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Here is a 100-word essay analyzing Picasso's painting "The Weeping Woman":
This painting depicts a woman's anguished face in blues and blacks. Picasso uses cubist techniques to break her down into geometric shapes and overlapping planes viewed from various angles, emphasizing her distress. The fragmented portrayal evokes how extreme emotion can fracture one's sense of self. The proximity of her features and overlapping lines create a sense of unease and psychological complexity. This style aligns with Gestalt principles of closure, where the eye fills in gaps to perceive a whole form, and figure-ground, with the negative space of her hair and clothing accentuating her weeping figure as the focal point. Picasso masterfully conveys inner
Here is a 100-word essay analyzing Picasso's painting "The Weeping Woman":
This painting depicts a woman's anguished face in blues and blacks. Picasso uses cubist techniques to break her down into geometric shapes and overlapping planes viewed from various angles, emphasizing her distress. The fragmented portrayal evokes how extreme emotion can fracture one's sense of self. The proximity of her features and overlapping lines create a sense of unease and psychological complexity. This style aligns with Gestalt principles of closure, where the eye fills in gaps to perceive a whole form, and figure-ground, with the negative space of her hair and clothing accentuating her weeping figure as the focal point. Picasso masterfully conveys inner
Here is a 100-word essay analyzing Picasso's painting "The Weeping Woman":
This painting depicts a woman's anguished face in blues and blacks. Picasso uses cubist techniques to break her down into geometric shapes and overlapping planes viewed from various angles, emphasizing her distress. The fragmented portrayal evokes how extreme emotion can fracture one's sense of self. The proximity of her features and overlapping lines create a sense of unease and psychological complexity. This style aligns with Gestalt principles of closure, where the eye fills in gaps to perceive a whole form, and figure-ground, with the negative space of her hair and clothing accentuating her weeping figure as the focal point. Picasso masterfully conveys inner
involves interpretation, use of knowledge, and understanding. PARTS AND WHOLES • Perception is not a passive procedure of just accepting and decoding sensations like for instance the visual scene that keeps changing from time to time or the auditory senses of listening to the humming, buzzling, and irritating noises. • The brain adjusts and bridges the gap to be able to distinguish what people see, hear as well as touch. (Berstein, Roy, Srull & Wickens, 1991) Thus, perception and mereology are closely related.
• Mereology is a study of the wholes they form from its
parts
• Inquire (1994) notes that, each “part-part-whole schema
allows children to deal with problems more flexibly by interpreting the semantic structures of different addition and subtraction problems in terms of parts and wholes
• The words “whole” and “part” tell the segregating
relationship • According to Gestalt (shape/form) theory, the world is a functional logical whole, the events and experiences in real life are arranged into significant components, and the natural elements have their individual structure.
• Through perception Gestalt experts believe that the
brain enhances whole forms pertinent to visual recognition from local to international figures such as scrutinizing the lines, curves, points, and many other shapes. Your brain sees a dog walking, but it’s nothing more than a series of moving dots.
“The unified whole is different from the sum of its parts.”
• Gestalt principles or laws are rules that describe how the human eye perceives visual elements. • These principles aim to show how complex scenes can be reduced to more simple shapes. • They also aim to explain how the eyes perceive the shapes as a single, united form rather than the separate simpler elements involved. 1.Proximity “objects that are closer together are perceived as more related than objects that are further apart” (Bradley, 2014).
This demonstrates that figures that
are closer to each other have the tendency to cluster together since the brain directly identifies object that are familiar compared to elements that are outside of the category. (2) Similarity “Elements that share similar characteristics are perceived as more related than elements that don’t share those characteristics” (Bradley 2014).
This takes effect when objects
are grouped together and perceptually they are similar to the other through color, texture, shape, shading, and among other qualities. (3) Common Regions “Elements are perceived as part of a group if they are located within the same close region” (Bradley 2014).
This principle portrays that
even related elements are being enclosed yet outside the boundary is consider a separate entity (4) Focal Points “Elements with a points of interest, emphasis or difference will capture and hold the viewer`s” (Bradley 2014).
This principle elaborates that
anything that is different in a group of similar objects will alert or provoke danger to the viewers. (5) Uniform Connectedness “Elements that are visually connected are perceived as more related than elements with no connection” (Bradley 2014).
This principle allows to connect
two set of uniform objects. (6) Closure “When seeing a complex arrangement of elements, we tend to look for a single recognizable pattern” (Bradley 2014).
This indicates that people see
objects such as shapes, letters, and pictures as wholes even when these objects are not complete because the brain has the capacity to fill in the gaps (7) Symmetry and Order “People tend to perceive objects as symmetrical shapes that form around their center ” (Bradley 2014).
This shows that the brain
sees objects as symmetrical and creates a center even if one part is missing allowing the brain to immediately link to form a shape. (8) Continuation “Elements arranged on a line or curve are perceived as more related than elements not on the line or curve” (Bradley 2014).
This explains when objects are
clustered and incorporated into perceptual wholes and that they are aligned together even if there is an intersection between this objects. (9) Figure or Ground “Elements are perceived as either figure (the element in focus) or ground (the background on which the figure rests” (Bradley 2014).
This principles speaks of the
connection between positive and negative spaces since the eyes will divide whole objects from backdrop to comprehend the theme of the subject . (10) Common Fate (Synchrony) “Elements that move in the same direction are perceived as more related than elements that are stationary or that move in different direction” (Bradley 2014). This illustrates when objects are seen as lines moving in the same direction, viewers will see them as being related even if they are different from each other. (11) Parallelism “Elements that are parallel to each other are seen as more related than elements not parallel to each other” (Bradley 2014).
This parallelism principle applies
to lines that are moving or pointing to the same destination that will make these objects related . (12) Law of Pragnanz (Good figure or law of simplicity) “people will perceive and interpret ambiguous or complex images as the simplest form(s) possible” (Bradley 2014).
This takes effect when objects
are grouped together and perceptually they are similar to the other through color, texture, shape, shading, and among other qualities. (13) Past Experience “Elements tend to be perceived according to be observer’s past experience” (Bradley 2014).
This denotes that in some
situations visual stimuli are grouped from past experience such as street signs or traffic lights. Importance of the GESTALT PRINCIPLE • Enables individuals to create an organized whole. • 90% is judged from the brain and the remaining 10 % is from the eyes. Importance of the GESTALT PRINCIPLE • These theories are used by the designers and concept makers to create a fad in the market. • They also regulate these optical illusions to create powerful products and design giving birth to artistry. Importance of the GESTALT PRINCIPLE • Gestalt even reduces the product to have a plain design, logo or slogan allowing many to save space or aid communication. • It is important to get a deeper grasp of Gestalt Theories to create a fad that will transform into a trend and then later provide branding from such creation. TASK: Picture Analysis
• You will see some paintings by
Pablo Picasso, a famous Spanish painter known for his abstract works and co-founder of the cubist. • Select one painting and write a 100-word essay with the following guide questions: TASK: Picture Analysis
1. Describe the painting based from
your perception/interpretation. 2. What significance can you find in the painting? 3. Associate the picture from any of the 13 principles of the gestalt theory. Dora Maar Au Chat Reading The Weeping Woman The Sculptor