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NIKILA SHRI.S.V
10AR38
INTRODUCTION
DEFINITIONS
Concepts may be described as abstract ideas that allow
one to make connections and recognize relationships
between thoughts ,observations, beliefs, context, and
integrate them as a whole.
Irrelevant
Absurd
notional
IDEAS:
Thoughts as a result of understanding and observation . As the
architect proceeds from the initial stage, he develops a greater
understanding of the project and identifies some notions as more
appropriate.
Theory
Belief
Intention
Thought
CONCEPTS:
Similar to ideas, a concept can be a thought arising as a result of
understating but it also takes the effort in integrating various
elements like project requirements, context, etc and grouping
ideas together in the form of simple diagrams or few words.
CONCEPT SCENARIO:
A concept scenario combines all applicable concepts as a whole.
It includes all the issues and problems left out by the brief concept
statement and also includes the factors influenced by the
architects.
HIERARCHIES
Increasing
complexity,
Appropriateness,
depth of thought
TYPES OF CONCEPT
ANALOGIES:
Analogy is defined as correspondence in some respects especially in
function or position between things, otherwise dissimilar.
Identifies literal relationships between things-comparison of a
whole object and a design problem.
Easy to compare with known objects to generate new ideas
METAPHOR:
Identifies abstract relationship between things.
Parallel relationships but analogies identify possible literal relationships
Creating the spirit of the thing in the design
Turning torso by
santiago calatrava
ESSENCE:
Making the intangible tangible.
Taking out the extract of complex issues by identifying its roots and
placing them in design.
Robert Harris The full process includes observing supportive places,
learning from them what characteristics and structuring relationships
are present, inspecting the potential transcendence of those
characteristics as possibly common to other intangibly and profoundly
satisfying places as well, and seeding the findings into the new places
we may build
Symbols are subsets of essence
category.
They make the public
understand by capturing the
essence in forms.
They are images that evoke
immediate response, usually
visual
PROGRAMMATIC/PROBLEM SOLVING:
Concepts that are developed based on issues identified in the design
program.
IDEALS:
Here, the architect, instead of looking inside the design problem, brings
ideal concepts from outside.
This may be appropriate or not.
It makes the task of architects easier to develop ideals as concepts
which helps in the design development
They are external values brought by the architect
They are not problem specific but issue specific
Hierarchy of concepts
Super-organizing
ideas/themes
Analogies
Metaphor
Issue or an aspect of
performance
Design is acreative
process
It is inhibited by the
application of too much
logic.
it is mysterious and springs
from the depths of the
designer's subconscious.
Explicit approach:
EXPLICIT APPROACH
Detailed
program
Client-needs
and objectives,
size, function
Relationship
between space,
character
Gathering and
analyzing
information
Site analysis
Rough plans in
site
Finding
alternatives
Concept
sketches,
illustrations,
models
Construction
scope, budget,
schedule
Presenting to
owner to finalize
based on
agreement
Basic conceptual
sketches,
brainstorming
ideas
General layout
Form overall
appearance of
both site and
building
Designing
feature elementsstairs, furniture,
etc
Interesting Concepts
Times square
building, NY by
Arquitectonica. The
building is designed
to look like an
exploding meteor.
Aim
Objective
Scope:
Concepts are the initial ideas to carry out a design.
Limitations:
There are numerous prevailing concepts behind famous
METHODOLOGY
Stage-1:
Introduction
Definitions of notions, ideas, concepts &concept scenarios
Types of concept
Ways to approach a concept in design process
Concept examples
Stage-2:
Literature case studies of contemporary public buildings across all
regions from mid-late 20th to 21st century till date
Analysis of evolution of concepts behind each building by
understanding factors influencing the design problem
Stage-3:
Live case studies in India. Analysis of buildings based on
comparison between live and literature case studies.
Comparison based on architectural theories
Peoples perception of each building
Stage-4:
Identifying the factors involved in concept development
based on analysis of case studies.
Importance of concept by highlighting its part played in
building design.
Conclusion
DISSERTATION STAGE- II
S.V.NIKILA SHRI
10AR38
ARCHITECTURAL STATEMENTS
Architects use buildings as tools for communicating their concepts.
The quality of communication is determined by how elegantly it is
expressed which becomes the basis for public criticism and collective
evaluation of the building.
Each building requires a number of communicating elements to express
a total image.
