Alexander Pope

(1711)
 Historical Background
- Draws upon the previous verse essays of
Horace, Vida, Boileau

- Liberal and flexible by the influence of

Dryden, Longinus

- More comprehensive
 Essay on Criticism
- Didactic poem
- Heroic couplet (euphemism, sophisticated)

True taste is to be found as a true genius

 Contents
1) General qualities needed by the critic
2) Particular laws for the critic
3) The ideal character of the critic
 General Qualities of the critic
A. Awareness of his own limitations
B. Knowledge of nature in its general forms
C. Imitation of the Ancients, and the use of
rules
 Awareness of his own limitations
But you who seek to give and merit Fame,
And justly bear a Critics noble Name,
Be sure your self and your own Reach to know.
How far your Genius, Taste, and Learning go;

(LL.46-50)
 Knowledge of Nature
1. Nature defined
Nature is a creation of God

2. Need of both wit and judgment to

conceive it
Some, to whom Heavn in Wit has been profuse,
Want as much more, to turn it to its use,
For Wit and Judgment often are at strife,
Tho meant each others Aid, like Man and Wife.

(LL.80-84)
 Imitation of the Ancients

1. Value of ancient poetry and criticism as

models
2. Need to study the general aims and
qualities of the Ancients
Just Precepts thus from great Examples givn,
She drew from them what they derivd from Heavn
The genrous Critic fannd the Poets Fire,
And taught the World, with Reason to Admire

(LL.98-101)
 Imitation of the Ancients
1. Value of ancient poetry and criticism as
models
2. Need to study the general aims and
qualities of the Ancients
You then whose Judgement the right Course woud steer
Know well each Ancients proper Character,
His Fable, Subject, Scope in evry Page,
Religion, Country, Genius of his Age:
Without all these at once before your Eyes,
Cavil you may, but never Criticize.
Be Homers Works your Study, and Delight,
Read them by Day, and meditate by Night

(LL.118-125)
But tho the Ancients thus their Rules invade,
(As Kings dispense with Laws Themselves have made)
Moderns, beware! Or if you must offend
Against the Precept, neer transgress its End,
Let it be seldom, and compelld by Need,
And have, at least, their Precedent to plead

(LL.161-166)
 Particular Laws for a critic
A. Consider the work as a total unit
B. Seek the authors aim
C. Examples of false critics who mistake the
part for the whole
 work as a total unit
A perfect Judge will read each Work of Wit
With the same Spirit that its Author writ,
Survey the Whole, nor seek slight Faults to find,
Where Nature moves, and Rapture warms the Mind;

(LL.233-236)
 work as a total unit
Thus when we view some well-proportiond Dome,
(The Worlds just Wonder, and evn thine O Rome!)
No single Parts unequally surprise;
All comes united to thadmiring Eyes;
No monstrous Height, or Breadth, or Length appear;
The Whole at once is Bold, and Regular

(LL.247-252)
 Particular Laws for a critic
A. Consider the work as a total unit
B. Seek the authors aim
C. Examples of false critics who mistake the
part for the whole
1) The critic who judges by wit alone
2) The rhetorician who judges by the pomp
and color of the diction
3) Critics who judge by versification only
As Shades more sweetly recommend the light,
So modest Plainness sets off sprightly Wit:
For Works may have more Wit than does em good,
As Bodies perish through Excess of Blood.

(LL.301-304)
Others for Language all their Care express,
And value Books, as Women Men, for dress:
Their Praise is still The Style is excellent:
The Sense, they humbly take upon Content.
Words are like Leaves; and where they most
abound,
Much Fruit of Sense beneath is rarely found
(LL.305-310)
But most by Numbers judge a Poets song,
And smooth or rough, with them, is right of
wrong;
In the bright Muse tho thousand Charms
conspire,
Her voice is all these tuneful Fools admire,

(LL.337-340)
Needs for aloofness from personal
mood

Personal subjectivity and its pitfalls

Avoid Extremes; and shun the Fault of such,
Who still are pleasd too little, or too much.
At evry Trifle scorn to take Offence,
That always shows Great Pride, or Little
Sense;

(LL.384-388)
The Characters of Good Critics
A. Qualities needed:
- integrity - sincerity
- modesty - good breeding
- tact
- courage
B. Concluding eulogy of ancient critics as
models
 Integrity
To what base Ends, and by what abject Ways,
Are Mortals urgd thro Sacred Lust of praise!
Ah neer so dire a Thirst of Glory boast,
Nor in the Critic let the Man be lost!
Good-Nature and Good-Sense must ever join;
To err is Human; to Forgive, Divine

(LL.520-525)
 Ancient critics as models
- Aristotle
- Horace
- Longinus
- Vida

Natures chief Master-piece is writing well

 Conclusion

- Follow the ancients work as Nature

- Criticize as a whole unit of work

- Sincerity without personal emotions