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STRUCTURALISM

A N A LY S I S O F T H E M A P
A N I S AT U L I S T I G H F A R O H
A N N I D A U L H I D AYA H
E M I L J A KO B TO M M Y L .
THE MAP
Land lies in water; it is shadowed green. Mapped waters are more quiet than the land is,
Shadows, or are they shallows, at its edges lending the land their waves' own conformation:
showing the line of long sea-weeded ledges and Norway's hare runs south in agitation,
where weeds hang to the simple blue from green. profiles investigate the sea, where land is.
Or does the land lean down to lift the sea from under, Are they assigned, or can the countries pick their colors?
-What suits the character or the native waters best.
drawing it unperturbed around itself?
Topography displays no favorites; North's as near as West.
Along the fine tan sandy shelf More delicate than the historians' are the map-makers' colors.
is the land tugging at the sea from under?
Elizabeth Bishop
The shadow of Newfoundland lies flat and still.
Labrador's yellow, where the moony Eskimo
has oiled it. We can stroke these lovely bays,
under a glass as if they were expected to blossom,
or as if to provide a clean cage for invisible fish.
The names of seashore towns run out to sea,
the names of cities cross the neighboring mountains
-the printer here experiencing the same excitement
as when emotion too far exceeds its cause.
These peninsulas take the water between thumb and finger
like women feeling for the smoothness of yard-goods.
COLOURS

Land lies in water; it is shadowed green.

Shadows, or are they shallows, as its ledges


COLOURS
The shadow of Newfoundland lies flat and still.
Labrador's yellow, where the moony Eskimo
has oiled it.

Are they assigned, or can the countries pick their colors?


-What suits the character or the native waters best.
Topography displays no favorites; North's as near as West.
It has value in colours
More delicate than the historians' are the map-makers' colors.
It was picked randomly

(line 5-8, stanza 3)


WORLD MAP
BINARY OPPOSITIONS

There are 2 major of binary oppositions in the poem

Land and Sea Real World and Map

The map incorporates the essence of structuralism.


SYMBOLIZES
World / Concept

Signifier / Signified

Reality / Imagination

Limitations of the map


EXAMPLE IN THE TEXT

Or does the land lean down to lift the sea from


under,
drawing it unperturbed around itself?
Along the fine tan sandy shelf
is the land tugging at the sea from under?

Limitations: The readers cannot decide whether the land is


in the water or the water is in the land.
EXAMPLE IN THE TEXT

These peninsulas take the water between thumb and finger


Like women feeling for the smoothness of yard-goods.

(Line 9-10 of stanza 2)

Peninsulas Fallacy in the map


FORM
Differences of stanzas

The Poem Explanation

Stanza 1 Rhyming ABBACDDC

Stanza 2 Free-Verse

Stanza 3 Rhyming ABBACDDC

2nd stanza shows the binary oppositions:


“Nature is both free and has rules”
NAMES
Oppression
The names of seashore towns run out to sea,
the names of cities cross the neighboring
mountains
-the printer here experiencing the same Which cities are considered
excitement important than the others
as when emotion too far exceeds its cause.

(Line 7-9, Stanza 2)


Excitement being too big

Excitement—critique of map and value Oppression of what lies beneath


the city name

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