MODES OF PERCEPTION
Visual -form-light directions, colors
Sensations-form & texture
Temperature
Humidity
Touch
sound
Types -ANALOGY
Location-Wisconsin, USA
Architect Santiago
Calatrava
Year completed-2001
Design problem
LAKE MICHIGAN
QUADRACCI PAVILION
PEDESTRIAN BRIDGE
SITE PLAN
Movement
Inspired by nature
DYNAMISM
Moving structures in nature..
HUMAN figures
Motion of birds, human
body...waves
Bone and skeletal system
WHITE color in structures
CONCEPT
To design a glowing lantern radiating
light in all directions.
Glass- enclosed reception hall
Boat -like prow facing the Lake
Huge, wing-like sunscreen
Bird wings
Nature as
inspiration
DYNAMISM
As we approach the
pavilion through the
cabled pedestrian
bridge, the bird-like
form appears to fly
above the water.
MAJESTIC
Cable-stayed pedestrian
bridge
Brise Soleil
231 feet
waves
The long linear cabled bridge connecting to the pavilion creates
focus
An enormous
sun-screen
that can be
controlled to
admit or avoid
natural light .
Chinese
ceramics
bowl
Birds nest
BIRDS NEST OLYMPIC STADIUM
Interwoven twigs
Location-Beijing,China
Architect Jacques Herzog and Pierre de Meuron
Year completed-2008
IMPACT
The same stadium portrays a
different image during night as a
beacon of light , it lures people.
it suggests tension beneath the
surface, the steel frames trying
to hold the structure like rubber
bands.
PROBLEM SOLVING
PROBLEM IDENTIFIED
Climate- Extreme cold , warm summer temperatures in Scandinavia.
Winters are cold; temperatures hover below freezing and snow
blankets the city.The available light in winter has to be used efficiently.
CONCEPT
LIGHT- Light is an important
factor for an art gallery
Gallery
Office
Fritted glass
Three different
buildings under one
unique glass roof
Canal
SITE PLAN
Leisure Park
Astrup Fearnley
Museum
Location Oslo,Scandinavia
Architect Renzo Piano
Year completed-2012
CONCEPT-Light
Sweeping frittedglazed
curved roof
CONCEPTUAL SKETCH
Bridge over
canal
Interaction at
various levels
BRIGHT COLORED
TIMBER
Timber for the facades and
interiors like in
traditional
Scandinavianconstructi
on of local buildings
and boats. The bright
colour reflects
sunlight
VIBRANT
ENVIRONMENT
The integration of Art
related activities in all
three buildings and the
mix with offices and
leisure activities, makes
the complex a vibrant
part of the new urban
fabric that attracts a
very broad public.
IDEALS
Suzlon Headquarters
Location-Pune, India
Architect Christopher
Charles Beninger
Year completed-2009
DESIGN PROBLEM
To create the greenest office in India.
Use of non-toxic and recycled materials.
To use vernacular solutions with sensitivity to climate
A land scraper, not a skyscraper
Bramhasthan
open to sky
E
V
O
L
U
T
I
O
N
Water body to
the east
Water body
Nodes
Open & built-up spacesbalanced
CONCEPT-Interplay of open
& closed spaces
Inter-locking spaces
Integrating spaces
Visual connector
View of waterbody
from work place
Cylinders of light
ESSENCE
Design Problem
Propose an extension to
Berlin museum for Jewish
collection
HIstory
Elimination of the Jewish
culture due to the
Holocaust.
JEWISH MUSEUM
Location-Berlin, Germany
Architect Daniel Libeskind
Year completed-
INITIAL CONCEPTUALIZATION
Preliminary layout-sketch
Trajectories of Berlin
Star of David
System
of void
spaces
Garden of exile
Separate void
building
VOiDS-Invsisibility of Jews
METAPHOR
GALAXY SOHO
Location-Beijing, China
Architect Zaha Hadid
Year completed-2012
Nari Gandhi
Organic
architecture
Unconventional
thinking
Use of stone,
brick, wood, glass
and leather.
Arches
Indoor gardens
APPROACHES
TYPES
Material
WALT DISNEY CONCERT HALL
Frank Gehrys Walt Disney
Concert Hall in Los Angeles also
created extreme exterior
reflectance.
Highly polished panels that
amplified the sunlight onto
adjacent building facades.
Form/ structure
Strata centre
Sliding ice and snow from the
buildings window boxes and other
projecting roof areas, blocking
emergency exits and damaging
other building elements.
