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Gender Roles in

Japanese Popular
Music, 1980-2000
BY BRENDAN MCGOVERN
Pop Music Comparisons

Japanese American
 Enka song ballads  Country music
 J Pop idols  Pop divas
 Female: Matsuda  Madonna, Britney
 Male: SMAP  Backstreet Boys
 J Rock bands  Rock/Alternative
 Visual kei  KISS, David Bowie
(British)
Enka- Japan’s “Country music?”

 “National music,” or
“heart and soul” of Japan
 More female singers in
enka, more male singers
in country, both male-
dominated industries
 Both glorify traditional,
blue collar life, submissive
roles for women
 Enka tends to focus more
on women’s sorrow- failed
romances, longing for lost
love, illicit love affairs
Female Idols

Japanese American
 Seiko  Madonna
Matsuda  Miley Cyrus
 AKB 48

• https://www.youtube.com/wa
tch?v=iwB8kaT_MRY

• Increased agency- sexual


liberation
• Resurgence of production
company-groomed idols
• https://www.youtube.com/wa
tch?v=fTq4Z--gA_k
Boy Bands
 SMAP
 Run by Johnny & Associates since 1988
 Cross-dressing for commercials and
music videos- not entirely serious
 Katori’s “Shingo Mama”
 1980s “new man” ideal- sensitive,
caring for children, counter to salary
man trope
 Best selling band in Asia
 Backstreet Boys
 Homosexual implications, but still
masculine
 Best selling boy band in history
Visual-kei and Glam Rock
• Influenced by Western “glam” rock (KISS) and artists
like David Bowie
• Band members almost always male, cross-dressing
and cosplay
• Music and costumes combine influences from
classical, heavy metal, rock, video game and manga
characters
• https://www.youtube.com/watch?v=UXYUosk-Cgk
Female musicians in J
Rock
 Princess Princess, “Go Away Boy”
https://www.youtube.com/watch?v=2Rn73hjPWGg
 Shonen Knife, “Butterfly Boy”
 https://www.youtube.com/watch?v=0Q8yauGYUs
A
References
All images and videos from Google and
YouTube
 Bernstein, Gail Lee. Recreating Japanese Women, 1600-1945. Berkeley and Los Angeles, CA: U of California, ©1991. Print.
 Caputi, Jane. "The Real "Hot Mess": The Sexist Branding of Female Pop Stars." Sex Roles 70.9-10 (2014): 439-41. Web.
Accessed 2/25/17.
 Cogan, Brian, and Gina Cogan. "Gender and Authenticity in Japanese Popular Music: 1980-2000." Popular Music and
Society. 29.1 (2006): 69-90. Web. Accessed 2/21/17.
 Darling-Wolf, Fabienne. "SMAP, Sex, and Masculinity: Constructing the Perfect Female Fantasy in Japanese Popular
Music." Popular Music and Society 27.3 (2004): 357-70. Web. Accessed 2/21/17.
 Gaugler, Audra. "Madonna; An American Pop Icon of Feminism and Counter-Hegemony." Diss. Lehigh U, 2001. Print.
 McLeod, K. "Visual Kei: Hybridity and Gender in Japanese Popular Culture."Young 21.4 (2013): 309-325. Web. Accessed
2/20/17.
 Rasmussen, E.E. & Densley, R.L. “Girl in a Country Song: Gender Roles and Objectification of Women in Popular Country
Music.” Sex Roles (2017) 76: 188. Web. Accessed 2/24/17.
 Stanlaw, James. "Open Your File, Open Your Mind: Women, English, and Changing Roles and Voices in Japanese Pop
Music.” Japan Pop! inside the World of Japanese Popular Culture. Ed. Timothy Craig. London: Routledge, ©2015. N. pag.
Print.
 Stevens, Carolyn S. Japanese Popular Music: Culture, Authenticity, Power. New York: Routledge, ©2008. Print.
 Yano, Christine. “The Marketing of Tears: Consuming Emotions in Japanese Popular Song.” Japan Pop! inside the World of
Japanese Popular Culture. Ed. Timothy Craig. London: Routledge, ©2015. N. pag. Print.
 Yano, Christine. "Inventing Selves: Images and Image-Making in a Japanese Popular Music Genre." The Journal of Popular
Culture 31.2 (1997): 115-29. Web. Accessed 2/20/17.

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