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LETS ANALYSE..!!

LETS ANALYSE..!!
LISTEN TO THE TRACK AND COME UP WITH 5 KEY
PRODUCTION, MUSICAL OR COMPOSITIONAL ELEMENTS.

ANALYSE
THINK ABOUT THINGS YOU KNOW ABOUT PRODUCTION-WISE..

ANALYSE
THINK ABOUT THINGS YOU KNOW ABOUT PRODUCTION-WISE..
INSTRUMENTS - WHAT ARE THEY DOING? HOW DO THEY
CONTRIBUTE TO THE OVERALL ARRANGEMENT?

ANALYSE
THINK ABOUT THINGS YOU KNOW ABOUT PRODUCTION-WISE..
INSTRUMENTS - WHAT ARE THEY DOING? HOW DO THEY
CONTRIBUTE TO THE OVERALL ARRANGEMENT?
FREQUENCIES/EQ - BOTH IN AN OVERALL SENSE IE; IS THE
TRACK BASS HEAVY, BASS LIGHT, USE OF FILTERS, FULL OR
THIN SOUNDS?

ANALYSE
THINK ABOUT THINGS YOU KNOW ABOUT PRODUCTION-WISE..
INSTRUMENTS - WHAT ARE THEY DOING? HOW DO THEY
CONTRIBUTE TO THE OVERALL ARRANGEMENT?
FREQUENCIES/EQ - BOTH IN AN OVERALL SENSE IE; IS THE
TRACK BASS HEAVY, BASS LIGHT, USE OF FILTERS, FULL OR
THIN SOUNDS?
EFFECTS USE OF REVERB/SPACE, DELAY, VOCAL EFFECTS,
WARPING

ANALYSE
THINK ABOUT THINGS YOU KNOW ABOUT PRODUCTION-WISE..
INSTRUMENTS - WHAT ARE THEY DOING? HOW DO THEY
CONTRIBUTE TO THE OVERALL ARRANGEMENT?
FREQUENCIES/EQ - BOTH IN AN OVERALL SENSE IE; IS THE
TRACK BASS HEAVY, BASS LIGHT, USE OF FILTERS, FULL OR
THIN SOUNDS?
EFFECTS USE OF REVERB/SPACE, DELAY, VOCAL EFFECTS,
WARPING
ARRANGEMENT VERSES, CHORUSES, DYNAMICS ETC

GET LUCKY
INSTRUMENTS;

GET LUCKY
INSTRUMENTS; DRUMS

GET LUCKY
INSTRUMENTS; DRUMS (REAL)

GET LUCKY
INSTRUMENTS; DRUMS (REAL) THIS WAS A NEW APPROACH
FOR DAFT PUNK. *COMPARE WITH PREVIOUS WORK*.
GUITAR

GET LUCKY
INSTRUMENTS; DRUMS (REAL) THIS WAS A NEW APPROACH
FOR DAFT PUNK. *COMPARE WITH PREVIOUS WORK*.
GUITAR (MAIN INSTRUMENTATIONAL ELEMENT)

GET LUCKY
INSTRUMENTS; DRUMS (REAL) THIS WAS A NEW APPROACH
FOR DAFT PUNK. *COMPARE WITH PREVIOUS WORK*.
GUITAR (MAIN INSTRUMENTATIONAL ELEMENT)
SECONDARY RESEARCH;

GET LUCKY
INSTRUMENTS; DRUMS (REAL) THIS WAS A NEW APPROACH
FOR DAFT PUNK. *COMPARE WITH PREVIOUS WORK*.
GUITAR (MAIN INSTRUMENTATIONAL ELEMENT)
SECONDARY RESEARCH; PLAYED BY NILE ROGERS OF THE
BAND CHIC.

