Dance) (The Boxers) (The Place of L’Opera) (Gaumont Chrono- photograph projector) The first movie shot in the country happened in 1898 by Antonio Ramos using a Lumiere Cinematograph from Paris. (Lumiere Cinematograph) National Artists Of The Philippines For Film Lino Brocka (1939-1991: Year of Conferment: 1997) -He has harvested countless awards and recognition here and abroad for his films that are “a bounty of stunning images, memorable conversations that speak volumes of love, betrayal and redemption, pestilence and plenty all pointing towards the recovery and rediscovery of our nation.” Films: Wanted: Perfect Mother(1970), Tinimbang Ka Ngunit Kulang (1974), Insiang (1976), Jaguar (1979), Bona (1980), Macho Dancer(1988), Ora Pro Nobis(1989), and Gumapang Ka sa Lusak(1990). Ishmael Bernal (1938-1996: Year of Conferment: 2001) -He is considered to be one of the pillars of Philippine cinema.
-He directed the critically acclaimed
Himala, where the critics consider as one of the greatest Filipino films of all times because of its provocative and courageous depictions that has served “as social commentaries and bold reflections on the existing realities of the struggle of the Filipino.” Films: Dalawang Pugad, Isang Ibon(1977), Lagi na Lamang Ba Akong Babae?(1978), Isang Gabi sa Iyo, Isang Gabi sa Akin(1978), Ikaw ay Akin(1979), and Menor de Edad(1979). Gerardo “Gerry” De Leon (1913-1981: Year of Conferment: 1982) -He holds the sole distinction as the most awarded film director in the country for the prestigious Filipino Academy of Movie Arts and Sciences (FAMAS) Awards.
-Ama’t Anak was his
directorial debut. Films: Sawa sa Lumang Simboryo, Noli Me Tangere, Sisa, Dyesebel, The Gold Bikini, Banaue, and The Brides of Blood Island. Fernando Poe, Jr. (1939-2004: Year of Conferment: 2006) -He has been given the title the king of Philippine movies.
-He is not only an
exceptional actor; he is also a film producer and politician as well. Films: Apollo Robles(1961), Batang Maynila(1962), Mga Alabok sa Lupa(1967), Ako ang Katarungan(1974), Tatak ng Alipin(1975), Totoy Bato(1977), Asedillo(1971), and Partida(1985) Eddie S. Romero (1924-2013: Year of Conferment: 2003) -His works, as cited, “are delivered in an utterly simple style—minimalist, but never empty, always calculated, precise and functional, but never predictable.” Ganito Kami Noon…Paano Kayo Ngayon?- Romero’s love letter to his country, as it tried to portray the common Filipino in the backdrop of history and imagination
Kamakalawa- probed into
indigenous precolonial Philippines. Films: Aguila, Hari sa Hari, Lahi sa Lahi, Isumpa Mo Giliw, and Faces of Love Cenaculo Moro-Moro Zarzuela National Artists Of The Philippines For Theater Daisy Avellana (1917-2013: Year of Conferment: 1999) -She is considered to be the First Lady of Philippine Theater.
-Her contributions to Philippine
theater had brought “a new level of excellence by staging and performing in breakthrough productions of classic Filipino and foreign plays.” Plays: Othello, Macbeth in Black, Casa de Bernarda Alba, and Tatarin. Honorata “Atang” de la Rama (1905-1991: Year of Conferment: 1987) -She battled for the supremacy of the kundiman and was crowned as the Queen of Kundiman.
-She popularized the song
“Mutya ng Pasig”.
-For her zarzuela and kundiman
“express best the Filipino soul.” Plays: zarzuelas such as Marina, Mascota, Sueño de Un Vals, Anak ni Eba, Aking Ina, and Puri at Buhay. Rolando S. Tinio (1937-1997: Year of Conferment: 1997) -He was a director, actor, educator, critic, translator, poet, and dramatist. He became the artistic director of Tanghalang Pilipino
-Tinio’s work as a director is well
remembered as someone “whose original insights into the scripts he handled brought forth productions notable for their visual impact and intellectual cogency.” -He translated western classic into Tagalog including the works of Shakespeare(The Merchant of Venice), Arthur Miller(Death of a Salesman), Samuel Beckett(Waiting for Godot) and August Strinberg(Miss Julie). Salvador F. Bernal (1945-2011: Year of Conferment: 2003) - He was part of over 300 productions in art, film, and music. His style is known fro maximazing the use of raw materials in theater production such as native Filipino materials like bamboo, abaca fiber, and basic gauze cacha. Lamberto V. Avellana (1915-1991: Year of Conferment: 1976) -He was dubbed as the “Boy Wonder of Philippine Movies.”
-His Barangay Theater Guild
propagated many dramatic and theatrical performances of foreign and local plays, from the readings of Shakespeare’s tragedies to Nick Joaquin’s A Portrait of the Artist as Filipino -Directed landmark films such as Kandelerong Pilak (the first Filipino film to be shown at the prestigious Cannes International Film Festival), Sakay, Anak Dalita, and Badjao Wilfrido Ma. Guerrero (1911-1995: Year of Conferment: 1997) -He was a talented writer, director, educator, and artist who wrote a number of outstanding plays, 41 of which were circulated.
-At the age of 14, he wrote
his first play entitled No Todo Es Risa in Spanish. Plays: Half an Hour in a Convent, Wanted: A Chaperon, Forever, Condemned, In Unity, Three Rats, Our Strange Ways, and The Forsaken House. Severino Montano (1915-1980: Year of Conferment: 2001) -He was an exceptional poet, director, actor, and theater organizer, playwright and an educator where he pursued the establishment of “legitimate theater”and is named as one of the “Titans of Philippine Theater.” Plays: Sabina, But Not My Sons Any Longer, Gabriela Silang, and The Merry Wives of Manila.