S.V.NIKILA SHRI
10AR38
LOCATION
Artificial Pond
C.A.R.E campus
CONCEPT
Layering of
spaces
Sacred Inner
Spaces
Outer Public
Spaces
N
THE DEITY
The emphasis on the inner
most shrine is symbolized by a
water body -natural peace
Creates a centre/focus
To create a transition from
outer spaces to inner calm
spaces
Existing lake
Artificial water body
Entrance points
FLOOR PLAN
ELEVATION
Lab
Classroom
Courtyard
Workshop
Water plaza
LOCATION
CONCEPT
Staggered
plan by
juxtaposing
rectangular
built and
open spaces
FLOOR PLAN
Institutional
zone
Residential
zone
8
9
5
3
9
8
5
8
Entrance
Sensitivity to nature
The architect has explored new patterns by playing
and juxta-positioning of parallel walls.
A system of outdoor courtyards and built spaces
cluster around the central podium.
Responsive to climate
The use of Hipped roofs to tackle
strong westerly monsoon winds.
30
SECTION
45
Westerly
monsoon
ELEMENTS
Shaded windows
Water sprouts to
drain water
COMPARITIVE ANALYSIS
C.A.R.E COLLEGE
CDSA, PUNE
TYPE
Educational
Institution
Educational
Institution
YEAR
2009
2000
LOCATION
Thayanur
village,Trichy
Pune
SITE Physical
features
Existing Lake,
surrounded by
farmlands
ARCHITECT
Sanjay Mohe
Christopher Charles
Benninger
STYLE
Modern
Vernacular
AR.SANJAY MOHE
An American-Indian architect and
planner born in the United States in
1942. His firm Christopher Charles
Benninger Architects (CCBA) chooses
very few projects. Other than India, its
works range from Sri Lanka to Bhutan.
DESIGN APPROACH
Responding to climate
Integrating nature into the built form
Using light to modulate spaces
Design from inside-out, rather than outside-in
Transition from outdoors to indoors by using
semi-covered and open spaces
Believes in simplicity
INSPIRATION
Tadao Ando
Richard Meier
B.V.Doshi, Charles Correa for building
in tropical climate
AR.CHRISTOPHER CHARLES
BENNINGER
An American-Indian architect and
planner born in the United States in
1942. His firm Christopher Charles
Benninger Architects (CCBA) chooses
very few projects. Other than India, its
works range from Sri Lanka to Bhutan.
DESIGN PRINCIPLES
Expansive campuses reveal an understanding of
Indian place making reflecting the great temple
complexes and the Mogul campuses.
His narrative presents a language that lies between
American ideals embedded in its wooded Arcadian
landscapes and sacred notions enshrined within
Indian courtyards, generating a unique approach
to architecture and place making.
His work in India is characterized by
C.A.R.E COLLEGE
CDSA, PUNE
INITIAL CONCEPT
EVOLUTION
HOW IT IS
APPROACHED
MATERIALS
C.A.R.E COLLEGE
CDSA, PUNE
Horizontal and
vertical planes
defining courtyards,
transition from
classroom to corridors
by blurring
boundaries
LOCATION
CONCEPT
A concept that would be acceptable to the
people of all different backgrounds
ARCHITECT- Fariborz
Sahba
Mr. Fariborz Sahba, had travelled
extensively in India to study the
architecture of this land and was
impressed by the design of the
beautiful temples, as well as by
the art and religious symbols
wherein the lotus invariably
played an important role.
He was influenced by this
experience, and in an attempt to
bring out the concept of purity,
simplicity and freshness of the
Bah Faith, he conceived the
Temple in Delhi in the form of a
lotus. The temple gives the
impression of a half-open lotus
flower, afloat, surrounded by its
leaves.
The lotus, as seen from outside, has three sets of leaves or petals, all of
which are made out of thin concrete shells. The outermost set of nine petals,
called the 'entrance leaves', open outwards and form the nine entrances all
around the outer annular hall. The next set of nine petals, called the 'outer
leaves', point inwards. The entrance and outer leaves together cover the
outer hall. The third set of nine petals, called the 'inner leaves', appear to be
partly closed. Only the tips open out, somewhat like a partly opened bud. This
portion, which rises above the rest, forms the main structure housing the
central hall.
