David’s concerns for his master, Acres. Acres is determined to fight. Absolute was called by Acres. Acres requests Absolute to deliver his letter to Beverly and asked him to be his second in the duel. Acres instructs Absolute to create a frightening image to his enemy. “Fighting Bob” Critical comments Farcical scene made by Acres’s exaggerations about his courage and sense of honour , when he is in reality a coward. David becomes quite a lovable character with his genuine concern for his master. He innocently mocks at him and intelligently argues about the worthlessness of a duel. His rustic wit, humour, commonsensical views, and cleverly witty language seems to be higher character in the play. Act iv , scene ii Lydia’s misconception. Sir Anthony and Captain Absolute call upon Mrs.Malaprop. Sir Anthony compels Captain Absolute to address Lydia. The truth of the matter is revealed: Captain Absolute’s confession. Mrs.Malaprop, Sir Anthony and Lydia are surprised after discovering the truth. Act iv , scene ii Captain Absolute trapped in a difficult situation. Absolute plays a part of a faithful lover. Mrs.Malaprop and Sir Anthony returned after the completion of Absolute’s and Lydia’s conversation. They found her in depression. criticAL COMMENTS The scene is very relevant in terms of the development of the plot. The scene in a way masks the climax of the Lydia- Absolute love affair. Since it resolves the complication which had been building up through out the first three acts. Lydia’s whimsical character. Absolute in a pitiable state. criticAL COMMENTS Humour in the scene. Scenes are managed cleverly. Captain Absolute is forced to face the Lydia The delightful pretensions of anger by Sir Anthony Lydia’s frustrated fancies of elopement and deceiving her Aunt. criticAL COMMENTS
Mrs. Malaprop ‘s discomfiture in recalling
that he is the one who called her a “dragon”. The elements of suspense. Act iv, scene iii Sir Lucius challenges Absolute to a duel. Absolute agrees to take up challenge. Decided to meet at Kings’s Mead fields at six in the evening, to fight with small swords since the light will dim then. Faulkland comes to meet Captain Absolute. Faulkland receives a letter from Julia. Absolute rebukes or upbraids Faulkland. Act iv, scene iii
Faulkland indulges in his fancies again,he
finally decides to give another test to Julia’s love, the idea of being Absolute’s second in the duel. Critical comments The hero of the main plot Absolute and hero of the sub-plot Faulkland are at the serious crisis in this scene. Julia-Faulkland conflict. In this scene, the characters and their affairs have been so cleverly manipulated than everything seems set for climax and a consequent resolution.