GET LUCKY
INSTRUMENTS; DRUMS (REAL) THIS WAS A NEW APPROACH
FOR DAFT PUNK. *COMPARE WITH PREVIOUS WORK*.
GUITAR (MAIN INSTRUMENTATIONAL ELEMENT)
SECONDARY RESEARCH; PLAYED BY NILE ROGERS OF THE
BAND CHIC.
Nile Gregory Rodgers, Jr. (born September 19, 1952) is an
American record producer, songwriter, musician, composer, arranger
and guitarist. He is the lead guitarist and co-founding member with
Bernard Edwards, which has been active since 1976 and was one of
the most successful groups of the disco (Nile Rodgers, Wikipedia)

GET LUCKY
INSTRUMENTS; DRUMS (REAL) THIS WAS A NEW APPROACH
FOR DAFT PUNK. *COMPARE WITH PREVIOUS WORK*.
GUITAR (MAIN INSTRUMENTATIONAL ELEMENT)
SECONDARY RESEARCH; PLAYED BY NILE ROGERS OF THE
BAND CHIC.
Nile Gregory Rodgers, Jr. (born September 19, 1952) is an
American record producer, songwriter, musician, composer,
arranger and guitarist. He is the lead guitarist and co-founding
member with Bernard Edwards, which has been active since 1976
and was one of the most successful groups of the disco (Nile
Rodgers, Wikipedia)
BIBLIOGRAPHY; NILE RODGERS, WIKIPEDIA,
https://en.wikipedia.org/wiki/Nile_Rodgers

LETS LISTEN TO CHIC !!

LETS LISTEN TO CHIC !!

CAN WE HEAR NILE RODGERSS DISTINCTIVE STYLE AND
HOW HE BROUGHT THAT TO GET LUCKY?

LETS LISTEN TO CHIC !!

CAN WE HEAR NILE RODGERSS DISTINCTIVE STYLE AND
HOW HE BROUGHT THAT TO GET LUCKY?
RHYTHMIC,

LETS LISTEN TO CHIC !!

CAN WE HEAR NILE RODGERSS DISTINCTIVE STYLE AND
HOW HE BROUGHT THAT TO GET LUCKY?
RHYTHMIC, MELODIC,

LETS LISTEN TO CHIC !!

CAN WE HEAR NILE RODGERSS DISTINCTIVE STYLE AND
HOW HE BROUGHT THAT TO GET LUCKY?
RHYTHMIC, MELODIC, A KEY SOUND OF THE DISCO ERA.

VOCODER

VOCODER
A TRADEMARK OF THE DAFT PUNK SOUND

VOCODER
A TRADEMARK OF THE DAFT PUNK SOUND
I CAN MENTION OTHER EXAMPLES; AROUND THE WORLD,
HARDER, BETTER, FASTER, STRONGER, PRIME TIME OF
OUR LIFE, AND MANY OTHERS.

VOCODER
A TRADEMARK OF THE DAFT PUNK SOUND
I CAN MENTION OTHER EXAMPLES; AROUND THE WORLD,
HARDER, BETTER, FASTER, STRONGER, PRIME TIME OF
OUR LIFE, AND MANY OTHERS.
SECONDARY RESEARCH; WHAT IS A VOCODER?

VOCODER
A TRADEMARK OF THE DAFT PUNK SOUND
I CAN MENTION OTHER EXAMPLES; AROUND THE WORLD,
HARDER, BETTER, FASTER, STRONGER, PRIME TIME OF
OUR LIFE, AND MANY OTHERS.
SECONDARY RESEARCH; WHAT IS A VOCODER? A 2 SIGNAL
PROCESSOR THAT COMBINES A SIGNAL (EG; A VOICE) WITH A
CARRIER (EG; A SYNTHESISER). INVESTIGATE THE HISTORY
OF THE VOCODER.

OTHER THINGS I NOTICED..?

OTHER THINGS I NOTICED..?

THIS IS NOT A LOUD RECORD.

OTHER THINGS I NOTICED..?

THIS IS NOT A LOUD RECORD.

WHAT DOES THIS TELL ME?

OTHER THINGS I NOTICED..?

THIS IS NOT A LOUD RECORD.

WHAT DOES THIS TELL ME?

VERY GENTLE USE OF COMPRESSION.

OTHER THINGS I NOTICED..?

THIS IS NOT A LOUD RECORD.

WHAT DOES THIS TELL ME?

VERY GENTLE USE OF COMPRESSION.

LARGER DYNAMIC RANGE THAN IS USUAL IN POP RECORDS.

OTHER THINGS I NOTICED..?

THIS IS NOT A LOUD RECORD.

WHAT DOES THIS TELL ME?

VERY GENTLE USE OF COMPRESSION.