LOCATION
Dhyanalingam
CONCEPT
sound
In ancient temples, the structure that houses the Deity is as important as the Deity
itself. Theparikramaor the walkway of the temple, thegarbhagrihaor the
innermost shrine of the temple, the shape and the size of the idol, themudraheld
by the idol and themantra(sound) used for the consecration of the temple are the
fundamental parameters of a temple. These elements are matched and built
according to a certain science and based upon the understanding of the energies,
thereby creating a powerful energy situation and facilitating inner transformation.
The energies of the Dhyanalinga have been consecrated to last for more than 5000
years without any dissipation.
DISSERTATION STAGE- IV
S.V.NIKILA SHRI
10AR38
Aim
Objective
To understand the role played by physical, visual, social and other
factors in generating a concept.
STAGE-1
STAGE-3
Introduction
&concept scenarios
Types of concept
Ways to approach a concept in design
process
Examples of interesting concepts
STAGE-2
STAGE-4
studies
CASE EXAMPLES
DESCRIPTION
BUILDING
TYPE
CONCEPT
GENERATORS
CONCEPT
BMW central
building
Germany
Year -2005
ArchitectZaha Hadid
Car
assembling
unit
The building
program
Problem
solving
Church of the
year
Italy
Year-2000
ArchitectRichard Meier
Church
Social
imagery of
the building
type
Analogy
Milwaukee art
museum,
Year-2001
ArchitectSantiago
Calatrava
Museum
Architects
style
Analogy-birds
wings
CASE EXAMPLES
DESCRIPTION
BUILDING
TYPE
CONCEPT
CONCEPT
GENERATORS
Birds nest
olympic
stadium
China
2008
ArchitectJacques
Herzog and
Pierre de
Meuron
Sports
stadium
Technology
Analogy to
chinese
bowl, birds
nest
Jewish
museum
Berlin,
Germany
2001
ArchitectDaniel
LIbeskind
War
memorial
museum
Social imagery
of the building
type
Essence
Galaxy soho
China
Architect-Zaha
Hadid
Commercial
&
entertainmen
t
Architects
style
Metaphor
comparison
between
sand dunes,
CASE EXAMPLES
DESCRIPTION
BUILDING
TYPE
CONCEPT
CONCEPT
GENERATORS
Suzlon
Headquarters,
Pune
2009
ArchitectChristopher
Charles
Benninger
Office
Behavioral
and
Environmental
Research
Metaphorcomparison
to open
spaces in
Fatehpur
Sikri
Astrup
Fearnley art
museum, Oslo
2012
ArchitectRenzo Piano
Art museum
The Building
Site
Problem
solving
C.A.R.E
college, Trichy
2009
ArchitectSanjay Mohe
Educational
Institution
Site
Analogy- to
layering of
spaces in
Meenakshi
amman
temple,
Madurai
CASE EXAMPLES
DESCRIPTION
BUILDING
TYPE
CONCEPT
CONCEPT
GENERATORS
C.D.S.A,
Pune ,India
2000
ArchitectChristopher
Charles
Benninger
Educational
Institution
Environmental
and
Behavioral
Research
Lotus Temple
New Delhi,
India
ArchitectFariborz
Sahba
Temple
Dhyana
Lingam
Coimbatore,
Tamil Nadu,
India
ArchitectKarthikeyan
Temple
The building
program
Ideal
Clustering of
open, semiopen and
closed spaces
around a
podium
Essence
CONCEPT
GENERATORS
THE BUILDING
PROGRAM
SOCIAL
IMAGERY OF
THE BUILDING
TYPE
TYPES
ANALOGY
METAPHOR
THE BUILDING
SITE
ARCHITECTS
INDIVIDUAL
STYLE
ENVIRONMENT
AL AND
BEHAVIORAL
RESEARCH
TECHNOLOGY
ESSENCE
PROBLEM
SOLVING
IDEALS
inference
Concept
types
AnalogyLiteral
relation
MUSEUM
Symbolic
analogy-birds
wings
OLYMPIC
STADIUM
Symbolic analogy to
chinese bowl,
birds nest
TEMPLE
Symbolic analogy
to lotus flower
SYMBOLI
C
ANALOG
Y
CHURCH
Symbolic analogy
to sea waves
EDUCATIONAL
INSTITUTE
Direct analogy- to
layering of spaces in
Meenakshi amman
temple, Madurai
DIRECT
ANALOG
Y
inference
Concept
types
MetaphorAbstract
relation
COMMERCIAL
&
ENTERTAINMEN
T
Comparison to
natural dunes,
rivers,
canyons( flow)
OFFICE
Comparison to
open courtyards,
water bodies in
Fatehpur Sikri,
Delhi
inference
Concept
types
Essenceroots of the
design
problem
WAR
MEMORIAL
Approach- social
imagery of the
building
TEMPLE
Approach
understanding
the program
inference
Concept
types
Ideal environmen
ts
Concept
types
EDUCATIONAL
INSTITUTION
Approachenvironmental &
behavior research
CAR
ASSEMBLING
Approach-The
building program
Problem
solvingidentifying
issues
ART
GALLERY
Approach site
Modern concepts
Green buildings
Why Sustainable??
