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Presented by:
Erika Joy Javier
Judesio Maraat
Is it boring?
ITS JUST A SERIES OF SCALES THAT GO ON
FOREVER.
PFFT! WHY DO I HAVE TO WARM UP AT
ALL?
We need to stretch and relax the muscles
before we sing, just as we would warm up
before going for a run or lifting weights.
Warming up loosens those muscles, helps to
remove excess mucous and reduces the risk of
injury
WHAT MAKES A GOOD WARM UP?
1, 2, 3, 4, 5, 6, 7, 8, 9, 8, 7, 6, 5, 4, 3, 2, 1
a.....o...........u..............o........a......
5......5, 5, 5, 5, 5, 4, 3, 2, 1 u..... i..e..a..o..u............
(This exercise shapes the pharynx in a healthy
acoustical space for all vowels. Use the idea the all
the vowels keep some of the 'u' feel in the throat.)
1.......(oct. up), 7, 6, 5, 4, 3, 2, 1
a.......u.............................(Exercise is intended to help
singers discover more head voice in their quality and
to blend the registers more smoothly.)
1..3..1 o..u..o (Have the singer feel as though the larynx drops
slightly as they sing the 'u' vowel. This will begin to help them
discover a 'lower larynx' position. Vennard calls this the laryngeal
pivot or 'rocking' of the larynx. Use this exercise only in the
middle range.)
1..3..5..oct..3rd above...oct..5..3..1 a..e..i..o....u...........o....a..e..i
(This exercise is designed to allow a lower larynx while going into
the upper range. The 'o' and 'u' vowels are lower larynxed vowels
and performing this exercise will help the singers not to create a
'spread and shrill sound in the higher register. The jaw should be
somewhat stable encouraging the singer to pronounce with the
tongue separate from the jaw.)
5....5..4..3..2..1 ng...a............(Exercise allows for the 'ng' ring to
thread into the form of the vowel. Use the vowel modification of
'aw' for the 'a' if it is too spread.)