This document provides an overview of creative nonfiction as a genre of writing. It defines creative nonfiction as a type of writing that combines factual information with fictional elements like narrative style, scene setting, and point of view. The document discusses some pioneering figures in creative nonfiction like Lee Gutkind and Nick Joaquin. It also outlines some common elements and styles used in creative nonfiction, such as vivid language, dramatic scenes, and revealing the author's unique voice and perspective.
This document provides an overview of creative nonfiction as a genre of writing. It defines creative nonfiction as a type of writing that combines factual information with fictional elements like narrative style, scene setting, and point of view. The document discusses some pioneering figures in creative nonfiction like Lee Gutkind and Nick Joaquin. It also outlines some common elements and styles used in creative nonfiction, such as vivid language, dramatic scenes, and revealing the author's unique voice and perspective.
This document provides an overview of creative nonfiction as a genre of writing. It defines creative nonfiction as a type of writing that combines factual information with fictional elements like narrative style, scene setting, and point of view. The document discusses some pioneering figures in creative nonfiction like Lee Gutkind and Nick Joaquin. It also outlines some common elements and styles used in creative nonfiction, such as vivid language, dramatic scenes, and revealing the author's unique voice and perspective.
principles and fictional elements • Do a close reading of creative nonfictional texts. • Analyze and interpret factual/npfactual aspects in texts. Initializing Confucius contended that education is a way to cultivate oneself. Plato on the other hand postulated that education makes a man good. And some would say that education is one’s ticket to success. But in this ultimate goal of studying? Is it worth the years students spend in school? Unzip
Sir Francis Bacon (1561-1662) is
considered as the Father of the English Essay and is famous for his wit and aphoristic style. He discusses politics, philosophy, and science in most of his works. Boost SLOTH Laziness, inactivity CONTEMN Treat, regard CONFUTE Refute, argue SUBTILE Elusive, vague WROUGHT Shaped, created Boost ABEUNT Practices zealously pursued pass into STUDIA IN habits. MORES
CYMINI “hairsplitters” (literally, “dividers of
SECTORS cumin seed”) OF STUDIES By: FRANCIS BACON CONTENT 1. According to Bacon, what are the purposes of studying? What does he mean with each purpose? 2. Although he emphasizes the significance of studies, what warning/s did he offer? Why? 3. What are the effects of reading, writing, and conversation to people? FORM AND STYLE 1. What disposition/mood is evoked in the opening paragraphs of the essay? 2. Is the language of the essay effective in delivering the author’s messages to the audience? How? 3. Brevity is the use of concise or succinct words without sacrificing meaning in writing. How did Francis Bacon exemplify the “quality of brevity “ in his essay? Cite examples. UPGRADING
Creative nonfiction includes types of writing like
essay, memoirs, profiles, reports, journalistic writing, biographies, autobiographies, narratives, travelogue, blogs, testimonials, among others. UPGRADING LEE GUTKIND was dubbed as the “grandfather of creative nonfiction” by the Vanity Fair Magazine in 1997 because he pioneered, activated and advocated the popularity of the genre in the 1970s. He also founded the first and largest literary magazine entitled Creative Nonfiction which featured narrative and creative nonfiction works. UPGRADING In Philippines, the work of NICK JOAQUIN, his oral history accounts of people in the Philippines Free Press and his books like “The Aquinos of Tarlac” and “Quartet of the Tiger Moon,” are considered pioneering masterpieces of creative nonfiction. Today, Joaquin is considered the best writer of his generation. His works are classic representations of creative nonfiction in the Philippines where he showcased his boundless versatility and creativity. They include human-interest features and crime stories, articles and reportage on local icons of pop culture (Nora Aunor an other Profiles, Ronnie Poe, and other Silhouettes.) ELEMENTS AND STYLES
• Literary styles of creative nonfiction present a unique challenge in
presenting the content through language, scenes, details, and point of view. • A creative nonfictionist is someone who possesses skills of a narrator or storyteller and the mind of critical thinker. • Creative nonfiction doesn’t only include facts but also elaborates, interprets, and presents the work to the reader in an interesting fashion. It is a compelling work of literature that combines facts with facets of traditional genres. ELEMENTS AND STYLES
• Molding real-life experiences into essays where language reflects
content. • Writers use scenes and details to create immediacy in their stories– the ability to bring subject matter to life.
• The author’s presence, either directly or indirectly narrating the
story, creates a distinctive voice that reveals his/her personality, attitude, beliefs, and interests. ELEMENTS AND STYLES
For example:
In Bacon’s “Of Studies,” it is evident that the author
reveals his thoughts and attitudes toward learning. He offers purposes, gives warnings, and cites effects of studying. (Personal touch through POINT OF VIEW.) ELEMENTS AND STYLES
• Language is critical in creative nonfiction.
• The language of author conveys visual imagery. The words used encourage memory sights, sounds, and smells. (Language makes the meaning sensible) ELEMENTS AND STYLES
• The SCENES dramatize the facts and details of
creative nonfiction.
• Dialogues, actions verbs, and descriptions are used
in order to make the scenes interesting. GENERATING MY GOALS
After reading and discussing Bacon’s “Of
Studies,” identify three influential people who inspire your studies. Explain in two to three sentences why each person influences/inspires you, with facts, descriptions, and details. GENERATING DRAW AND EXPLAIN
With a partner, think and draw an object or
thing that represents the idea of “studying” for you. Write your explanation in a paper using facts, descriptions, and details, and read it before the class. GENERATING MY DREAM SCHOOL AND COURSE
Interact with a peer and talk about your dream
course and ideal school for college. Afterwards, write two to three sentences that summarize your partner’s ideas. Observe the use of facts, descriptions, and details in your output. Share your discussion with other pairs. #HASHTAG
Make a short but catchy hashtag about
the lesson. Consider personal relfections, reactions, and learning. You may want to explain your hashtag in one or two sentences with facts, descriptions, and details. #HASHTAG Make a short but catchy hashtag about the lesson. Consider your personal reflections, reactions, and learning. You may want to explain your hashtag in one or two sentences through metaphors to express emotions.