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In Macbeth
Shakespearean tragedies
represent conflicts which
end in catastrophe.
DEVELOPMENT: DEVELOPMENT:
EXPOSITION RESOLUTION
RISING ACTION FALLING ACTION
EXPOSITION
Macbeth is dead:
In the final acts:
we can see the
opposition Tragic Recognition:
justice, but the
reaches full in the final scenes
feeling of satisfaction
strength and become aware
at the death of a
defeats/destroys again of the heros
tyrant or killer
the isolated, greatness.
is conspicuously
weakened hero.
lacking.
THE TRAGIC HERO,
IN GENERAL
The story also depicts the troubled part of the hero's life
which precedes and leads up to his death.
Driving Which
the action lead
toward a to
Tragic complica-
resolution tions
from which
in a kind of further
snowballing
effect conflicts
arise
In Macbeth, we have the hero, Macbeth, and
the heroine, Lady Macbeth, opposed to the
representatives of Duncan, Malcolm, and
Macduff.
He may be Shakespearean
wretched and Tragedy
awful, but he is is never
not small depressing
THEY NEED
NOT BE
"GOOD"
CONNECTED TO
THE GREATNESS
IS A SENSE
OF WASTE:
a profound
pity and fear
sense of
are stirred by
sadness and
the tragic story
mystery
We seem to have before us a type of the mystery
of the whole world, the tragic fact that extends far
beyond the limits of tragedy.
Tragic
Murder, Exile,
Gradual Mobilization Recognition of
Alienation of
Isolation of of the the Flaw by the
Enemies and
the Tragic Hero Opposition Tragic Hero:
Allies
too late
Last,
Audience
Courageous
Recognizes Death of the Restoration
Attempt to
Potential Tragic Hero of Order
Restore Lost
for Greatness
Honor/Greatness
In summary
First of all, in Shakespearean tragedy, we will
be dealing with a man of high estate: a king,
a prince, a general, etc.