC
Em7
Em7
77 44 00 88 55 00 77 44 00 00
33
33
33
33
FIGURE17c
17c BBstring
string
FIGURE
33
10 77 00
10
33
33
Bm7(F#m/B)
Bm7(F#m/B)
12 88 00
12
33
Em
Em
10 77 00
10
88 55 00
33
BB
88 55 00
GG
77 44 00
Bm7(F#m/B)
Bm7(F#m/B)
Em
Em
BB
77 44 00
33
33
FIGURE17d
17d G
Gstring
string
FIGURE
Em7(Bm/E)
Em7(Bm/E)
Am
Am
55 88 55 00
44 77 44 00
BB
44 77 44 00
EE
10 77 00
7710
55 88 55 00
GG
10 77 00
7710
Em
Em
77 44 00
12 88 00
8812
Bm7(F#m/B)
Bm7(F#m/B)
55 88 55 00
CC
GG
33
Cm
Cm
10 77 00
7710
12 88 00
8812
10 77 00
7710
55 88 55 00
Em7
Em7
0044 77 44 00
10 77 00
7710
GG
88 55 00
FIGURE18c
18c high
highEEstring
string
FIGURE
Am
EE
Am
Bm7(F#m/B)
Bm7(F#m/B)
12 88 00
8812
Cm
Cm
33
Gm7(Dm/G)
Gm7(Dm/G)
55 88 55 00
33
E
E
10 77 00
7710
0044 77 44 00
Em
Em
33
Gm7(Dm/G)
Gm7(Dm/G)
10 77 00
10
FIGURE18b
18b BBstring
string
FIGURE
BB
55 88 55 00
12 88 00
12
Cm
Cm
0044 77 44 00
33
33
FIGURE18a
18a G
Gstring
string
FIGURE
GG
10 77 00
10
Gm7(Dm/G)
Gm7(Dm/G)
33
88 55 00
E
E
77 44 00
Gm7(Dm/G)
Gm7(Dm/G)
Cm
Cm
GG
44 77 44 00
TAPPING
FIGURE 19a high E string

T
5 8 12 8 5 0
0 7 10 12
0 4 7 12 7 4 0
5 8 12 8 5 0
0 5 8 12
0 4 7 12
0 4 7 12 7 4 0
4 7 12 7 4 0
5 8 12 8 5 0
Am
12 5
12 8 12 8
G
T
9
3
12
5
3
4 7 12 7 4 0
12 8 12 8
12
8
3
12 8
5
3
12 9 12 9
Dm
T
3 6 12 3 6 12 3 6 12 3 6 12 3
Em
12
(12) 7 10 12 7 10 12 6 9 12 6 9 12 5 8 12 5 8 12 4 7 12 4 7 12
FIGURE 21
FIGURE 20
4 7 12 7 4 0
5 8 12 8 5 0
7 10 12 10 7 0
5 8 12 8 5 0
5 8 12 8 5 0
7 10 12 10 7 0
FIGURE 19c G string
0 4 7 12 7 4 0
7 10 12 10 7 0
FIGURE 19b B string
0 5 8 12
4 7 12 7 4 0
12 0 4 7 12
12 8
3
12
Am
T
CHAPTER 4: EXPRESSIVE NOISES

FIGURE 22a
FIGURE 22b
A5
G5
2
2
0
D5
3
0
0
X
3
3
0
0
3
2
0
-1
3
2
0
FIGURE 22c
w/bar grad. ascent
-2
-1
0
0
0
0
A5
G5
2
2
0
3
0
0
X
3
A5
0
0
0
D5
w/bar
3
2
0
3
2
0
FIGURE 22d
A5
G5
2
2
0
3
0
0
X
3
D5
3
0
0
3
2
0
3
2
0
-2
-2
-2
G5
2
2
0
G0
3
0
0
3
2
0
3
2
0
A5
G5
2
2
0
3
0
0
X
3
X
X
X
G5
2
2
0
X
X
X
D5
3
0
0
X
3
w/bar
3
0
0
3
3
2
0
3
2
0
0
0
0
D5
3
0
0
pick scrape
3
2
0
3
2
0
X
X
X
G5
2
2
0
3
0
0
X
3
D5
3
0
0
0 4
3
2
0
A5
0 2
w/bar
N.H.
3
2
0
X
X
X
2
2
0
0
0
0
FIGURE 22e w/natural harmonic
A5
X
X
X
A5
grad. ascent
-6
X
X
X
3
2
0
D5
3
0
0
X
3
A5
pick scrape
3
2
0
FIGURE 22f w/trill
A5
3
0
0
-2
3
0
0
X
3
D5
grad. ascent
-4
3
0
0
G5
2
2
0
-1
2
2
0
19
CHAPTER 5: MORE PENTATONIC MINOR AND BLUES SCALE LICKS

