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The document provides information on the arts, crafts, festivals, and architecture of regions in the Visayas area of the Philippines. Some key points include: weaving, basketry, and carved wood are prominent art forms in many areas, using materials like abaca, buri palm, and shells. Festivals celebrate cultural identities and traditions through colorful costumes, masks, and performances. Important architectural structures from the Spanish colonial period include the Gothic and Baroque churches in Molo, Iloilo and Miag-ao.
The document provides information on the arts, crafts, festivals, and architecture of regions in the Visayas area of the Philippines. Some key points include: weaving, basketry, and carved wood are prominent art forms in many areas, using materials like abaca, buri palm, and shells. Festivals celebrate cultural identities and traditions through colorful costumes, masks, and performances. Important architectural structures from the Spanish colonial period include the Gothic and Baroque churches in Molo, Iloilo and Miag-ao.
The document provides information on the arts, crafts, festivals, and architecture of regions in the Visayas area of the Philippines. Some key points include: weaving, basketry, and carved wood are prominent art forms in many areas, using materials like abaca, buri palm, and shells. Festivals celebrate cultural identities and traditions through colorful costumes, masks, and performances. Important architectural structures from the Spanish colonial period include the Gothic and Baroque churches in Molo, Iloilo and Miag-ao.
Look at the picture what are the element and principles of art that are used? MINDORO
• There are seven native groups living in
Mindoro. They called themselves Mangyans. The groups living in the Southern part of Mindoro are called Hanunuo Mangyan which means “true/real/ genuine” Mangyan while another group called Iraya-Mangyan. • One of their art forms is the Ambahan, MINDORO
• A rhythmic,poetic expression with meter of
seven syllables. Avariation of this is the urukay, which uses eight syllables instead of seven. It is frequently written bamboo tubes or slats. • Iraya-Mangyans of Mindoro are fond of making Baskets with intricate patterns and designs of human, animals, trees, and other object. It is made of dried nito grass and forest vines. MARINDUQUE
• The Moriones Festival in Marinduque is a
much awaited Lenten tradition that is celebrated every Holy Week. “Morion” means masks that are made froom wood or papier- mache, with shells, animal hairs, tassels, and crepe papers.People who act as Roman soldiers during the festival wear these mask together with a vest, capes and wooden shields. MARINDUQUE
• Weaving is a skill that has been passed
through the years by people Marinduque. Because of the abundance of the buli (buri palm)and raffia that grow in their areas, these leaves become staple materials in the weaving of the Marinduque. ROMBLON
• Romblon is known for its marble
products and its woven mats and bags out of romblon plants. PALAWAN
• Palawan, known as the country’s last
frontier it is said that the first inhabitants of Plawan are the Tagbanuas. • TINGKOP is a cone shaped colander harvest basket made of blackened and natural bamboo. • Tagbanua carves are well known for their black wood sculptures of animals PALAWAN
• With simple etched or incised features
exposing the original white gdrain of the wood. • One of the most important ancient artifacts from the Philippines is the Manunggul jar (890-710 BCE). VISAYAS
• Is one of the three principal
geographical divisions of the Philippines consisting of major and minor island. It is divided into three administrative regions: Central Visayas, Eastern Visayas and Western Visayas. PANAY ISLAND
• It is composed of provinces of Iloilo,
Antique, Aklan, Capiz, and the island of Guimaras. • Weaving is a primary form of arts and crafts in Panay Island. It was once tagged as the “Textile Capital of the Philippines”. • Weaving from indigenous fibers such as jusi and pina. PANAY ISLAND
• The textiles of Iloilo are produced by the
weaving communities in Arevalo, Jaro, and Molo. • Patadyong is a wrap-around piece of cloth worn by women as a skirt and is usually paired with kimona. For a hundred years, the time consuming hand weaving of patadyong and hablon is still practiced in Iloilo, particularly in Miag-ao. PANAY ISLAND
• Pina Weaving is an age-old tradition in
Aklan, the leading manufacturer of Pina cloth in the country. These are scraped with a broken china palte and plummed by hand to reveal the first set of fibers called BASTOS. After this, it is scarped with a coconut shell to get the finer Linawan fibers. AKLAN
• Weaving baskets, trays, and mats is
also a popular craft in Aklan. • They use pandan and bariw plants. • The process of pagrara or weaving is often a form of social interaction. • They start by removing the thorny sides of the leaves using bukog, a simple stripping machine made of bamboo. AKLAN
• When the bariw have turned a deep
brown shade, these are pounded (palpag) until such time that the leaves become soft. They will be tide into bundle and pounded again before stripping them in a machine with blades called kulhadan. • The strips are arranged to make kiyapis AKLAN
• (made from four strips of bariw leaves)
that will serve as the framework for the mat called taytay before “pagpaparas” will take place. KAPIZ (CAPIZ)
• Shell is also an important material in
the craft of Panay Island, particularly in Aklan and Iloilo. • Shells are bleached and dried before being pressed or cut into different shapes. NEGROS ISLAND
• In the pre- Hispanic times, the Island of
Negros is called Buglas after the type of grass similar to sugarcane. • In Valencia, Negros Oriental, sinamay weaving is a world class industry. • Sinamay is made from abaca twine and indigenous plants similar to banana. BOHOL
• For years this has been the town’s
industry and earned them the title “Basket Capital of Bohol”. • Their products are made from whatever native product is on hand: bamboo, rattan, wicker, nito, buri, sig- id. The municipality of Tubigon is known as the loom weaving center of the province. BASEY, SAMAR
• Basey is known for its woven products
such as mats, wall decorations, and the famous colorful sleeping mat called “banig”. • Mat Weaving A typical banig usually measures around 2x3 meters. It is made from tikog, a reed grass that grows in swampy areas along rice fields. FESTIVALS IN VISAYAS
• Ati- Atihan is a festivals in Kalibo, Aklan.
It is held every third Sunday of January in honor of the aarival of the Santo Nino as a gift from Ferdinand Magellan to the queen of Cebu. • They wear colorful costumes, including the headdresses that are made of ATI-ATIHAN
• abaca fibers, shells, feathers, bamboo,
plants leaves, cogon, and sugar cane flowers. • All the participants cover themselves with soot to look like the Ati, natives of Aklan. The term “Ati-atihan” means make belive “Ati”. MASSKARA FESTIVAL
• In Bacolod is considered as the most
spectacular display of coors of the Negrenses. Masskara comes from two words, “mass” meaning crowd and “cara” which means face. • Mask designs at present have evolved from plain and simple to very ornate. PINTADOS- KASADYAAN FESTIVALS • In Tacloban City celebration honor the feast day of the Santo Nino or the Holy Child. • The word pintados refers to the body tattoos of the native warriors whos bodies were adorned with tattoos from head to toe with beautiful design and incredible styles that look like armor to resemble the tattooed warriors of pre- colonial times. ARCHITECTURE • Spaniard built churches that helped propagate their faith in the island of Visayas. 1. Molo Church in Iloilo the fusion of Gothic and Renaissance styles. The spires of the two towers of the church, and the ingterior elements, such as the altar and pulpits, show the gothic characteristics of the church. MIAG-AO CHURCH
• Iloilo, is an example of a Baroque
Romanesque architecture that shows through its massive quality, thick walls, round arches, sturdy piers, groin vaults, large towers and decorative arcades. Miag-ao is also acclaimed as a UNESCO World Heritage site. THE RUINS
• Talisay, Negros Occidental is an example
of neoclassical architecture built by a wealthy haciendero for his Portuguese wife in the early 1900s. The design is elegant and the color changes from white to gray and orange to red as the sunset touches the stucture.