CREATIVE INDUSTRIES INFRASTRUCTURE

WEEK SIX

Todays Class
Outcome One Practice Questions

Outcome Two
Trade Associations In The Music Industry

Outcome One Practice Questions

The sub-sectors that make up the Creative
Industries are known as:
A - The Big 5 B - The Cultural 9 C - DCMS 13 D - DCMS 15

Outcome One Practice Questions

The responsibility for the Creative Industries within
the Scottish Government falls under the Minister of:
A - Culture and External Affairs B - Energy, Enterprise and Tourism C - Learning, Science and Scotland's Languages D - Parliamentary Business and Government Strategy

Outcome One Practice Questions

Which of the following are defining features of a
Creative Industry? Choose more than one correct answer.
A - They originate in individual creativity, skill and talent B - They have the potential for job and wealth creation C - They are only involved in leisure-based activities D - They involve the generation and exploitation of intellectual property

Outcome One Practice Questions

Answer Yes or No as to whether the following are
classed as IP or not:
A - Designs B - Domain name C - Goodwill D - Trade marks

Outcome One Practice Questions

Match the authors with the relevant work:
AUTHORS
The producer and the principle director The publisher The producer The writer WORK Sound Recording Song Film Typographical Arrangement Of A Published Edition

Outcome One Practice Questions

Which of the following copyrights last for 70 years
after death of creator? Choose more than one correct answer.
A - Broadcast

B - Photographs
C - Song lyrics D - Sound recording

Outcome One Practice Questions

The protection of a creative work from
unauthorised use is known as?
A - Copyright B - Fair use C - Libel D - Trade mark

Outcome One Practice Questions

Which of the following would be an 'assignment' of
copyright?
A - Sending material to the Performing Right Society B - Granting your rights within a song to a music publisher C - Renting your musical composition to a third party

D - Registering a song with the Intellectual Property

Office

10

Outcome One Practice Questions

Which of the following would be classed as 'licensing'
of copyright? Choose more than one correct answer.
A - A full transfer of economic rights over the work. B - Exclusive authorisation to do certain acts the work. C - Authorisation to use work completely for a particular time period. with

D - Complete authorisation for a specific type of

use

11

Outcome One Practice Questions

The unauthorised use or copy of a song is known
as: (Choose more than one correct answer)
A - Copyright Infringement B - Piracy C - Theft D - Intellectual Property

12

Outcome One Practice Questions

The UK legislation that governs trade marks is:
A - Copyright Act 1976
B - Copyright Designs & Patents Act 1988 C - Trading Standards Extension Act 1992 D - Trade Marks Act 1994 D

13

Outcome One Practice Questions

Match the following record company departments with
the correct responsibility: DEPARTMENT
A&R Business Affairs Marketing Sales & Distribution RESPONSIBILITY Devise strategies to break acts Negotiate all contracts on behalf of label Finds, signs and develops new artists Ensure sufficient product reaches shops

14

Outcome One Practice Questions

Which of the following companies is not involved in
music publishing? Choose more than one correct answer. BMG Rights Management Mercury Island Warner Chappell

15

Outcome One Practice Questions

Sort the following roles into either booking agent or
promoter. Responsible for setting up live performances/tours on
behalf of artist Responsible for hiring venue, sound system and lights Discusses tour support with artists record label Sells tickets for show

16

Outcome One Practice Questions

Sort the following music companies into their correct
role: COMPANY
XL Kobalt SJM GR ROLE Record Company Artist Management Music Publisher Music Promoter

17

Outcome One Practice Questions

Choose which collection society would collect on the below
examples, choose from the following - MCPS, PPL, VPL, PRS Mechanical rights, whenever a piece of music is reproduced

physically Mechanical rights, whenever a piece of music is reproduced for broadcast or online Licences sound recordings to play in public Licences sound recordings to broadcast on the radio or TV Licences right to perform music video performances Performing rights, whenever a piece of music is performed or played in any public space or place outside of the home.

18

Outcome One Practice Questions

The sub-sectors that make up the Creative
Industries are known as:
A - The Big 5 B - The Cultural 9 C - DCMS 13 D - DCMS 15

19

Outcome One Practice Questions

The responsibility for the Creative Industries within
the Scottish Government falls under the Minister of:
A - Culture and External Affairs B - Energy, Enterprise and Tourism C - Learning, Science and Scotland's Languages D - Parliamentary Business and Government Strategy

20

Outcome One Practice Questions

Which of the following are defining features of a
Creative Industry? Choose more than one correct answer.
A - They originate in individual creativity, skill and talent B - They have the potential for job and wealth creation C - They are only involved in leisure-based activities D - They involve the generation and exploitation of intellectual property

21

Outcome One Practice Questions

Answer Yes or No as to whether the following are
classed as IP or not:
A Designs - YES B - Domain name - NO C Goodwill - NO D - Trade marks - YES

22

Outcome One Practice Questions

Match the authors with the relevant work:
The producer and the principle director Film
The publisher - Typographical Arrangement Of A Published
Edition

The producer Sound Recording The writer - Song

23

Outcome One Practice Questions

Which of the following copyrights last for 70 years
after death of creator? Choose more than one correct answer.
A - Broadcast

B - Photographs
C - Song lyrics D - Sound recording

24

Outcome One Practice Questions

The protection of a creative work from
unauthorised use is known as?
A - Copyright B - Fair use C - Libel D - Trade mark

25

Outcome One Practice Questions

Which of the following would be an 'assignment' of
copyright?
A - Sending material to the Performing Right Society B - Granting your rights within a song to a music publisher C - Renting your musical composition to a third party