A) A minor pentatonic: repeated melodic shapes
FIGURE 23a
N.C.(Am)

8 5 8 5
8 5
10 8 10 8
17 15 17 15
17 15
10 8
12 10 12 10
20 17 20 17
20 17
15 10
15 12 15 12
15 13
17
20
20
FIGURE 23b
N.C.(Am)

8585
75
sim.
10 810 8
97
13 1013 10
12 9
15 13 1513
14 12
1715 17 15
17 14
20 1720 17
1917
FIGURE 23c
N.C.(Am)

7 5 7 5
7 5
9 7 9 7
17 14 17 14
17 14
sim.
10 7
12 9 12 9
19 17
19 17
14 12 14 12
14 12
19 17
12 10
19
FIGURE 23d
N.C.(Am)

7 5 7 5
3
7 5
sim.
10 7 10 7
10 7
12 10 12 10
12 10
14 12 14 12
15 12
17 14 17 14
17 15
FIGURE 23e
N.C.(Am)
P.M.
7 5 7 5
3
8 5
sim.
10 7 10 7
10 8
12 10 12 10
12 10
15 12 15 12
15 12
3
FIGURE 24a
N.C.(Am)
B) A Blues Scale
FIGURE 24b
N.C.(Am)
7
3
5
3
7
3
6
3
5
3
8
3
CHAPTER 6: SCALE PATTERNS/SEQUENCES

Minor pentatonic
FIGURE 25a
N.C.(A5)
8
5
!
FIGURE 25b
N.C.(A5)
P.M.
8 8
sim.
5 5
8 8
5 5 8 8
7 7
5 5
5 5
7 7
5 5
7 7
5 5 7 7
5 5
7 7
5 5
7 7
5 5
8 8
5 5 8 8 5
FIGURE 25c
N.C.(A5)
FIGURE 26a
N.C.(A5)
5
FIGURE 26b
5
N.C.(A5)
5
P.M.
FIGURE 26c
N.C.(A5)
5 5 3 3
3 3
5 5
5 5 3 3
2 2
FIGURE 26d
N.C.(A5)
3
1 3
0 2
5 5 2 2
5 5
0 2
0 3
2 2
5 5
3 3
5 5 2 2
5 5
5 5
3 3
3 3
5 5
FIGURE 26e
N.C.(A5)
3 0
3 0
2 0
2 0
3 1
5 5
FIGURE 26f
FIGURE 26g
N.C.(A5)
10
10
8 10
7 9
10
7 10
10
10
10
8 10 8
N.C.(A5)
10 8
10
10 7
etc.
10
10 7
10
9 7
10 8
10
10
*all alternate picking
FIGURE 26h
N.C.(A5)
10 10
10 10
8 8
8 8 10 10
9 9
8 8
7 7
9 9
10 10
7 7
7 7 10 10
10 10
7 7
7 7
10 10
10 10
FIGURE 26i
13
10
10
13
12
10
12
12
7 7
10
12
12
10
10
12
12
10
10
12
FIGURE 26j
12 12 9
12 12
FIGURE 26k
N.C.(A5)
15
15
12
13 15
14
13
12 14
14
12
1214
15
12
12
15
15
12
12 15
FIGURE 26m
N.C.(A5)
17
17
15
15 17
17
15
14 17
17
14
1512 12
1417
17
14
15
17
17
15
15 17
10 10
12 12
13 13 10 10
10 10
20
17
17
20
19
17
17
19
19
N.C.(A5)
15 12
12
15
15 12
12
15
14 12
12
14
14 12
13
14
1513
12
15
15
FIGURE 26n
N.C.(A5)
1715
15
17
17 15
14
17
17 14
14
17
1714
17
15
17
1715
N.C.(A5)
FIGURE 26l
FIGURE 26o
20
12
13 13
N.C.(A5)
10 10
12 12 10 10
12 12 10 10
12 12
8 8 10 10 8
N.C.(A5)
12
17
19
19
17
17
19
20
17
20
17
15
17
17
CHAPTER 7: MODAL SEQUENCES