LARGER DYNAMIC RANGE THAN IS USUAL IN POP RECORDS.
WARM ORGANIC SOUND

Digital compression in particular is not appealing to us,

and also, everyone is using the same plug-ins today. We
wanted to step out of that and use the stuff plug-ins are
actually modelled after. (Peter Franco, Sound On Sound,
2013).

Digital compression in particular is not appealing to us,

and also, everyone is using the same plug-ins today. We
wanted to step out of that and use the stuff plug-ins are
actually modelled after. (Peter Franco, Sound On Sound,
2013).
Mick Guzauski came over from New York to track all the
live musicians recorded in Los Angeles, and he later mixed
the entire album. Guzauski has worked on some of the
albums that were reference points for Daft Punk, by artists
such as Earth, Wind & Fire, Michael Jackson and Quincy
Jones, as well as with the likes of Eric Clapton, Burt
Bacharach, BB King, Mariah Carey, Michael Bolton and the
Corrs. (Sound On Sound, 2013)

HARVARD REFERENCE !!
AT THE END OF MY PIECE;

HARVARD REFERENCE !!
AT THE END OF MY PIECE;
Article; Recording Random Access Memories| Daft Punk | Sound
On Sound, July 2013
Website title: Soundonsound.com
URL: http://www.soundonsound.com/people/recording-randomaccess-memories-daft-punk

MORE THINGS !!

MORE THINGS !!
THE ALBUM WAS RECORDED TO TAPE VIA PRO-TOOLS TO
ACHIEVE THE VINTAGE SOUND.

MORE THINGS !!
THE ALBUM WAS RECORDED TO TAPE VIA PRO-TOOLS TO
ACHIEVE THE VINTAGE SOUND.
THE RECORD IS QUITE DRY;

NOT MUCH REVERB IS USED.

MORE THINGS !!
THE ALBUM WAS RECORDED TO TAPE VIA PRO-TOOLS TO
ACHIEVE THE VINTAGE SOUND.
THE RECORD IS QUITE DRY;

NOT MUCH REVERB IS USED.

PHARREL IS NOT TUNED; NO MELODYNE OR AUTO-TUNE ON

THE TRACK.

MORE THINGS !!
THE ALBUM WAS RECORDED TO TAPE VIA PRO-TOOLS TO
ACHIEVE THE VINTAGE SOUND.
THE RECORD IS QUITE DRY;

NOT MUCH REVERB IS USED.

PHARREL IS NOT TUNED; NO MELODYNE OR AUTO-TUNE ON

THE TRACK.
WHAT MUST I DO NOW IN MY WORK;

MY PRODUCTION
EXPLAIN AND COMPARE HOW I PUT SOME OF THESE
TECHNIQUES AND IDEAS INTO MY OWN WORK.

MY PRODUCTION
EXPLAIN AND COMPARE HOW I PUT SOME OF THESE
TECHNIQUES AND IDEAS INTO MY OWN WORK.
THE RESEARCH WORK IS USELESS IN ISOLATION.

MY PRODUCTION
EXPLAIN AND COMPARE HOW I PUT SOME OF THESE
TECHNIQUES AND IDEAS INTO MY OWN WORK.
THE RESEARCH WORK IS USELESS IN ISOLATION.
YOU MUST USE IT TO INFORM AND TO COMPARE WITH YOUR
OWN WORK.

MY PRODUCTION
EXPLAIN AND COMPARE HOW I PUT SOME OF THESE
TECHNIQUES AND IDEAS INTO MY OWN WORK.
THE RESEARCH WORK IS USELESS IN ISOLATION.
YOU MUST USE IT TO INFORM AND TO COMPARE WITH YOUR
OWN WORK.
EVALUATE YOUR OWN PRODUCTION.

MY PRODUCTION
EXPLAIN AND COMPARE HOW I PUT SOME OF THESE
TECHNIQUES AND IDEAS INTO MY OWN WORK.
THE RESEARCH WORK IS USELESS IN ISOLATION.
YOU MUST USE IT TO INFORM AND TO COMPARE WITH YOUR
OWN WORK.
EVALUATE YOUR OWN PRODUCTION. WHAT WORKS WELL IN
COMPARISON WITH YOUR CHOSEN PROFESSIONAL PIECE.
WHAT DOESNT?