D - Registering a song with the Intellectual Property

Office

26

Outcome One Practice Questions

Which of the following would be classed as 'licensing'
of copyright? Choose more than one correct answer.
A - A full transfer of economic rights over the work. B - Exclusive authorisation to do certain acts the work. C - Authorisation to use work completely for a particular time period. with

D - Complete authorisation for a specific type of

use

27

Outcome One Practice Questions

The unauthorised use or copy of a song is known
as: (Choose more than one correct answer)
A - Copyright Infringement B - Piracy C - Theft D - Intellectual Property

28

Outcome One Practice Questions

The UK legislation that governs trade marks is:
A - Copyright Act 1976
B - Copyright Designs & Patents Act 1988 C - Trading Standards Extension Act 1992 D - Trade Marks Act 1994

29

Outcome One Practice Questions

Match the following record company departments
with the correct responsibility:

A&R - Finds, signs and develops new artists Business Affairs - Negotiate all contracts on behalf of label Marketing - Devise strategies to break acts Sales & Distribution - Ensure sufficient product reaches shops

30

Outcome One Practice Questions

Which of the following companies is not involved in
music publishing? Choose more than one correct answer. BMG Rights Management Mercury Island Warner Chappell

31

Outcome One Practice Questions

Sort the following roles into either booking agent or
promoter. Responsible for setting up live performances/tours on
behalf of artist BOOKING AGENT Responsible for hiring venue, sound system and lights PROMOTER Discusses tour support with artists record label BOOKING AGENT Sells tickets for show - PROMOTER

32

Outcome One Practice Questions

Sort the following music companies into their
correct role:

XL Record Company Kobalt Music Publisher SJM Music Promoter GR Artist Manager

33

Outcome One Practice Questions

Choose which collection society would collect on the below
examples, choose from the following - MCPS, PPL, VPL, PRS Mechanical rights, whenever a piece of music is reproduced

physically - MCPS Mechanical rights, whenever a piece of music is reproduced for broadcast or online - MCPS Licences sound recordings to play in public - PPL Licences sound recordings to broadcast on the radio or TV PPL Licences right to perform music video performances - VPL Performing rights, whenever a piece of music is performed or played in any public space or place outside of the home. - PRS

34

TRADE ORGANISATIONS IN THE MUSIC INDUSTRY

BPI www.bpi.co.uk

MU www.musiciansunion.org.uk
MMF www.themmf.net BASCA www.basca.org.uk

UK MUSIC www.ukmusic.org
AIM www.musicindie.com AES www.aes.org

MPG www.mpg.org.uk
MPA www.mpaonline.org.uk

35

British Phonographic Industry (BPI)

Represent Record Labels in the UK

Non-profit making
Lobbies in Westminster and Brussels Collects data on UK record sales Help Fight Piracy Promote British Recorded Music
Brit Awards & Mercury Music Prize Official UK Charts

36

Musicians Union (MU)

Trade union for musicians

177 Annual Membership Fee (20 for students)

Personal & Equipment Insurance Legal Assistance Career & Business Advice

37

Music Managers Forum (MMF)

Seek to raise professional standards in music
management.

100 annual fee Access to a lot of advice from other professionals,

training sessions, seminars & conferences.

38

British Academy Of Songwriters Composers And Authors (BASCA)

Trade association for UK music writers.

Aims and Objectives

To campaign as a leading force in the domestic, European and
international political arenas. To celebrate excellence through world-class awards ceremonies the Ivor Novello Awards , the British Composer Awards and the Gold Badge Awards. To inform our members in a constantly changing environment through our publications, websites and seminars. To foster a sense of community amongst British songwriters, lyricists and composers and to encourage the next generation of professional music writers.

Taken from www.basca.org.uk

39

UK Music
Represents the commercial interests of the UK music industry from artists,
musicians, songwriters and composers, to major and independent record labels, managers, music publishers, studio producers and collecting societies.

Our core goals are to promote awareness and understanding of:

The interests of the UK music industry at all levels The value of music to society, culture and the economy Intellectual property rights and how they protect and promote creativity The opportunities and challenges for music creators in the digital age

UK Music works around four priority areas, these are:

Policy and Government Relations Policy within the EU Education Research

40

Association Of Independent Music (AIM)

Represents Independent Record Labels in the UK
Lobbies to government on behalf of independent record
labels You can be a member of AIM and BPI

Offers help & advice for anyone wanting to start an

independent label.

Offers help & advice for independent labels who are

looking to break into international territories.

Generally aims to help independent labels compete in

the market place with the majors

41

Audio Engineering Society (AES)

Responsible for uniting and advancing the field of audio
engineering.

Members include recording engineers, broadcast

technicians, sound mixers and mastering engineers.

Membership, like some other trade associations

already discussed, gives you access to many networking opportunities, seminars and advice on the latest issues in audio engineering.

42

Music Producers Guild (MPG)

Members include Producers, Engineers, Mixers & ReMixers

Promotes the work of its members, campaigns for

members rights to issues such as appropriate royalties for producers.

43

Music Publishers Association (MPA)

Members are all companies in the business of music
publishing.

Works hard to educate the industry and the public

about music copyright and the issues of piracy.

Campaigns on behalf of its members over various

issues they may affect its members business from time to time (tablature on internet is a recent case)

44

International Federation Of Phonographic Industry (IFPI)

Represents recording industry worldwide
Fights worldwide piracy

Lobbies to government worldwide

Works to encourage growth in new territories

45