A) A Dorian
FIGURE 27a
N.C.(Am)
8
FIGURE 27b
N.C.(Am)
FIGURE 27c
N.C.(Am)
10
10
10
10
10
10
10
10
10
FIGURE 27d
10
12
10
12
12
10
11
12
11
12
N.C.(Am)
12
10
12
10
12
10
12
10
12
10
12
FIGURE 27e
N.C.(Am)
14
10
12
13
10
12
13
10
12
12
10
11
12
11
12
10
12
10
12
10
12
10
12
10
12
FIGURE 27f
N.C.(Am)
15
12
14
15
12
13
15
12
13
14
12
12
14
16
12
14
16
12
14
15
12
14
15
12
14
15
12
14
15
12
FIGURE 27g
N.C.(Am)
17
14
15
17
14
15
17
17
15
16
17
14
16
17
14

16
17
14
16
17
14
15
17
14
15
17
14
15
17
14
FIGURE 27h
N.C.(Am)
19
15
17
19
15
17
15
15
17
15
17
16
17
16
19
17
19
16
17
16
19
17
19
15
17
15
19
17
19
15
17
FIGURE 27i
N.C.(Am)
20
17
19
20
17
19
20
17
19
17
19
17
19
16
17
16
19

17
19
16
17
19
17
17
19
20
17
19
FIGURE 28
N.C.(Am)
20
17
B) A Aeolian
FIGURE 29a A Aeolian mode
8 7 5
8 6 5
7 5 4
FIGURE 29b
7 5
8 7 5
8 7
N.C.(Am)
8 5 7
6 8 5 6
5 7 4 5
5 7
7 8 5 7
FIGURE 29c
N.C.(Am)
8 7 5
7 8 5
FIGURE 30a
N.C.(Am)
FIGURE 30b
N.C.(Am)
10 7
10
8 10
10
9 10 7
10
10 7
10
8 10 7
10
8 10 7
8 7 5
3
FIGURE 30c
N.C.(Am)
12
13
10
12
13
10
12
12
10
10
12
10
12
10
12
10
12
10
12
10
12
10
12
FIGURE 30d
N.C.(Am)
8
10 8 12 10
12
10 8 12 10
10 9 12 10
12
12
10
10 9 12 10
12
12 10 13 12
10
13
12 10 13
FIGURE 30e
N.C.(Am)
15 12 13
15
12
13 15 12 13
15
12
12 14
15
12
14
15 12 14
15
12
14 15 12 14
12
15
13 15 12
10 12 10 8 10 8 7 8 7 5 7 5 3
3
FIGURE 30f
N.C.(Am)
13 12 15 13
12
15
14 12 15 14
12
15
14 12 15 14
12
15
14 12
12
14
13 12 15 13
12
15
13 12 15
15
X
X
X
N.C.(Am)
13
15
17
13
15
17
13
15
16
13
14
16
17
14
FIGURE 30g
17
15
17
14
15
17
14
15
17
14
15
17
14
15
17
13
FIGURE 30h
N.C.(Am)
19 15 17
18
15
17 18 15 17
17
15
16 17 14 16
17
14
15 17 14 15
17
14
15 17 14 15
17
14
15 17 13
17
!
FIGURE 30i
N.C.(Am)
20
17
19
20
17
18
20
17
18
19
17
17
19
16
17
19
16
17
19
20
17
19
20
17
19
20
17
19
20
17
C) E Aeolian
FIGURE 31a E Aeolian
FIGURE 31b
N.C.(Em)
2 3 2 0
FIGURE 31c
N.C.(Em)
FIGURE 32a Connecting Positions
N.C.(Em)
10 7 8
let ring
10
8 10 7 8
0
7 9 5 7 4
5 7 4 5
5 7 3 5 2 3
3 5 2 3
2 3 2 0
3
FIGURE 32b
N.C.(Em)
0 3 2 5 3
3 2 5 3 7 5
4 7 5
5 4 7 5 9 7
8 7 10
10
8 7 10 8 12 10 14 12
D) A Harmonic minor
FIGURE 33a A harmonic minor
9 10
9 10
9 10
8 10 12 10 8
10 9
10 9
10 9
FIGURE 33b
N.C.(Am)
freely
FIGURE 33c
N.C.(Am)
freely
7 7 9
9 10
9 10 7
Am
10
7 9 7 6 7
9 10
Am
6
10
12
12 11
10
10 12 9
(E)
12
10 12 9 10
10
9 10
12
10
12 9 10
12
10 9
11 12 8 11 7 8
10
8 10 7
(Am)
(E)
8 5 7 4 4
(Am)
4 5 7 5 4 5
5
7 10 9
10
7 10 9
10
10 9
10
N.C.(Am)
12
FIGURE 34
10 9 10 9
N.C.(Am)
5
5
5
7
5
Am
FIGURE 33d
8
1/2
12 8 10
7 10 8 12 10
E) A Phrygian-dominant (fifth mode of harmonic minor)

