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Foundations
of Music
Education
Implications:
- Need to be understanding of the differences among
the schools that contain predominantly one
socioeconomic status level of student
- Obligation
- Attempt to make students comfortable with music
- Attempt to get students recognize the value of music
that does not immediately fulfill expectancies.
AGE STRATIFICATION
phoniness-stuffiness-jeweled-dowager
syndrome (Jon Rieger, 1973) is the
largely inaccurate notion that art
music is for older people, represents
antiquity, is always conventional,
allows little room for individuality, and
has moralistic aroma.
Implications:
Teachers should try in imaginative and different ways to
break down the phoniness-stuffiness-jeweled-dowager
syndrome (Jon Rieger, 1973). Riegers specific suggestion for
a college-level music appreciation course is to establish a
beachhead by getting the students discover the parallels
between the music they jnow and the music they dont know.
Teach different listening attitudes and approaches for art and
popular music.
Music teachers should do what they can to relate music, and
especially art music, to their students.
PLURALISM
The concept that society is made up of many
different groups with different interests and
styles of life
Implications:
Teacher needs to remember that there is not now,
and will not be in the foreseeable future
Teachers must try to meet the need for diversity
within unity
3. Cultural Factors
Ethnocentrism
- the tendency of people to view things using
their own group as the standard
Cultural Standards
- the fact that such standards are largely
qualitative and cannot be defined in a rational
way
Mass taste
Interrelationships among the arts
3. Technological Factors
as technological knowledge
of acoustics and mechanics
increased, musical
instruments also changed