Global Warming
Resource
depletion
Climate change
Energy crisis
Vertical farming
in a residence
Green technology
showroom, China
Biological
concrete
-breathing faade
Development
that meets
the needs of
the present
Only collective, international action will lead to measures substantial
withoutcompr
enough to make a change in the trajectory the planet is headed for.
Architecture can be a powerful collective in the face of such a challenge.
omisingthe
We have to use available resources economically for a promising
ability of
sustainable environment in the future by designing more greener
future
environments.
generations
to a snapshot of the latest climate science prepared for the Word Bank by
Turn
Down the Heat,
meet
theirInstitute for Climate Impact Research, says we are on a path to a 4C (7.2F)
the
Potsdam
warmer
world by the end of this century.
own needs.
Modern concepts
Recycle
Chinese architect Wang Shu who won the 2012 Pritzker
Architecture Prize designed this building.
The outer wall decoration of Ningbo Museum is made in
two ways. Some walls are decorated by millions of tiles
collected in local areas. Other walls are decorated with
cement-covered bamboos.
It is reported that Ningbo Museum was the first museum
built with large number of used materials.
Modern concepts
Recycle
Modern concepts
Biomimetic in architecture
Biomimetic architectureis a contemporary philosophy
ofarchitecturethat seeks solutions for sustainability in
nature, not by replicating the natural forms, but by
understanding the rules governing those forms
Modern concepts
Water Architecture
ThePalm Islandsare
twoartificial
islandsinDubai,United
Arab Emiratesin the shape
of palm trees. The islands
are thePalm Jumeirahand
thePalm Jebel Ali.
Each settlement will be in the
shape of apalm tree, topped with
a crescent. The settlements will
have a large number of
residential, leisure and
entertainment centres and will
add 520kilometres of non-public
beaches to the city of Dubai.
ThePalm Islands,
Dubai
The Palm Island is made out of only sand and rocks (no use of concrete was used to build the
island). This was done according to the order of the Prince of Dubai to make it very natural.
The primary objective of construction of the Palm Islands was to increase tourism in Dubai, as the
oil reserves in the gulf were getting depleted. The Palm island consisted of resorts, hotels and was
a major holiday destination.
Modern concepts
Water Architecture
A luxury multi-million dollar resort
featuring 21 moveable rooms found in the
heart of spectacular coral reefs.
The luminous hotel features two large disc-shaped lounges seven-meters above the water,
housing a luxury restaurant and spa. The lounges are connected to a glass tunnel plunging 30meters below the water, leading to 21 opulent bedrooms.
Not only does the hotel look like a spaceship -- it actually moves like one, with the largest
underwater saucer-shaped room able to slide to the surface in emergencies.
Modern concepts
Deconstructivism
Deconstructivismis a development ofpostmodern
architecturethat began in the late 1980s.
Views architecture in bits and pieces
Fragmentation, manipulation of skins structure, shapes
that distort elements depicting chaos and confusion
Modern concepts
Origami trend
Conclusion
The approach to each design problem differs based on the
architects personal experiences. It is the architect who has to make
a decision after all. The architect may give importance to any part of
a problem, which he thinks needs the utmost care and attention.
If issues are identified in the site, concepts can be approached by
addressing those issues or if approached in a different manner, the
site issues should be taken care of by that approach.
From all the case studies, it is evident that all architects give
importance to users in the first place. Concept of public
buildings, office buildings, entertainment & commercial buildings, all
depend primarily on the users. Understanding the physical and
psychological needs of the users is very important.
A concept is not a separate stage in a design process. It
takes shape through the design process.
Any notion or idea that strikes may seem irrelevant initially, but
may seem appropriate later.
Conclusion