FIGURE 35 A Phrygian-dominant
A(79)
10
10
10
10
FIGURE 36 D harmonic minor
10
FIGURE 37
A(79)
freely
let ring
7 8 7 5 7
F) D Aeolian
FIGURE 38a D Aeolian, Fifth position
FIGURE 38b
N.C.(Dm)
10
1/2
FIGURE 39a D Aeolian
FIGURE 39b
N.C.(Dm)
FIGURE 39c
FIGURE 39d
N.C.(Dm)
FIGURE 39e
N.C.(Dm)
10
FIGURE 39f
N.C.(Dm)
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
12
10
10
FIGURE 39g
N.C.(Dm)
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10 12
10
10
10
(6)
10
10
10
10
10
!
FIGURE 39h
N.C.(Dm)
12
10 12
10
12
10 12
10
10
12
10
12
10
11
12
10
11
10 12
13
10
10 12
11
13
10
10
12
12
10 12
10 12
10 12
13
12 13 12 10 12
10
12
10
10
10
13
FIGURE 39i
N.C.(Dm)
13 12 10
12
10
13
12
12 10
10
13 11
12
10
10
13 11 10
12
10
13 11 13
12
10
12
11 10
12
10
12 10
12
10
12 10
10
12
12 10
10
12
12
10
10
12
10
10
G) Modal Sequences on One String

