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ELEMENTS AND TYPES OF POETRY
P P
O
R
ET
O RY
SE
Prose Form vs. Poetry
Verse
• PROSE FORM • POETRY VERSE
Major Characters
CHARACTER TYPES:
Protagonist Antagonist
- the main - the person or
character of thing working
the story that against the
is most central protagonist, or
to the action of hero, in the
ELEMENTS OF
FICTION
C. CHARACTERS (continued)
Helpful hint:
Ask yourself what lesson the main character
learned in the story
ELEMENTS OF
G. THEME FICTION
Central idea or meaning
What the story is all about
Unifying point of all the other
elements of fiction
Result of entire story
Not one object
ELEMENTS OF
FICTION
H. IRONY- having a contradiction in
terms of dialogues, events, and
beliefs
Verbal (dialogues)
Situational (unfolding of events)
Dramatic (character’s
belief/statement vs reader’s
understanding of truth)
ELEMENTS OF
FICTION
I. TONE- attitude of the author
towards the subject
Serious or ironic
Sad or happy
Private or public
Angry or affectionate
Bitter or nostalgic, among others
DRAM
A
Tries to imitate life with efficacy through
action.
DRAMA
AND ITS
Defining a. Aristotle
Drama Defined by Aristotle as “a criticism of life, on a
stage, with action, characters and dialogue.”
The Greek word for “deed” or “action” is dran.
Art imitates
life or life b. Merriam-Webster’s Dictionary
imitates art? “A composition in verse or prose intended
to portray life or character to tell a story
usually involving conflicts and emotions
through action and dialogue and typically
designed for theatrical performance”
Why do
a. “The Play’s the Thing”
artists create
• Collaboration of the arts: Visual, Performing, etc.
plays?
• Flexible art
• Enhanced experience than reading in isolation
The person who
writes drama for
stage directions b. Impact and Efficacy
is known as a
• the ability to produce a desired or intended
“dramatist” or
result or effect
“playwright.”
• Catharsis- the process of releasing, thereby
providing relief from, strong or repressed
emotions; purgation/ emotional release
Elements a. Plot
of Drama • the form and structure of the
action and the arrangement of
incidents of the play.
b. Setting
• identifies the time and place in which the
events occur. It consists of the historical
period, the moment, day and season in
which the incidents take place.
Elements c. Character
of Drama • a person, animal or entity in a
story, scene or play with specific,
distinguishing attributes.
d. Conflict
• the main problem or struggle in a
story between the protagonist
and an opposing force
Elements e. Irony
of Drama • is a term with a range of
meanings, all of them
involving some sort of
discrepancy or incongruity
f. Symbolism
• a literary symbol means more
than what it is. It has layers of
meanings.
Elements g. Theme
of Drama • is considered as the unifying element
that defines the dramatized idea of the
play. It is the over-all sense or
implication of the action.
h. Movement
• The actor’s movements are keyed to the
structure of their speeches. The stage
directions give information as to where
the characters are, where they go, and
even the significance of their movements.
i. Music
Elements • Some dramas incorporate music for
of Drama dramatic effect. This may be sung live
or used as a background to set the
mood of the play..
j. Dialogue
• The speeches the characters use to advance the action.
• The dialogue may take the form of a
a. Soliloquy – a speech in which an actor, usually alone
on the stage, utters his/her thoughts aloud, revealing
personal feelings.
b. Aside – a short speech made that other characters
onstage do not hear.
Types of a. Tragedy
Drama • The oldest of written drama, has a serious nature
• Characters experience reversals of fortune, usually
for worse; character/s await suffering/ catastrophe
• Basic emotions: pity and fear
• Ex. : Romeo and Juliet by William Shakespeare
b. Comedy
• Trects its subject in a lighter vein no matter how
serious the subject may be
• Characters experience reversals of fortune, usually
for the better; things work out happily in the end
• Provokes thoughtful laughter
• Ex. The Conscious Lovers by Sir Richard Steele
Types of c. Tragicomedy
Drama • A play that does not adhere strictly to the structure
of tragedy. This is usually a serious play that also has
some of the qualities of comedy. It arouses thought
even with laughter.
• Ex: The Merchant of Venice by William Shakespeare
d. Farce
• It is a nonsensical genre of drama, which often
overacts or engages slapstick humor.
• Ex: Shakespeare’s Comedy of Errors, The Taming of
the Shrew, and The Merry Wives of Windsor
Types of e. Melodrama
Drama • Melodrama is an exaggerated drama. It shows
events that follow each other rapidly, but seems to
be governed always by chance. The characters are
victims in the hands of merciless fate.
• Ex: Titus Andronicus by William Shakespeare
f. Musical Drama
• In musical dramas, dramatists not only tell their
stories through acting and dialogue, but through
dance as well as music. Often the story may be
comedic, though it may also involve serious subjects.
• Ex: Once by Enda Walsh, Annie: The Musical
Philippine Philippine drama takes its roots from
Drama precolonial history. It has been
shaped by the various influences of
what people think constitute
entertainment: rituals, songs,
dances, comedy, drama, and so
much more.
Greek Hamartia – a tragic flaw that causes the
downfall of a hero.
Tragedy Hubris – excessive pride and disrespect for the
Drama: A
natural order of things.
Peripeteia – The reversal of fate that the hero
Pattern of experiences.
Anagnorisis – a moment in time when hero
Tragic makes an important discovery in the story.
Creative
Nonfictio
n
WHY DO WE (HAVE) TO READ/WRITE
CREATIVE NONFICTION TEXTS?
• Genres are not static.
• Memories may falter, fade, blur through time.
• Imaginative faculty may intervene in the rendition of facts
• It pursues the more potent way of telling a story, not
necessarily an objective one.
• Give us a chance to revisit and restructure our
experiences.
ROMANS 12:1-2