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TESTING RECEPTIVE

SKILLS
READING AND LISTENING
The receptive skills are listening and reading,
because learners do not need to produce
language to do these, they receive and
understand it. These skills are sometimes known as
passive skills. They can be contrasted with the
productive or active skills of speaking and writing.
When learning a new language learners tend
to develop their receptive skills first and
then acquire productive capability. It’s a
complex relationship between the two as
they all play a supporting role with
developing other skills.
The key difference between reading and listening
is that when learners listen to information, they
have much less support than when they are
working with the written word on the page.
Listening requires ‘real-time’ processing of
language, and once the message has finished,
there is no easy way to go back and check for
meaning, as there is during reading.
HOMOPHONES/HOMONYMS FROM WORD DOCS
LEADS TO AMBIGUITY
LISTENING VS READING
Spoken Language Written Language
Use of weak All text is
forms and equally visible
contractions on the page.
make some There are no
parts hard to strong and weak
perceive; forms;
LISTENING VS READING

Body language Text often has


(e.g. facial little or no
expressions and visual support.
gestures) helps
understanding.
LISTENING VS READING

 Stress, intonation,  Punctuation and


and pauses show spaces between
emphasis and words show word,
groupings of sentence, and
ideas; paragraph
boundaries;
LISTENING VS READING
Spoken Language Written Language

 Tends to be informal  Tends to be


and colloquial, more formal,
 Text is gone quickly; so  Text stays on the
you often can’t refer page; you can
back to check it, refer back to it ,
LISTENING VS READING
 Often unplanned  Usually planned
and unorganized with and organized with
repetition, hesitations, and little ‘repetition’
interruptions,  Precision and
 Vagueness and clarity are
ambiguity are allowed preferred, and
and often preferred, often required
What is about reading that
makes it such an useful
tool?
1) Reading is a source of input.
2) Printed text are permanent.
3) Reading texts are great tools for
vocabulary development.
4) Reading is linked to speaking.
5) Reading gives students more time to
themselves.
6) Reading is an easily integrated skill.
7) Reading texts can be graded flexibly
to your learners.
What is listening?
Definition: The ability to identify and understand what
others are saying. Listeners are capable of
simultaneously understanding a speaker’s
Accent
Pronunciation
Grammar
Vocabulary
Meaning
Although hearing is a natural process, listening
is not. Learning effective listening skills is crucial
in order to get the most out of each message.
All assessment of listening and reading must be made on
the basis of observing the ‘test takers’ speaking or
writing (or non-verbal behavior) and not on the listening
or reading itself. So, all assessment of receptive
performances must be made by inference.
Testing Reading and Listening Skills…
 Both listening and reading are receptive skills, but
listening can be more difficult than reading because:
 Different speakers produce the same sounds in
different ways, e.g. dialects and accents, stress, rhythm,
intonation, etc.;
 The listener has little/no control over the speed of talk;
 The spoken material is often heard only once (unlike the
reading material);
Testing Listening Skills…
• The listener cannot pause to work out the
meaning;
• Speech is more likely to be distorted by
background noise (e.g. around the classroom)
or the media that transmit sounds;
• The listener sometimes has to deal
simultaneously with another task while
listening, e.g. note-taking, etc.
Sources of difficulty for learners…
• Unfamiliar vocabulary • Accent
• Grammar • Speed
• Text too long • Idiomatic speech
• Several people talking • Task too difficult
• Unfamiliar Context • Not prepared for the
• Lots of details format
• Topic not interesting • A lack of background
• Theme not clear information
Types of listening text
• Formal lectures
• Causal chats
• Face-to-face interactions
• Telephone messages
• Radio and TV presentations
• Native Speakers’ speech in all kinds of situations
• loudspeaker announcements, telephone conversations, radio
news, interview, lesson, lecture, story-telling, shopping
conversation, gossip, instructions, meetings, watching television,
negotiations, watching movies, theatre show…
How do we listen?
Basic stages of Listening (Brown 2004, 188-119)

(1) You recognize speech sounds and hold a temporary “imprint”


of them in short-term memory.

(2) You simultaneously determine the type of speech event


(monologue, interpersonal dialogue, transactional dialogue) that
is being processed and attend to its context (who the speaker
is, location, purpose) and the content of the message.
3) You use (bottom-up) linguistic decoding skills and/or (top-down)
background schemata to bring a plausible interpretation to the
message, and assign a literal and intended meaning to the
utterance.

(4) In most cases (except for repetition tasks, which involve


short-term memory only), you delete the exact linguistic form in
which the message was originally received in favor of conceptually
retaining important or relevant information in long-term memory.