FIGURE 40a
N.C.(Dm)
20 18 17 15 18 17 15 13 17 15 13 12 15 13 12 10
13 12 10 8 12 10 8 6 10 8 6 5 8 6 5 3
6 5 3 1 5 3 1 0 0
0 1
D5
0
3
2
0
FIGURE 40b
20 19 17
15 19 17 15 13 17 15 13 12 15 13 12 10
13 12 10 8 12 10 8 7 10 8 7 5 8 7 5 3
7 5 3 1 5 3 1 0 0
0 1
FIGURE 40c
19 17 15
14 17 15 14 12 15 14 12 10 14 12 10 8
12 10 8
7 10 8
FIGURE 40d
N.C.(Dm)
D5
19 17 15 14 17 15 14 12 15 14 12 10 14 12 10 9
12 10 9 7 10 9 7 5 9 7 5 3 7 5 3 2
5 3 2 0 2
3 2 0 2 0
3
2
0
3 2 0 0
FIGURE 40e
N.C.(Dm)
20 18 17 15 18 17 15 13 17 15 13 11 15 13 11 10
13 11 10 8 11 10 8
6 10 8
FIGURE 40f
N.C.(Dm)
20 18 17 15 18 17 15 13 17 15 13 12 15 13 12 10
13 1210 8 12 10 8 6 10 8 6 5 8 6 5 3
6 5 3 1 5 3 1 0 0 1 3 1 0 1
0 1 0
FIGURE 41a
N.C.(Dm)
12 14 15 14 12 10 12 14 12 10 8 10 12 10 8
5
7 8 10 8 7
5 7 8 7 5 3 5 7 5 3 2 3 5 3 2 0 2
3 2 0
2 0
3 5
3 3
FIGURE 41b
N.C.(Dm)
13 15 17 15 13 12 13 15 13 12 10 12 13 12 10 8 10 12 10 8
5
D5
7 8 10 8 7 5 7 8 7 5 3 5 7 5 3 1 3 5 3 1
5
3
2
0
FIGURE 41c
N.C.(Dm)
13 15 17 15 13 12 13 15 13 12 13 15 17 15 13 12 13 15 13 12
5
10 12 13 12 10 8 10 12 10 8
8 10 8
CHAPTER 8: WIDE SCALE FINGERINGS

FIGURE 42a D Aeolian
D5
3
2
0
1
N.C.(Dm)
N.C.(Dm)
FIGURE 42b
8 10
FIGURE 42c
N.C.(Dm)
FIGURE 42e
N.C.(Dm)
10
10
10
10
10
10
10
10 9
N.C.(Dm)
8 10 12
3
8 10 12
3
8 10 12
9 10 12
10 11
10 12 10 8
10
11 10
12 10 9
10
10
FIGURE 42f
FIGURE 42d
N.C.(Dm)
12 10 8
12 10 8
3
12 10 8
3
FIGURE 42g
N.C.(Dm)
10 12 13
10 12 13
9 10 12
10 12
10 12
10 11 13
13 12 10
13 11 10
12 10 9
12 10
13 12 10
13 12
10
CHAPTER 9: CYCLING SCALE SEGMENTS

FIGURE 43
N.C.(Dm)
10 12 10 9
10
10 9
10
8 7
10 8 7 8 10
7 8
10 8 7
10 8 7
10 8
10
FIGURE 46
7 5 3
play four times
7 5 3 5 7
3 5
FIGURE 47
N.C.(Dm)
N.C.(Dm)
play six times
FIGURE 45
N.C.(Dm)
FIGURE 44
5 3 2
N.C.(Dm)
8 6 5
CHAPTER 10: COMBINING SCALES

FIGURE 48a
N.C.(A5)
5 6 5
4 5 4
2 3 2
4 5 4
2 3 2 0 2
FIGURE 48b
2 3 2 0 2 3 2 0
FIGURE 49
N.C.(A5)
8 5 7 5
8 5 7 5
7 5
3
FIGURE 50
N.C.(A5)
7
5 3 0 3
CHAPTER 11: TRILLS

A) Scales
5 7
FIGURE 51c
0 2
2 3
3 5
5 7
0 1
1 3
3 5
5 7
7 9
9 10
10 12
12 14
14 15
15 17
17 19
FIGURE 51d
FIGURE 51e
FIGURE 51b D Aeolian
FIGURE 51a
5 7
0 2
2 3
3 5
5 7
7 8
8 10
7 8
8 10
10 12
12 13
10 12 12 14
14 15 15 17 17 19
13 15
15 17
FIGURE 51f
0 1
1 3
3 5
5 6
6 8
FIGURE 51g

1 3
3 5
5 6
6 8
8 10
10 12 11 13 13 15
8 10
10 12
12 13
13 15
15 17
FIGURE 51h
0 1
1 3
3 5
5 6
6 8
8 10
10 12 12 13
B) Chordal
FIGURE 52a

Dm
9 10
9 10
9 10
11 12
11 12
FIGURE 52b
9 10
10 11
9 10
FIGURE 52c
9 10
12 13
11 12
11 12
12 13
Dm
9 10
10 11
10 11
10 11
12 13
12 13
13 14
10 11
!
CHAPTER 12: RANDYS FAVORITE LICKS

