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Acoustical Characteristics: Liveness Intimacy Fullness Clarity Warmth Brilliance Texture Blend Ensemble Problems in Acoustical Design Calculation of Reverberation Time
3. 4.
Reverberation Time
Reverberation Time
The reverberant sound in an auditorium dies away with time as the sound energy is absorbed by multiple interactions with the surfaces of the room. In a more reflective room, it will take longer for the sound to die away and the room is said to be 'live'. In a very absorbent room, the sound will die away quickly and the room will be described as acoustically 'dead'.
But the time for reverberation to completely die away will depend upon how loud the sound was to begin with, and will also depend upon the acuity of the hearing of the observer.
Reverberation time is defined as the time for the sound to die away to a level 60 decibels or (1/1,000,000) below its original level.
Liveness: A room is said to be live when the reverberation time is longer than the average for similar rooms. Intimacy: Refers to how close the performing group sounds to the listener. Intimacy is achieved whenever the first reflected sound reaches the listener less than about 20 ms after the direct sound.
Warmth
Brilliance
Texture
Ensemble:
Ensemble refers to the ability of the members of the performing group to hear each other during performance, enhancing the ability of the players to play together effectively.
V TR 55.2 SA
V = Volume of the room in cubic feet, S = speed of sound in ft/s, A = absorption in sabin.
V TR 0.050 A
A a1 A1 a 2 A2 a3 A3 a 4 A4 .......
0.050 V TR . a1 A1 a 2 A2 a3 A3 a 4 A4 ......
A1, A2,are the areas of the various types of absorbing surfaces, and a1, a2, are the absorption coefficients of the respective surfaces.
Absorption Coefficients
TR 0.050 V . a1 A1 a 2 A2 a3 A3 a 4 A4 ......
Over the audience and over the stage, ceiling clouds and panels produce balanced and blended sounds for a variety of venues, resulting in a rich, directed sound that the discriminating audiences have come to expect.
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