Each of these stages represents a potential assessment


objective (Brown 2004, 188-119)
Types of listening
• Intensive listening can be tested through
discrimination among smaller components like
phonemes, words, discourse markers, among
others. Testing intensive listening generally
involves a spoken stimulus and the test-taker
is required to identify the stimulus from two
or more choices.
• Responsive listening testing has a question-
and-answer format. The test-taker is required
to find the appropriate response. The test has
a multiple-choice format (with answers that
seemingly have similar meanings) or requires a
more open-ended framework.
• Implies listening to a text with the purpose of
scanning for certain details or information.
Extensive/Extended listening
• Extended listening involves the
comprehension and reproduction in writing
of a moderately large spoken passage
(dictation), generally of about 50 to 100
words. A variant of this test is answering
comprehension questions after listening
to the passage several times.
Validity in Listening Assessment

• measure comprehension (not hearing,


spelling, prior knowledge of a topic or
reading long multiple choice questions)
• Base assessment on the learning
objectives and listening tasks of the
unit/course
Reliability in Listening Assessment
• Minimize anxiety
• Ensure all learners can hear/see the
text/video equally and that there are no
distracting noises
• Avoid ambiguous or ‘trick’ test items Ensure
more than one scorer for correcting open-ended
test items
AUTHENTICITY IN LISTENING ASSESSMENT

• USE TEXTS WITH AUTHENTIC, REAL-LIFE SPEECH


• AVOID USING TEXTS THAT ARE DENSE AND COGNITIVELY
DEMANDING (MEANT TO BE READ AND NOT LISTENED
TO)
• CHOOSE COMPREHENSION TASKS THAT REFLECT REAL-
LIFE PURPOSES FOR LISTENING
• AVOID DIFFICULT ACCENTS AND DIALECTS
Steps in designing listening tests

• Identify the purpose of the listening test, keeping in mind


learner goals. The listening test should reflect what students are
learning and what they need.
• Decide on the format for test items and create the test form.
• Create or secure listening passages to be used in the test.
Many commercial programs come with audio files. For authentic
materials, you could record a radio segment or take advantage of
listening materials available on the Internet. Universities and
professional language organizations often have recorded language
samples on their websites.
• Be sure that instructions are clear. Do not risk
letting students' misunderstanding of test
directions get in the way of assessing listening skill.
• Ensure optimal listening comprehension by framing
the task to activate background information that
will aid in comprehension. For example, you could
introduce a listening segment by saying, "In the
passage you will hear, two friends are having a
conversation in a train station." Give step-by-step
instructions for more complex listening tasks.
Steps in designing listening tests

• Determine scoring criteria.


• Scoring true/false or multiple choice
items is uncomplicated, but asking
students to take notes on a passage or
write a summary presents challenges.
Types of Listening Comprehension Assessment Tasks
• True/ False
A picture Spoken Statements
• Multiple Choice
A set of three or four pictures
A spoken statement
When Designing Multiple Choice Items:

• use as much visual material as possible to


avoid interference of other language
skills;
• keep the stem/ the question short ;
• use three (instead of four) options;
• keep the language of the options simple;
Activity Types for Testing Listening Comprehension
• Information transfer
(drawing a route on a sketch/map, labelling diagrams/pictures,
completing a form/a table)
“Picture dictation”
An incomplete picture
Or a blank page (students listen to the description and draw the
picture)
Example:
a. The listeners listen and fill in details on the picture.
b. The learners listen and label parts of a picture or diagram.
Picture Dictation
Types of Listening Test Items
•Oral cloze
•Picture ordering
• What is it?
Example: I forgot it when I left home this morning. This made
me angry because it is useful. I don’t like it very much but I
need it. Not every person has one, but I think most people do.
Some people like to look at it and now many people play with
it. Mine is quite heavy….
Extended Listening

• Students listen to an extended extract (a talk, an


interview etc). Not based on visuals
• Students are asked multiple-choice questions
based on an extended passage
Writing items for extended listening
(e.g. to a talk):
• focus on the most important points from the content – the
general meaning and intention of the message;
• avoid testing memorization of unimportant or irrelevant points;
• space out the items throughout the passage (keep the items
well apart from each other): we should not punish the students
for not being able to answer a subsequent item because it
‘comes’ too soon after the previous one;
• pay attention to signposting (signaling that certain information
is about to be heard in the passage, e.g. After considering
these two factors, …; My last point is …): it is only fair that
students should be warned by key words (in the test item and
the passage) about that;
Writing items for extended listening
(e.g. to a talk):

• give sufficient time to students to look


through the items before they listen to the
relevant excerpts: familiarization with the
items will compensate to some extent for
the lack of extra-linguistic features which
help comprehension in real life situations
Steps in Writing Tasks for Listening
• (1) Identify the main points in the text, i.e. units of
meaning.
• (2) Decide what type of "strategy" is normally used for
decoding this type of text and which "processes" are
involved.
• (3) If understanding details is aimed at, make sure that
your questions cover the main points and are distributed
evenly over the text.
• (4) If global understanding is aimed at, find items which
do NOT focus on details!

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