FIGURE 53a
FIGURE 53b
D5
10
12
10
D5
13
10
3
3
10
1
10
12
13
10
3
3
FIGURE 54a D minor pentatonic
D5
13 10
13
10
13 10 13 10
10
12
12 10 12 10
12
10
12 10 12 10
3
12
10
12 10
12 10
10
10
FIGURE 54b D blues scale
13
10
FIGURE 55a
D5
D5
13 10
12
13 10 13 10
*T grad. bend
12
!
15
*Tapped trill.
13
10
13 12 13 12 10 12 10
12
10
12 10 12 10
3
12
10
12 11 12 11 10 11 10 8 10 8
3
10
FIGURE 55b
1 1/2
12 15
12 15
X
X
D5
12
12
!
*T
15
2
1 1/2
pick slide
12 15 12 15 X
X
X
X
X
X
*Tapped trill w/pick

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HOW TO PLAY LIKE

HOW TO PLAY LIKE RANDY RHOADS 1

HOW TO PLAY LIKE

SOLOING IN RANDYS STYLE

WIDE SCALAR FINGERINGS

MORE MINOR PENTATONIC

CYCLING SCALE SEGMENTS

RANDYS FAVORITE LICKS

CHAPTER 1: MINOR PENTATONIC SCALE

FIGURE 2a triplets, descending w/alternate picking

FIGURE 2b triplets, ascending

FIGURE 2e triplets, ascending w/pull-offs

FIGURE 2d triplets, ascending

FIGURE 2f triplets, ascending w/pull-offs and hammer-ons

FIGURE 2c triplets, descending

B) A Minor Pentatonic, Extended Position

FIGURE 4b triplets, descending

FIGURE 4c triplets, ascending w/alternate picking

FIGURE 4a triplets, descending w/alternate picking

FIGURE 4d triplets, ascending w/pull-offs and slides

HOW TO PLAY LIKE RANDY RHOADS 3

FIGURE 5a w/alternate picking

FIGURE 5d w/alternate picking

FIGURE 5c w/alternate picking

FIGURE 7c triplets, descending w/hammer-ons, pull-offs and slides

FIGURE 7b w/alternate picking

FIGURE 7a E minor pentatonic

*repeat previous beat

HOW TO PLAY LIKE RANDY RHOADS 4

FIGURE 9b triplets descending, w/pull-offs

FIGURE 9c triplets, ascending

FIGURE 10 four-note pattern (quadruplets)

CHAPTER 2: MINOR MODES

FIGURE 11b triplets, descending w/pull-offs

FIGURE 11c triplets, ascending

HOW TO PLAY LIKE RANDY RHOADS 5

FIGURE 12b triplets, descending

FIGURE 12c triplets, ascending

FIGURE 15a A Aeolian

HOW TO PLAY LIKE RANDY RHOADS 6

HOW TO PLAY LIKE RANDY RHOADS 7

FIGURE 19a high E string

FIGURE 19c G string

FIGURE 19b B string

HOW TO PLAY LIKE RANDY RHOADS 8

CHAPTER 4: EXPRESSIVE NOISES

FIGURE 22e w/natural harmonic

FIGURE 22f w/trill

CHAPTER 5: MORE PENTATONIC MINOR AND BLUES SCALE LICKS

HOW TO PLAY LIKE RANDY RHOADS 9

HOW TO PLAY LIKE RANDY RHOADS 10

CHAPTER 6: SCALE PATTERNS/SEQUENCES

HOW TO PLAY LIKE RANDY RHOADS 11

*all alternate picking

HOW TO PLAY LIKE RANDY RHOADS 12

CHAPTER 7: MODAL SEQUENCES

HOW TO PLAY LIKE RANDY RHOADS 13

HOW TO PLAY LIKE RANDY RHOADS 14

HOW TO PLAY LIKE RANDY RHOADS 15

FIGURE 32a Connecting Positions

FIGURE 33a A harmonic minor

HOW TO PLAY LIKE RANDY RHOADS 16